Category Archives: 2018

“Scene in LA” May 2018 by Steve Zall and Sid Fish

Here are some of the shows you can see in our local theaters this month:

 

“Cardboard Piano” Against the backdrop of Uganda’s civil war, the union of the daughter of an American missionary and a local teenage girl is disrupted by violence. Hansol Jung’s haunting drama confronts the religious and cultural roots of intolerance, as well as the human capacity for hatred, forgiveness and love. Written by Hansol Jung, and directed by caryn desai [sic], it runs May 4 through May 20 at the International City Theatre Long Beach Performing Arts Center in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.

“SOLO MUST DIE: A Musical Parody” In an untold adventure somewhere in between “A New Hope” and “The Empires Strikes Back,” Han Solo crash lands in Cloud City and is torn between his smuggler past and his new status as a galactic hero, as he sings and dances his troubles away, all while trying to make it out alive. Written by Jordan & Ari Stidham, with music by Hughie Stone Fish and Ari Stidham, and directed by Ari Stidham, it runs May 4 through May 27 at the Hudson Backstage Theatre in Los Angeles. For tickets call 323-960-7788 or visit www.plays411.com/hansolo.

 

“The Baby Dance: Mixed” is a compelling and urgent play about race, class, and wanting the perfect child. In the story, Regina and Richard, an affluent mixed-race couple in Los Angeles, have everything except a baby. Wanda and Al, an African-American couple living in an overcrowded trailer in modern-day Louisiana, are too poor to keep their soon-to-be-born child. Through an adoption attorney, the two couples broker a deal. However, circumstances arise that affect their decision and the situation spins out of control. Written by Jane Anderson, and directed by Jenny Sullivan, it runs May 5 through May 20 at the Rubicon Theatre Company in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“Sholom Aleichem” This new musical, performed in English with just a taste of Yiddish, follows the life of the beloved Yiddish story-teller and his mespoche, spinning tales of his loves and losses, his fame and his failures, his travels, his travails and the tremendous joy and optimism that kept him going against all odds. Written by Chris DeCarlo and Evelyn Rudie, with music by Ben Weisman, Emery Bernauer, Evelyn Rudie and Sholom Aleichem, and directed by Arthur R. Tompkins, it runs May 5 through June 24 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.santamonicaplayhouse.com/aleichem-sholom.html

“The Sisters Rosensweig” The story, set in the early 1990s, is centered on three sisters—each extraordinary in her own way. There’s Sara, the successful banker, whose 54th birthday brings everyone together at her London flat. Pfeni is the globe-trotting journalist. And Gorgeous is an irrepressible radio host. This smart, funny and enthralling play looks at the quest for love, acceptance and self-fulfillment. Written by Wendy Wasserstein, and directed by Casey Stangl, it runs May 5 through June 2 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“Seminar” four aspiring writers, (all in their 20s, acquainted with each other and living in New York City), have just hired world renowned writer, editor and teacher Leonard for a 10 week “seminar” to teach them how to be better writers and help move their careers along. However, they have absolutely no idea what they’ve gotten themselves into in this funny and provocative play. Written by Theresa Rebeck, and directed by Melanie Weisner, it runs May 10 through June 2 at the Thymele Arts Theater in Hollywood. For tickets visit www.thepopuptheater.org.

“Disney’s Beauty and the Beast” a young woman in a provincial town, and a Beast, who is actually a handsome young Prince who lives in a luxurious castle in France. When an Old Beggar Woman, who is actually an Enchantress, asks the Prince for shelter from the freezing cold, the Prince shuns the beggar for her repulsive appearance, at which time the Enchantress appears transforming the Prince into a Beast for his cold-hearted and selfish ways. The Enchantress casts a magic spell upon the Prince’s entire castle, including his good-natured servants, who are transformed into household objects to reflect their different personalities. Ashamed of his new appearance, the Beast conceals himself inside his castle with a magic mirror as his only window to the outside world, and an enchanted rose, which will bloom until he turns 21 years of age. Time is running out. If the Beast can learn to love a woman and earn her love in return before the final petal falls off the rose, the curse will be broken and he will return to his original self as a Prince. But, if not, he will remain a Beast forever, and all the members of his household will be doomed as well for all eternity. Written by Linda Woolverton, with music by Alan Menken, lyrics by Howard Ashman and Tim Rice, and directed by Rigo Tejeda, it runs May 11 through June 10 at the CASA 0101 Theater in Boyle Heights. For tickets call 323-263-7684 or visit www.casa0101.org.

“Forever Bound” Are we all savages? A rare book dealer’s desperate scheme to avoid bankruptcy goes shockingly awry in this darkly funny literary thriller with a surprise twist. Written by Steve Apostolina, and directed by Ann Hearn Tobolowsky, it runs May 11 through June 16 at the SANKALPA PRODUCTIONS Atwater Village Theatre in Atwater Village. For tickets call 323-960-4429 or visit www.plays411.com/foreverbound.

“The Giant Void in My Soul” A quixotic quest, between friends, leads to new adventures in temptation, self-examination, sensation, and even procreation. While on a journey to fill the void, Cubría’s characters mine the comic ironies of searching for meaning in life. Ever curious, they forge ahead in optimism. Written by Bernardo Cubría, and directed by Felix Solis, it runs May 11 through June 3 at the Pico in Los Angeles. For tickets visit www.thegiantvoid.eventbee.com.

“Match” Mike and Lisa Davis arrive at the apartment of Tobi Powell, who lives alone in Inwood, on the northern tip of Manhattan. They are there to interview him about his life as a dancer and choreographer, but it is soon evident that their agenda is as multilayered as the life story that Tobi begins to tell them. What happens next will either ruin or inspire them—and definitely change their lives forever. Written by Stephen Belber, and directed by Bruce Starrett, it runs May 11 through June 16 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.

“Red Speedo” Ray’s swum his way to the eve of the Olympic trials. If he makes the team, he’ll get a deal with Speedo. If he gets a deal with Speedo, he’ll never need a real job. So when someone’s stash of performance-enhancing drugs is found in the locker room fridge, threatening the entire team’s Olympic fate, Ray has to crush the rumors or risk losing everything. A sharp and stylish play about swimming, survival of the fittest, and the American dream of a level playing field – or of leveling the field yourself. Written by Lucas Hnath, and directed by Joe Banno, it runs May 11 through July 1 at the Road on Magnolia in North Hollywood. For tickets call 818-761-8838 or visit www.roadtheatre.org.

“Violet” Leaving her North Carolina home behind, Violet boards a bus and travels through the segregated South to be healed by a minister, convinced he can heal her scar, while discovering the true meaning of beauty along the way. Written by Brian Crawley, with music by Jeanine Tesori, lyrics by Brian Crawley, and directed by Richard Israel, it runs May 11 through June 17 at the Actors Co-op Crossley Theater in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.

“West Side Story” It’s the late 1950’s and this is Hell’s Kitchen. The streets of New York City belong to two rival gangs, the Jets and the Sharks, and their feud is about to reach a fever pitch. Written by Arthur Laurents, with music by Leonard Bernstein and lyrics by Stephen Sondheim, and directed by Jan Glasband and Caroline Esposito, it runs May 11 through May 13 at the El Portal Theatre Debbie Reynolds Mainstage in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

“Antigone, or We Are Rebels Asking for the Storm” Creon is King of Thebes, ascending to the throne after the death of his brother King Oedipus, and the deaths of Oedipus’ sons Eteocles and Polyneices in a civil war. Creon, an autocrat who rules with an iron fist, has considered Polyneices a political rival, and so decrees that he should remain unburied on the battle field, to be devoured by worms and vultures. Polyneices’ sister Antigone defies Creon and buries her brother, though it means she will surely be executed. She refuses to retract her defiance and unwittingly becomes the face of a movement, changing her sister Ismene and husband Haimon’s lives forever. Written by Sophocles, translated by Kenneth Cavander, adapted by Matt Minnicino, and directed by Amanda McRaven, it runs May 12 through June 2 at the Bootleg Theater in Los Angeles. For tickets call 330-209-7711 or visit www.fugitivekind.org.

“Sex” Margy LaMont, an entrepreneur as well as a prostitute, is the most successful sex worker in Montreal. That city becomes too hot for her when a society matron attempts to frame her for a crime she did not commit. She heads for the Caribbean, and later for a swank enclave in New York. She acquires lovers along the way, including Gregg, an English naval officer who has some entrepreneurial ideas of his own; and Jimmy, a younger man who will be the heir to a fabulous fortune, who is smitten with her. Between the police, criminals, hypocritical high-society types, and two men who really love her, Margy has her arms full. Written by Mae West, and directed by Sirena Irwin, it runs May 12 through June 17 at the Hudson Theatre in Hollywood. For tickets visit www.dime.io/events/buzzworks-sex.

“Hershey Felder Beethoven” The brilliant Hershey Felder now brings Ludwig van Beethoven to life through the eyes of a Viennese doctor who as a boy spent Beethoven’s last years by the Maestro’s side. Featuring some of the composer’s greatest works, from the “Moonlight Sonata” to the “Ninth Symphony” and the “Emperor Concerto,” this intense, illuminating, and unforgettable journey through time will immerse you in the astounding life of the Maestro and his genius that transcended it all! Written by Hershey Felder, with music by Ludwig van Beethoven, and directed by Joel Zwick, it runs May 16 through May 27 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“Mr. Pim Passes By” This delightful comedy tells of what happens when appealing Mr. Pim, who has much trouble with names, drops in one day. Mr. Pim announces that the former husband of the lady of the house, thought to be deceased, is alive. Since the lady is married now, she is a bigamist. Her present husband is upset no end. Then Mr. Pim passes by again, confessing that he was confused and it is safe to assume that the lady’s first husband is dead, as they originally believed. Without telling her husband, the lady uses the knowledge to get what she wants and to force her husband to permit his niece to marry the young artist who loves her. Written by A.A. Milne, and directed by Jules Aaron, it runs May 17 through June 17 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.

“Ripe Frenzy” submerges us in the before, during and after of a mass shooting at a small-town high school theatre, during opening night of its 40th production of Our Town. Told from the perspective of the mothers of the town, the play questions our own culpability in the perpetuation of mass shootings in our country. Written by Jennifer Barclay, and directed by Alana Dietze, it runs May 17 through June 17 at the Greenway Court Theatre in Los Angeles. For tickets call 323-673-0544 or visit www.GreenwayCourtTheatre.org/RipeFrenzy.

“The Last Schwartz” It’s the first Yahrtzeit (anniversary of the death) of family patriarch Manny Schwartz, and the Schwartz clan has gathered for dinner prior for the unveiling of the deceased’s tombstone scheduled for the following day. They’re at the Schwartz home in the Catskills, although the members of the family have actually been far-flung in recent days. Norma, the take-charge daughter, is the most religiously traditional of the bunch. After she turned in her teenage son to the cops (and jail) because he had a joint, her husband left her. Her brother Herb is there with his wife Bonnie, a convert to Judaism. They’ve been trying to produce an heir for nine years, without success. Another brother, Gene, arrives with his young, hot non-Jewish girlfriend Kia, a model and actress, in tow. Gene gets around. One more brother, Simon, is an Australia-based astronomer who doesn’t like to be touched. The Schwartzes are not producing heirs to carry on the family name, it seems. Will traditional Jewish ritual draw the family together, or will a web of secrets and deceptions be indicative that the world has seen The Last Schwartz? Written by Kiff Scholl, and directed by Howard Teichman, it runs May 19 through July 1 at the Edgemar Center for the Arts in Santa Monica. For tickets call 310-392-7327 or visit www.edgemar.org.

“Twelfth Night” a 400-year-old play about people seeing what they want to see, instead of what is. We all see ourselves in Twelfth Night: Wise fools, foolish sages, true lovers, false lovers, brave women, and cowardly men. All ruled by Fortune, or Chance, or Karma – a whirligig of Time, which, as it turns, eventually brings all things ‘round. Sit back and enjoy some of the most beautiful language ever written, in one of the most charming stories ever told. Written by William Shakespeare, adapted by Lance Davis, and directed by Lance Davis, it runs May 19 through June 10 at the Parson’s Nose Theater in Pasadena. For tickets call 626-403-7667 or visit www.parsonsnose.com.

“Lost & Found: A Guilt Trip through Show Business” is the show business memoir of Steven Shaw. Steven grew up in Brooklyn. Turning to show business after first trying out for the Detroit Tigers, Steven pursued acting as a young man but was frequently unemployed. He found success running the properties department at New York Shakespeare Festival/Public Theatre for nine years, and subsequently working as a Broadway stage manager for twenty years, working on the biggest shows with the most important directors and the most legendary stars. Returning to acting in his early 60s, he finally struck performing gold and has appeared in over sixty feature films and television episodes (Suburbicon, Law & Order: Special Victims Unit, Two and a Half Men). His previous appearances at Theatre 40 include On Borrowed Time and Breaking and Entering. Written by Steven Shaw, and directed by Joan Darling, it runs May 20 through June 10 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets visit www.theatre40.org.

“Wiesenthal” As Holocaust survivor and the world’s most renowned hunter of Nazi war criminals Simon Wiesenthal is about to retire, he recounts for an audience the stories of his most famous cases of bringing wrongdoers to justice. Playwright Tom Dugan portrays Wiesenthal. Written by Tom Dugan, and directed by Jenny Sullivan, it runs May 22 through June 13 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-3606 or visit www.theatre40.org.

“Cult of Love” IAMA concludes its 10th anniversary with the final installment in Leslye Headland’s “Seven Deadly Plays” cycle — a black comedy that explores the final sin of “pride” through one family’s feverish clash over who is right and who is crazy. The Dahl family gathers to celebrate Christmas in their rural Connecticut home. Raised as strict Christians and overachievers, the four adult children (along with their partners) have grown into varying degrees of belief and success. Their initially joyful reunion quickly reveals an American family riddled with competition, xenophobia and mental illness. Written by Leslye Headland, and directed by Annie Tippe, it runs May 24 through June 24 at the Atwater Village Theatre in Atwater. For tickets call 323-380-8843 or visit www.iamatheatre.com.

“Her Portmanteau” a family rifles through their literal and emotional baggage in this taut and poignant drama about relatives, legacy, and connection. This family drama, penned by first generation Nigerian-American storyteller Mfoniso Udofia, chronicles the triumphs and struggles of a tenacious matriarch and two daughters. The mother and one of her daughters have called the United States home for many years. And the other daughter’s arrival raises heart-wrenching questions about the power of place, family bonds, and how we define our relationships over space and time. Written by Mfoniso Udofia, and directed by Gregg T. Daniel, it runs May 24 through June 30 at the Boston Court Performing Arts Center in Pasadena. For tickets call 626-683-6801 or visit www.BostonCourt.com.

“Wood Boy Dog Fish” the cricket is killed, a blue poltergeist haunts us all, the legendary Dogfish monster preys on our greatest fears and a little wooden puppet struggles to discover what it means to be real. Written by Chelsea Sutton with Rogue Artists Ensemble, with music by Adrien Prévost, and directed by Sean T. Cawelti, it runs May 24 through June 24 at the Garry Marshall Theatre in Burbank. For tickets call 818-955-8101 or visit www.GarryMarshallTheatre.org.

“One Flew Over the Cuckoo’s Nest” When Randle Patrick McMurphy gets transferred to a mental institution, he encounters Nurse Ratched who runs the psychiatric ward with an iron fist, keeping her patients cowed through abuse, medication, and sessions of electroconvulsive therapy. The battle of wills between the rebellious McMurphy and the authoritarian Ratched soon escalates, leaving no one in the ward left unscathed. The experience begins the moment you check-in. All audience members are encouraged to take part in our immersive preshow where you can freely explore the asylum, interact with the characters, take “medication,” and discover the secrets of the ward and those who inhabit it. Once the performance of One Flew Over the Cuckoo’s Nest commences, audiences can choose between two different viewing experiences. “Acute Patients” sit on stage and will have the opportunity to interact with the characters and the space during the performance. “Chronic Patients” will be stationary throughout the performance and will enjoy the show from a more traditional theatrical vantage point. Written by Dale Wasserman based on the novel by Ken Kesey, and directed by Jonathan Muñoz-Proulx, it runs May 25 through July 1 at the SIXO1 Studio in Burbank. For tickets visit www.CUCKOOSNESTLA.com.

“Bordertown Now” Twenty years after their searing hit Bordertown premiered, the Playhouse sends LA’s very own Culture Clash back to the border to investigate. Re-imagined, remixed and fully reloaded, Bordertown Now is an irreverent sometimes hilarious exploration of the regions and people at the center of one of America’s most hot button and controversial issues. Energized with new material ripped from the headlines and developed and directed by Obie award-winning Diane Rodriguez, the nation’s premier Chicano/Latino performance trio continues to redefine the boundaries of theatre and break down the divisions between cultures. Written by Ric Salinas & Herbert Sigüenza with new material by Richard Montoya, and directed by Diane Rodriguez, it runs May 29 through June 24 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.PasadenaPlayhouse.org.

 

Enjoy life more – see a show tonight!

“Scene in LA” April 2018 by Steve Zall and Sid Fish

Here are some of the shows you can see in our local theaters this month:

 

“Medea” Medea is a wife, a mother, and an immigrant. When her husband abandons his family for a new life, she exacts an appalling revenge and destroys everything she holds dear. First staged at the Theatre of Dionysus in Athens, Greece, Medea has intrigued and terrified audiences for nearly 2,500 years. Written by Euripedes, version by Ben Power, and directed by Bradley Griffin, it runs April 4 through April 7 at the Smothers Theatre, Pepperdine University in Malibu. For tickets call 310-506-4522 or visit www.arts.pepperdine.edu.

“Confessions of a Mulatto Love Child” is a hilarious, touching, and poignant story of a daughter, her eccentric mother, and the deep bond they forged on an extraordinary coast-to-coast journey. Written by Bellina Logan, and directed by Maggie Soboil, it runs April 6 through May 6 at the Los Angeles LGBT Center’s Renberg Theatre in Hollywood. For tickets call 323-860-7300 or visit www.lalgbtcenter.org/theatre.

“Midnight Requisitions” three sisters, Gray (Serena Anis), Ash (Laura Walker) and Heather (Kelsey Risher) gather for their father David’s (Morris Schorr) wake. Their long-estranged mother Maggie (Michelle Begley) arrives with her new husband Ernesto (Gerry Del Sol) hoping to make a new start with her daughters, but when buried hurt, anger and misunderstandings begin to surface, the family discovers that David’s life was not what everyone thought it was. Written by Craig Jessen, and directed by James Carey, it runs April 6 through April 29 at the Arena Stage, Hollywood’s Theatre of Arts in Hollywood. For tickets call 772-828-0668 or visit www.brownpapertickets.com/event/3368581.

“Play On!” IT’S THREE DAYS before the opening night of Murder Most Foul and the biggest mystery is whether the cast can make it through even one rehearsal. But how can they do that when the set isn’t done and the playwright keeps rewriting the script? A fast and funny backstage farce for the whole family! Written by Rick Abbot, and directed by Sherry Coon, it runs April 6 through May 13 at the Pierson Playhouse in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.org.

“The Columbine Project” An atemporal retelling of the events leading up to, during and following the April 20, 1999 shooting at Columbine High School, The Columbine Project challenges what we think we know about the victims, families, teachers and the shooters themselves. Written by Paul Storiale, and directed by Bree Pavey, it runs April 7 through May 20 at the Loft Ensemble in Sherman Oaks. For tickets visit www.artful.ly/store/events/14848.

“Little Black Shadows” is set in pre-Civil War Georgia, where child-slaves Toy and Colis spend long days on the plantation silently serving adolescent twins in the big plantation house. But in the dead of night, Toy and Colis’ world comes alive, as they lie beneath their masters’ beds whispering stories to each other through a vent in the wall. When the Father announces that the family is moving to Louisiana, the children face uncertain futures and wonder if they dare come out of the shadows. Written by Kemp Powers, and directed by May Adrales, it runs April 8 through April 29 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“Nathan Gunn Flying Solo” America’s leading baritone Nathan Gunn sings selections from classic American musicals, contemporary songs and a little bit of opera fun in his personal story, FLYING SOLO. This “Sexiest Man Alive” recounts how he became elder of his heritage, the Scottish Clan GUNN, and learned what life is really about is this world premiere, moving, musical journey. But there’s a whole lot more to this story about a boy who wants nothing more than to please his Scottish Dad as he becomes an elder of his heritage, the Scottish Clan GUNN, and who ends up realizing what life is really about. Written and directed by Hershey Felder, with music by Michael Bagby, it runs April 8 through April 22 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“Vote, Pray, Love” In 2016, Ryan O’Connor took a break from show business to work as a Field Organizer for the Hillary Clinton Presidential Campaign in Pontiac, Michigan. Now returning to the cabaret stage, Vote, Pray, Love is an exploration of how his 150-pound weight loss, sobriety from drug and alcohol abuse, a career implosion, and a sudden divorce led to his unlikely redemption in the middle of nowhere. Told through story and song, O’Connor’s uniquely comic and vulnerable voice shines in this exciting, engaging, and emotionally cathartic night of entertainment. Written by Ryan O’Connor, and directed by Marissa Jaret Winokur, it runs April 8 through April 16 at the Celebration Theatre at The Lex in Hollywood. For tickets call 323-957-1884 or visit www.CelebrationTheatre.com.

“Significant Other” follows Jordan, a single, young professional with a close group of female friends who slowly drift away as they each get married while he searches for his own “Mr. Right.”. Written by Joshua Harmon, and directed by Stephen Brackett, it runs April 11 through May 6 at the Gil Cates Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

“What Happened When” On a snowy night in a rural farmhouse, three siblings huddle together in the dark with a flashlight, while the audience (unseen by them) gathers closely around. Written by Daniel Talbott, and directed by Chris Fields, it runs April 12 through April 26 at the Echo Theater Company Atwater Village Theatre in Atwater. For tickets call 310-307-3753 or visit www.EchoTheaterCompany.com.

“The Willows” At The Willows funeral home, Mark is being groomed to take over the family business from his father. But an unexpected reunion with the one that got away could derail those carefully laid plans in this moving new play about family, loss and love. Written by Kerri-Ann McCalla, and directed by Jessica Hanna, it runs April 12 through May 5 at the Bootleg Theater in Los Angeles. For tickets call 213-389-3856 or visit www.bootlegtheater.org.

“All Shook Up” The songs of Elvis Presley form the backdrop for this musical about a mysterious, leather-jacketed stranger who shakes up a small Midwestern town in the 1950s. Tony Award Winner Joe DiPietro’s tale of the cross-dressing, mistaken identity and romance that ensue was inspired by Twelfth Night and other Shakespearean comedies. Featuring the hit songs we have learned to love “Love Me Tender,” “Heartbreak Hotel,” “Jailhouse Rock,” and “Can’t Help Falling in Love.”. Written by Joe DiPietro, it runs April 13 through April 22 at the El Portal Theatre Debbie Reynolds Mainstage in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

“The Importance of Being Earnest” involves the doings of two best friends, Jack and Algy (Algernon). Jack lives in the country, protective of his young ward, the “excessively pretty” heiress Cecily Cardew. But he likes to get away to London and the attractions of the city, so he has invented a rascally brother in London named Ernest to whom he must occasionally attend, necessitating his periodic departure from the country. The biggest draw in London for Jack is Algy’s cousin, the beautiful Gwendolen Fairfax. Algy, meanwhile, goes to Shropshire posing as Ernest in an attempt to woo Cecily. It also turns out that both women are attracted to men with the name of Ernest, so naturally both fellows make arrangements to have themselves re-christened. In the course of things, the deceptions of Jack and Algy will be found out. Can their lady loves possibly forgive them? It ultimately turns out that Jack and Algy share more in common than they could possibly have imagined, and that they have destinies that neither could have suspected. Written by Oscar Wilde, and directed by Rebecca Lynne, it runs April 13 through April 28 at the Brand Park in Glendale. For tickets visit www.deanproductionstheatre.com.

“The Intimacy Effect” It’s Matt Appel’s 40th birthday and his wife Amy can’t stop crying. His brother and sister-in-law arrive for a celebratory dinner and are ambushed with news that threatens to fracture the Appel family’s already strained relationships. As the past intrudes upon the present, boundaries between public and private lives decay, bringing the darkest parts of each family member into the light. Written by Jeff Tabnick, and directed by Eric Hunicutt, it runs April 13 through May 6 at the Lounge Theatre in Hollywood. For tickets call 800-838-3006 or visit www.theintimacyeffect.brownpapertickets.com.

“L.O.V.E.R.” Accomplished actress Lois Robbins takes us on a poignant and comic journey as one woman explores her sexual history, in what ultimately becomes her coming of age story. L.O.V.E.R. is a riff on childhood, adolescents and finally adulthood from a grown-up woman’s point of view. Written by Lois Robbins, and directed by Sonia Sebastian, it runs April 13 through May 12 at the Zephyr Theatre in Los Angeles. For tickets call 323-960-5770 or visit www.plays411.com/lover.

“Lost in the Light” centers on headstrong student Angel Taylor, blind since birth, who has always taken her sighted family’s hyper-vigilance in stride alongside their overwhelming love and support. At the dawn of her budding journalism career, Angel learns about a rare opportunity to gain her vision through an experimental surgery. Along with her family, Angel grapples with the conflicting notions of seeing for the very first time or continuing to live in darkness. What will happen if she gains her vision but then finds herself lost in the light? A play with original songs that forces audiences to grapple with the question: Would you risk an experimental surgery if it meant it could restore your sight? Written by Pelita Dasalla, with music by Laurie Grant and Chloe Copoloff, and directed by Greg Shane, it runs April 13 through May 12 at the Blue Door in Culver City. For tickets visit www.creoutreach.org/lostinthelight.

“Waste Land” is a serio-comedy that lays bare the tumultuous love between T.S. Eliot and his first wife and muse, Vivienne. As he writes the poem that would be his masterpiece, a circle of notable friends—Ezra Pound, James Joyce, Virginia Woolf, Gertrude Stein and Bertrand Russell—populate his life with witty banter, biting commentary, and moments of joy and self-doubt that informs all of their work. Written by Don Nigro, and directed by Steve Jarrard, it runs April 13 through May 6 at the studio/stage in Los Angeles. For tickets call 323-860-6569 or visit www.brownpapertickets.com/event/3321593.

“West Side Story” tells the ageless tale of Romeo and Juliet is set against the backdrop of NYC gang warfare of the 1950’s. As rival gangs battle over their turf, a boy and a girl from opposing sides fall in love and begin their tragic fight for survival. This gem includes well loved songs such as “Tonight,” “Somewhere,” and “Maria.”. Written by Arthur Laurents, with music by Leonard Bernstein, lyrics by Stephen Sondheim, and directed by Danny Michaels & Orlando Alexander, it runs April 13 through May 26 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit www.glendalecentretheatre.com.

“Belleville” concerns young Americans Zack and Abby: they appear to be a perfect couple, with the perfect ex-patriot life in Paris – a funky bohemian apartment in up-and-coming Belleville, a stable marriage, and Zack’s noble mission at Doctors Without Borders to fight pediatric AIDS. But when Abby finds Zack at home one afternoon when he’s supposed to be at work, their marriage begins to show cracks as an ordinary night unravels into a modern-day thriller. Herzog’s new play is a Hitchcock-style drama, and a captivating evening of intrigue and suspense. Written by Amy Herzog, and directed by Jenna Worsham, it runs April 18 through May 13 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.PasadenaPlayhouse.org.

“My Son the Waiter: A Jewish Tragedy” is the hilarious tale of Brad Zimmerman’s struggle to fulfill his dream and make it as a comedic actor in New York. One-part standup, one-part theatrical, and all parts uproarious, the show has garnered rave reviews wherever it has played, including sold-out runs off-Broadway and at dozens of other venues throughout the USA. Written and directed by Brad Zimmerman, it runs April 19 through June 10 at the Colony Theatre in Burbank. For tickets call 855-448-7469 or visit www.mysonthewaiter.com.

“Native Son” Suffocating in rat-infested poverty on the South Side of Chicago in the 1930s, Bigger Thomas struggles to find a place for himself in a world whose prejudice has shut him out. After taking a job in a wealthy white man’s house, Bigger unwittingly unleashes a series of events that violently and irrevocably seal his fate. Written by Nambi E. Kelley from the novel by Richard Wright, and directed by Andi Chapman, it runs April 19 through June 3 at the Kiki & David Gindler Performing Arts Center in Glendale. For tickets call 818-506-1983 or visit www.Antaeus.org.

“Death Before Cocktails” When your famous twin sister’s suicide letter instructs you to put together a makeshift wake in a Palm Springs cocktail lounge, what can you do but grant her final wish? LA writer Lana arrives in Palm Springs to host an evening with competing ex-lovers, surprising new flames, and enough arousing confessions to raise the dead. Written and directed by Laureen Vonnegut, it runs April 20 through May 13 at the Theatre 68 in North Hollywood. For tickets visit www.buytickets.at/deathbeforecocktails/155994.

“Hair” defined the “rock musical,” exuberantly celebrating the hippie counterculture, anti-war movement and sexual revolution of the 1960s with a rainbow score of hits – including “Aquarius,” “Hair,” “Easy to be Hard,” “Be In,” “Where Do I Go?” “Good Morning Starshine,” and “Let the Sunshine In” – that have become ingrained in pop culture. Written by James Rado, with music by Galt MacDermot, lyrics by James Rado, and directed by Michael Arabian, it runs April 20 through June 30 at the Palace Theatre in Los Angeles.

 

“The Hunchback of Notre Dame” Who is the monster and who is the man? For the first time ever on the Civic Arts Plaza stage, Victor Hugo’s classic novel comes to life with dramatic spectacle and songs that soar! With music by Alan Menken and lyrics by Stephen Schwartz, the show is based on the Walt Disney Animation Studios film of the same name, and features popular songs such as “God Help the Outcasts.” This is musical theatre at its best! Written by Peter Parnell, based on the Victor Hugo novel, with music by Alan Menken, lyrics by Stephen Schwartz, and directed by Misti B. Wills, it runs April 20 through April 29 at the Kavli Theatre at the Thousand Oaks Civic Arts Plaza in Thousand Oaks. For tickets call 800-745-3000 or visit www.5startheatricals.com.

“The Immigrant” Rural Central Texas, 1909. A young Russian-Jewish immigrant, newly arrived in America through the port of Galveston, pulls his banana cart into the hamlet of Hamilton. Fleeing the vicious pogroms of his homeland, he has sought refuge in the land of the free. Able to speak only Yiddish, alone in the midst of a staunchly Christian community, he is offered shelter. Over the next 30 years, he makes a home and raises a family in this tiny town. THE IMMIGRANT is the story of a young Russian-Jewish couple and the local couple that take them in, as religion meets religion, culture meets culture, fear meets fear, and love meets love. Written by Mark Harelik, and directed by Simon Levy, it runs April 20 through May 26 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.

“Their Finest Hour: Churchill and Murrow” This full-length play sheds light on the unique relationship between Winston Churchill and Edward R. Murrow during the early years of WW II when England was under attack by Hitler’s air-force. Murrow, who was covering the war for CBS Radio News, not only became friendly with Churchill, but had a passionate and adulterous love affair with the Prime Minister’s daughter-in-law. Written by Willard Manus, and directed by Stu Berg, it runs April 20 through May 25 at the Write Act Repertory @ the Brickhouse Theatre in North Hollywood. For tickets visit www.brownpapertickets.com/event/3328722.

 

“Bad Jews” A beloved grandfather has died and a treasured family heirloom with religious significance is up for grabs — but who’s the most deserving? Bossy, overbearing, self-declared “super-Jew” Daphna? Her wealthy cousin Liam, just returned from skiing with his shiksa girlfriend, Melody? Or Jonah, Liam’s younger brother, who finds himself in the impossible position of peacemaker as the two rivals argue, insult and try to outwit each other to the bitter, hilarious end? Written by Joshua Harmon, and directed by Dana Resnick, it runs April 21 through June 17 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

“Ice” Two baseball players from Sinaloa, Mexico arrive in the U.S. with big dreams… but no documents. Armed with their Tia’s famous salsa recipe, the pair works day and night to make their taco truck the “Uncle Sam” of mobile restaurants. Will a contest to be “the most American food truck” at Dodger Stadium for the 4th of July prove to Immigration and Customs Enforcement that they belong? For adults and kids 8 and up. Written by Leon Martell, and directed by Debbie Devine, it runs April 21 through June 10 at the 24th Street Theatre in Los Angeles. For tickets call 213-745-6516 or visit www.24thstreet.org.

 

“Noises Off” features an under-rehearsed and over-worked cast and crew with a penchant for drama more personal than professional, readying themselves for the world premiere of a new play with the auspicious title Nothing On. As the production progresses, the bumbling cast brings down the house – literally! Written by Michael Frayn, and directed by Julia Rodriguez-Elliott and Geoff Elliott, it runs April 21 through May 26 at the A Noise Within in Pasadena. For tickets call 626-356-3121 or visit www.ANoiseWithin.org.

“South Pacific” Prepare yourself for some enchanted evening! Rodgers & Hammerstein’s epic musical romance makes its La Mirada Theatre debut! Although well-known for its extraordinary score – “Some Enchanted Evening,” “Younger Than Springtime,” “Bali Ha’i,” “There is Nothin’ Like A Dame,” and “A Wonderful Guy” – SOUTH PACIFIC is also a deeply felt drama. Its portrayal of Americans stationed in a foreign culture in wartime is as relevant today as when it first thrilled audiences in 1949. Written by Oscar Hammerstein II and Joshua Logan, with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and directed by Glenn Casale, it runs April 21 through May 13 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.lamiradatheatre.com.

“Dirty Blonde” Explore the phenomenon of the legendary Mae West, one of America’s most enduring and controversial pop culture icons, in this sparkling romantic comedy with music about a guy, a gal, and their mutual admiration for one voluptuous blonde. Magically woven into the story is a celebration of songs and laughter of Mae West’s racy life and saucy career. Written by Claudia Shear, and directed by James W. Gruessing, Jr., it runs April 26 through April 29 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“Blues in the Night” The 26 hot and torchy numbers – by icons Bessie Smith, Duke Ellington, Johnny Mercer, Harold Arlen and more – tell of the sweet, sexy and sorrowful experiences that three women have with the lying, cheating, snake of a man, who represents the men who do them wrong. Written and directed by Sheldon Epps, it runs April 27 through May 27 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org/Blues.

 

Enjoy life more – see a show tonight!

Knott’s Boysenberry Festival Returns for 2018 by Steve Zall and Sid Fish

The Knott’s Boysenberry Festival Returns and Introduces a New Lineup of Tasty Boysenberry Treats and Festive Entertainment, March 16- April 8

knotts boyesenberry festival 2018 1

The Knott’s Boysenberry Festival is our annual food-inspired event that celebrates the park’s historic roots by highlighting the little berry that started it all, the boysenberry. This year’s festival will feature over 75 new and returning boysenberry-inspired creations crafted by the Knott’s culinary team. Guests will have the opportunity to indulge in a tantalizing line up of dishes ranging from savory foods with a boysenberry twist to refreshingly sweet and tangy drinks and one-of-a-kind specialty desserts that can only be found at Knott’s Berry Farm during this time of the year. In addition to the tasty treats, the Knott’s Boysenberry Festival offers a wide selection of daily entertainment, live music and fun activities for guests of all ages to enjoy. This year’s festival has expanded to 24 days, starting March 16 and running daily through April 8.

The historic boysenberry is a cross between a loganberry, red raspberry and blackberry and is named after its originator Rudolf Boysen. The Knott family was the first to successfully harvest and sell the boysenberry on the land that is now known as Knott’s Berry Farm.

Some of the tastiest and most unique food items are rolled out exclusively during the Knott’s Boysenberry Festival. This year’s appetizing lineup includes the first ever boysenberry quesadilla made with a boysenberry-infused flour tortilla, prepared with boysenberry salsa, boysenberry sour cream, sprinkled with cotija and mozzarella cheese. Plus, the boysenberry pierogies with onions, bacon and boysenberry sour cream will be bursting with a combination of sweet and savory flavors. Other flavorful items that will be prepared and served to perfection include the slow cooked boysenberry short ribs, the juicy meat is smothered in boysenberry hoisin sauce served over butter basmati rice and complete with chopped green onions will leave guests asking for more. The guest favorite and finger-lickin’ boysenberry chicken wings will be available during the festival; the irresistible wings are smothered in the delicious and popular boysenberry BBQ sauce which is made exclusively at the Farm. The meaty and boysenberry inspired items also include the very filling boysenberry grilled sausage on a bun prepared with a freshly farm-baked roll and topped with boysenberry ketchup, relish and mustard. For guests craving a refreshing drink, Knott’s is offering an all-new boysenberry boba tea which consists of boysenberry milk tea and chewy berry-soaked tapioca balls served over ice. The boysenberry elote is one of the satisfying treats guests will be able to find in the streets of Ghost Town. The lightly grilled corn is smothered in fresh boysenberry butter, mayo and perfectly topped off with cotija cheese. The Festival also offers a variety of sharable snacks for the family including a new vegetarian/vegan option like the highly enjoyable boysenberry hummus served with pita bread and prepared with garden-fresh boysenberries. Sweets and desserts are a key part of the festival and this year the culinary team is introducing the scrumptious, perfectly bite-sized boysenberry coconut macaroons, dipped in a decadent chocolate ganache, which are great to enjoy while strolling through the park. A great option to indulge in a variety of new and returning food items during the festival is by purchasing a tasting card priced at $30 which offers 8 of the new food options per card; guests can select any 8 items of their choice. Returning and other signature boysenberry items will be available for purchase a la carte. Tasting cards are available at Knotts.com or in the theme park.

Guests can also take home a taste of the boysenberry festival with limited edition merchandise that can be found throughout the park, such as a new boysenberry bath and body line including soaps, salt soaks, bath bombs, lip balms (introducing three new flavors) and candles. New to the festival this year is Knott’s sugar-free boysenberry concentrate, a low calorie, no sugar version of Knott’s popular drink, a wide selection of boysenberry chocolates including boysenberry versions of milk chocolate bars, truffles, caramel squares, peanut butter and jelly cups. New and exclusive to Knott’s Berry Farm this year is the all-new boysenberry Jelly Belly. The Knott’s Berry Market also features signature boysenberry items like the delicious boysenberry BBQ sauce or the classic jams and preserves. Unique boysenberry inspired products with a homemade twist will also be available as the Craft Fair returns offering a variety of products like boysenberry cashew nut brittle, boysenberry pie shaped homemade accessories and more.

knotts boyesenberry festival 2018 2
Entertainment:

Knott’s Boysenberry Festival offers endless entertainment options for the festival goers who have a hankerin’ for some good ol’ country fun:

  • Tied up in Knott’s! – “Tied Up in Knott’s!” is a tribute art show to the rich history of Knott’s Berry Farm, its beginnings as a farm and its standing as a Southern California institution for millions of visitors during its (almost) 100-year history. More than a dozen artists will be contributing pieces to the show, which pays homage to Knott’s Berry Farm’s past, present and future in various mediums including: oil paintings, illustrations and digital mixed media. These original pieces will be hung on display at the Wilderness Dance Hall during the duration of the Boysenberry Festival and Guests will have the opportunity to purchase many of the pieces, as well as prints of some of the art.
  • Snoopy’s Boysenberry Jamboree! – Guests are invited to join Snoopy, Charlie Brown and the entire Peanuts Gang in a show that will have families dancing and playing along at the Calico Mine Stage.
    Old Time Melodrama – Knott’s pays tribute to its past at the Legendary Bird Cage Theatre with a special presentation of the musical comedy melodrama with a surprising boysenberry twist!
  • Krazy Kirk and the Hillbillies – A group of krazy talented performers will have guests toe tappin’, vine dancin’ and knee-slappin’ to a comedic country music show at the Wagon Camp stage.
  • Ghost Town Miners – The joy of scrumptious food and country music encompass guests as the Ghost Town Miners take the stage in a fun musical performance.
  • Easter Beagle – Spring has sprung all around the park including in Camp Snoopy where guests can meet everyone’s favorite beagle as he celebrates the season.
  • Ghost Town’s Town Hall- In honor of the famous berry that started it all, guests are invited to learn the history of the boysenberry and how Walter and Cordelia Knott started the Farm.
  • Old MacDonald Petting Zoo – Young ones and young at heart are invited to cozy up to the cutest critters on the farm including horses, sheep, goats and other furry friends.

knotts boyesenberry festival 2018 3

The Boysenberry Festival is included with admission to Knott’s Berry Farm. Additional costs apply for food tasting experiences within the event. Knott’s will have extended hours on select days March 16 – April 8, allowing guests extra time to take advantage of all of the limited-time offerings.

The best way to savor every day of the Knott’s Boysenberry Festival and all of the other Seasons of Fun is with a 2018 Season Pass. A Regular Season Pass includes unlimited admission in 2018 to Knott’s Berry Farm with no blackout dates, and a Gold Season Pass includes unlimited admission in 2018 to both Knott’s Berry Farm and the recently expanded Knott’s Soak City Waterpark with no blackout dates. Regular passes are just $94 or six easy payments of $15.66 and Gold Passes are $113 or six payments of just $18.83. These offers end April 8, 2018. Applicable taxes and fees apply. Payment plans are only available at www.knotts.com.

For more information about Knott’s Berry Farm please visit www.knotts.com or download the Knott’s Berry Farm app for your smart phone. For all current Knott’s Boysenberry assets please visit the event’s electronic press kit. Join the conversation using the hashtag #Boysenberry Festival.

“Scene in LA” March 2018 by Steve Zall and Sid Fish

Here are some of the shows you can see in our local theaters this month:

 “Big Shot” unfolds on the eve of what could be a giant break for two aspiring writers — a face-to-face meeting with one of Hollywood’s heaviest-hitting producers. As the clock ticks — and with only one shot to pitch a winning idea — the two embark on a frantic all-night quest to find the perfect story. Written by Joe Napoli Jr. and John Scacco, and directed by Stan Zimmerman, it runs March 2 through March 17 at the Dorie Theatre at The Complex in Hollywood. For tickets call 800-838-3006 or visit www.brownpapertickets.com/event/3325702.

“A Man for All Seasons” tragic historical drama offers a brilliant portrait of Sir Thomas More in his last years as Lord Chancellor of England during the reign of Henry VIII.  When Henry mandates his subjects to sign an “Act of Supremacy” making him both spiritual and temporal leader of England in order to obtain papal approval for a divorce from Catherine of Aragon to marry Anne Boleyn, Sir Thomas cannot in good conscience comply. Written by Robert Bolt, and directed by Thom Babbes, it runs March 2 through April 15 at the Actors Co-op David Schall Theatre in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.

“Cambodian Rock Band” is set in Phnom Penh, Cambodia and moves back and forth in time. It’s the story of a young Cambodian American who has found evidence that could finally put away one of the Khmer Rouge’s chief henchman, a man who oversaw the country’s most notorious prison. But her work is far from done. Her Dad shows up unannounced—his first time back in Cambodia since fleeing 30 years ago— and it’s clear that this isn’t just a pleasure trip for him. Written by Lauren Yee, and directed by Chay Yew, it runs March 4 through March 25 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“The Graduate” Benjamin’s got excellent grades, very proud parents and, having spent four years achieving a brilliant scholastic record, a clear uncertainty about this future, trying to avoid the one question everyone keeps asking: What does he want to do with his life?  An unexpected diversion crops up when he is seduced by Mrs. Robinson. And even more unexpected, he finds himself falling in love with the one person Mrs. Robinson demanded he stay away from, her upbeat and optimistic daughter, Elaine. Starring Melanie Griffith as Mrs. Robinson. Written by Charles Webb, adapted by Terry Johnson, and directed by Michael Matthews, it runs March 4 through March 25 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“The Tragedy: A Comedy” a wholly immersive theatrical experience, centering around three literary/talent managers – Larry (Malcolm Barrett, Timeless), Lisa (Tina Huang, Rizzoli & Isles), and Derek (Brandon Scott, Guerrilla), who go on a psychedelic mushroom trip, hoping they’ll be struck with a brilliant idea that will save their failing business. Instead, the mushrooms reveal a chilling truth: their whole lives are the subject of a tragic play, with an audience of people watching their every move. As Larry slips deeper and deeper into his role as the tragic hero, Lisa and Derek undertake a mad quest to escape the confines of the play and save their friend. Greek goddesses, self-help cults, and inter-dimensional portals all set the stage for this interactive dark comedy about characters trapped inside a tragedy. Written by D.G. Watson, and directed by Ahmed Best, it runs March 8 through June 14 at the Pico Theatre in Los Angeles. For tickets visit www.ammotheatre.com.

“Unemployed Elephants – A Love Story” A chance meeting in an airport lounge leads to a Burmese odyssey and a search for a missing monk… and maybe love. Written by Wendy Graf, and directed by Maria Gobetti, it runs March 9 through April 15 at the Little Victory Theatre in Burbank. For tickets call 818-841-5422 or visit www.thevictorytheatrecenter.org.

“King Lear” is the story of a narcissistic ruler who craves adulation, casts out those who doubt his decisions, and neglects those on the fringes of society. Considered by many to be Shakespeare’s greatest masterpiece, KING LEAR is a haunting and epic saga of love, greed, family strife, and civil war. Written by William Shakespeare, and directed by James O’Neil, it runs March 14 through April 1 at the Rubicon Theatre in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“Engaging Shaw” England, 1897. Charlotte Payne-Townshend, wealthy Irish heiress, meets George Bernard Shaw, the financially challenged but famous Irish playwright and political activist (He’s a Fabian Socialist). Will sparks fly? Shaw is a notorious flirt and heartbreaker. He enjoys romancing women, though not particularly interested in sex. The thrill of the hunt is the main attraction for Shaw: the pursuit of women, not the keeping of them. In present-day parlance, he’d be considered a sexist. But Charlotte is not quite like any other woman that Shaw has met before. She is a woman that he must consider to be his intellectual peer. They thrive in each other’s company, but can he resist her when she wants to take their relationship to the next level? “No man can resist a woman once she has set her sights on him, unless thwarted by another woman,” declares Charlotte. But Beatrice Webb, co-founder of the London School of Economics, who introduced the pair, also has strong feelings for Shaw. Will Charlotte get her man? Written by John Morogiello, and directed by Melanie MacQueen, it runs March 15 through April 15 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.

“The Mousetrap” A group of strangers is stranded in a boarding house during a snowstorm, one of whom is a murderer. Suspects include the newly married couple who run the house, a spinster with a curious background, an architect who seems better equipped to be a chef, a retired Army major, a strange little man who claims his car has overturned in a drift, and a jurist who makes life miserable for everyone. Into their midst comes a policeman, traveling on skis. He probes the background of everyone present, and rattles a lot of skeletons. Written by Agatha Christie, and directed by Sonny Lira, it runs March 16 through May 6 at the Crown City Theatre in North Hollywood. For tickets call 818-605-5685 or visit www.crowncitytheatre.com.

“The Night Forlorn (or, Waitin’ on Godsford)” is a re-imagining of Beckett’s Waiting for Godot, set in the West during the 1870s. At a campfire out on the prairie, two none-too-bright cowpokes wait for their leader Godsford and for instructions about “the plan.” There’s been a hanging in town, and they may or may not have been part of it — in the flurry of what happened, things are somewhat unclear to them. All they are sure about is that Godsford has told them to meet them here by the tree. Into their midst come several tumbleweed characters — all of whom may change the course of their destiny in one way or another. A comedic journey which utilizes the roots of vaudeville as well as the absurdity of Beckett, the play is in many ways an homage to the elegiac westerns of Ford and Peckinpah. Written by Steve Nevil, and directed by Arden Teresa Lewis, it runs March 16 through April 22 at the Theatre West in Los Angeles. For tickets call 323-851-7977 or visit www.theatrewest.org.

“No Exit” Three strangers are locked together in a belligerently distasteful room for eternity. Without the expected torture to occupy them, they are forced to simply exist. There is no escape: from the room, each other, and worst of all themselves. Written by Jean-Paul Sartre, and directed by Ye’ela Rosenfeld, it runs March 16 through April 8 at the Chromolume Theatre in Los Angeles. For tickets visit www.plays411.com/noexit.

“Pigs and Chickens” While working at a chaotic tech startup, a woman tries to overcome her hellish anger management problem and get along with her buggy coworkers, human and otherwise. Marek Glinski breathes humor into the perils of individuals coexisting with technology. Written by Marek Glinski, and directed by Kevin Comartin, it runs March 16 through April 15 at the Ensemble Studio Theatre/LA in Los Angeles. For tickets call 818-839-1197 or visit www.dime.io/events/pigs-and-chickens.

“Sister Act” takes place in Philadelphia in 1978, where disco diva Deloris Van Cartier witnesses a murder and is put in protective custody in the one place the cops are sure she won’t be found: a convent! Disguised as a nun, she finds herself at odds with the rigid lifestyle imposed by uptight Mother Superior. Using her unique disco moves and singing talent to inspire the choir, Deloris breathes new life into the church and community, but in doing so, blows her cover. Soon, the gang is giving chase, only to find themselves up against Deloris and the power of her newly-found sisterhood. Written by Bill and Cheri Steinkellner, with additional material by Douglas Carter Beane, with music by Allen Menken, lyrics by Glenn Slater, and directed by Ben Lupejkis, it runs March 16 through April 21 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.

 

“An Undivided Heart” Set in 1992 Massachusetts against the backdrop of the Catholic Church sexual abuse scandal and a toxic drinking water scandal (the latter made famous by the book and film “A Civil Action”), An Undivided Heart is part thriller and part spiritual mystery. A series of otherworldly visions and an unlikely encounter with a Zen priest propel Father Mike Cleary into a collision course with his Archdiocese, while Lynne Callahan, a young widow, struggles to make sense of her life in a town whose water has been polluted with deadly chemicals. The two confront a universal problem: How do victims of suffering caused by others find a way to go on? Written by Yusuf Toropov, and directed by Chris Fields, it runs March 16 through April 22 at the Echo Theater Company in Atwater Village. For tickets call 310-307-3753 or visit www.EchoTheaterCompany.com.

“King Lear” follows an aging sovereign who announces that he will divide his kingdom among his three daughters in proportion to their professed affection for him. When his youngest daughter Cordelia refuses to flatter her father falsely, Lear becomes irrational and enraged, exiling his beloved child and his longtime friend and advisor, the Earl of Kent, and the kingdom is thrown into a state of confusion. More family drama ensues when Edmund, the illegitimate son of the Earl of Gloucester, convinces his father that his half-brother Edgar intends to murder Gloucester. Lear’s elder daughters Goneril and Regan reveal their true natures and turn on their father; and Lear, his Fool and companions find themselves in a raging, bitter storm. As the monarchy collapses, Lear descends into madness. Lear ultimately comes to understand the folly of his actions, too late to save those who were most loyal to him. Written by William Shakespeare, and directed by James O’Neil, it runs March 17 through April 1 at the Rubicon Theatre in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“Little Women, The Musical” follows the adventures of the four March sisters, Jo, Meg, Beth, and Amy, and their experiences growing up in Civil War America. It’s a coming-of-age tale filled with drama, romance, humor, and song, all under the watchful eye of the girls’ beloved Marmee while their father is away at war. Written by Allan Knee, with music by Jason Howland, lyrics by Mindi Dickstein, and directed by Anne Gesling, it runs March 17 through April 14 at the Morgan-Wixson Theatre in Santa Monica. For tickets call 310-828-7519 or visit www.morgan-wixson.org.

“El Niño” Will the winds blow? The rains come? The cat die? Legendary local playwright Justin Tanner fashions a new laugh-out-loud comedy that encompasses his talent for writing and touching on an equally brilliant underbelly of sadness for humankind. Once again discover all that you’ve come to love about a Tanner piece, including his regular cast. Written by Justin Tanner, and directed by Lisa James, it runs March 22 through April 22 at the Rogue Machine in the MET Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.com.

“Keith Moon: The Real Me” explodes on the stage with the turmoil and excitement of the wildest drummer in rock and roll history. A living legend during his lifetime, Keith Moon still stands as the pinnacle of rock-star extremism — both in life and in music. The show explores Moon’s state of mind as he attempts to save himself from the unbearable burden of living up to (or down to) his self-created legend of ‘Moon the Loon.’ As Moon attempts to save himself, he takes the audience on a journey through his early struggles, joining The Who, and their rise as one of the world’s greatest rock bands. By the show’s end, the audience intimately knows the man behind the myth — his acute vulnerability and insecurity, and his struggle to escape the ever-looming rock and roll crash landing. Contains explicit language and adult themes of drug use and sexuality. Written by Mick Berry, with music by Pete Townshend, and directed by Nancy Carlin, it runs March 23 through April 15 at the Hudson Theatre Mainstage in Hollywood. For tickets call 323-965-9996 or visit www.plays411.com/keithmoon.

 

“Laughter on the 23rd Floor” follows the rollercoaster antics that catapult a not-your-average 1950s writers’ room into the comedy fray, as they frantically attempt to please their larger-than-life boss of a weekly comedy variety show. Locked in an ongoing battle with NBC executives, who fear the show’s humor is too sophisticated for Middle America, the writing and fighting of the team expose the social and political undercurrents of the 1950s—reflecting back the ongoing tensions in today’s America in this updated, reimagined production. Written by Neil Simon, and directed by Michael A. Shepperd, it runs March 23 through April 22 at the Garry Marshall Theatre in Burbank. For tickets call 818-955-8101 or visit www.garrymarshalltheatre.org.

“Through the Eye of a Needle” The Keen family is dealing with the recent tragedy concerning their daughter, Dana, a navy corpsman in the Iraq War. Larry copes with a tumbler of scotch, or five, Barbara sets an extra plate setting and Samantha, their teenage daughter, secretly uses Twitter to create a protest. Then Nasser, an Iraqi refugee, arrives at their door unannounced on Christmas Eve.  As the family fights over whether or not to keep Nasser’s “gift”, tempers fly and secrets are revealed. Will the Keens be pulled further apart or will they find grace and redemption in this intriguing family dramedy? Written by Jami Brandli, and directed by Ann Hearn, it runs March 23 through May 26 at the Road Theatre on Lankershim in North Hollywood. For tickets call 818-761-8838 or visit www.RoadTheatre.org.

“All’s Well That Ends Well” features an extraordinary heroine. Helena is a young woman brought up by her father to be a physician. She falls in terrible, unrequited love with Bertram, the son of the Countess her father served. When Bertram leaves to seek his fortune, she sets out in a pursuit both daring and foolhardy. It is a journey that requires all her intelligence, spirit, and more than a little subterfuge. Featuring live music played by the cast. Written by William Shakespeare, with music by Dave Beukers, and directed by Melissa Chalsma, it runs March 24 through April 22 at the Atwater Crossing Arts + Innovation Complex in Atwater Village. For tickets call 818-710-6306 or visit www.iscla.org.

“Damaged Furniture” After a shocking furniture accident claims the life of his uncle, an LA actor must work in his family business in Brooklyn, and is confronted not only by his dysfunctional family, but what lead him to become an actor in the first place. Written by Howard Skora, and directed by Jim Fall, it runs March 24 through May 26 at the Whitefire Theatre in Sherman Oaks. For tickets visit www.damagedfurniture.brownpapertickets.com.

“Shrew!” delves into Kate’s and Petruchio’s back stories. For Kate, it’s breaking free of the constraints on women of the late 16th century and enjoying all the rights and opportunities that men in her society enjoyed. For Petruchio, it’s a smoothing-out of his stock braggadocio with more complicated dimensions and creating in him a suitable spouse for Kate. Written by Amy Freed, and directed by Art Manke, it runs March 24 through April 21 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“Mulatto Math” Original music fuels writer/performer Monique DeBose’s exploration of race, family and identity through the lens of being mixed race. Written by Monique DeBose, with music by Monique DeBose, and directed by Denise Dowse, it runs March 25 through May 6 at the Whitefire Theatre in Sherman Oaks. For tickets visit www.MulattoMath.com.

“Chico’s Angels: Love Boat Chicas” Kay goes undercover as Charo, (Fortunately, she is the spitting image of the Spanish classical guitarist) with Chita in tow, as her choreographer/manager (Chita has seen A Chorus Line 32 times…at the East LA Quienceanera Palace/cafetorium). Frieda joins the crew as the new Cruise director (cruising is one of her off-duty specialties.) Finally, Bossman provides back up, undercover as Isaac, your bartender (Bar…enough said). Written by Oscar Quintero and Kurt Koehler, and directed by Kurt Koehler, it runs March 28 through April 8 at the Cavern Club Theater inside Casita Del Campo Restaurant in Los Angeles. For tickets visit www.chicosangels.com.

“Threat” is a story of a psychotherapist who tries to control a bipolar, brilliant and dangerous maniac in order to save innocent lives but finally is forced to a make a bold choice between honoring her oath and protecting others. It asks the question of whether a psychotherapist treating a troubled student could have prevented the carnage we’ve seen time and time again at schools across America. Full of suspense and catharsis, Threat is a tense exploration of narcissism, risk and self-realization. Written by Louis Felder, and directed by Asaad Kelada, it runs March 29 through May 4 at the Whitefire Theatre in Sherman Oaks. For tickets call 805-419-8327 or visit www.brownpapertickets.com/event/3343157.

“Akuma-shin” In 1956, a giant kaiju (monster) destroys Tokyo and sends seismic waves of fear, anger and ignorance through generations. Facts are questioned, history is alternatively written and modern politics is set against primal religion in this ferociously civilized cautionary tale of two nations coping with their own damaged legacies. Can humanity reckon with the monsters that rise against us, the ones that live within us all? Written by Kenley Smith, and directed by Scott Leggett, it runs March 30 through April 28 at the Broadwater Theater Complex in Los Angeles. For tickets visit www.sacredfools.org.

“Macbeth” Combining the beautiful, macabre text of Macbeth with movement and dance, this production explores Shakespeare’s brutal play of a Scottish king driven mad from his own ambitions from a different angle that’s all too relevant today. In this debut show, Lady Macbeth is a survivor of horrifying abuse, flipping the script and challenging us to end the cycle of violence perpetrated through toxic masculinity, often passed on from father to son. Written by William Shakespeare, and directed by Heidi Powers, it runs March 30 through April 29 at the McCadden Place Theatre in Los Angeles. For tickets visit www.survivingmacbeth.brownpapertickets.com.

“Sing, Bibi, Sing! The Untold Tales of Bibi Osterwald” Chronicles the untold tales of Bibi Osterwald, veteran actress of stage and screen. As the renowned standby for Hello Dolly, Bibi worked with some of the biggest names in the biz and left her legacy to her granddaughter to share. Tonight, we crack open Bibi’s songbook and weave together their two stories to celebrate the triumphs…and trials that accompany forging a career in the arts. The musical lineup spotlights popular jazz standards, go-to staples from Bibi’s nightclub act, and of course, some Broadway medleys. Written by Elise Arndt, with music by Doug Peck, and directed by Christine O’Grady, it runs March 30 through April 8 at the Write Act Rep at The Brickhouse Theatre in North Hollywood. For tickets visit www.elisearndt.com.

 

Enjoy life more – see a show tonight!

“Scene in LA” February 2018 by Steve Zall and Sid Fish

Valentine’s Day is coming fast! Here are some of the shows you can see in our local theaters this month:

“Dessa Rose” tells the story of a young black woman (a runaway slave) and a young white woman (an abandoned mother) and their journey to acceptance in the antebellum South, as they tell their story to their grandchildren. Written by Lynn Ahrens, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and directed by James Esposito, it runs February 2 through February 25 at the Chromolume Theatre at the Attic in Los Angeles. For tickets call 323-510-2688 or visit www.crtheatre.com.

“Occupant” Unapologetically flamboyant, New York sculptor Louise Nevelson’s life was one marked by intrepid artistic triumphs as well as deep inner turmoil. In this play, both her public accomplishments and private emotional conflicts are thoroughly examined by an unnamed interviewer who questions the posthumous Nevelson with an unabashed scrutiny. From her unique vantage point beyond the grave, Nevelson answers his queries with a clarity born of the distance provided by death. The result is a touching, humorous, and honest tribute to a woman who was a pioneer for free-thinking females everywhere, but also stood strongly on her own as one of the 20th century’s greatest artistic minds. Written by Edward Albee, and directed by Heather Chesley, it runs February 2 through March 4 at the Garry Marshall Theatre in Burbank. For tickets call 818-955-8101 or visit www.garrymarshalltheatre.org.

“Pizza Man” Step inside a Hollywood loft for an experience where instead of viewing the action from a distance, you become immersed in it! In this site-specific production, the audience themselves are part of the 1980s apartment where Julie Rodgers is on the verge of a breakdown. Her boss made a pass at her that she rejected, so now Julie is without a job, broke, disillusioned, and drinking. Her roommate, Alice, is at an equally low point coping with romantic troubles. The pair of Los Angeles women decide to take revenge on the entire opposite sex, and the unsuspecting pizza delivery man is just the vehicle for this descent into comedic chaos! Written by Darlene Craviotto, and directed by Jamie Lou, it runs February 2 through February 24 at the Loft Space in Hollywood. For tickets visit www.PIZZAMAN.eventbrite.com.

 

“Two Fisted Love” It’s 2008 and Hollywood A-lister, Caroline Connors, having recently been diagnosed with Multiple Sclerosis, braves her descent into an uncertain future while attempting to navigate her relationships with her ultra-conservative and less than politically correct husband Kevin, and her defiant and idealistic daughter Rachel.Written and directed by David Sessions, it runs February 3 through March 11 at the Odyssey Theatre in Los Angeles. For tickets call 866-811-4111 or visit www.twofistedlove.com.

“Henry V” tells the story of King Henry V of England, focusing on events immediately before and after the Battle of Agincourt during the Hundred Years’ War, and the historical events during the years 1398-1485, particularly the struggles for the British throne between warring branches of the Plantagenet family and Britain’s ongoing wars with France. Written by William Shakespeare, and directed by Geoff Elliott and Julia Rodriguez-Elliott, it runs February 4 through April 6 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.ANoiseWithin.org.

“Prez” featuring Leslie A. Jones, this play is set in a 1959 hotel room in Paris, and paints an intimate portrait of Lester Young, a unique jazzman whose warm, lyrical style brought him fame, first with the Count Basie band, then with the likes of Nat ‘King’ Cole, Oscar Peterson, Teddy Wilson, and his best friend and alter ego, Billie Holiday. Written by Willard Manus, and directed by Daniel E. Keough, it runs February 4 through March 11 at the Write Act Repertory @ The Brickhouse Theatre in North Hollywood. For tickets visit www.brownpapertickets.com.

“Cat on a Hot Tin Roof” the dysfunctional but wealthy Pollitt family gathers to celebrate aging patriarch, Big Daddy’s, birthday. Lurking under every practiced interaction between the Pollitts is an ulterior motive. Under every smile, a challenge. And under every statement, the specter of mendacity. For the Pollitts, the truth is as hazy as the late summer sun in Mississippi, and sometimes the only way to find it is to journey through the lies. Written by Tennessee Williams, and directed by Kenneth James Billington, it runs February 8 through March 30 at Theatre 68 in North Hollywood. For tickets visit www.theatre68.com.

“Great Expectations” David Mynne portrays all of the novel’s colorful characters including terrifying Magwitch, kindly Joe Gargery, eccentric Miss Havisham, cold and beautiful Estella, pompous lawyer Mr. Jaggers and Pip’s wise and spluttering friend Herbert Pocket. Providing all the sound effects himself, Mynne traverses the difficult line of staying true to the story but adding some modern-day anarchy, thanks to his natural ability for physical comedy, and keeping it as strangely spooky as the original tale. Written by Charles Dickens, and directed by Simon Harvey, it runs February 8 through February 11 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org/GE.

“Trust” This is a contemporary dramatic comedy set against a backdrop of the rock music scene. In a world ruled by love, lust and lying, a spiral unwinds. Cody is a rising star musician. Becca is his fiancée. Gretchen is a dressmaker, fitting Becca for her wedding dress. Leah is a rock star past her prime who Cody meets while on the road. Roy is a public radio announcer smitten with the young bohemian, Holly. As the lives and loves of these people continue to intersect, attraction gives way to seduction, and secrecy holds sway over truth. Becca and Cody’s marriage-to-be grows as rocky as Roy increases his hilariously futile attempts to charm Holly. Gretchen and Leah’s past is unearthed, brought on by Gretchen’s attraction to Becca. As the final concert of Cody’s tour concludes, new bonds have been formed, old wounds remain; friends looking for answers, lovers looking for that elusive word: trust. Written by Steven Dietz, and directed by William Kircher, it runs February 8 through March 31 at Theatre 68 in North Hollywood. For tickets visit www.theatre68.com.

“Extremities” Marjorie, is attacked in her home by Raul, but manages to turn the tables on him, tying him up in her fireplace. Her roommates come home to discover the attacker bound with cords, belts and other household items. When Terry and Patricia, Majorie’s roommates, come home, they are shocked and begin discussing how to handle the situation: call the police or take matters into their own hands? The incredibly gripping drama portrays the act of rape and its aftermath as the victim turns the tables on her attacker, reaching a climax of fever pitch suspense. Written by William Mastrosimone, and directed by Jenny Nwene, it runs February 9 through March 31 at Theatre 68 in North Hollywood. For tickets visit www.theatre68.com.

“Jack Stevenson, A Decent Man” centers around the exploits of a sex crazed sociopath, who after marrying into wealth, deceitfully attempts to maintain a highfalutin lifestyle while continuing to carry on his sexual indiscretions. Written by Johnny Cannizzaro, and directed by Lee Aronsohn, it runs February 9 through March 31 at Theatre 68 in North Hollywood. For tickets visit www.theatre68.com.

“Million Dollar Quartet” Set in Memphis, Tennessee on December 4, 1956, this musical harkens back to when Sam Phillips, the “Father of Rock ‘n’ Roll” – responsible for launching the careers of Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis Presley – brought the four superstars together at the Sun Records storefront studio for the first and only time, resulting in what became known as one of the greatest jam sessions in rock ‘n’ roll history. As such, the legendary event comes to life on stage with an irresistible telling of broken promises, secrets, betrayal and celebrations that are both poignant and amusing. Relive the era through a rousing score of rock ‘n’ roll, gospel, R&B and country hits such as: “Blue Suede Shoes”, “Fever,” “Walk the Line”, “Sixteen Tons”, “Who Do You Love?”, “Great Balls of Fire”, “Folsom Prison Blues”, “Whole Lotta Shakin’ Goin’ On”, “Hound Dog” and more. Written by Colin Escott and Floyd Mutrux, with music by David Lamoureux, and directed by David Lober, it runs February 9 through February 18 at the Redondo Beach Performing Arts Center in Redondo Beach, then February 23 through March 4 at the Cerritos Center for the Performing Arts in Cerritos. For tickets call 714-589-2770 Ext. 1 (for Redondo) or 562-916-8500 (for Cerritos) or visit www.3dtshows.org (for any show).

“Requiem” Is the story of a man who has lost his faith in society. Troubled by his past, his current job and relationship. He struggles to fit in and subsequently looks to a firearm for answers. A comedic snapshot of an American workforce and their plight to exist in the nightmare. Written by Carlos Javier Castillo, and directed by Hector Negrete, it runs February 9 through March 31 at Theatre 68 in North Hollywood. For tickets visit www.theatre68.com.

“The Speed of Darkness” Joe is a decorated hero of the Vietnam War and owns a prosperous construction business in South Dakota. When Joe suddenly finds himself nominated as man of the year by his town, he is faced with an unwelcome amount of attention, which begins to challenge his ability to walk the tenuous line of normality on which he has come to live. Emotionally numbed by the fallout of war and with rumblings about family scars, Joe’s home life faces upheaval with the sudden appearance of an old war buddy, Lou. The presence of his mysterious and mentally disturbed friend puts Joe and his family on edge as whispers of past misdeeds begin to unravel, all which he has worked to build. Written by Steve Tesich, and directed by William Alderson, it runs February 9 through March 18 at the River Street Theatre in Los Angeles. For tickets visit www.riverstreettheatre.yapsody.com/event/index/171616.

“A Walk in the Woods” This witty two-hander concerns a relationship between two arms negotiators and what happens when they step out of the war room and into the woods. Written by Lee Blessing, and directed by Ken Sawyer, it runs February 9 through March 18 at the Actors Co-op Crossley Theatre in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.

“Burt… A Homeless Odyssey This show pays homage to people who aren’t recognized. The creative souls, artists and street-people. The lost and forgotten we pass-by on the street and don’t give a second glance. But guess what? In this play, we are going to stop and listen to them. Written by Sam Henry Kass, and directed by Ronnie Marmo, it runs February 10 through March 31 at Theatre 68 in North Hollywood. For tickets visit www.theatre68.com.

“The City of Conversation” It’s 1979, and Washington, D.C. socialite Hester Ferris is notorious for her posh dinner parties that can change the course of politics. But when her son turns up with an ambitious girlfriend and a newly minted political agenda, it ignites a family divide that spans 30 years and six presidential administrations. A timely and moving look at a family forced to choose between defending opposing political views and keeping their family together. Sharon Lawrence and Meredith Baxter star. Written by Anthony Giardina, and directed by Cameron Watson, it runs February 10 through February 25 at the Ensemble Theatre Company at the New Vic in Santa Barbara. For tickets call 805-965-5400 or visit www.etcsb.org.

“4Play: Sex in a Series” Celebrate Valentine’s Day (and the rest of February and March) with this delightful romantic comedy that blurs the lines between art and life, gay and straight. New York City’s trip. theater ensemble kicks off its move to L.A. with the West Coast premiere of the company’s uniquely theatrical hit production, direct from a sold out run in Chicago — the not-so-simple story of boy meets girl, boy meets boy, girl meets girl, and all the little things that can ruin a perfectly good dinner party. trip.: a place we have not been before. Written by Graham Brown with Nathan Faudree and Lisa Roth, and directed by Graham Brown, it runs February 14 through March 17 at the Trip. @ The Actors Company in Los Angeles. For tickets call 800-838-3006 or visit www.tripnyc.org.

“A Streetcar Named Desire” This radical re-envisioning of Streetcar will feature a multicultural cast and modern setting, pushing on the play’s present-day relevance by stripping away decades of “Southern gothic gauze” to reveal striking themes of class, race, and gender—reinvigorating the classic which shocked audiences in its debut 70 years ago. By placing a traditional, 1940s era Blanche within a contemporary, multicultural and urban environment familiar to modern audiences but foreign to her, this new production highlights the pertinence of this play for our divided America. Written by Tennessee Williams, and directed by Michael Michetti, it runs February 15 through March 25 at the Boston Court Performing Arts Center in Pasadena. For tickets call 626-683-6801 or visit www.BostonCourt.com.

“The Art Couple” Long before Felix met Oscar, Vincent van Gogh and Paul Gauguin were ill-fitting roommates in the south of France; a fateful co-habitation that would change the face of art – and Van Gogh’s face, too. It’s a lesser-known tidbit of theatre history that these two masters were also the subjects of Neil Simon’s original draft of The Odd Couple. Written by Brendan Hunt, and directed by Lauren Van Kurin, it runs February 16 through March 17 at the Broadwater Black Box in Los Angeles. For tickets visit www.sacredfools.org.

“Don’t Hug Me, We’re Family” The host of a radio show devoted entirely to ice fishing loses his sole sponsor while his wife, a popular host of a book show, has numerous sponsors, putting the couple at odds. Issues escalate and are compounded when two fish-out-of-water Brooklyn Italians come to the rural Minnesota town, buy the radio station and a hotel, and turn everything on its ear. Written by Phil Olson, with music by Paul Olson, lyrics by Phil Olson, and directed by Doug Engalla, it runs February 16 through March 25 at the T.U. Studios in North Hollywood. For tickets call 818-850-9254 or visit www.donthugme.brownpapertickets.com.

“Joseph and the Amazing Technicolor Dreamcoat” Experience this Biblical saga of Joseph and his coat of many colors at the Historical in-the-round Glendale Centre Theatre! Joseph is a boy blessed with prophetic dreams and being his father’s favorite son. But when his jealous brothers sell him into slavery and he is taken to Egypt, Joseph endures a series of terrific adventures. This Old Testament tale emerges both timely and timeless. One of the most popular shows we have ever produced. A must-see! Written by Tim Rice, with music by Andrew Lloyd Webber, lyrics by Tim Rice, and directed by Lee Martino, it runs February 16 through April 7 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit www.glendalecentretheatre.com.

“Nice Fish” On a frozen Minnesota lake, the ice is beginning to creak and groan. It’s the end of the fishing season, and two old friends are out on the ice, angling for something big — something down there that is pure need. Something that might just swallow them whole. Written by Mark Rylance and Louis Jenkins, and directed by Rob Brownstein and Anita Khanzadian, it runs February 16 through March 25 at the Shakespeare Center of Los Angeles in Los Angeles. For tickets call 818-765-8732 or visit www.interactla.org.

 

“Priscilla Queen of the Desert the Musical” is a hilarious, outrageous and fabulous musical road trip featuring some of the most classic dance songs of all time including “It’s Raining Men,” “I Will Survive,” and “I Love the Nightlife.” Set in Australia, PRISCILLA follows three drag queens as they drive across the outback in a rundown old bus searching for love and fulfillment and end up discovering what true friendship really means. Written by Stephan Elliott and Allan Scott, with music by Jennifer Lin, and directed by Jessica Hanna, it runs February 16 through March 25 at the Celebration Theatre @ the Lex Theatre in Los Angeles. For tickets call 323-957-1884 or visit www.celebrationtheatre.com.

“Talley’s Folly” Set in a deserted Victorian boathouse (a “folly”) in Lebanon, Missouri in 1944, Matt Friedman has arrived to plead his love to Sally Talley, the susceptible but uncertain daughter of the Talley family. Telling his innermost secrets and in return, learning hers, Matt gradually awakens Sally to the possibilities of a life together, two kindred spirits who, in their union, will find a wholeness rare in human relationships. Written by Langford Wilson, and directed by Richard Kilroy, it runs February 16 through March 11 at the Hudson MainStage Theatre in Los Angeles. For tickets call 323-960-4412 or visit www.plays411.com/talleysfolly.

“The New Colossus” tells the story of forced migration and the constant struggle for survival and dignity in an uncertain and hostile environment. The members of the acting company are from different parts of the world; they tell their stories, each in a different language, and each in different dress. Written by The Actors’ Gang Ensemble, and directed by Tim Robbins, it runs February 17 through March 24 at the Actors’ Gang Theatre in Culver City. For tickets call 310-838-4264 or visit www.theactorsgang.com.

“The Wicked, Wicked Mae West” is a new comedy about the legendary actress, writer and sex symbol. Set in 1959, the play portrays the bigger-than-life, wise-cracking Mae when she was being interviewed by Charles Collingwood for a possible appearance on his popular “Person to Person” TV show. Written by Willard Manus, and directed by Iris Merlis, it runs February 17 through May 25 at the Write Act Repertory @ the Brickhouse Theatre in North Hollywood. For tickets visit www.brownpapertickets.com/event/3328677.

“Allegiance” tells the story of the Kimura family, whose lives are upended when they and 120,000 other Japanese Americans are forced to leave their homes following the events of Pearl Harbor. Sam Kimura seeks to prove his patriotism by fighting for his country in the war, but his sister, Kei, fiercely protests the government’s treatment of her people. An uplifting testament to the power of the human spirit, Allegiance follows the Kimuras as they fight between duty and defiance, custom and change, family bonds and forbidden loves. Written by Marc Acito, Jay Kuo and Lorenzo Thione, with music by Jay Kuo, and directed by Snehal Desai, it runs February 21 through April 1 at the Aratani Theatre in Los Angeles. For tickets visit www.AllegianceMusical.com.

“The Pirates of Penzance” tells the story of the Pirate King and his apprentice Frederic as they match wits with the Major General and his beautiful daughters. Written by W.S. Gilbert and Arthur Sullivan, with music by W.S. Gilbert and Arthur Sullivan, and directed by Dr. Henry Price and Dorothy Danner, it runs February 21 through February 24 at the Smothers Theatre, Pepperdine University in Malibu. For tickets call 310-506-4522 or visit www.arts.pepperdine.edu.

 

“The Happiest Song Plays Last” chronicles a year in the life of two kindred souls as they search for love, meaning and a sense of hope in a quickly changing world. At the dawn of the Arab Spring in an ancient Jordanian town, Elliot, an Iraq War veteran, struggles to overcome the traumas of combat by taking on an entirely new and unexpected career: an action-film hero. At the same time, halfway around the world in a cozy North Philadelphia kitchen, his cousin, Yasmin, takes on a heroic new role of her own: as the heart and soul of her crumbling community, providing hot meals and an open door for the needy. Written by Quiara Alegría Hudes, and directed by Edward Torres, it runs February 22 through March 19 at the Los Angeles Theatre Center in Los Angeles. For tickets call 866-811-4111 or visit www.thelatc.org.

“Jackie Unveiled” Hailed as an icon of style, grace and strength, Jacqueline “Jackie” Kennedy Onassis was known for her alluring mystery and piercing sensuality. Much has been written and said about America’s most famous First Lady. However, one detail usually omitted from the story is that she was human. This one woman show dares to peek behind the façade of America’s most private public figure. Written by Tom Dugan, and directed by Jenny Sullivan, it runs February 22 through March 11 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org/Jackie.

 

“Year of the Rooster” Gil is a loser. He works at McDonald’s, lives with his ailing mother, and hasn’t had a girlfriend since…ever. But that’s all about to change. He’s been secretly training (and drugging) a rooster to fight. And Odysseus Rex (aka Odie) is the baddest barnyard bird there is. Gil has so much faith in Odie’s abilities that he bets everything on him — but victory and revenge may not yield the delicious spoils he anticipates. A fiercely comic play about cockfighting, connections, and clawing your way to the top. Written by Olivia Dufault, and directed by McKerrin Kelly, it runs February 22 through March 24 at the Theatre of NOTE in Hollywood. For tickets call 323-856-8611 or visit www.theatreofnote.com.

 

“Daddy Long Legs” An intimate musical about a spirited orphan girl who is sent to a prestigious college by a mysterious benefactor. Jerusha’s heart-warming journey to independence, education and romance is chronicled in a wealth of witty letters and glorious songs. Written by John Caird, based on the novel by Jean Webster, with music by Paul Gordon, and directed by Mary Jo DuPrey, it runs February 23 through March 11 at the International City Theatre Long Beach Performing Arts Center in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.

 

“Wicked Pagan Gays” Jeff is a 35-year-old atheist who has recently moved to Los Angeles to start a new life. Greg is a middle-aged struggling journalist led by “signs from above.” When serendipity reunites the former acquaintances, Greg insists their fates are intertwined and they must uncover the details of their shared cosmic destiny. Jeff, ever skeptical, first humors Greg, but soon finds himself second-guessing his core beliefs. Moral questions arise and loyalties are tested as the duo are thrust into a world of child stars, self-help gurus, and baffling gay politics. Born of real-life friends Jeff Dinnell and Greg Archer’s cocktail-fueled debates on God and gays comes this surprisingly thoughtful look at compromise in modern times. Sending up everything from religion to gay culture, steeped in cheeky, fast-paced banter, this play examines the unlikely friendship between two gay men with very different world-views as they embark on a hilarious search for meaning in a bewildering (and possibly sentient), Universe. Written by Jeff Dinnell, and directed by Kiff Scholl, it runs February 23 through March 31 at the Zephyr Theatre in Los Angeles. For tickets visit www.plays411.com/wicked.

“The Alamo” In the blue collar Bay Ridge section of Brooklyn sits a rundown neighborhood institution called The Alamo; the last great American bar. The owners, Munce and Carmen, along with some of their regulars watched, from the roof, as the World Trade Towers fell, taking down their relatives, friends, and neighbors. Today, with an aging clientele the place is fighting to keeps its doors open and the only hope seems to be the arrival of artist/gentrifiers who are moving into the neighborhood and wanting to adopt the bar as an entertainment hangout. Bay Ridge locals and The Alamo regulars don’t want to surrender their bar, much less their neighborhood, to these young neo-carpetbaggers without a fight. Touching on themes of, nativism, racism, and war, The Alamo paints a humorous yet heartbreaking portrait of eight working class Bay Ridge natives who always seem to find themselves on the front lines of change in America. Written by Ian McRae, and directed by Kent Thompson, it runs February 24 through March 31 at the Ruskin Group Theatre in Santa Monica. For tickets call 310-397-3244 or visit www.ruskingrouptheatre.com.

“Antony & Cleopatra: The Musical” is rarely produced in Southern California, and it may be because the genre-defying play is one of the Bard’s most complex: It’s a history play, but it takes liberties with historical facts; It could be seen as a sequel to Julius Caesar, yet it stands on its own; Its heroine is a leader of men, but also an object of male sexual desire. Its complexity, however, may be the source of its appeal. This show has its all: Romance, passion, sex, heartbreak, the fascination of royalty, war, politics, the epic sweep of history and, at its center, one of history’s most celebrated love stories: that of Antony, a general and triumvir of the Roman Republic who defied his Emperor; and the woman for whom Antony was willing to risk all, the Macedonian usurper of the throne of Egypt, the mighty Queen Cleopatra. Written by William Shakespeare, and directed by Gloria Gifford, it runs February 24 through March 18 at the Gray Studios in North Hollywood. For tickets call 310-366-5505 or visit www.tix.com.

“The Flying Lovers of Vitebsk” Partners in life and on canvas, Marc and Bella are immortalized as the picture of romance. On the painter’s canvas they flew, but in real life they walked through some of the most challenging times in 20th Century history—navigating the devastation of war, the Russian Revolution and each other. Following the artistic heights of Brief Encounter and 946: The Amazing Story of Adolphus Tips, Kneehigh and Rice return to The Wallis with a production that combines the visuals of Chagall’s paintings with the music and dance of the Russian-Jewish tradition. Written by Daniel Jamieson, with music by Ian Ross, and directed by Emma Rice, it runs February 24 through March 11 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org/Lovers.

“A Raisin in the Sun” In pre-civil rights America, an unexpected windfall offers a life-changing option for the Youngers, an African-American family living in a cramped Chicago apartment. They struggle with competing dreams and racial intolerance in this timely drama. Written by Lorraine Hansberry, and directed by Gregg T. Daniel, it runs February 25 through April 8 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.

 

“Six Characters in Search of a Play” Del Shores brings to life six one-of-a-kind characters he has met in real life that haven’t quite made it into one of his plays, films or TV shows. In 90 minutes, the audience will hear the truth behind how he collected these eccentrics and their stories as he portrays his hilarious, off-the-rails encounters with them. The audience will meet “Yvonne”, the anti-vegetarian Dallas waitress; “Sarah”, a Trump-hating elderly actress with an inhaler in one hand and a cigarette in the other; “Jimmy Ray”, the evolving, Magic Mike-loving latent Georgia redneck; “Loraine”, the once-brilliant drama teacher who has lost her damn mind and is now obsessed with porn; “Marsha”, the monkey-hating lesbian with COPD; and “Aunt Bobby Sue”, the racist Republican with a heart of gold. Written by Del Shores, and directed by Emerson Collins, it runs February 26 through March 25 at the Celebration Theatre @ the Lex Theatre in Los Angeles. For tickets call 323-957-1884 or visit www.celebrationtheatre.com.

“Sell/Buy/Date” Tony Award-winning playwright and performer Sarah Jones (Bridge & Tunnel) comes to the Geffen Playhouse as a dazzling medley of characters in Sell/Buy/Date, an exuberant new show inspired by the real-life experiences of people affected by the sex industry. Directed by Carolyn Cantor and brimming with Jones’ masterful, multicultural characterizations, Sell/Buy/Date presents an honest, moving and even humorous look at a complex and fascinating subject, all while preserving the full humanity of voices seldom heard in the theater. Written by Sarah Jones, and directed by Carolyn Cantor, it runs February 27 through April 15 at the Geffen Playhouse Audrey Skirball Kenis Theater in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

“Waist Watchers the Musical” If you’re like the rest of us, perhaps those New Year’s resolutions are starting to slip. So what better than getting a group of your friends together to LAUGH OFF a few pounds! We guarantee this will be the easiest weight loss program you have ever gone too – so much fun, you’ll want to come back again and again! This hilarious & inspirational musical comedy will leave you laughing so hard, you’ll burn more calories than you have all week. Come and dance in your seat or jump right in with a lighthearted look at four women dealing with food, friendship, love, life and sex! Written by Alan Jacobson, with music by Vince Di Mura, lyrics by Alan Jacobson, and directed by Matthew E. Silva, it runs February 27 through March 4 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

Enjoy life more – see a show tonight!

“Scene in LA” January 2018 by Steve Zall and Sid Fish

Happy New Year! Well, 2018 is finally upon us, and here are some of the shows you can see in our local theaters this month:


OPENING


“Bugaboo & The Silent One” Bugaboo is an inmate in the women’s block of Henderson County Jail in West Virginia. After 42 days alone, she is assigned a roommate who she comes to call her “silent little sinner”. This timely new drama is an intimate look at the power of female friendship despite devastating circumstances. Written and directed by Marja-Lewis Ryan, it runs January 6 through January 27 at the Lounge Theater in Los Angeles. For tickets call 800-838-3006 or visit www.batso.brownpapertickets.com.

“My Father’s A Cop” is a true story that traces the tumultuous relationship of Jerry Dean, a charismatic local Greenwich Village legend and his father, a decorated NYPD detective, as their paths crisscross in the worlds of crime, drug addiction, prisons, and mental hospitals. The story uses archival footage and video interviews, to chronicle Jerry’s journey from extorting the owner of A&W Root Beer’s son for $6,000 at his private upper eastside grammar school when he was 12, to robbing 26 whorehouses with a sawed-off shotgun when he was 16. In between Jerry and his teenage crew roamed the Village, tagged landmarks with legendary graffiti artists. As an adult, Jerry bobs and weaves and swerves through downtown NYC clubs, high-end whore houses, Park Avenue brownstones, heroin dens, incarcerations in America’s toughest prisons, rehab centers, iconic mental institutions (Bellevue), star friendships, run-ins with gangsters, kinky sex with supermodels, a burgeoning acting career, Hollywood hostage stand-offs, break-ups break-downs, and an undying and tumultuous relationship with his father that would make Shakespeare blush. Jerry gets his first sparks of hopes in one the darkest places on the planet— Sing-Sing Psychiatric Ward, a 30-bed facility for the state’s most mentally ill criminals, when a “sexy little” social worker-angel walks into his cell. Written by Jerry Dean and Kurt Brungardt, and directed by Kurt Brungardt, it runs January 6 through January 28 at the Lounge Theatre 2 in Los Angeles. For tickets visit www.myfathersacop.brownpapertickets.com.

“Tales of Modern Motherhood: This Sh*t Just Got Real” is a heartfelt comedy about the uncertainties of becoming a parent, the FEAR of being a parent, and the reservations of why I didn’t just settle for a dog. It addresses the good, the bad and the ugly truth about what really happens behind closed doors and gives a very honest perspective on the hardest job in the world, PARENTING! Written by Pam Levin, and directed by Mark Hatfield, it runs January 6 through February 10 at the Whitefire Theatre in Sherman Oaks. For tickets call 800-838-3006 or visit www.talesofmodernmotherhood.com.

“The Manor- Murder and Madness at Greystone” depicts momentous changes in the fortunes of the fabulously wealthy MacAlister Family (fictional surrogates of the oil-rich Doheny Family). Family patriarch and mining tycoon Charles makes an illegal if well-intentioned loan to Senator Alfred Winston (a stand-in for Secretary of the Interior Albert Fall). Both men face imminent disgrace and worse in the oncoming Teapot Dome bribery scandal, which will engulf the Warren Harding administration. A scion of the MacAlister family faces violent death. Written by Kathrine Bates, and directed by Martin Thompson, it runs January 11 through February 4 at the Greystone Mansion, in Greystone Park in Beverly Hills. For tickets call 310-364-3606 or visit www.theatre40.org.

“Small Mouth Sounds” In the overwhelming quiet of the woods, six runaways from city life embark on a silent retreat. As these strangers confront internal demons both profound and absurd, their vows of silence collide with the achingly human need to connect. Filled with awkward and insightful humor, Small Mouth Sounds is a unique and compassionate new play that asks how we address life’s biggest questions when words fail us. Written by Bess Wohl, and directed by Rachel Chavkin, it runs January 11 through January 28 at the Eli and Edythe Broad Stage in Santa Monica. For tickets call 310-434-3200 or visit www.thebroadstage.org.

“The Crucible” Using the historical and controversial subject of the 1692 Salem Witch Trials, it presents an allegory of events from the McCarthy Hearings of the 1950’s. Reason and fact become clouded by irrational fears and the desire to place blame for society’s problems on others. John Proctor, a blunt, out-spoken farmer is the play’s central character. He gets caught up in a conspiracy not even his own strength can control when his ex-lover Abigail throws false accusations on his wife Elizabeth. As Proctor tries to free his wife and prove all others accused of witchcraft innocent, he finds himself accused as well. One man stands in a tug-of-war between God and Satan, pride and damnation, and good and evil. It all leads to a climactic ending in which one lost soul finds peace with himself and realizes the importance of one’s own dignity. Written by Arthur Miller, and directed by George L. Rametta, it runs January 12 through February 17 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.

“Lemons Lemons Lemons Lemons Lemons” explores how we communicate in our everyday lives, and how that could be affected by censorship, oppression and loss of free speech. Bernadette and Oliver are two people that meet, fall in love and move in together, like people do. But their rapidly-progressing relationship becomes more complicated when the government introduces a draconian hush law giving everyone a daily limit of just 140 words each. They come up with ways to communicate with each other within the constraints of the law, but how can you know someone in just 140? Without words and the freedom to use them, are we completely powerless? Written by Sam Steiner, and directed by Jen Bloom, it runs January 12 through February 11 at the Hudson Guild Theatre in Hollywood. For tickets call 323-960-4420 or visit www.2centstheatre.com.

“The Price” In a soon to be demolished family house, two brothers, estranged for decades, meet together to dispose of their late parents’ property. The resulting confrontation leads them to examine the events and qualities of their very different lives and the price each of them had to pay. Written by Arthur Miller, and directed by Tony Torrisi, it runs January 12 through February 18 at the Theatre Palisades in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.org.

“Trump in Space” Four hundred years from now, thanks to the stripping away of EPA regulations, the earth has blown up. Two human factions survive and are on the hunt for Polaris 4, a planet capable of sustaining human life. One faction, the United States of Commerce, lives by a motto of “opportunity at any cost.” Ruled by The Executive, his chief representative in space is starship Captain Natasha Trump, a lineal descendant of Donald J. Trump. Competing with her to reach Polaris 4 first is a resistance called The Separatists, gathered on the Starship California and led by President Gary Hart, Natasha’s ex-lover. Which faction will be the first to reach Polaris 4 and establish the New Cosmic Order? Written by Gillian Bellinger and Landon Kirksey, with music by Tony Gonzalez and Sam Johnides, and directed by Frank Caeti, it runs January 12 through April 27 at the Second City Hollywood Studio Theatre in Hollywood. For tickets call 323-464-8542 or visit www.secondcity.com/shows/hollywood/trump-in-space.

“Bled for the Household Truth” Keith doesn’t need a roommate, but wants one. He wants a female roommate. Pen needs a place to live – and a lot more. This is a play about intimacy and yearning, and what happens when the world we live in, and the experiences we have, make simple human interactions the most intolerable and painful acts we could ever imagine. Written by Ruth Fowler, and directed by Cameron Watson, it runs January 13 through January 28 at the Rogue Machine in the MET Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.com.

 

“Freud’s Last Session” September, 1939. On the day England enters World War II, legendary psychoanalyst Dr. Sigmund Freud invites the young, rising Oxford don C.S. Lewis to his home in London. There, only weeks before Freud took his own life, they engage in a brain-teasing battle of wits on the subjects of love, sex and the existence of God. Filled with humor, this deeply touching play explores the minds, hearts and souls of two brilliant men addressing the greatest questions of all time. Written by Mark St. Germain, and directed by Robert Mandel, it runs January 13 through March 4 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

“A Love Affair” follows the the roller-coaster-ride of a 38-year (and counting) marriage, from the romantic naiveté of a 1950’s honeymoon, to the irritation of daily life in the Coming-of-New Age ’90’s. The successes, the disappointments, the sex, the traumas, the traumas about sex and the budget and the children and the adventure of casting your lot with another human being…for life. Written by Jerry Mayer, and directed by Chris DeCarlo, it runs January 13 through March 25 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.santamonicaplayhouse.com/a-love-affair.html.

“Shakespeare in Love” follows young Will Shakespeare (portrayed by Paul David Story), who is desperate. He has writer’s block and owes a new comedy to two demanding producers; what he has at the moment is a half-baked mess titled Romeo and Ethel, the Pirate’s Daughter. Enter his inspiration: Viola (Carmela Corbett). Smart, beautiful and Will’s greatest admirer, she will stop at nothing—including breaking the law—to be in his play. As their love blossoms, so does his greatest masterpiece. Written by Marc Norman and Tom Stoppard, adapted by Lee Hall, with music by Paddy Cunneen, and directed by Marc Masterson, it runs January 13 through February 10 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“I Am My Own Wife” Charlotte von Mahlsdorf, an elegant and eccentric German transvestite, against all odds, navigates a path between the Nazi’s and East German Secret Police — in a pair of high heels. Uses more than 30 characters—all played by a single actor—to piece together Charlotte’s controversial life. A profound story of survival and inspiration, this provocative and bold production is highly engaging for ages 16 and up. Written by Doug Wright, and directed by Jenny Sullivan, it runs January 14 through January 28 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“The Last Wife” moves the story of King Henry VIII and his final wife, the wealthy widow Katherine Parr, to the 21st Century in this fascinating what-if imagining of The Tudors. Katherine Parr actively plays a role in being the stepmother to Henry’s three surviving children, Edward, Mary and Bess. Edward is the Heir Apparent, but Katherine acts to have Mary and Bess added to the line of succession, advancing their status as women of royal privilege. Henry also makes her Queen Regent when he goes off to war. Katherine’s marriage to Henry interrupts her ongoing affair with nobleman and soldier Edward Seymour. Given Henry’s track record with wives, will Katherine’s head remain upon her shoulders? Written by Kate Hennig, and directed by L. Flint Esquerra, it runs January 18 through February 18 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.

“Shakespeare His Wife and the Dog” asks a burning question: Now that he’s come home, just what is up with Shakespeare? The play tells the story of a sleepless night and of secrets, lies, resentments and passions of a marriage laid bare. Of course, this is not just any marriage. It is April 1616 and Shakespeare has returned to Stratford, having had the most illustrious career in all of theatrical history. He is a rich and famous man, but all’s not well. Why is he so unhappy? Why can’t he sleep? Why is his wife furious with him? Who is Will waiting for and why can’t his wife Anne find the dog? Written by Philip Whitchurch, and directed by Julia St John, it runs January 18 through January 28 at the Edye at The Broad Stage in Santa Monica. For tickets call 310-434-3200 or visit www.thebroadstage.org.

“This is Very Important” Three different women. Three different stories.​ ​One common denominator… HIV positive. This one woman show sheds a light on the lives of these women, the people in their lives, public perception and what we think we know about HIV. Written by Rahvaunia, and directed by Jessica Lynn Johnson, it runs January 18 through February 4 at the Zephyr Theatre in Los Angeles. For tickets visit www.thisisveryimportantshow.com.

“A Delicate Ship” A haunting love triangle triggers an unexpected chain of events in this poetic play. In the early stages of a new relationship, Sarah and Sam are lovers happily discovering each other. Sarah and Nate know everything about each other, best of friends since childhood and maybe something more. But when Nate shows up unannounced on Sarah’s doorstep, she’s left questioning what and who she wants in this humorous and heartbreaking look at love, memory, and the decisions that alter the course of our lives. Written by Anna Ziegler, and directed by Andre Barron, it runs January 19 through March 11 at the Road Theatre on Magnolia in North Hollywood. For tickets call 818-761-8838 or visit www.RoadTheatre.org.

“Denim Doves” tells the story of a modest compound nestled deep in the woods of what was once a small Midwestern town, home to five denim-clad sister wives and their naive husband, Penis. When a mysterious sixth wife arrives to join the sisterly Braid, clad in scandalous acid-wash and singing forbidden songs of ancient riot girls, will she compromise the security of this pious sect? The show contains strong sexual themes, brief full-frontal nudity, suggestive humor and is recommended for audiences ages 16 and up. Written by Adrienne Dawes, with music by Ellen Warkentine, lyrics by Cyndi Williams, and directed by Rosie Glen-Lambert, it runs January 19 through February 17 at the Broadwater Theater Complex in Los Angeles. For tickets visit www.sacredfools.org.

“Nothing Is the Same” December 7, 1941. Four Hawaiian youngsters (two of Korean extraction, one of Filipino parentage, one of Japanese extraction) are playing marbles in a churchyard in Wahiawa, on Oahu’s North Shore. Japanese bombers buzz the town on their way to attack Pearl Harbor. War arrives, and nothing is the same. Mits, the Japanese-Hawaiian youth, eventually becomes an object of suspicion after he appears to signal one of the aircraft flying overhead. Could he possibly be a spy for the enemy? How will this affect how the other three youngsters respond to him? Japanese Americans on the mainland are being sent to detention camps far from their homes. Will that happen to Mits on the island? George, Bobi and Daniel, the other three, though not of Japanese heritage, are Asian Pacific Americans. How will perceptions of how they are seen affect their lives and their relationship with Mits? Written by Y York, and directed by Tim Dang, it runs January 19 through March 4 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.

“Cabaret” A thrilling and up-to-date production of a classic show that is now more relevant than ever. The seedy glamour of the Kit Kat Club with its bawdy Emcee provide an unsettling but fitting backdrop to the story of the hard-living entertainer Sally Bowles in the decadent nightlife of Germany in the early ’30s. Come hear some of the most memorable songs in musical theatre history, including “Cabaret,” “Willkommen” and “Maybe This Time.” Right this way, your table’s waiting! Written by Joe Masteroff, with music by John Kander, lyrics by Fred Ebb, and directed by Larry Carpenter, it runs January 20 through February 11 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.lamiradatheatre.com.

“The Chosen” A silent father, an ancient tradition and an unexpectedly important game of baseball forge bonds of lifelong friendship between two Jewish boys from “five blocks and a world apart” in this funny, poignant, timely and timeless father-son story about recognition and acceptance of “the other”. Written by Chaim Potok, adapted by Aaron Posner and Chaim Potok, and directed by Simon Levy, it runs January 20 through March 25 at the Fountain Theatre in Los Angeles. For tickets call 323-663-1525 or visit www.FountainTheatre.com.

“Moon over Buffalo” centers on Charlotte and George Hay, fading stars of the 1950’s, played by Wendy Way and Edwin Scheibner. At the moment, they’re playing Private Lives and Cyrano De Bergerac in rep in Buffalo, New York with five other actors. On the brink of a disastrous split-up caused by George’s dalliance with a young ingénue (Haley Rade), they receive word that they might just have one last shot at stardom: Frank Capra is coming to town to see their matinee, and if he likes what he sees, he might cast them in his movie remake of “The Scarlet Pimpernel.” Unfortunately for George and Charlotte, everything that could go wrong does go wrong, abetted by a visit from their daughter and her clueless fiancé (Desiree Gillespie and Josh Breeding) and hilarious uncertainty about which play they’re actually performing, caused by Charlotte’s deaf old stage-manager mother (Rebecca Tudor) who hates every bone in George’s body. Charlotte’s admirer, attorney Richard (Jack Stroud) and Roz’s lovesick ex-fiancé Paul (Eric Pierce) round out the cast. Written by Ken Ludwig, and directed by Michael Thomas-Visgar, it runs January 20 through February 11 at the Morgan-Wixson Theatre in Santa Monica. For tickets call 310-828-7519 or visit www.web.ovationtix.com/trs/pr/975428.

“Pirates of Penzance” Sappy pirates, dewy-eyed damsels, bumbling Bobbies and a stuffy Major General. The Playhouse goes topsy-turvy as the audience joins the cast for a beach party onstage – tiki bar, banjos, and beach balls included. Chicago theater rebels The Hypocrites bring their zany immersive production of this beloved operetta to Pasadena. Written by Gilbert and Sullivan, adapted by Sean Graney and Kevin O’Donnell, with music by Gilbert and Sullivan, and directed by Sean Graney and Thrisa Hodits, it runs January 23 through February 25 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.PasadenaPlayhouse.org.

“The Hothouse” A wild, impudent and blisteringly funny look at a government-run mental institution in which the wardens may be madder than the inmates. Under a veil of devilish wit and subversive humor, Harold Pinter’s biting political commentary on the perils of unchecked power is as vital and pertinent today as when he first wrote it. Nike Doukas directs a fully partner-cast production. Written by Harold Pinter, and directed by Nike Doukas, it runs January 25 through March 11 at the Kiki & David Gindler Performing Arts Center in Glendale. For tickets call 818-506-1983 or visit www.Antaeus.org.

“The Chinese Wall” Part tragedy, comedy, history, and satire, this wildly unpredictable theatrical event rivals and parallels today’s headlines, making an astounding comment on a seemingly farcical political arena. This 1946 anti-fascist play is being presented as a satire of the Trump administration. What sort of emperor would delight in the completion of a protective wall (The Great Wall of China) that could reach from New York to Berlin? Written by Max Frisch, and directed by Larry Eisenberg, it runs January 26 through March 11 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.

“Buyer and Cellar” follows a struggling actor named Alex who winds up working for an unnamed show-business legend in her Malibu basement mall. An unlikely friendship develops between the two from which Alex learns profound lessons about himself. Written by Jonathan Tolins, and directed by Stephanie A. Coltrin, it runs January 27 through February 11 at the Rubicon Theatre in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“Ironbound” spans 22 years to tell the story of Darja, a Polish immigrant getting by on a cleaning job, aggressive pragmatism and sheer will. This wry drama points out that sometimes survival is the only measure of success. Written by Martyna Majok, and directed by Tyne Rafaeli, it runs January 30 through March 4 at the Gil Cates Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.


CONTINUING


“Barefoot in the Park” Paul and Corie Bratter are newlyweds in every sense of the word. He’s a straight-as-an-arrow lawyer and she’s a free spirit always looking for the latest kick. After a six-day honeymoon, they get a surprise visit from Corie’s loopy mother and decide to play matchmaker during a dinner with their neighbor-in-the-attic, Velasco, where everything that can go wrong, does. Written by Neil Simon, and directed by George Strattan, it runs through February 10 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit www.glendalecentretheatre.com.


Enjoy life more – see a show tonight!