Monthly Archives: May 2016

“Scene in LA” June 2016 by Steve Zall and Sid Fish

 

June is Bustin’ Out all Over, and that includes our local theatre scene. Just look at all the shows for you to see, such as:


OPENING


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“Hedda Gabler” one of literature’s most compelling characters in this complex and enigmatic story about the newly married, beautiful and inscrutable wife of an academic trapped in a world she cannot bear. Longing to break free, Hedda jumps at the opportunity to destroy a former lover and rival of her husband, which ultimately leads to her own demise. Hedda Gabler marks the Antaeus Theatre Company’s final production in North Hollywood as the company prepares to move to a newly renovated cultural arts complex in Glendale this fall. Written by Henrik Ibsen, and directed by Steven Robman, it runs June 2 through July 17 at the Antaeus Theatre Company in North Hollywood. For tickets call 818-506-1983 or visit www.Antaeus.org.

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“The Madwoman in the Volvo” In the throes of her own mid-life change, Loh wrote an essay for the Atlantic Monthly, which later became the basis for her memoir, The Madwoman in the Volvo: My Year of Raging Hormones. She identified herself as someone who is from the “Triple M Generation—menopausal, middle-aged and a mother.” The New York Times selected Madwoman as one of the paper’s 100 Notable Books of 2014. Booklist called it “hilarious, comforting and enlightening.” The memoir’s three-character stage adaptation is a bumper-car ride through mid-life madness, all sparked by an unlikely trip to Burning Man. Written by Sandra Tsing Loh, and directed by Lisa Peterson, it runs June 2 through June 26 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.pasadenaplayhouse.org.

 

“Casting Confessions From La to LA” is an outrageous and comical insight into Snowden’s formative years in a small town in Louisiana, getting chewed up and spit-out in Hollywood and her secret ways of finally making money to survive and rise in the OC. Amy’s wild ride is full of hilarious and terrifying stories of nightmare roommates, nowhere jobs, public transportation, and non-traditional “happy endings”. Amy Snowden’s Casting Confessions From La to LA is an outlandish journey from innocence to guilty in a few short years. Written by Amy Snowden, and directed by Joe Salazar, it runs June 3 through June 26 at the Actors Company in West Hollywood. For tickets visit www.hff16.org/3696.

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“Dorothy’s Adventures in Oz” Based on characters created by L. Frank Baum, the originator of the first fourteen Oz books, DOROTHY’S ADVENTURES IN OZ explores the author’s most oft visited themes – love, friendship, family, truth, honor and self-esteem. Follow the escapades of Dorothy and her companions along the windy road to that mystical place where dreams really do come true and nothing is as it seems. Along the way, they will do battle with the vain but glorious Queen Coo-ee-oh (and her little blue companion), join forces with a vagabond princess who is revolting (although she doesn’t look it), meet a Patchwork Girl, a Rainbow Maiden, face such looming monsters as war, drought and mortgages. No lions or tigers – though there may be a bear or two – in this wild ride back over the Rainbow. Enjoy a complimentary glass of champagne (or sparkling juice!) with admission. Written by Chris DeCarlo & Evelyn Rudie, with music by Evelyn Rudie, and directed by Chris DeCarlo, with Graham Silbert, it runs June 3 through July 9 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.SantaMonicaPlayhouse.com.

 

“A Feast of Snacks” is an anthology of four bite-sized comedic musicals from acclaimed playwright Michael Gordon Shapiro that span a number of different styles, working together to create an hour of laughter and sing-out-loud theatre.

In “The Charmed Life” (Co-written with Mark Harvey Levine), Margie has experienced unnaturally good luck her entire life. One afternoon she discovers the source of her good luck: a secret admirer, who for years has been covertly making her life better.

In “Climb the Smallest Mountain”, miniature golf legend Darius “Duke” McGovern seems poised to win his seventh world championship until a competitor finds a loophole in the rules that allows him to disrupt Duke’s game.

In “HMS Headwind”, the merry crewmembers of an 18th century British frigate have one problem: their failure to capture a single enemy vessel.

And in a brand new piece, “The Escape Artist”, making its WORLD PREMIERE, the overly confident Scotty shows us the ropes of getting out of jury duty… until he meets a stubborn judge and a potential rival.

Written by Michael Gordon Shapiro, with music by Michael Gordon Shapiro, and directed by Julia Plostnieks, it runs June 3 through June 25 at the Lounge Theater Lounge 2 in Los Angeles. For tickets call 818-849-4039 or visit www.theatreunleashed.org.

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“A Thorn in the Family Paw” As we opens, it is 1945 and Eddie Goodman has recently returned from the European Theatre of World War II. Though he and his young wife Susie have been married for three years, they only got to spend about a month-and-a-half together before Eddie was whisked off to fight for his country. Finally back together after a two-and-a-half year absence, all appears to idyllic for this young couple. But as we all know, nothing is ever exactly as it seems. As we move forward to 1969, America is once again involved in a war, only now Ed and Sue are watching from the sidelines, along with their 23-year-old daughter Samantha and 19-year-old son, Jamie. And though the battles of Vietnam dominate the headlines, it’s the family skirmishes that are front and center here. And though Samantha and Jamie are tuned in enough to understand that “the times they are a changin’,” Ed and Sue are not as quick to accept the changes, and specifically the reality, that their children’s lives, loves, and sexuality are changing too. As we head to 1980, women’s roles are changing. And because of that, Sue is becoming more assertive, causing hers and Ed’s relationship to tumble in many, varied, directions as they face new and differing challenges. As our story ends in 1992, it is with a surprising and unexpected conclusion. For what we find is that the plans that the Goodmans have made for themselves don’t always follow what life, and fate, had long ago decided for them. Which family member is ultimately the titular thorn in the paw? The audience will have to view events through the differing perspectives of the characters to achieve the answer to that for themselves. Written by Garry Michael Kluger, and directed by Arden Teresa Lewis, it runs June 3 through June 26 at the Theatre West in Los Angeles. For tickets call 323-851-7977 or visit www.theatrewest.org.

 

“Adam and Eve” When a clown takes the stage to bring to life this biblical tale, God’s word is put on trial, and we quickly find ourselves taking a whimsical journey into the realm of “What if?” Forget all that you may think you know, because history is about to be dissected and reshaped in this play’s attempt to find new meaning in our origin. Written and directed by Blake Lewis, it runs June 4 through June 26 at the Theatre of NOTE in Los Angeles. For tickets visit www.hff16.org/3624.

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“Audition! The Musical” Movie stars, music, suspense, hilarity, pathos, and the truth behind the Hollywood mystique, as told by those who’ve been there and done that. The 10th Anniversary production, based on the all-too-true-life Hollywood experiences of the award-winning creative team of Chris DeCarlo and Evelyn Rudie, is back and brings ten years more harrowing, haunting and hilarious Hollywood horror stories than when it opened in 2006. Written by Evelyn Rudie and Matthew Wrather, with music by Evelyn Rudie and Matthew Wrather, and directed by Chris DeCarlo with Serena Dolinsky, it runs June 4 through June 26 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.SantaMonicaPlayhouse.com.

 

“Awkwardly Fabulous” Missy Hairston plays 30 characters in this solo comedy and we follow her progress as she grows up in the South, migrates to New York where she finds remarkable success on the comedy club circuit, then pursues a career in Hollywood, where she finds that she is starting over. With plenty on the ball, she gets agents, film and television roles, and yet, she is not denied a personal life. She attracts suitors with her effervescent personality, plus she’s funny (she’s a professional comedian, after all). Missy, at different points in her life, could be described as a woman of majestic proportions. It sometimes impacts her love life, and also her professional life. No matter how fabulous she is, it has an effect on the roles she can book. So, she strategizes on how to change her shape: Natural diet, exercise, a personal trainer. She eventually finds the inspiration to own her awkwardly fabulous self from another source. Written by Missy Hairston, and directed by Jessica Lynn Johnson, it runs June 4 through June 26 at the Studio C Theater in Hollywood. For tickets call 323-455-4585 or visit www.awkwardlyfab.com.

 

“Buyer and Cellar” Alex takes a job working in the Malibu basement “shopping mall” of a beloved “Funny Girl” megastar. One day, the Lady herself comes downstairs to play. It feels like real bonding in the basement, but will their relationship ever make it upstairs. BUYER AND CELLAR is an outrageous comedy about the price of fame the cost of things, and the oddest of odd jobs. Written by Jonathan Tolins, and directed by Larry Raben, it runs June 4 through June 26 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

 

“The Little Mermaid” Full of Disney magic! In a magical kingdom beneath the sea, the beautiful young mermaid Ariel longs to leave her ocean home to live in the world above. Based on one of Hans Christian Anderson’s most beloved stories and the classic animated film, Disney’s THE LITTLE MERMAID is a hauntingly beautiful love story for the ages. Written by Doug Wright, with music by Alan Menken, lyrics by Howard Ashman and Glenn Slater, and directed by Glenn Casale, it runs June 4 through June 26 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.lamiradatheatre.com.

 

“Overlay” is a one act play set in a dystopian future where the horrifying realities of war have been replaced with adorable video games. But no matter how remote the act of killing has become, can we ever be far from the burden of guilt below the surface? No one ever has to feel they have blood on their hands. Maybe they should. Written by Adam Hahn, and directed by Morry Schorr, it runs June 4 through June 22 at the Black Box Theatre at the new Sacred Fools Theatre Complex in Hollywood. For tickets call 800-838-3006 or visit www.skypilottheatre.com.

 

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“Stopping By” Actress Barbara Tarbuck’s loving, touching and often hilarious solo show about a 74-year-old woman who sets out to take her husband’s ashes to Burning Man, where she encounters the vast open space, violent dust storms, glowing night skies and uninhibited joy of thousands. Written by Barbara Tarbuck, and directed by Brian Drillinger, it runs June 4 through June 25 at the Edgemar Center for the Arts in Santa Monica. For tickets call 310-392-7327 or visit www.edgemarcenter.org.

 

“Uterine Affairs or the Inconceivable Conception” A hilarious, controversial, thought provoking play exploring the journey of a woman in a world where absurdity is the only thing closest to reality. Written and directed by Celine Nyanga, it runs June 4 through June 25 at the Lounge Theater in Los Angeles. For tickets visit www.hollywoodfringe.org/projects/3480.

 

“Las García” Explores what it means to be an independent woman in a dependent world, where conflict is always looming around the corner. Starring Gabriela Ortega. Written by Gabriela Ortega, and directed by Alex Alpharaoh, it runs June 5 through June 25 at the Asylum @ Studio C Artists in Los Angeles. For tickets call 323-533-7371 or visit www.hollywoodfringe.org/projects/3451?tab=tickets.

 

“Titus Andronicus, Jr.” Mr. Benjamin, a recently divorced art teacher at upscale Dawson Middle School, is assigned the most unenviable task: to direct the Spring play! When he opts to mount Shakespeare’s bloodiest tragedy he gets caught in a darkly comic spiral as the students supplant the teacher and he learns the toughest lesson of them all…. Written and directed by Troy Heard, it runs June 5 through June 28 at the Sacred Fools Theater Second Stage in Los Angeles. For tickets visit www.hff16.org/3410.

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“Voices” Chances are, you’ve heard Carla Delaney’s voice before. A successful and acclaimed voice-over artist, her voice has featured in animation, video games and commercials everywhere. A gifted impressionist, she’s done everyone from Bart Simpson to Barbra Streisand to Martha Stewart to Lady Gaga, and the list goes on and on. A capable actor, she’s created her own gallery of quirky, memorable characters. She’s written and performed in the Groundlings Sunday Company, in the hit show Forbidden Broadway, on TV on Jimmy Kimmel Live! and Conan, and much more. Entertaining and attractive, how she got to this point is a coming-of-age story as funny and insightful as the multitude of characters inside her. She became aware at an early age of an array of conflicting voices inside her head. She had to find which voice was her most genuine, the one that would best speak her innermost truth. Written by Carla Delaney, and directed by Jessica Lynn Johnson, it runs June 5 through June 25 at the Studio C Theater in Hollywood. For tickets call 323-455-4585 or visit www.HFF16.org/3386.

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“Speaking in Tongues” A noir psychological thriller that is a theatrical jigsaw puzzle of parallel stories: two couples set out to betray their partners… a lover returns from the past… a husband doesn’t answer the phone… and a neighbor is the prime suspect when a woman disappears. Written by Andrew Bovell, and directed by Jeneffa Soldatic, it runs June 6 through June 27 at the Matrix Theatre in Los Angeles. For tickets call 323-960-4443 or visit www.AustralianTheatreCompany.com.

 

“Tilt” A blistering dark comedy about the odds of reaching your destination when self-destruction is riding shotgun, Tilt is a world premiere play by Ben Moroski. Two strangers’ carpool from Los Angeles to Sacramento unravels when they decide to try to extort money from a Department of Motor Vehicles bribery scheme headquartered in Bakersfield. Written by Ben Moroski, and directed by Nick Massouth, it runs June 6 through June 25 at the Sacred Fools – Second Stage Theatre in Los Angeles. For tickets visit www.hff16.org/3396.

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“Ruben Guthrie” An affecting and darkly comic look at alcoholism and the impact of Australia’s drinking culture. A heady cocktail of fizzy humor and touching revelation about a Sydney adman who spirals high, then crashes hard, it’s the story not only of his battle with the bottle — but also of the city that won’t let him put it down. Is it un-Australian to refuse a drink? Written by Brendan Cowell, and directed by Peter Blackburn, it runs June 7 through June 28 at the Matrix Theatre in Los Angeles. For tickets call 323-960-4443 or visit www.AustralianTheatreCompany.com.

 

“Bull” is a razor-sharp play about the fine line between office politics and playground bullying, offering ringside seats as three employees fight to keep their jobs. Winner of the 2013 UK Theatre Award for Best New Play and the 2015 Olivier Award for Outstanding Achievement in an Affiliate Theatre. Written by Mike Bartlett, and directed by Jennifer Pollono, it runs June 9 through June 26 at the Met Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.com.

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“Home/Sick” a theatrical reimagining of the history of the Weather Underground, developed and devised by New York City theater collective The Assembly and members of the cast. Disgusted by the Vietnam War and the government’s repression of those seeking equality domestically, a handful of leaders from the 1960s student movement seized control of Students for a Democratic Society and reshaped it in the name of overthrowing the United States government. Believing violence to be the only means to transform American politics and society, these passionate idealists accelerated a movement to a revolutionary fervor, but left a country behind. Written by The Assembly, and directed by Jess Chayes, it runs June 9 through July 3 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

 

“Psychosexual: A love Story” Brad and Sarah are sex and relationship experts on the way up. Best-selling authors, they’re about to be added as regulars on the Omeika show, the highest-rated daytime TV talk show, hosted by Omeika Carter, America’s favorite. All is not, well, however. Brad and Sarah’s own relationship is far from perfect. Brad has been going to a strip club, where he has developed a crush on an exotic dancer. Floyd, the sleazy club entrepreneur, sees a way to manipulate Brad and Sarah to his advantage. It also turns out that Omeika has a few secret longings of her own. Can Brad and Sarah’s marriage be saved? Written by Samuel Warren Joseph, with music by Jon Detherage, lyrics by Samuel Warren Joseph, and directed by L. Flint Esquerra, it runs June 9 through June 26 at the MET Theatre, downstairs in The Great Scott Theatre in Hollywood. For tickets call 800-838-3006 or visit www.hollywoodfringe.org/projects/3997.

 

“Sex” January 5th, 1926. A sizzling ménage a trois awaits the ever so scandalous Peggy Hopkins Joyce as she boards the 20th Century Limited bound for New York. On her way to attend the premiere of her latest picture “The Skyrocket,” she finds herself caught in a sexual love triangle with a handsome struggling actor and a titled English duke. It’s a race against time with only 24 hours to choose the best lover. Who will she choose? A wealthy duke? The struggling actor? Or will they choose each other and leave Peggy out of it? Written and directed by Luchino Vecchio, it runs June 9 through June 25 at the Hudson Theatres (Guild) in Los Angeles. For tickets visit www.hff16.org/3561.

 

“CarneyMagic” John Carney is a unique blend of comedian, actor and sleight of hand virtuoso. His approach is smart, engaging and often….hilarious. Carney is widely acknowledged by his peers as one of the finest sleight of hand performers in the world, with awards and accolades worldwide. Hollywood’s Magic Castle has awarded Carney more awards than anyone in their history, as well as the Academy of Magical Arts prestigious Performing Masters Fellowship. Television appearances include The Late Show with David Letterman and the Jerry Seinfeld HBO special. He has performed in theaters throughout the world, as well as casinos in Atlantic City, Lake Tahoe and Las Vegas. He is an accomplished actor, with featured appearances on such TV shows as Spin City and Two and a Half Men, as well as numerous sketch comedy shows, plays and theatrical productions. He has done a number of television commercials including stints as spokesman for MasterCard, designing and performing dazzling visual effects for their television commercials. John often incorporates different characters, from silly to sentimental, into his performances, creating a complete theatrical experience. He is a tireless creator of original material and has shared may of his ideas, techniques and presentations in several books and instructional videos of advanced sleight of hand. He has lectured extensively throughout the world, and his books Magic by Design, Carneycopia, and The Book of Secrets are considered modern classics in instruction of the art form. Carney embodies the state of his art, combining exceptional skill and creativity….with pure entertainment. Prepare yourself for an evening of laughter and astonishment when you experience CarneyMagic. Written and directed by John Carney, it runs June 10 through June 11 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.

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“Vanya and Sonia and Masha and Spike” witty mash-up of Chekhov characters and smart phones is a delightful new comedy for our hyper-connected era. Middle-aged siblings Vanya and Sonia live an angst-ridden, melancholic existence on their family farm. House cleaner-cum-soothsayer Cassandra, whose hilariously ambiguous prophecies keep them befuddled, provides the only break from monotony. That is, until their glamorous movie-star sister, Masha, swans in for a surprise visit-along with her hunky 20-something boy toy, Spike. Written by Christopher Durang, and directed by Mary Jo DuPrey, it runs June 10 through July 3 at the INTERNATIONAL CITY THEATRE Long Beach Performing Arts Center in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.

 

“30:30:60 A Competitive Birthday Event” Former tennis pro Skyler Strong is celebrating her 30th birthday by smashing 30 of her biggest goals on stage. As part of a long-standing tradition, Skyler and her twin sister (and former tennis teammate) Summer have thrown huge charity-fundraiser birthday parties. Skyler is celebrating alone this year, but she’s not giving up, she’s not whining, and she’s not quitting. Because growing up is all about winning. Written by Anne Brashier, it runs June 11 through June 20 at the Three Clubs Stage Room in Hollywood. For tickets visit www.hollywoodfringe.org/projects/1735?tab=tickets.

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“Romeo and Juliet” With its one-of-a-kind outdoor setting in the heart of Topanga Canyon and its roots in the 1950s McCarthy-era Hollywood blacklist — when actor Will Geer created the theater as a haven for blacklisted actors — Theatricum is best known for its productions that frame contemporary social issues through the lens of classic literature. “Romeo and Juliet has been retold many times before with a myriad of backdrops, proving each time that it continues to resonate regardless of time or place,” says Geer. “We place the story in a city currently divided by political and cultural strife. The lovers are able to see beyond the narrow scope of the world in which they live and find each other in spite of it all.” Written by William Shakespeare, with music by Marshall McDaniel, and directed by Ellen Geer, it runs June 11 through October 2 at the Will Geer’s Theatricum Botanicum in Topanga. For tickets call 310-455-3723 or visit www.theatricum.com.

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“Big Sky” Five-star amenities and family fallout are on the itinerary as Jack races to land a life-changing deal during an Aspen getaway. But wide open spaces offer no place to hide as Jack’s family fails to keep the truth and elements at bay. CAST: Arnie Burton as Jonathan, Emily Robinson as Tessa, Jon Tenney as Jack, Jennifer Westfeldt as Jen. Written by Alexandra Gersten-Vassilaros, and directed by John Rando, it runs June 15 through July 17 at the Gil Cates Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

 

“Smoke” presents an intense sexual situation with adult language. “You know you get to choose what happens to you, right?” That’s what John tells Julie when they meet by accident at a kink-play party in New York City. She’s an aspiring college dropout living in the shadow of her famous artist parents; he’s her father’s intern, and the two instantly connect. But with ambitions bared, knives out, and sex an open question, their encounter pushes both of them further than they ever thought they’d go. Written by Kim Davies, and directed by Lisa James, it runs June 15 through June 25 at the Met Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.com.

 

“The Armadillo Necktie” The jet black comedy takes place on the border of Iraq and Iran where U.S. Army Colonel Ulysses Simpson Armadillo with help from his trusty Executive Officer Buckley Dunham, has been searching tirelessly for the native insurgents who, years ago, murdered his beloved wife. Written by Gus Krieger, and directed by Drina Durazo, it runs June 17 through July 31 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.

 

“Golden Boy” follows the life of a young Italian New Yorker in the late 1930’s, who pursues the American dream of fame and fortune.  Forced to choose between big money boxing and his dream of becoming a violinist, the young Italian runs the risk of losing everything he holds dear. Written by Clifford Odet, and directed by Rick Peters, it runs June 17 through July 10 at the Stella Adler Theatre – Gilbert Stage in Hollywood. For tickets call 323-455-3111 or visit www.StellaAdler-LA.com.

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“Tennessee Williams UnScripted” Passionate, smoldering secrets lurk beneath the surface of genteel society – and explode in a comical climax of accusation, confession and calamity. Inspired by American master playwright Tennessee Williams’ rollicking storytelling and delicious language, Impro Theatre starts with a single audience suggestion and builds improvised, full-length plays that are hilarious, yet tender as a Southern belle’s broken heart. Williams’ best known plays include A Streetcar Named Desire, Cat on a Hot Tin Roof, and The Glass Menagerie. Written by Tennessee Williams, and directed by Brian Lohmann, it runs June 17 through July 31 at the Falcon Theatre in Burbank. For tickets call 818-955-8101 or visit www.FalconTheatre.com.

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“Tom” Ellen Geer’s free adaptation with music brings new eyes to Harriet Beecher Stowe’s ‘Uncle Tom’s Cabin.’ Long before Black Lives Matter was part of our lexicon, Stowe’s great novel demanded freedom and equality for all, changing forever how Americans viewed slavery, galvanizing the abolition movement and contributing to the outbreak of the Civil War. Written by Harriet Beecher Stowe, adapted for the stage by Ellen Geer, and directed by Ellen Geer, it runs June 18 through October 1 at the Will Geer’s Theatricum Botanicum in Topanga. For tickets call 310-455-3723 or visit www.theatricum.com.

 

“The Addams Family” This magnificently macabre musical comedy features an original story, and it’s every father’s nightmare. Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family. A man her parents have never met. And if that weren’t upsetting enough, she confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before — keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents. Written by Marshall Brickman and Rick Elice, with music by Adam Lippa, and directed by Anne Gesling, it runs June 25 through July 31 at the Morgan-Wixson Theatre in Santa Monica. For tickets call 310-828-7519 or visit www.morgan-wixson.org.

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“Richard III” This season, the GRIFFITH PARK FREE SHAKESPEARE FESTVIAL will also feature various opening acts, a Salon Series of talk-backs, an art workshop and education workshops to make this iconic Los Angeles event this summer’s must-do, free, community get together! The Old Zoo is located in Griffith Park near the intersection of Crystal Springs Drive and Griffith Park Drive. In addition to the performances, education and engagement programs are presented for learners of all ages. Players in the Park/Teatristas en el parque are family education workshops presented on select evenings. These workshops are an interactive, energetic way to learn about the evening’s performance and to become more engaged in the overall live theater experience. For one special evening, Self Help Graphics will bring their Barrio Mobile Art Unit for an art-making workshop. Also returning this season is the Salon Series, pre-performance discussions led by experts in the field. Guests this year include Steven Leigh Morris, Executive Director of the LA Stage Alliance; John Frank, Senior Librarian with the Los Angeles Public Library and Ranger Mendibles, Park Ranger with the City of Los Angeles Department of Recreation and Parks. Additionally, ISC is pleased to announce its Festival Arts Partners, local performing artists presenting pre-show performances. This season’s guests will include: Invertigo Dance Theatre, La Victoria and The Silver Lake Chorus. Written by William Shakespeare, and directed by Melissa Chalsma, it runs June 25 through July 24 at the Old Zoo in Griffith Park in Los Angeles. For tickets call 818-710-6306 or visit www.iscla.org.

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“Bad Jews” follows Daphna Feygenbaum, the self-proclaimed most devout Jew in her family. When her less observant cousin Liam arrives to claim a treasured family heirloom, bringing along a surprisingly non-Jewish element in the form of Melody, a hilarious and devastatingly funny battle of Old Testament proportions ignites. The cousins sharpen their wit, familial vitriol, and humor, making this nasty, good fun. Written by Joshua Harmon, and directed by Sabrina Lloyd, it runs June 30 through July 24 at the Theatre of NOTE in Hollywood. For tickets call 310-502-0086 or visit www.badjewsinhollywood.com.

 

“A Few Good Men” is a gripping military courtroom thriller. A young marine, apparently unfit to endure the physical rigors of Marine duty, has died. Was it an accident, or were the circumstances of his death more sinister? Two marines in his unit are indicted for a variety of charges including murder. Their only defense against the prospect of long prison terms is mounted by their Marine attorneys, Lt. J.G. Daniel Kaffee (himself the son of a revered military attorney) and Lt. Cmdr. Joanne Galloway, neither of whom has successfully mounted a criminal defense in a courtroom before. It will take all their intelligence, skill and perseverance to fight a sadistic military cult within the walls of Guantanamo Bay if Kaffee and Galloway are to win their clients’ liberty and prevail against those who would subvert the Constitution and stain the honor of Marines stationed throughout the globe who serve America with courage and distinction. Written by Aaron Sorkin, and directed by Tony Pauletto, it runs June 30 through July 17 at the NoHo Arts Center in North Hollywood. For tickets call 800-838-3006 or visit www.afewgoodmenplay.brownpapertickets.com.


CONTINUING


CLARENCE DARROW 

“Clarence Darrow” this intimate production, presented in the round, is a compelling one-man tour-de-force which provides insights into the life, loves, triumphs and disappointments of the man who defended the seemingly indefensible and championed the underdog with passion, eloquence and sharp humor. James O’Neil, whose acting credits include Pontius Pilate in the National Tour of Jesus Christ Superstar, and Rubicon productions of Hamlet and Our Town, has long aspired to play the role of Darrow, who is O’Neil’s great-grandfather’s first cousin. Written by David W. Rintels, and directed by Jenny Sullivan, it runs through June 12 at the Rubicon Theatre Company in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

last rehearsal of the theatrical play Joe & Marylin : A Love Story written by Willard Manus and produced by John Lant (NY) and Anne Mesa (LA)

last rehearsal of the theatrical play Joe & Marylin : A Love Story written by Willard Manus and produced by John Lant (NY) and Anne Mesa (LA)

last rehearsal of the theatrical play Joe & Marylin : A Love Story written by Willard Manus and produced by John Lant (NY) and Anne Mesa (LA)

last rehearsal of the theatrical play Joe & Marylin : A Love Story written by Willard Manus and produced by John Lant (NY) and Anne Mesa (LA)

“Joe & Marilyn: A Love Story” a passion-filled two-character play about the volatile relationship between baseball great Joe DiMaggio and Hollywood super-star Marilyn Monroe. Written by Willard Manus, and directed by T.J. Castronovo, it runs through June 26 at the Write Act Rep @ The Brickhouse Theatre in North Hollywood. For tickets call 800-838-3006 or visit www.brownpapertickets.com.

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“La Cage aux Folles” Featuring: Jon Jon Briones as Georges Gedde Watanabe as Albin Allen Lucky Weaver as Jacob Michael Hagiwara as Edouard Dindon Sharline Liu as Marie Dindon Jinwoo Jung as Jean Michel Audrey Cain as Anne Grace Yoo as Jaqueline Cesar Cipriano as Francis Christopher Aguilar Carlos Chang Jonathan Kim DT Matias Alex Sanchez This multiple Tony Award winner for Best Musical about a gay couple who own a glitzy drag club is given a fresh, sleek and racy look that only East West Players can deliver. The charmed lives of Georges, the suave owner, and Albin, his high-strung star performer, are turned upside down when George’s son, Jean-Michel, returns with his fiancée, Anne. Cultures collide as Georges and Albin are introduced to Anne and her ultra-conservative parents in this jubilant musical that inspired the movie, “The Birdcage.” Written by Harvey Fierstein, based on the book by Jean Poiret, with music by Jerry Herman, and directed by Tim Dang, it runs through June 26 at the East West Players – David Henry Hwang Theater at the Union Center for the Arts in Los Angeles. For tickets call 213-625-7000 or visit www.eastwestplayers.org.

John Is A Father

“John is a Father” Recovering alcoholic John Owens was estranged from his family for decades before his son, a Marine, was killed in Afghanistan. Now, six years later, he receives an invitation to meet his widowed daughter-in-law and his grandson for the first time. From the streets of Los Angeles to a cramped apartment in Phoenix, he prepares to face the ghosts of his past. But nothing can prepare him for the people he’ll really meet along the way – and their capacity for forgiveness. Written by Julie Marie Myatt, and directed by Dan Bonnell, it runs through July 16 at the Road on Lankershim in North Hollywood. For tickets call 818-761-8838 or visit www.roadtheatre.org.

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“The Boy from Oz” the musical focuses on the extraordinary life of legendary singer/songwriter Peter Allen, from his birth in 1944 and humble beginnings to his meteoric rise to fame as an international star. The story covers Peter’s life and career in Australia and the United States, as well as his relationships with the legendary singing stars Judy Garland and Liza Minnelli. Written by Martin Sherman, original Book by Nick Enright, with music by Peter Allen, and directed by Michael A. Shepperd, it runs through July 31 at the Celebration Theatre at the Lex in Los Angeles. For tickets call 323-957-1884 or visit www.celebrationtheatre.com.


 

 

Summer officially starts this month, so celebrate it by seeing one of these great productions today!

“Scene in LA” May 2016 by Steve Zall and Sid Fish

SCENE IN LA

 

BY

 

STEVE ZALL AND SID FISH

 

May 2016

 

It’s May, it’s May, that glorious holiday – the lusty month of May – and just look at all the shows blooming in our local theaters this month:

                                                                                                          

OPENING

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“The Archer from Malis” In this bold reimagining of Sophocles’ Philoctetes, set in a Hunger Games-inspired dystopia and employing non-traditional casting, Odysseus orders young Neoptolemus, daughter of Achilles, to trick Philoctetes into joining the Greeks to assure their victory of the Trojan War. Philoctetes was entrusted with Hercules’ bow upon the demi-god’s death. The Greeks, who abandoned the snake-bitten Philoctetes on the island of Lemnos ten years earlier, return, now in need of him and the divine bow to win the Trojan War. The play explores questions of loss, betrayal, loyalty and whether the ends always justify the means. Written by Sophocles, and directed by Malik B. El-Amin, it runs April 29 through May 22 at the Lounge Theatre in Los Angeles. For tickets visit www.griottheatre.org/happeningnow.html.

 

“Birder” follows middle-aged accountant Roger, who, upon discovering a house finch nesting outside his home in Los Feliz, finds himself forced to question his most basic assumptions about what it means to be a father, husband, and breadwinner. But do his avian explorations represent a deep search for meaning, or just a city-dweller’s mid-life crisis? This funny, moving, world premiere, explores the human need for silence, as Roger finds both terror and solace in Los Angeles’ unique urban ecology. Written by Julie Marie Myatt, and directed by Dan Bonnell, it runs April 29 through June 19 at the Road Theatre in North Hollywood. For tickets call 818-761-8838 or visit www.RoadTheatre.org.

 

“The Boy from Oz” the musical focuses on the extraordinary life of legendary singer/songwriter Peter Allen, from his birth in 1944 and humble beginnings to his meteoric rise to fame as an international star. The story covers Peter’s life and career in Australia and the United States, as well as his relationships with the legendary singing stars Judy Garland and Liza Minnelli. Written by Martin Sherman, original Book by Nick Enright, with music by Peter Allen, and directed by Michael A. Shepperd, it runs April 29 through June 19 at the Celebration Theatre at the Lex in Los Angeles. For tickets call 323-957-1884 or visit www.celebrationtheatre.com.

 

“Lunatics & Actors” Based on the real life obsessions of famed doctor, Duchenne du Boulogne, Lunatics & Actors takes its audience into the peculiar hinterland of emotional authenticity. The Four Clowns of this performance veer wildly from reason to insanity to Hamlet, and things are never far from becoming completely unhinged. Who is really mad after all – the lunatic or the actor? Written by David Bridel, and directed by Jeremy Aluma, it runs April 29 through May 28 at the Shakespeare Center of Los Angeles in Los Angeles. For tickets call 562-508-1788 or visit www.fourclowns.org.

 

“American Idiot” The groundbreaking Broadway musical! Green Day’s powerhouse album is brought to life in this electric-rock musical of youthful disillusion. The two-time Tony Award-winning hit musical, based on Green Day’s Grammy Award-winning multi-platinum album, boldly takes the American musical where it’s never gone before. This high-octane show includes every song from Green Day’s album American Idiot, as well as several songs from follow-up release, 21st Century Breakdown. Content Warning: AMERICAN IDIOT contains adult content and strong language. For mature audiences. Written by Billie Joe Armstrong and Michael Mayer, with music by Green Day, lyrics by Billie Joe Armstrong, and directed by Brian Kite, it runs April 30 through May 15 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.lamiradatheatre.com.

 

“The Foreigner” The story takes place in a fishing lodge in rural Tilghman County, Georgia where two Englishmen, Froggy and Charlie, arrive as guests. The shy Charlie agreed to accompany Froggy on the trip after his sick wife begged him to go. When people at the lodge try to talk to Charlie, however, he remains silent: he is terribly shy, depressed about his wife’s illness, and cannot find the words to reply. Froggy claims that Charlie cannot talk because he is a “foreigner” from an exotic country, and does not understand English. Taking the explanation that he’s a non-English speaker as fact, the lodge’s guests quickly begin revealing their secrets, and Charlie soon discovers scandals amongst some of the residents of the lodge. Written by Larry Shue, and directed by Michael Rothhaar, it runs April 30 through May 22 at the Morgan-Wixson Theatre in Santa Monica. For tickets call 310-828-7519 or visit www.morgan-wixson.org.

 

“Sex and Education” Meet Joe Marks, a basketball star whose college scholarship is suddenly in jeopardy when his poorly written, sexually-charged note to his girlfriend is intercepted during a final exam. Meet Miss Edwards, his high school English teacher on her last day of teaching. In this hilarious homage to educators everywhere, Miss Edwards uses the note to teach Joe a lesson – on life, love, and the power of words. WARNING: EXPLICIT LANGUAGE; EXCESSIVE HILARITY. Written by Lissa Levin, and directed by Andrew Barnicle, it runs April 30 through May 22 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

Eastside Heartbeats

“Eastside Heartbeats” tells the fictional story of Jimmy Ramirez, leader of the four-man vocal group, the Eastside Heartbeats. The group has conquered East L.A., but Jimmy and the others have bigger goals. They aim to be #1 in the nation, Mexican-American superstars. But first they have to make a record. Eastside Heartbeats is inspired by the true story of Cannibal and the Headhunters, the musical group which opened for The Beatles at the Hollywood Bowl in 1965. Written by Tom Waldman, with music by David Reyes, and directed by Steve E. Feinberg, it runs May 5 through May 29 at the CASA 0101 Theater in Boyle Heights. For tickets call 323-263-7684 or visit www.casa0101.org.

 

“Author, Author” A magical, musical melee at once glorious and gentle, bold and bittersweet, mirthful and romantic, inviting audiences of all ages to celebrate the humor and wisdom of Sholom Aleichem as Chris DeCarlo reprises his award-winning portrayal of the world’s most beloved Yiddish author, seen by more than a quarter of a million people to date. Written by Chris DeCarlo, Evelyn Rudie and Ben Weisman, with music by Evelyn Rudie and Ben Weisman, and directed by Arthur R. Tomkins, it runs May 6 through May 28 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.santamonicaplayhouse.com.

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“The Glass Menagerie” The semi-autobiographical play involves Tom, a struggling writer enduring a survival job in a shoe warehouse; his domineering mother, Amanda, a faded Southern belle with memories of better times; his adored sister, Laura, fragile with a crippling shyness mirrored in a physical limp; and Jim, a work friend whom Tom asks to call upon Laura. The play takes its name from the collection of glass animals which holds a fascination for Laura. Will Laura’s gentleman caller be able to bring her out of her shell? Tom, while feeling a duty to his family, knows he will suffocate if he remains in his current circumstances. What will he do? Written by Tennessee Williams, and directed by Christian Lebano, it runs May 6 through June 12 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.

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“Shine Darkly, Illyria” Illyria is depicted as an island paradise, where inhabitants do reverence to the Moon and revel at nightly moon parties. Love, sex and dancing abound, but no children are ever conceived. Gender boundaries in sex can be rather fluid (Some of Shakespeare’s original characters engaged in cross-dressing, after all). The Moon has a favorite in the countess Olivia, and Olivia consumes moon dust as a euphoric substance. When The Moon attempts to warn Olivia of an upcoming ecological disaster brought on by humanity’s environmental neglect, Olivia does not listen. Lovers are in conflict, and hearts are broken. Can they be mended? Nature hands the Illyrians an ultimatum: Evolve or die. Can they escape the fury of the elements? Written by Megan Brown, and directed by Amanda McRaven, it runs May 6 through May 29 at the McCadden Place Theatre in Hollywood. For tickets call 702-204-6179 or visit www.artful.ly/fugitive-kind.

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“Unemployed. Finally.” It’s the story of writer-performer Heather Dowling’s 30 jobs in 30 years, which allowed her to explore some length and depth of the human experience until, when unemployed, finally, she at last had the opportunity to do what she always wanted in the first place. She was a sailor (the U.S. Navy calls them seamen, really); a waitress, an entrepreneur; a journalist, a foreman, a telecommunications specialist, tended bar, sold shoes; the list goes on and on. She also finds love on the way, and more than once. Life throws some curve balls her way (and we won’t give them away here), but she persists and prevails. Will she find happiness as she makes her way through the wonderful world of work? Written by Heather Dowling, and directed by Jessica Lynn Johnson, it runs May 6 through June 10 at the Whitefire Theatre in Sherman Oaks. For tickets call 800-838-3006 or visit www.brownpapertickets.com/event/2530591.

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“Blood from a Stone” Travis has returned home to his parents’ house in Connecticut before his intended departure for the West Coast to “start over.” He wants to see his folks and his siblings again before moving to the far side of the country. All is not well, however, and it never has been for this particular family. Travis’ parents Bill and Margaret are intensely angry people, with both of them having significant attachments outside their marriage. Kid brother Matt has several compulsions: gambling, lying and thievery, all of which will imperil his safety when he runs afoul of shady associates. Only sister Sarah could pass as relatively normal. Ironically, Margaret, Matt and Sarah are all nurses, devoting their working lives to the care of other people while failing to keep the peace within their own family. Meanwhile, Travis has reignited erotic sparks with an ex-lover, Yvette. She lives next door and is the married (and not to Travis) mother of two. Bill gets so angry he punches his fist through walls and windows. Margaret berates him constantly. Will Travis be able to make peace in his family before he leaves his family home? Written by Tommy Nohilly, and directed by Thomas C. Dunn, it runs May 7 through May 22 at the Electric Lodge in Venice. For tickets call 323-960-7788 or visit www.Plays411.com/stone.

 

“Climax” Max Madison, renowned Malibu restaurateur, unwittingly finds himself entangled in a warped love triangle with his devoted wife and the diabolical mistress who seeks revenge on his entire family. When Max’s adoring wife Olivia gets pregnant after years of unsuccessful attempts and thousands of dollars spent on fertility treatments, her ever-growing compulsion for motherhood sends Max into Jade’s arms. Jade, Olivia’s best friend and modern day femme fatale in a nurse’s uniform, has other plans for the baby. Written by Lisa Phillips Visca, and directed by Chris DeCarlo & Evelyn Rudie, it runs May 7 through June 26 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 2 or visit www.SantaMonicaPlayhouse.com.

 

“Honky” When a young African American is shot for a pair of basketball shoes, sales triple among white teens. Are ghetto-glorifying commercials to blame for the violence, or are they just part of a smart, targeted marketing plan? Luckily, there’s a new pill for sale, guaranteed to cure racism. Taking a satiric look at the symbiotic relationship between bigotry and commercialism, this is a comedy about different people, white and black, navigating the murky waters of race, rhetoric and athletic footwear. Written by Greg Kalleres, and directed by Gregg Daniel, it runs May 7 through June 12 at the Rogue Machine Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.com.

 

“The Golden Dragon” What starts out as a simple toothache evolves into a dizzying chain of events as a group of disparate people, played by a cast of five who assume many roles indiscriminate of age, gender, and race, struggle to make connections in an increasingly isolated world. At the center of the story is a Thai/Chinese/Vietnamese restaurant, The Golden Dragon, where a young Chinese man suffering from an oversensitive incisor sparks a whacked and weird series of interconnected stories. A delicious mixture of epic theatre, bizarre comedy, poetry, and fable combine to create this fabulous pho. Written by Roland Schimmelpfennig, translated by David Tushingham, and directed by Michael Michetti, it runs May 8 through June 5 at the Boston Court Performing Arts Center in Pasadena. For tickets call 626-683-6883 or visit www.BostonCourt.org.

 

“In & Of Itself” Derek DelGaudio’s latest conjuring, In & Of Itself, will see the writer, performance artist and two-time Academy of Magical Arts Award winning magician join with four-time Emmy winning director Frank Oz for a unique theatrical experience in the Audrey Skirball Kenis Theater at the Geffen Playhouse. DelGaudio’s 2012 record-breaking Nothing to Hide enjoyed a 144 performance run, the highest daily and weekly box office sales for the Geffen’s more intimate venue and grossed over $1 million in revenue before transferring to New York City. Glenn Kaino returns as producer with original music by DEVO founding member and front man Mark Mothersbaugh. A radically new show, In & Of Itself is constructed as a metaphoric labyrinth, filled with allegorical illusions and centered around a single paradoxical truth. Written by Derek DelGaudio, and directed by Frank Oz, it runs May 11 through June 26 at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.com.

 

“Next Fall” Two men in love, two parents in denial and two friends on speed dial form a witty and provocative look at faith, commitment and unconditional love. Adam is a committed atheist; his lover and long-term partner, Luke, is devoutly religious. When a traffic accident changes their lives, Adam must turn to Luke’s conservative Christian family and friends for support… and answers. Written by Geoffrey Nauftts, and directed by Robin Long, it runs May 12 through May 22 at the Macha Theatre in West Hollywood. For tickets call 800-838-3006 or visit www.nextfallweho.com.

 

“Amadeus” The story begins with composer Antonio Salieri in the 1820s and then flashes back to 1781 Vienna. The city of drama, intrigue and scandal is abuzz with the arrival of a Mozart, who can write an opera a week, but can’t control his exuberant giggling or his notorious libido. Salieri—until then the royal court’s most-lauded musician—recognizes Mozart’s genius, calling him “God’s magic flute.” Pious, but calculating, Salieri tries everything to subvert the success of the enfant terrible. Written by Peter Shaffer, and directed by Kent Nicholson, it runs May 13 through June 5 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

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“Clybourne Park” Set in Chicago, the play explodes in two biting and satiric acts, 50 years apart. Act I takes place in 1959 (as did “A Raisin in the Sun”) as nervous white community leaders anxiously try to stop the sale of a middle-class home to a black family. Act II jumps to 2009, in the same house, as the now predominantly African-American neighborhood battles to hold its ground in the face of urban renewal by a Caucasian couple. Each of the seven cast members plays different characters in both acts. Written by Bruce Norris, and directed by George L. Rametta, it runs May 13 through June 18 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.

 

“The End Times” Enter the world of a religious cult. Dare to ask questions, and discover the truth that may shatter your beliefs. Who do you turn to afterwards? Tim, born and raised in the Lord’s Restoration, has always been a devout follower of the ministry. He is young, loyal, and a true believer. When his best friend Evan is cast out of the Church in Pullman for “living in his mind,” Tim’s life slowly unravels as he questions the foundation of his faith. Written by Jesse Mu-En Shao, and directed by Jon Lawrence Rivera, it runs May 13 through May 29 at the Skylight Theatre in Los Angeles. For tickets call 213-761-7061 or visit www.skylighttix.com.

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“Gruesome Playground Injuries” darkly comic tale about love, pain and friendship. What is the path we take to find love in a harsh world? Sara Rae Foster (Showtime’s Masters of Sex, TNT’s Mob City) and Jeff Ward (title role in Lifetime’s Manson’s Lost Girls) star in this hilarious and heartbreaking love story about the intimacy between two people who allow their defenses to drop and their wounds to show. Written by Rajiv Joseph, and directed by John Hindman, it runs May 13 through June 26 at the Hudson Theatres in Los Angeles. For tickets call 323-960-7773 or visit www.plays411.com/playground.

 

“How to Succeed in Business without Really Trying” J. Pierpont Finch is a lowly window cleaner with dreams of making it big in the business world. After finding a copy of the book “How to Succeed in Business without Really Trying,” Finch decides to apply the tactics in the book to his own life. Soon, he’s working as a mail-room clerk at the World Wide Wicket Company and quickly fighting his way up the corporate ladder. A huge Broadway hit Musical! Starring: Starring: Kent Cain (J. Pierpont Finch), Kelly Hennessey (Rosemary), Richard Malmos (Biggley), Lia Peros (Smitty), Alex Allen (Bud Frump), Cynthia Caldwell (Miss Jones), Danielle Lebens (Hedy LaRue), Randle Rankin (Bratt), John David Wallis (Gatch), Richard Van Slyke (Twimble), Kyle Kelley (Womper), Alex Mackyol (Voice of the Book), Bobby Burkich (Ovington/ Ensemble), Chris Curry (TV Announcer/ Ensemble), Christa Hamilton (Miss Krumholtz/ Ensemble), Devin Holliman (Scrubwoman/ Ensemble), Kevin Holmquist (Jenkins/ Ensemble), Katie Moya (Scrubwoman/ Ensemble), Paul Reid (Peterson/ Ensemble), and Libby Snyder (Treasure Girl/ Ensemble). Written by Abe Burrows, Jack Weinstock, and Willie Gilbert, with music by Frank Loesser, and directed by Danny Michaels and Orlando Alexander, it runs May 13 through June 25 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit www.glendalecentretheatre.com.

 

“Bill W. and Dr. Bob” In 1929, famous New York stockbroker Bill Wilson crashes along with the stock market and becomes a hopeless drunk. Dr. Bob Smith, a surgeon from Ohio, has also been an alcoholic for 30 years, often going into the operating room with a hangover. Through an astonishing series of events, Bill and Bob meet and form a relationship, each helping the other to stay sober. This is the amazing and often humorous story of the two men who pioneered Alcoholics Anonymous, as well as the story of their wives, who founded Al Anon. The play artfully illustrates Bill and Bob’s journey from the pain and isolation of alcoholism to the hope and inspiration they find in sobriety and helping others. Written by Stephen Bergman and Janet Surrey, and directed by Ronnie Marmo, it runs May 14 through June 12 at the Theatre 68 @ NOHO Arts Center in North Hollywood. For tickets call 323-960-5068 or visit www.Theatre68.com.

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“The Hairy Ape” the story of Robert “Yank” Smith, a brutish ship laborer who searches for a sense of belonging in a world controlled by the wealthy elite. As head coal stoker on an ocean liner, Yank is in his element: he rules his dark, smoky world. But when the pale, spoiled daughter of the ship’s owner visits the engine room for a thrill, she is at once repulsed and terrified by Yank and what she sees there. Half in love with the unattainable and half blinded by rage, the bewildered Yank blunders violently through Manhattan seeking revenge and trying to understand his place on “de oith.” Written by Eugene O’Neill, and directed by Steven Berkoff, it runs May 14 through July 17 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA - May 16: The Wallis presents "The City of Conversation" at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California
BEVERLY HILLS, CA – May 16: The Wallis presents “The City of Conversation” at The Wallis Annenberg Center for the Performing Arts on May 16th, 2016 in Beverly Hills, California

“The City of Conversation” is an inside-the-Beltway play about politics in family—and families in politics—as it delves into the ever-changing tapestry of U.S. Government and the people who shape it off the senate floor. In 1979, Washington D.C. was a place where people actually talked to each other—where adversaries fought it out on the Senate floor and smoothed it out over drinks and hors d’oeuvres. But it was all about to change. Spanning 30 years and six presidential administrations, Hester Ferris throws high-powered Georgetown dinner parties that can change the course of Washington’s politics. But, when her beloved son suddenly turns up with an ambitious Reaganite girlfriend and a shocking new conservative world view, Hester must choose between preserving her family and defending the causes she’s spent her whole life fighting for. Written by Anthony Giardina, and directed by Michael Wilson, it runs May 17 through June 4 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org.

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Newsies, a Disney Theatrical Production under the direction of Thomas Schumacher presents Newsies, music by Alan Menken, lyrics by Jack Feldman, book by Harvey Fierstein, starring Dan Deluca (Jack Kelly), Steve Blanchard (Joseph Pulitzer), Stephanie Styles (Katherine Plumber), Angela Grovey (Medda), Jacob Kemp (Davey), Zachary Sayle (Crutchie), Anthony Rosenthal or Vincent Crocilla (Les) and Matthew J. Schechter (Les) under the direction of Jeff Calhoun, choreographed by Christopher Gattelli, North American Tour premiere Thursday October 30 Philadelphia
Newsies, a Disney Theatrical Production under the direction of Thomas Schumacher presents Newsies, music by Alan Menken, lyrics by Jack Feldman, book by Harvey Fierstein, starring Dan Deluca (Jack Kelly), Steve Blanchard (Joseph Pulitzer), Stephanie Styles (Katherine Plumber), Angela Grovey (Medda), Jacob Kemp (Davey), Zachary Sayle (Crutchie), Anthony Rosenthal or Vincent Crocilla (Les) and Matthew J. Schechter (Les) under the direction of Jeff Calhoun, choreographed by Christopher Gattelli, North American Tour premiere Thursday October 30 Philadelphia

Newsies, a Disney Theatrical Production under the direction of Thomas Schumacher presents Newsies, music by Alan Menken, lyrics by Jack Feldman, book by Harvey Fierstein, starring Dan Deluca (Jack Kelly), Steve Blanchard (Joseph Pulitzer), Stephanie Styles (Katherine Plumber), Angela Grovey (Medda), Jacob Kemp (Davey), Zachary Sayle (Crutchie), Anthony Rosenthal or Vincent Crocilla (Les) and Matthew J. Schechter (Les) under the direction of Jeff Calhoun, choreographed by Christopher Gattelli, North American Tour premiere Thursday October 30 Philadelphia

Newsies, a Disney Theatrical Production under the direction of Thomas Schumacher presents Newsies, music by Alan Menken, lyrics by Jack Feldman, book by Harvey Fierstein, starring Dan Deluca (Jack Kelly), Steve Blanchard (Joseph Pulitzer), Stephanie Styles (Katherine Plumber), Angela Grovey (Medda), Jacob Kemp (Davey), Zachary Sayle (Crutchie), Anthony Rosenthal or Vincent Crocilla (Les) and Matthew J. Schechter (Les) under the direction of Jeff Calhoun, choreographed by Christopher Gattelli, North American Tour premiere Thursday October 30 Philadelphia

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“Newsies” Set in New York City at the turn of the century, NEWSIES is the rousing tale of Jack Kelly, a charismatic newsboy and leader of a ragged band of teenaged ‘newsies,’ who dreams only of a better life far from the hardship of the streets. But when publishing titans Joseph Pulitzer and William Randolph Hearst raise distribution prices at the newsboys’ expense, Jack finds a cause to fight for and rallies newsies from across the city to strike for what’s right. Written by Harvey Fierstein, with music by Alan Menken, lyrics by Jack Feldman, and directed by Jeff Calhoun, it runs May 17 through May 29 at the Segerstrom Center for the Arts in Costa Mesa. For tickets call 714-556-2787 or visit www.SCFTA.org.

 

“La Cage aux Folles” Featuring: Jon Jon Briones as Georges Gedde Watanabe as Albin Allen Lucky Weaver as Jacob Michael Hagiwara as Edouard Dindon Sharline Liu as Marie Dindon Jinwoo Jung as Jean Michel Audrey Cain as Anne Grace Yoo as Jaqueline Cesar Cipriano as Francis Christopher Aguilar Carlos Chang Jonathan Kim DT Matias Alex Sanchez This multiple Tony Award winner for Best Musical about a gay couple who own a glitzy drag club is given a fresh, sleek and racy look that only East West Players can deliver.  The charmed lives of Georges, the suave owner, and Albin, his high-strung star performer, are turned upside down when George’s son, Jean-Michel, returns with his fiancée, Anne. Cultures collide as Georges and Albin are introduced to Anne and her ultra-conservative parents in this jubilant musical that inspired the movie, “The Birdcage.” Written by Harvey Fierstein. based on the book by Jean Poiret, with music by Jerry Herman, and directed by Tim Dang, it runs May 18 through June 26 at the East West Players – David Henry Hwang Theater at the Union Center for the Arts in Los Angeles. For tickets call 213-625-7000 or visit www.eastwestplayers.org.

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“Hillary & Monica” History’s most-reported act of oral copulation inspires a couple of writers to pen a narrative that could potentially impact the individual who may become the next President of the United States. Ben and Pete are two combative writing partners who reunite to write a “blockbuster” play about the most infamous political sex scandal of the 20th Century. Their script pivots about a proposed clandestine meeting between Hillary and Monica in an upscale suite of a Baltimore hotel. Ben’s aesthetic sense is deeply rooted in the noir movies of the 40s, to Pete’s irritation. But their play’s problems run deeper than that: What if either of their two women subjects decide to sue them? Hillary is a wealthy Presidential candidate. Monica is a struggling C-list celebrity. Neither of them could welcome this theatrical exposé of their lives. Ben’s paranoia pushes Pete to call his lawyer, Greg Goldfarb, an African American who likes to speak in Yiddishisms (it throws potential clients off-balance). Ben has a girlfriend, Tiffany, a used-up dance hall instructor. She doesn’t think Ben’s a great lover, but he’s a sometime roof over her head. Ben and Pete’s script reveals that their characters are full of hidden agendas and sexual secrets. But so are Pete, Ben, Greg and Tiffany- so much so that the quartet make Bill Clinton look like a Sunday school teacher. The four are far, far naughtier than the subjects of their creative endeavors. The four are simply coming up with angles to generate cash at the same time. Written by Victor Bardack and Edward Michael Bell, and directed by Joel Zwick, it runs May 19 through June 12 at the Odyssey Theatre in Los Angeles. For tickets call 323-960-7735 or visit www.plays411.com/hillary.

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“Separate Beds” Ernie and Twink have been sent on a cruise by their kids for their 30th anniversary. Ernie owns a hardware store. He’s grumpy. Twink keeps the store’s books. She bemoans the lack of tactile romance in their lives. They haven’t had marital relations in a while. In their state room, they’re sleeping in separate beds. Ah, the power of metaphor. They try to acquaint themselves with a more glamorous couple: Blake, a wealthy eyewear entrepreneur, and his wife Beth, an actress. Blake gushes over Beth, frequently holding her hand. They’ve been married 10 years. Why can’t Ernie and Twink be more like fun couple Blake and Beth, Twink wonders. She’s bored, and Ernie and Twink bore others around them. All is not necessarily as it first appears. Are Blake and Beth really happy? Can Ernie find a way to become romantic for Twink before he loses her forever? Are they condemned to sleep in separate beds forever? Written by M.J. Cruise, and directed by Melanie MacQueen, it runs May 19 through June 19 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.

 

“Clarence Darrow” this intimate production, presented in the round, is a compelling one-man tour-de-force which provides insights into the life, loves, triumphs and disappointments of the man who defended the seemingly indefensible and championed the underdog with passion, eloquence and sharp humor. James O’Neil, whose acting credits include Pontius Pilate in the National Tour of Jesus Christ Superstar, and Rubicon productions of Hamlet and Our Town, has long aspired to play the role of Darrow, who is O’Neil’s great-grandfather’s first cousin. Written by David W. Rintels, and directed by Jenny Sullivan, it runs May 25 through June 12 at the Rubicon Theatre Company in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

 

“Billie Holiday: Front and Center” Billie Holiday (1915-1959) was a trail-blazing musical artist, known as perhaps the first female vocalist to use her voice in the style of jazz improvisation. Recording first with Benny Goodman, she became the first Black female vocalist to front a white band, that of Artie Shaw. She also performed with Count Basie and Duke Ellington. She had long professional associations with saxophonist Lester Young (who named her Lady Day; she called him Prez) and pianist Teddy Wilson. Born to poverty in Philadelphia, she was a victim of sexual assault while still a child and sentenced by the court to a Catholic correctional institution. It was only her first experience with the court, however. She was convicted at age 13 (along with her mother) of prostitution. Subsequent arrests involved possession of narcotics and substance abuse. Despite a turbulent life, abusive relationships, and racism, she prevailed to become one of the greatest jazz and blues artists of her time, before her untimely demise at age 42 from cirrhosis of the liver. In addition to multiple hit recordings, she sold out Carnegie Hall three times. Written by Sybil Harris, and directed by B’Anca, it runs May 27 through June 19 at the Fremont Centre Theatre in South Pasadena. For tickets call 800-838-3006 or visit www.brownpapertickets.com/event/2499741.

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“The Engine of Our Ruin” TIME: Present. PLACE: Luxury hotel suite somewhere in the Middle East. EVENT: American diplomat attempts delicate trade negotiation. INCIDENT: An idealistic interpreter with secret agenda turns mission into international incident. Written by Jason Wells, and directed by Maria Gobetti, it runs May 27 through June 26 at the Victory Theatre Center in Burbank. For tickets call 818-841-5422 or visit www.thevictorytheatrecenter.org.

                                                                                                          

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“Catch Me If You Can” is one of the most door creaking, suspenseful, and fun-filled of the whodunits. With more turns than a corkscrew, this hilarious mystery comedy will keep you on the edge of your seats right up to the thrilling climax. Gather your family and friends and catch this show while you can! Written by Jack Weinstock and Willie Gilbert, and directed by Tim Dietlein, it runs through May 7 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit www.glendalecentretheatre.com.

 

“The Turn Of The Screw” A young governess journeys to a lonely English manor to care for two recently orphaned children. Are the specters she sees haunting the children real, or are they the product of her fevered imagination? Based on the provocative tale of suspense, horror and repressed sexuality by Henry James, this Gothic ghost story, set in an impromptu performance space lit entirely by the audience holding flashlights, is certain to give you the chills – bring a sweater! Written by Jeffrey Hatcher, adapted from the novel by Henry James, and directed by Blake Silver, it runs through May 7 at the Behind Sirens/Titans Fitness in Los Angeles. For tickets call 323-782-1849 or visit www.eventbrite.com.

 

“The Full Monty” Adapted from the Academy Award®-winning movie, this charming and hilarious musical follows the journey of two unemployed steelworkers desperate to make a living. When the search for work becomes hopeless, they scheme to put together a male striptease act and recruit other displaced workers to join them. The heart of this musical is the story of self-empowerment, overcoming odds, and the unbreakable bond formed within this seemingly diverse group of men who find that they have more in common than they first thought. Written by Terrance McNally, with music by David Yazbek, and directed by TJ Dawson, it runs through May 8 at the Plummer Auditorium in Fullerton. For tickets call 714-589-2770 or visit www.3dtheatricals.org.

 

“Abducted- The Show” depicts the terrifying true story of the abduction of a 13-year-old youth in America’s heartland, Omaha, Nebraska. It will take all of the teen’s intelligence and resourcefulness if he can escape alive. Other episodes in the show present how we can be abducted in our dreams. A white mainlander visiting Hawaii has a startling encounter with the indigenous culture. An American visiting the ruins of the Warsaw Ghetto experiences a special kind of terror. Writer-performer William Riedmann portrays multiple characters in his solo performance. His adventurous life includes retailing snowboards in Colorado, being a river guide in the Grand Canyon and sojourns in Panama and Costa Rica. His professional experience as an actor and comic includes work with The New Collective and the Upright Citizens Brigade. Written by William Riedmann, and directed by Debra De Liso, it runs through May 19 at the Hudson Mainstage Theatre in Hollywood. For tickets call 323-960-7780 or visit www.plays411.com.

 

“The Devil’s Bride” is a romantic comedy-mystery that takes place a week after the events in Shakespeare’s classic Much Ado About Nothing, with the villainous Don John the Bastard still languishing in Messina’s jail after attempting to thwart his rival’s wedding. Don John is given a chance to redeem himself, if he consents to marry Signore Benedick’s sister Allegra. However, Lady Allegra is under a Gypsy curse. She has already been engaged three times, and all three of her intended bridegrooms have died before reaching the altar. Will Don John be next? Written by Joan Silsby, and directed by Wendy Gough Soroka, it runs through May 21 at the Belfry Stage Upstairs at the Crown in North Hollywood. For tickets call 818-849-4039 or visit www.theatreunleashed.org.

 

“Electricity” openly gay sex addict Brad hooks up with closeted virgin Gary in a motel room after their 10th high school reunion in 1983. They form an undeniable connection that draws them back to the same motel room once every ten years. As the decades fly by, their lives transform and reflect the changes in society around them from that closeted first night in the 80’s to a world where even gay marriage is possible and it’s their time to decide. Is their connection over, or is it really just beginning. Written by Terry Ray, and directed by Steven Rosenbaum, it runs through May 22 at the Two Roads Theatre in Studio City. For tickets call 213-265-7972 or visit www.brownpapertickets.com.

 

“Joe & Marilyn: A Love Story” a passion-filled two-character play about the volatile relationship between baseball great Joe DiMaggio and Hollywood super-star Marilyn Monroe. Written by Willard Manus, and directed by T.J. Castronovo, it runs through May 22 at the Write Act Rep @ The Brickhouse Theatre in North Hollywood. For tickets call 800-838-3006 or visit www.brownpapertickets.com.

 

“A Nice Family Gathering” On Thanksgiving Day, the first gathering since Dad died, Dad comes back as a ghost with a mission. Trouble begins when Mom invites a date for dinner. Written by Phil Olson, and directed by Doug Engalla, it runs through May 29 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.

 

“The Story of Alice” A young girl finds herself in a mysterious otherworld filled with articulate woodland creatures struggling against a tyrant Queen and self-indulgent Havalots, but in an attempt to save herself, the girl known as Alice must first save those she encounters during her wild adventure that is as real as it is confabulation. One of the most enduring stories by Lewis Carroll is given a musical and contemporary retelling in this timely and wickedly imaginative production featuring an impetuous teenager in a wondrous world unlike any she’s known before. Bored and restless, Alice follows after a nervous White Rabbit and lands in a strange place far different than her suburban home and more dangerous than her self-absorbed sister Simone could have warned her about. Along the way, Alice meets a trickster Cheshire Cat, who leads her unwittingly through a labyrinth of odd and unusual Forest Creatures. It isn’t long though before Alice discovers the dark truth shadowing this otherworld in the matriarch of a greedy Queen of Hearts, her inept husband and those who serve her, the Havalots. As Alice tries to return to her normal way of life, she invariably finds herself leading a rebellion against the tyranny of power and absolute rule. But will she ever return to being a regular teenager ever again, or be caught forever down the rabbit hole where reality is only a dream. Written by Michael Cormier, with music by Scott Hiltzik, and directed by Gary Reed, it runs through May 29 at the Matrix Theatre in Los Angeles. For tickets call 323-960-4420 or visit www.plays411.com/alice.

 

 

Looks like this month is filled with fun stuff to do, so go enjoy a show tonight!