Here’s what’s happening this month in the Southern California theatre scene:

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OPENING

 “The Gary Plays” chronicles the odyssey of unemployed actor Gary Bean, Mednick’s everyman/anti-hero who has been hailed by KCRW as “a sort of L.A. Leopold Bloom.” Audiences can choose to follow Gary’s journey over the course of three evenings — or view all six plays on a single Sunday. Written by Murray Mednick, and directed by Guy Zimmerman, it runs May 4 through June 4 at the Atwater Village Theatre in Atwater. For tickets call 323-882-6912 or visit www.openfist.org.

“Tales of Modern Motherhood: This Sh*t Just Got Real” is a heartfelt comedy about the uncertainties of becoming a parent, the FEAR of being a parent, and the reservations of why I didn’t just settle for a dog. It addresses the good, the bad and the ugly truth about what really happens behind closed doors and gives a very honest perspective on the hardest job in the world, PARENTING! Written by Pam Levin, and directed by Mark Hatfield, it runs May 4 through June 15 at the Other Space at Santa Monica Playhouse in Santa Monica. For tickets call 800-838-3006 or visit www.talesofmodernmotherhood.com.

“Fefu and Her Friends” On a seemingly ordinary day, a group of women gather to plan a philanthropic fundraiser. As the evening unwinds, the world dips into the surreal and their secrets, fears, and frustrations with society and each other come to light. Featuring an international cast of women, Fornés’ 1977 play explores how women across the world are subtly pressured to conform to an ideal of meekness and femininity. Written by María Irene Fornés, with music by Daniel Szabo, and directed by Kate Jopson, it runs May 5 through May 28 at the Hollyhock House in Los Angeles. For tickets visit www.circlextheatre.org/fefu.

 

“Hello Again” is based on the 1897 play La Ronde by Arthur Schnitzler. It focuses on a series of love affairs among 10 characters during the 10 different decades of the 20th century. LaChuisa’s musical adaptation follows the structure of Schnitzler’s original material closely, often replicating fragments of his dialogue, detailing a daisy chain of sexual encounters and love affairs. Unlike the book, each scene is set in a different decade of the 20th century and in non-chronological order, allowing for a large and varied pastiche of musical styles ranging from opera to 1970s disco. Written by Michael John LaChiusa, with music by Brenda Varda, and directed by Richard Van Slyke, it runs May 5 through May 28 at the Chromolume Theatre at the Attic in Los Angeles. For tickets call 323-205-1617 or visit www.crtheatre.com.

 

“Man of La Mancha” tells the poignant story of Don Quixote and his pursuit of the impossible dream. His dream is Everyman’s dream. His tilting at windmills is Everyman’s adventure. Celebrating life – not as it is, but as it should be – is at the heart of this inspiring and unforgettable musical. The Spanish-influenced score is a musical delight, containing the magnificent and uplifting anthem to all that is best in us: THE IMPOSSIBLE DREAM. Remember what it is to believe in all that is noble, heroic and romantic with this rousing classic. Written by Dale Wasserman, with music by Mitch Leigh, lyrics by Joe Darion, and directed by Glenn Casale, it runs May 5 through May 7 at the Valley Performing Arts Center in Northridge. For tickets call 818-677-3000 or visit www.ValleyPerformingArtsCenter.org.

 

“The Monster Builder” follows Rita and Dieter, young architects, who are thrilled to meet Gregor. He’s the world’s most celebrated architect, whose buildings rise from the earth like twisted post-post-modern megaliths. So why has he taken on the remodel of a decaying boathouse, a project that was supposed to go to Rita and Dieter? They’re ready for a confrontation and to defend what they value: historic preservation and human-scale buildings. But nothing prepares them for the truth about their idol. Written by Amy Freed, and directed by Art Manke, it runs May 5 through June 4 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“The House in Scarsdale: A Memoire for the Stage” Dan O’Brien traces the roots of his family’s particular unhappiness to learn why his parents and siblings cut him off years ago. The more Dan learns about his family, the more mysterious the circumstances surrounding their estrangement become, until his world is shaken when rumors surface that his real father might be another member of the family. Ultimately, Dan must decide if his pathological pursuit of the truth is worth the risk or should he follow the advice of a psychic and make his life a never-finished work of art. Written by Dan O’Brien, and directed by Michael Michetti, it runs May 6 through June 4 at the Theatre @ Boston Court in Pasadena. For tickets call 626-683-6883 or visit www.bostoncourt.com.

“Actually” is the story of Amber and Tom, who, finding their way as freshmen at Princeton, spend a night together that alters the course of their lives. They agree on the drinking, they agree on the attraction, but consent is foggy, and if unspoken, can it be called consent? Actually invites the audience to explore the complex dynamics of sexual assault and consent. Written by Anna Ziegler, and directed by Tyne Rafaeli, it runs May 10 through June 11 at the Audrey Skirball Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

“Good People” centers on life in South Boston, a working-class neighborhood on hard times, which is no joke for single mother Margaret Walsh. Fired from her job, facing eviction and with nowhere to turn, she and her grown, disabled daughter, represent a large portion of today’s society. Will she get a break from her young manager at the Dollar Store or the landlady with a craft business selling googly-eyed rabbits, or the man from her past, now a successful doctor, who left town at a crucial moment long ago? Written by David Lindsay-Abaire, and directed by Gail Bernardi, it runs May 12 through June 17 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.

“Lucky Stiff” a hilarious musical murder mystery farce mixing diamonds, mistaken identities and a body in a wheelchair (oh, and puppies!), in this all singing, all dancing, killer musical comedy!  In fact, you’ll die laughing! Written by Lynn Ahrens, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and directed by Stephen Van Dorn, it runs May 12 through June 18 at the Actors Co-op David Schall Theatre in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.

“The Lyons” In this scathingly funny look at a family in crisis, the Lyons family is falling apart just when they need to pull together. Rita Lyons, in a heroic effort to keep the family united while her husband, Ben, is dying of cancer, has called their grown children together to say good-bye around his hospital bed. In the ensuing maelstrom of kvetching, guilt-giving, and recriminations, they discover that despite being a family, each of them is utterly isolated. Afraid of closeness and afraid of solitude, the Lyons are unexpectedly propelled into foreign territory- human connection. Written by Nicky Silver, and directed by Scott Alan Smith, it runs May 12 through July 1 at the Road on Lankershim in North Hollywood. For tickets call 818-761-8838 or visit www.roadtheatre.org.

“The Sweetheart Deal” 1970 was a tumultuous time for Cesar Chavez and the United Farm Workers. Obie Award-winning writer/director Diane Rodriguez traces the history of the UFW through the eyes of two journalists who leave their comfortable middle class life in San Jose to volunteer for El Malcriado, the underground newspaper founded by Chavez and Dolores Huerta. Written and directed by Diane Rodriguez, with music by Sage Lewis, it runs May 12 through June 4 at the Los Angeles Theatre Center in Los Angeles. For tickets call 866-811-4111 or visit www.thelatc.org.

“Species Native to California” For a decade, two families—one white and progressive, one undocumented—have lived together on a Northern California wine country estate in something like harmony. But political changes and financial mishaps leave them both suddenly facing uncertain futures. As everyone clamors to save the estate, a vengeful ghost haunts the fruitless vineyard intent on breaking the balance. Mexican folklore meets Mendocino County in this homage to Chekhov’s The Cherry Orchard. Performed in English with a liberal sprinkling of Español. Written by Dorothy Fortenberry, and directed by Eli Gonda, it runs May 13 through June 11 at the Atwater Village Theatre in Atwater. For tickets call 323-380-8843 or visit www.iamatheatre.com.

 

“Five Guys Named Moe” is an exuberant, international hit musical pays tribute to the music of rhythm and blues pioneer Louis Jordan. Written by Clarke Peters, with music by Louis Jordan, and directed by Keith Young, it runs May 18 through June 11 at the Nate Holden Performing Arts Center in Los Angeles. For tickets call 323-964-9766 or visit www.ebonyrep.org.

“Separate Tables” is actually a compilation of two short plays. The two pieces share a location, a dining room in a residential hotel in Bournemouth, England, and also share some of the same characters. In the first act, Table by the Window, an alcoholic left-wing writer loves the female manger of the hotel. Their world is rocked when the man’s ex-wife, a glamorous model dreading the approach of her middle age, checks into the hotel. The model has her ex in her sights. What will he do? In the second act, Table Number Seven, an ex-Army man enjoys the company of a spinster. They have things in common: Both are afraid of life and of other people in particular. When the woman’s manipulative, domineering mother exposes the man’s hidden sins, will she succeed in driving the soldier and the spinster apart? Written by Terence Rattigan, and directed by Jules Aaron, it runs May 18 through June 18 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.

 

“Annie Get Your Gun” This show hits the target with every song and dance! It’s the story of Annie Oakley, one of the Old West’s greatest marksmen, and Frank Butler, who was also renowned for his amazing shooting ability. Both proud and headstrong, they compete against each other and eventually fall in love! It’s tons of fun from start to finish and of course, filled with some of Irving Berlin’s greatest hits! You’re going to love this show! Written by Dorothy Fields and Herbert Fields, with music by Irving Berlin, and directed by Tim Dietlein, it runs May 19 through July 1 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit www.glendalecentretheatre.com.

“Freeway Dreams” a musical about commuters, stuck in freeway traffic, and as they wait for the gridlock to disperse they begin to daydream, their dreams emerging through songs such as ‘Manic-Depressive Blues,’ ‘A Big Woman Needs A Big Man,’ ‘…And A Pizza To Go,’ ‘My Superman’ and ‘What If The Other Guy Wins?’ hitting the mark in satirizing the L.A. lifestyle. Written by Wayne Moore, with music by Wayne Moore, and directed by Jim Blanchette, it runs May 19 through June 11 at the Write Act Repertory @ Brickhouse Theatre in North Hollywood. For tickets call 800-838-3006 or visit www.brownpapertickets.com.

 

“I Carry Your Heart” Phoebe is a young poet, forever living in the shadow of her estranged mother’s literary acclaim. When her mother unexpectedly dies Phoebe is left with two complicated legacies: donating her mother’s organs and reading her mother’s unpublished confessional journal. Meanwhile, Tess and her partner Lydia receive an early morning phone call, informing them that a donor heart is available for Tess – good news, but news that has come far sooner than they were prepared for. As these two families form an unlikely connection, they struggle to understand the politics and poetics of organ donation—and they dare to hope that pieces of us can live on after great tragedy. Written by Georgette Kelly, and directed by Jessica Hanna, it runs May 19 through June 10 at the Bootleg Theater in Los Angeles. For tickets visit www.bootlegtheater.org.

“Long Way Down” The darkly comic and harrowing story of Maybelline Ferris, a damaged young woman living with her pregnant sister Saralee and her forlorn husband, Duke, in their run-down family home north of Nashville. As the play begins, Karen, a close friend of Maybelline’s jailed older sister, marches into the house with the news that Doolee James kid came into Kindercastle today with a black eye. Doolee is beating her child. That accusation starts a chain of events that set the entire Ferris family into a downward spiral towards the plays stunning conclusion. Written by Nate Eppler, and directed by Steve Jarrard, it runs May 19 through June 18 at the Sherry Theatre in North Hollywood. For tickets call 323-860-6569 or visit www.longwaydown.brownpapertickets.com.

“Emmitt & Ava” a contemporary tale of love and loss. Two families, unacquainted with one another, suddenly find themselves forced to communicate on most intimate terms. Emmitt and Ava is a play as dynamic as it is relevant. Written and directed by Dominic Hoffman, it runs May 20 through June 18 at the Edgemar Center for the Arts in Santa Monica. For tickets visit www.brownpapertickets.com/event/2907900.

“Cuff Me: The Fifty Shades of Grey Musical Parody” is the hilarious parody of the Fifty Shades of Grey bestselling book/movie/t-shirt phenomenon!  Grab your bestie, your entourage, and that family member that always drinks a little too much and get ready to laugh at this irreverent, hysterical romp in an evening of goofy, satirical fun. The show bounces between nail salon gossip and an exaggerated telling of the erotic novel while the cast of four belt out parodies of songs like “Hit Me Baby” and “Call Me Maybe” while spoofing Fifty Shades of Grey! Written by Bradford McMurran, Jeremiah Albers, and Sean Michael Devereux, it runs May 23 through May 28 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

 

“Battlefield” begins as the devastation of war is tearing the Bharata family apart. The victorious new king must unravel a mystery: how can he live with himself in the face of the devastation and massacres that he has caused. Using just four actors and a musician, Battlefield has the economics of storytelling and the signature style of Peter Brook’s theater. Battlefield is an immense canvas in miniature; this central section of the ancient Sanskrit text is timeless and contemporary, asking how we can find inner peace in a world riven with conflict. Written by Jean-Claude Carrière, and directed by Peter Brook and Marie-Hélène Estienne, it runs May 24 through May 28 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org.

 

“S/He & Me” chronicles the unvarnished, complex, desperate, and often hilariously wacky story of Billings’ life, centering on the transition from the young Scott to the show-stopping Alexandra. She carries the story forward through story and plenty of songs. Written by Alexandra Billings, and directed by Joanne Gordon, it runs May 25 through June 11 at the Renberg Theatre in Hollywood. For tickets call 323-860-7300 or visit www.lalgbtcenter.org/theatre.

 

“Les Blancs” depicts the waning days of colonialism crossing into the 20th century as it reveals the impossible moral choices faced by individuals who must reconcile personal happiness with idealism. It is rich with music and dance and set in and around a mission compound in Africa. The time is yesterday, today, and tomorrow– but not very long after that. Written by Lorraine Hansberry, and directed by Gregg T. Daniel, it runs May 27 through July 3 at the Rogue Machine Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.com.

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CONTINUING

 “Allen Wilder 2.0” a director of softcore porn returns from Hollywood to his dead parents’ house in Levittown, Long Island, to sort through his belongings and re-examine his life. Can a chance meeting with his former babysitter and his estranged niece soothe the wounds of the failure he feels? Is it too late? His search for redemption gets comic treatment in this new play. Written and directed by Matt Morillo, it runs through May 21 at the Lounge Theatre in Hollywood. For tickets call 323-960-7792 or visit www.kadm.com.

“Harold and Maude” This is a stage adaptation of the movie about a 19 year-old boy who finally learns how to truly live when he meets that delightfully wacky octogenarian, Maude. Harold is the proverbial poor little rich kid—his alienation has caused him to attempt suicide several times, though these incidents are more cries for attention than actual attempts. His peculiar attachment to Maude, whom he meets at a funeral (a mutual passion) is what saves him and what captivates us. Written by Collins Higgins, and directed by Brandon Baer, it runs through May 21 at the Morgan-Wixson Theatre in Santa Monica. For tickets call 310-828-7519 or visit www.morgan-wixson.org.

“The Awful Grace of God” is actually an evening of six original one-act plays:
Off, set in 1972 Flushing, Queens, New York, explores the effect that violence has on two friends and how their personal experiences of our world’s brutality influence their ability to cope with their respective lives.
Surrender, set in present day Porch, New England, is an exploration of a couple’s search for meaning and the power of their love for each other after the passing of their child. The play looks into the potential interpenetrative nature between heaven and earth.
Willy and Rose, set in a present day Motel Room, depicts two people’s struggle to love each other and survive in a harsh world. The play explores desperation, aggression and fear expressed through their tragic love affair.
The Long Walk Home, set in 1950 in New York City, is a story exposing powerlessness, loss and the courage of a family to continue on after unspeakable harm has been done while in the grip of addiction.
Need (Shelter from the Storm), set in present day in a Psychotherapist’s office in New York, explores the pure force of love and how that love transcends all boundaries when discovered.
Through, set here in the present, is a play about transformative suffering in adversity depicting one person’s journey from bondage into freedom.
Written by Michael Harney, and directed by Mark Kemble, it runs through May 28 at the Other Space @ The Actors Company in West Hollywood. For tickets call 323-960-7784 or visit www.plays411.com/graceofgod.

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Enjoy life more by seeing a show today!

Spring has arrived, and soon the Easter Bunny will too, but don’t miss out on these fantastic new shows in our local theatres:

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OPENING

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“The Encounter” follows the true story of National Geographic photographer Loren McIntyre as he finds himself lost in a remote area of Brazil in 1969, leading to a startling encounter that changed his life. Each seat in The Wallis’ Bram Goldsmith Theater will be equipped with a pair of Sennheiser headphones. Audience members will put them on and experience ground-breaking sound design, plugging into the power of the imagination while engaging everyone in new and breathtaking ways as McBurney leads listeners on an epic journey deep into the Amazon rainforests. As McBurney’s mesmerizing tale about McIntrye reaches its climax, this extraordinary performance asks some of the most urgent questions of today: about how we live and what we believe to be true. Written by Petru Popescu, and directed by Simon McBurney, it runs April 6 through April 16 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org/Encounter.

“Of Mice and Men” is a tale of two migrant field workers looking for work on the California coast during the Great Depression—the intelligent but frustrated George, and Lennie, a sweet, strong man with a mental disability and a knack for getting into trouble. As they continue to chase the classic American Dream of settling down on their own piece of land, the unlikely pair soon comes across other characters who share in their desperate search for companionship and something greater out of life. Written by John Steinbeck, and directed by Aaron Lyons, it runs April 6 through May 13 at the Belfry Stage Upstairs at the Crown in North Hollywood. For tickets call 818-849-4039 or visit www.theatreunleashed.org.

“Supper” The Koch Brothers are infamous, super-rich, right-wing reactionaries from Wichita, Kansas. Trained in business and politics at their father’s knee, and bestowed with his oil wealth and his company, Koch Industries, the brothers are litigious multibillionaires who fund ultra-right-wing causes and candidates in an attempt to shape America in their image. This play is definitely NOT about the Koch Brothers. Written by Phinneas Kiyomura, and directed by Alina Phelan, it runs April 6 through May 20 at the Theatre of NOTE in Hollywood. For tickets call 323-856-8611 or visit www.theatreofnote.com.

“Goonie” Today is Goonie’s sixth birthday — her favorite number. Her father, Terry, is planning a day to remember: bouncy house, extinct animals, and a skywriting plane. With everything in place, what could possibly go wrong? Oh, that’s right — THE DREAM TEAM — Terry’s insane, needy, and borderline psychotic family could all show up, uninvited, and not only ruin Goonie’s party but put Terry in an asylum before he even gets to the piñata. Written by Terry Maratos, and directed by Jim Anzide, it runs April 7 through May 5 at the Atwater Village Theatre in Atwater Village. For tickets call 323-839-5086 or visit www.gonnietheplay.com.

“The Importance of Being Earnest” This wonderful, colorful comedy of manners and mistaken identities is truly one of the classic comedies of all time. Most theater-goes agree that it is probably the wealthy young men who pretend, among other things, that they are both named Ernest in order to impress their beloveds. A surprise ending caps off the evening and all’s well that ends well. We bring amazing energy and fun to our production and we guarantee you a great night at the theater. Written by Oscar Wilde, and directed by Zoe Bring, it runs April 7 through May 13 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit www.glendalecentretheatre.com.

“The Lady Was a Gentleman” An examination of love, identity, race, and gender that is sure to leave you laughing out loud as celebrated actress Charlotte Cushman goes on (another) farewell tour of the U.S. with her personal assistant Sallie, a free black woman, and an ever-expanding entourage of adoring younger women. Written by Barbara Kahn, and directed by Kate Motzenbacker, it runs April 8 through April 29 at the Dorie Theatre at the Complex in Hollywood. For tickets visit www.ladygentplay.bpt.me.

“Pure Confidence” The high-stakes world of Civil War–era horse racing sets the stage for this captivating drama during a time of slavery and Reconstruction. Colonel Wiley Johnson owns both Simon Cato, a smart, cocky ‘colored’ jockey, and his horse, Pure Confidence. Cato uses his wits and his championship winnings to buy his and his wife’s freedom, but the Civil War changed everything. Written by Carlyle Brown, and directed by Marya Mazor, it runs April 8 through May 21 at the Sacred Fools Theatre in Los Angeles. For tickets call 323-960-7745 or visit www.lower-depth.com/on-stage.

“A Doll’s House, Part 2” The story follows Nora, who in the final scene of Ibsen’s classic A Doll’s House makes the shocking decision to leave her husband and children. A door slams. The curtain falls on a stunned audience. Lucas Hnath continues Nora’s story in this intriguing play with a decidedly modern perspective. Fifteen years have passed when there’s a knock on that same door. Why is Nora back—and what will her return mean to those she left behind? Written by Lucas Hnath, and directed by Shelley Butler, it runs April 9 through April 30 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“The Originalist” When a bright, liberal law school graduate embarks on a difficult and challenging clerkship with Justice Antonin Scalia, she discovers him to be both an infuriating sparring partner and an unexpected mentor. As the country waits for Scalia’s seat to be filled, this drama looks into the complexities of one of the most polarizing Supreme Court Justices of all times. This powerful work portrays the passionate people risking heart and soul to defend their interpretation of the truth, and the constitution. Written by John Strand, and directed by Molly Smith, it runs April 11 through May 7 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.PasadenaPlayhouse.org.

“The Legend of Georgia McBride” tells the story of Casey, who after years of struggling at a small-time club in the Florida Panhandle, realizes it’s now or never for his career as an Elvis impersonator. Enter Miss Tracy Mills, a self-proclaimed grand dame of drag who guarantees Casey’s life is about to get “all shook up.” Matthew Lopez’s hip-shakin’, heartwarming tale explores what happens when one man trades in his blue suede shoes for platform pumps and discovers he ain’t nothing but a drag queen. Written by Matthew Lopez, and directed by Mike Donahue, it runs April 12 through May 14 at the Gil Cates Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

“Lone Star” brothers Roy and Ray take a drunken stumble down a memory lane littered with cars, stars, women and bars. Roy, a brawny Vietnam vet many years removed from the war, still can’t find his place, so he spends his nights behind Angel’s bar trying to get back to a place in his mind. Written by James McClure, and directed by David Fofi, it runs April 14 through May 7 at the Zephyr in Los Angeles. For tickets visit www.plays411.com/lonestar.

“Farragut North” A taut and plot-twisting story of political, emotional, and sexual intrigue. During a hotly contested presidential primary campaign a wunderkind press secretary, blinded by hubris, makes a wrong turn. After choosing to walk through “that door” his life, and the lives of others, spin out of control. Set against an all too familiar contemporary landscape, the story reveals the human struggle between ideologies and unbridled ambition. Written by Beau Willimon, and directed by Cathy Fitzpatrick Linder, it runs April 15 through May 21 at the Odyssey Theatre in Los Angeles. For tickets call 323-960-7788 or visit www.plays411.com/newsite/show/play_info.asp?show_id=4614.

“The 39 Steps” A young British gentleman named Richard Hannay befriends a beautiful spy. When he brings her back to his apartment, she is murdered and he becomes the prime suspect. He’s on the run, not only from the authorities, but also from a mysterious organization that has no good intentions for the fate of Western civilization. While evading hot pursuit, he falls in love with another beautiful woman. Only Hannay can stop a vile plot from an evil organization that threatens us all. Can he clear his name, save the world, and get the girl in time? Written by John Buchan, adapted by Patrick Barlow, and directed by Rebecca Lynne, it runs April 20 through April 29 at the Brand Park in Glendale. For tickets visit www.deanproductionstheatre.com.

“The Furniture” A new comedy about sex, lies, upholstery and the ways we hurt the ones we love. Old rivalries come to the fore and secrets are revealed when three sisters gather to divvy up the family furniture. Written by Marc Warren, and directed by Joel Zwick, it runs April 21 through April 23 at the Hillcrest Center for the Arts in Thousand Oaks. For tickets call 805-381-1246 or visit www.hillcrestarts.com.

“Rabbit Hole” Becca and Howie, blindsided by a tragic accident, struggle to piece together what was once their picture perfect life in the suburbs. As they negotiate a return to their marriage and what is left of their family, they are forced to confront the depth of their loss and the new realities of life together. Written by David Lindsay-Abaire, and directed by Eric Hunicutt, it runs April 21 through May 14 at the Lounge Theatre in Hollywood. For tickets call 917-407-3346 or visit www.Plays411.com/rabbithole.

“Sister Act” is the feel-amazing musical comedy smash based on the hit 1992 film that has audiences jumping to their feet! Featuring original music by Tony and 8-time Oscar winner Alan Menken (Newsies, Beauty and The Beast, Little Shop of Horrors), this uplifting musical was nominated for 5 Tony Awards including Best Musical. It’s Las Vegas in the 1970s, and when disco diva Deloris Van Cartier witnesses a murder, she is put in protective custody in one place the cops are sure she won’t be a found: a convent! Disguised as a nun, she finds herself at odds with both the rigid lifestyle and the uptight Mother Superior. Using her unique disco moves and singing talent to inspire the choir, Deloris breathes new life into the church and community but in doing so, blows her cover. Soon, the gang is giving chase only to find themselves up against Deloris and the power of her newly-found sisterhood. Filled with uplifting gospel music, outrageous dancing and a truly moving story, that will leave audiences breathless, it is a sparkling tribute to the universal power of friendship. Written by Cheri and Bill Steinkellner, with music by Alan Menken, lyrics by Glenn Slater, and directed by Misti B. Wills, it runs April 21 through April 30 at the Kavli Theatre at the Thousand Oaks Civic Arts Plaza in Thousand Oaks. For tickets call 800-745-3000 or visit www.cabrillomusictheatre.com.

“Uncanny Valley” explores the inherent unpredictability of consciousness, as well as ethical questions about our own mortality and how far we’ll go to live forever, in this fascinating and cerebrally challenging new play about artificial intelligence. Sometime in the not-too-distant future, a neuroscientist works closely with an artificial being to teach him how to become more human and to grow beyond the “uncanny valley” — a term used to describe the discomfort we feel when we see electronic recreations of human beings that are oh-so-close, but just not quite right. Written by Thomas Gibbons, and directed by Caryn Desai [sic], it runs April 21 through May 7 at the International City Theatre in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.

“West Side Story” As powerful, poignant, and timely as ever, the thrilling Leonard Bernstein and Stephen Sondheim score – including “Tonight,” “Maria,” “America” and the classic “Somewhere,” remains one of the best-ever written. Shakespeare’s Romeo and Juliet are transported to modern-day New York City, caught between warring street gangs, the Jets and the Sharks. Their struggle to survive in a world of hate, violence, and prejudice is one of the most innovative, heart-wrenching and relevant musical dramas of our time. Written by Arthur Laurents, with music by Leonard Bernstein, lyrics by Stephen Sondheim, and directed by Richard Israel, it runs April 21 through May 14 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.lamiradatheatre.com.

“Dr. Du Bois and Miss Ovington” Dr. Du Bois is intent on resigning from the NAACP, infuriated by the condescension and opposition he has received from white board members of the organization. Miss Ovington believes such a move would be disastrous both for himself and the organization, and she attempts to dissuade him from what she is convinced is a destructive course of action. Complicating matters is the pair’s evident attraction to each other, a relationship that would be widely condemned in 1915. Written by Clare Coss, and directed by Ben Guillory, it runs April 22 through May 21 at the Los Angeles Theatre Center in Los Angeles. For tickets call 213-489-7402 or visit www.robeytheatrecompany.org.

“The Hero Within” brings veterans’ personal stories to life through an artistic journey that gives voice to the difficulty of transitioning from the war zone back into society. After completion of a successful operation, the Joint Task Force of the Air Force, Army, Navy and Marines has gathered veterans to be recognized as heroes. However, the effects of trauma trigger one veteran in attendance to do the unthinkable. The Hero Within follows the trials and tribulations of seven brave men and women along their path from civilian life to joining the military to their return home, as they search for the hero within themselves. The show includes both lighthearted comedy and dramatic moments that will leave audiences on the edge of their seat. Directed by Greg Shane, it runs April 22 through April 23 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call www.TheWallis.org/Hero.

“Sylvia” Greg and Kate are empty-nesters in the big city. On a walk in the park, Greg is adopted by Sylvia, a bouncy, frisky poodle mix. But Kate comes to feel that she is losing Greg to his adoring new best friend who just loves to be petted, scratched, and talked to. This imaginative twist on Greg’s midlife crisis leads to lots of laughs and some thoughtful insights into the nature of love, marriage, jealousy, and dogs. Written by A.R. Gurney, and directed by Stephanie A. Coltrin, it runs April 22 through May 7 at the Rubicon Theatre in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“I’m Not Famous – a Musical Journey with Barbara Minkus” Join us for a funny, poignant and powerful evening of theatre as film, television and Broadway star Barbara Minkus shares private moments, personal tidbits, and a plethora of musical delights. Written by Barbara Minkus, with music by Ron Barnett, and directed by Susan Morgenstern, it runs April 23 through May 28 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.SantaMonicaPlayhouse.com/im-not-famous.html.

“King of the Road: The Roger Miller Story” Riding a wave of success triggered by his mega-hits, “Dang Me” and “King of the Road,” a string of gold records and 11 Grammy Awards, wisecracking country star and Tony-winning Broadway composer (Big River) Roger Miller is forced to face his demons, confront his self-destructive tendencies and to finally, accept love in this world premiere musical! Written by Cort Casady & Mary Arnold Miller, with music by Roger Miller, and directed by Andrew Barnicle, it runs April 23 through May 14 at the Laguna Playhouse in Laguna. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“My Mother’s Italian, My Father’s Jewish & I’m in Therapy!” Described as, “one part lasagna, one part kreplach, and two parts Prozac,” you don’t have to be Jewish or Italian to appreciate this show. All you need to know is what it feels like to leave a family dinner with heartburn and a headache! Written by Steve Solomon, it runs April 26 through June 25 at the Colony Theatre in Burbank. For tickets call 855-448-7469 or visit www.PlayhouseInfo.com.

“The Foreigner” unfolds at a fishing lodge in rural Georgia often visited by “Froggy” LeSueur, a British demolition expert who occasionally runs training sessions at a nearby army base. This time Froggy has brought along a pathologically shy young Brit named Charlie, who is overcome with fear at the thought of making conversation with strangers. So Froggy tells everyone that Charlie is from an exotic foreign country and speaks no English. In short order, Charlie overhears more than he should — hilarious and damaging revelations made with the belief that Charlie doesn’t understand a word of English. Written by Larry Shue, and directed by Sarah Gurfield, it runs April 28 through May 20 at the Miles Memorial Playhouse in Santa Monica. For tickets call 844-486-2844 or visit www.santamonicarep.org.

“Kiss” Damascus, Syria: 2014. Two couples meet for dinner to take their minds off the war raging around them. An unexpected profession of love, an untimely proposal and one kiss later, one of the foursome lies dead on the floor. What starts out as a Syrian melodrama quickly takes an unexpected turn. Is anything really what it appears to be? Written by Guillermo Calderón, and directed by Bart DeLorenzo, it runs April 29 through June 18 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

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CONTINUING

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“The Complete History of Comedy (abridged)” From the high-brow to the low, this fast-paced ride covers comedy through the ages, from Aristophanes to Shakespeare, Moliere to Vaudeville, Charlie Chaplin to The Daily Show. Find answers to the age-old questions, “Who’s on first?” and “Why did the chicken cross the road?” No joke is left untold as the talented trio deconstruct and put back together the entire history of comedy. Warning: The side effects of this play may include groan-worthy humor, uncontrollable laughter, and painful running-gags. Written by Reed Martin & Austin Tichenor, and directed by Jerry Kernion, it runs through April 23 at the Falcon Theatre in Burbank. For tickets call 818-955-8101 or visit www.falcontheatre.com.

“Roar” is a passionate tribute to protest, as expressed through the voices of Woody Guthrie, Pete Seeger, Joni Mitchell, Bob Dylan and other artists who’ve raised their voices to challenge authority through song. A musical revue in the vein of The Buddy Holly Story, ROAR stars Davitt Felder as the frontman of protest band The First Amendments and follows the group as they fight for causes of social justice with stirring folk and rock anthems. Directed by Antonia Bogdanovich, it runs through May 7 at the Crown City Theatre Company in North Hollywood. For tickets call 818-605-5685 or visit www.crowncitytheatre.com.

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Enjoy Easter and all that comes with it by seeing a show today!

Spring is just around the corner, bringing many new shows, such as:

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OPENING

 

“Disinherit the Wind” In this riveting courtroom drama, a renowned neurobiologist sues a prominent university for the right to teach theories of evolution that challenge the scientific status quo. His argument: neo-Darwinian materialist thought, like Creationism — the biblical orthodoxy it once replaced — has itself become a kind of religion: just as rigid, just as resistant to change. Might further scientific inquiry, in light of new evidence, yield different and surprising answers? Should recent discoveries, including the extensive range of highly developed fossils that suddenly appear during the Cambrian period and our modern understanding of DNA, require a reevaluation of the scientific thought behind the Darwinian theory of evolution? An inspiring and uplifting play of ideas that asks, “Are we really no more than the sum of our physical parts?” Written by Matt Chait, and directed by Gary Lee Reed, it runs March 3 through April 9 at the Complex (Ruby Theatre) in Hollywood. For tickets call 323-960-4420 or visit www.plays411.com/disinherit.

“Married People: A Comedy” examines the lives of four long-time friends who seem to be having a simultaneous (and often hysterical) mid-life marriage crisis. Group therapy brings out the secrets of two couples: Sex or lack thereof, gay children and religion are all topics of discussion. It also puts the institution of marriage and the challenge of parenthood under a microscope, revealing the truth about how we are all navigating the rough waters of twenty-first century relationships. Friendships are tested and long held beliefs are upended. The world is changing but love, relationships, acceptance and most of all humor are a constant in this funny, touching and poignant world premiere play. Written by Steve Shaffer & Mark Schiff, and directed by Rick Shaw, it runs March 3 through April 2 at the Zephyr Theatre in Los Angeles. For tickets call 323-451-2813 or visit www.marriedpeople.bpt.me.

“Company” On the night of his 35th birthday, confirmed bachelor Robert contemplates his unmarried state. Over the course of a series of dinners, drinks, and even a wedding, his friends explain the pros and cons of taking on a spouse. The habitually single Robert is forced to question his adamant retention of bachelorhood during a hilarious array of interactions. Written by George Furth, with music by Stephen Sondheim, and directed by Kristen Towers-Roles, it runs March 4 through April 1 at the Morgan-Wixson Theatre in Santa Monica. For tickets call 310-828-7519 or visit www.morgan-wixson.org.

“Still Life” Living at an emotional crossroads, her career on the rise, celebrated photographer Carrie Ann scrambles to reconnect with her passion for the work. An unexpected inspiration arrives in the form of a trend analyst who becomes determined to help her move forward, even while facing his own uncertain future. Written by Alex Dinelarisv, and directed by Michael Peretzian, it runs March 4 through April 23 at the Rogue Machine Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.com.

“Ah, Wilderness!” focuses on the educated middle-class Miller family of New London, Connecticut. The plot deals with the teenaged middle son, Richard, and his coming of age in sweet days of early twentieth-century America. Inspired by the play’s many musical references and moments, Robman adds period songs to the staging and sound design. It opens with the whole family gathered around the piano singing a lilting ballad from the period. In the days before movies and television or even radio, families often entertained themselves by playing musical instruments and singing – and this togetherness underscores the warmth and congeniality of the Miller family and the play itself. Written by Eugene O’Neill, and directed by Steven Robman, it runs March 5 through May 20 at the A Noise Within in Pasadena. For tickets call 626-356-3100 Ext. 1 or visit www.anoisewithin.org.

“Our Great Tchaikovsky” Master pianist and storyteller Hershey Felder embodies the life and music of beloved Russian composer and master composer, Piotr Ilyich Tchaikovsky. Tchaikovsky is best known for his classical ballets, particularly Swan Lake, Sleeping Beauty and The Nutcracker. At age 53, Russia’s most famous composer was dead. And to this day, the how and why remain a mystery. Written by Hershey Felder, with music by Piotr Ilyich Tchaikovsky, and directed by Trevor Hay, it runs March 5 through March 26 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“At Home at the Zoo” combines Albee’s groundbreaking 1959 short play The Zoo Story with his acclaimed prequel Homelife written in 2004. Together these short plays form Edward Albee’s At Home at the Zoo, the complete story of publishing executive Peter, his wife Ann, and Jerry, the volatile stranger Peter meets in the park. The Wallis’ Artistic Associate Coy Middlebrook revisits his celebrated 2007 Deaf West Theatre production of The Zoo Story, with the new addition of Homelife. The cast includes deaf and hearing actors including Troy Kotsur as Peter and Jake Eberle as the voice of Peter, as well as Amber Zion as Ann and Paige Lindsey White as the voice of Ann. Written by Edward Albee, and directed by Coy Middlebrook, it runs March 7 through March 26 at the Lovelace Studio Theater at The Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org.

“Burners” The not-so-distant future. The privileged few live inside a high-tech fortified megacity while the majority struggles for survival in massive polluted slums. Liv arrives in a junk depot in a war-torn industrial zone seeking Nix, a smuggler who can get her past the barricades and into the restricted megacity. Both have hidden agendas, and when drone bombs trap them inside the depot and their true identities are revealed, Liv and Nix are plunged into a violent conflict that takes on many levels. BURNERS asks the question: In a dystopian future where all hope is lost, can humanity and compassion survive? BURNERS has a gritty science fiction feel and a tense action packed story that will grip you as it explores significant issues of our present – a disappearing middle class, a seemingly insurmountable gap between the privileged and everyone else, and social and environmental justice for impoverished communities. Written by Terence Anthony, and directed by Sara Wagner, it runs March 10 through April 2 at the Atwater Village Theatre in Atwater Village. For tickets call 323-472-5646 or visit www.movingarts.org.

“God’s Waiting Room” In this psychological drama, prejudices collide with the past and present in issues of sexuality, religion, intolerance and love. Written by Robert Austin Rossi, and directed by David Fofi, it runs March 10 through April 2 at the Matrix Theatre in Los Angeles. For tickets call 323-960-7784 or visit www.plays411.com/gwr.

“Paradise Lost: Reclaiming Destiny” a movement adaptation of John Milton’s eloquent epic poem, Paradise Lost. The innovative vision blends dance, acrobatics, dynamic partnering and Not Man Apart’s unique brand of physical storytelling to relate a version of this iconic tale of Adam and Eve’s Temptation and the War in Heaven. Written by John Milton, adapted by Jones (Welsh) Talmadge, with music by Elisa Rosin, Alysia Michelle James, Bernie Sirelson, and directed by Jones (Welsh) Talmadge and Laura Covelli, it runs March 10 through April 2 at the Greenway Court Theatre in Los Angeles. For tickets call 323-673-0544 or visit www.greenwaycourttheatre.org/paradiselost.

“West Side Story” As powerful, poignant, and timely as ever, the thrilling Leonard Bernstein and Stephen Sondheim score – including “Tonight,” “Maria,” “America” and the classic “Somewhere,” remains one of the best-ever written. Shakespeare’s Romeo and Juliet is transported to modern-day New York City, caught between warring street gangs, the Jets and the Sharks. Their struggle to survive in a world of hate, violence, and prejudice is one of the most innovative, heart-wrenching and relevant musical dramas of our time. Written by Arthur Laurents, with music by Leonard Bernstein, lyrics by Stephen Sondheim, and directed by Richard Israel, it runs March 10 through March 12 at the Valley Performing Arts Center in Northridge. For tickets call 818-677-3000 or visit www.ValleyPerformingArtsCenter.org.

“A Wrinkle in Time” One dark and stormy night, the eccentric Mrs. Whatsit arrives at the home of Meg Murry, a young teen who doesn’t fit in at her New England high school. Meg’s scientist Father vanished over two years ago, under mysterious circumstances. Aided by Mrs. Whatsit and her friends, Meg, her gifted brother Charles Wallace, and her friend Calvin are transported through time and space on a mission to rescue their Father from the evil forces that hold him prisoner on another planet. Written by Madeleine L’Engle, adapted by John Glore, and directed by Christian Lebano, it runs March 10 through April 22 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.

“God and Sex” A bride. A groom. A maid of honor (who just happens to be the Bride’s ex-lover). What could possibly go wrong?! Santa Monica Playhouse presents the titillating bi-venture GOD and SEX – when the road to normal is getting you nowhere, maybe it’s time to take a detour, a comedy-drama by Wendy Michaels. After spending many years in a lesbian relationship, Amy decides it would be easier to “be straight.” The groom is Tim, her best buddy from high school who has loved her since the day they met. Assuming marriage and living a “normal, straight life” would be as easy as it appears in the movies, Amy commits to her goal of getting married to Tim. The couple’s vision of the special day seems destined to go well until important details begin to crumble. Both desperate for their individual sexual and spiritual dreams to be realized, they plow forward and cling desperately to what they think they want, but divine intervention propels change in directions neither of them could have predicted. Bisexual, gay, straight, spiritual, atheist – all need apply – because GOD and SEX has something for everyone. Written by Wendy Michaels, and directed by Chris DeCarlo, it runs March 11 through May 13 at the Other Space at Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.SantaMonicaPlayhouse.com/god-and-sex.html.

“It’s Time” a young man lost in his teenage years finds his way to a successful future, by taking a chance and grabbing at the opportunities and strength that surround him. A wonderful reminder to all of us, that even when you think the world’s got you beat, hang on to what you are passionate about and something good will come of it. It’s about not quitting a second before the miracle happens. Written by Paul Linke, and directed by Edward Edwards, it runs March 11 through April 16 at the Pacific Resident Theatre in Venice. For tickets call 310-822-8392 or visit www.pacificresidenttheatre.com.

“Transition” Two days after the last Presidential election, President Barack Obama welcomed President-Elect Donald Trump for a 90-minute meeting at the White House, to initiate the peaceful transition of power. The future of Western Civilization depended upon the propitious conclusion of this meeting. So: What the hell exactly happened on Thursday, November 10, 2016? You won’t learn it from CNN, Fox News, MSNBC, BBC World News, or The Wall Street Journal. You’ll have to see the new play Transition to learn the truth. Written by Ray Richmond, and directed by Lee Costello, it runs March 11 through April 16 at the Lounge Theatre in Los Angeles. For tickets call 323-960-4418 or visit www.Plays411.com/transition.

“Twelfth Night” Six actors, together with two musicians, perform the various roles. Olivia’s melancholic, puritanical household clashes head on with Sir Toby’s insatiable appetite for drunken debauchery. Orsino’s relentless pursuit of Olivia and Malvolio’s extraordinary transformation typify the madness of love in Illyria, Shakespeare’s mythical land of make-believe and illusion. Written by William Shakespeare, and directed by Sean Holmes, it runs March 14 through March 19 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org.

“April, May & June” April, May and June are fortyish sisters, born a year apart. They’re Jewish (although with one Gentile grandparent who made the best matzo ball soup). They’re temperamentally a bit different. April, the eldest, is the most dominant. Her marriage has crumbled beneath her husband’s infidelity. May, always conscious of being “the middle one,” has issues with her weight. June, the youngest, is a lesbian whose own partner has been wayward. The three siblings have convened to pack up the old family home after their mother has passed away. She was the parent who had been most present in the women’s lives. Their father had been an alcoholic. Mother had endured and persevered. Going through their mother’s possessions, the women come across items that will give them a shocking surprise. Everything they thought they knew about their mother and their family will be changed and impact their lives forever. How will these newly revealed developments affect their relationship with each other? Written by Gary Goldstein, and directed by Terri Hanauer, it runs March 16 through April 16 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.

“The Cruise” set on board a Caribbean cruise ship, explores the fracturing of political, cultural and sexual identity in today’s society. Written by Jonathan Ceniceroz, and directed by Heath Cullens, it runs March 16 through April 19 at the Los Angeles Theatre Center in Los Angeles. For tickets call 866-811-4111 or visit www.thelatc.org.

“Big Fish” centers on the story of Edward Bloom who has lived a full and fantastical life, populated by witches, giants, and mermaids, marked by true love that stops time in its tracks, and framed by heroics that push the limits of believability. His adult son, Will, is no longer amused by his father’s fantastical tales, insisting on a rational rather than a fantastical account of one’s life. When Edward’s health declines, and Will learns that he and his wife, Josephine, will have a son of their own, Will decides to find out his father’s “true” life story, once and for all. Written by John August, with music by Andrew Lippa, and directed by Catherine Rahm, it runs March 17 through April 22 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.

“The Snow Geese” Sharr White (The Other Place) conjures an American family at the end of an era. On November 1, 1917, the newly widowed Elizabeth Gaesling (played by Melissa Chalsma) gathers her family together for a final shooting party before her charismatic eldest son heads off to war. By the next morning, the champagne’s all gone, the secrets are all out, and their world will never be the same. Written by Sharr White, and directed by David Melville, it runs March 17 through April 9 at the Independent Studio in the Atwater Crossing Arts + Innovation Complex in Atwater. For tickets call 818-710-6306 or visit www.iscla.org.

“The Belle of Amherst” of the title is Emily Dickinson (1830-1886), a pioneering female American poet, who remains influential to this day. Although only ten of her poems were published during her lifetime, some 1,800 were published after her death, not including two new collections published since 2013 consisting of poems collected from scraps, chocolate wrappers and envelopes. Her concerns regarding her compositions extended beyond themes and the choice of words to the way the word visually appeared on the page. Dickinson, an educated woman from a prominent family, was considered an eccentric. Living in a house on Amherst, Massachusetts’ Main Street, she became gradually more reclusive as she got older. Neighborhood children referred to her as “the Myth.” Her closest associations were with her devoted sister, Lavinia, and her sister-in-law, Susan. Dickinson frequently wore white, and wrote often about death and immortality. Ferrell Marshall stars as Dickinson, and also portrays fourteen other characters from Dickinson’s life in The Belle of Amherst. Dickinson is brought vividly to life as a woman capable of experiencing both intense joy and deep melancholy, a woman of passion and extraordinary intellect. Ms. Marshall also portrays the men, family members and friends that Dickinson loved and who loved her in return. Written by William Luce, and directed by Todd Nielsen, it runs March 18 through April 23 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.

“Building the Wall” In the very near future, the Trump administration has carried out his campaign promise to round up and detain millions of immigrants. As a writer interviews the former supervisor of a private prison, it becomes clear how federal policy has escalated to a terrifying, seemingly inconceivable, yet inevitable conclusion. Written by Robert Schenkkan, and directed by Michael Michetti, it runs March 18 through May 21 at the Fountain Theatre in Los Angeles. For tickets call 323-663-1525 or visit www.FountainTheatre.com.

“The Gun” You are who you pretend to be, until the day you wake up when the sun is shining just right and you look in the mirror and wonder…is this ALL I wanted? After a failed callback for a Broadway show, a struggling actor has a sudden change of fortune while heading back to his childhood friend’s upscale apartment. Now infused with his newly found confidence and honesty he, unapologetically, tries to save those around him. This wreaks havoc with his bid to find happiness. Is living a truthful life really possible? Written by Justin Yoffe, and directed by David Florek, it runs March 18 through April 30 at the Ruskin Group Theatre in Santa Monica. For tickets call 310-397-3244 or visit www.ruskingrouptheatre.com.

“Lili Marlene” This original musical love story of Rosie Penn, the famous cabaret singer, and Count Hans Wilhelm van Kleister Graff, is set in the last year of the Weimar German Republic and into the 3rd Reich period. As the dark clouds of Fascist takeover become clearer, the Count, as the head of the passport bureau of the State Department, works to get the VIP German cultural and scientific elite out of German. The Count realizes that he must leave and get his surviving family out before the shadowy inhumanity of anti-Semitism descends upon them as National Healthcare and Immigration Reform, Industrial Unity and National Pride become the motto of the new Nazi Party. Written by Michael Antin, and directed by Mark Blowers, it runs March 19 through April 16 at the Write Act Repertory in North Hollywood. For tickets call 800-838-3006 Ext. 1 or visit www.brownpapertickets.com.

“Absinthe at L.A. Live” cocktail of circus, comedy, burlesque and vaudeville for a 21st century audience. Guests enter the seductively intimate environment of Spiegelworld’s tent where the artists perform on a central circular stage only 9 feet in diameter. In Las Vegas, ABSINTHE has been playing to sold-out audiences at the world’s most famous casino, Caesars Palace, since 2011 and celebrates its sixth anniversary there in April. Directed by Ross Mollison, it runs March 23 through April 23 at the Spiegelworld Tent at L.A. LIVE’s Event Deck in Los Angeles. For tickets visit www.AbsintheLA.com.

“Cat on a Hot Tin Roof” The Antaeus Theatre Company inaugurates its new home in Glendale with a fully partner-cast production of Tennessee Williams’ Pulitzer Prize-winning masterpiece. In the steamy Mississippi Delta on a hot summer evening, members of a prominent Southern family are pushed to the brink when tender memories are relived and life altering secrets are revealed. Written by Tennessee Williams, and directed by Cameron Watson, it runs March 23 through May 7 at the Kiki & David Gindler Performing Arts Center in Glendale. For tickets call 818-506-1983 or visit www.Antaeus.org.

“Rules of Seconds” Matthew Elkins (Cock, A Permanent Image, Pocatello at Rogue Machine) stars as mild-mannered Nathanial “Wings” Leeds, who suffers from what we would now call OCD. When Wings is challenged to a duel by the most dangerous man in Boston (Harris), he enlists the aid of a renowned duelist, who just happens to be his estranged brother (Helman) — to the consternation of their mother (Brenneman) who harbors secrets from the past. Deep family tensions and old rivalries resurface. Blood is spilled. Written by John Pollono, and directed by Jo Bonney, it runs March 23 through April 15 at the Los Angeles Theatre Center in Los Angles. For tickets call 866-811-4111 or visit www.thelatc.org.

“Apocalypse Play” It’s the end of the world in Los Angeles. Well, everywhere, but definitely in Los Angeles, where Jane is stuck in a cramped apartment turned shelter with her ex, Chip. They think they’re the last living souls on earth, until others start showing up at their doorstep. Chip believes they should band together and save the race, build a new civilization from the ashes of the past. But Jane isn’t so sure. The apocalypse isn’t so bad – she can finally hear herself think. Written by Cory Hinkle, and directed by Darin Anthony, it runs March 24 through April 2 at the Atwater Village Theatre in Atwater Village. For tickets call 323-472-5646 or visit www.movingarts.org.

“Cat’s-Paw” Torn from today’s headlines, what do you do when your enemy may be smarter than you? William Mastrosimone’s gripping drama about a terrorist who has wreaked madness and destruction on America and is about to use a news reporter to exploit just one more valuable hostage – the world’s supply of clean water. For mature audiences. Written by William Mastrosimone, and directed by Stephen Rothman, it runs March 24 through April 30 at the Actors Co-op Crossley Theatre in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.

“Elevator” When seven strangers—a CEO Woman, Business Man, Office Temp, Hot Girl, Musician, Maintenance Man and Goth Girl—get stuck in an elevator, it’s only a matter of time before the truth comes out. When forced together, given nothing but four walls and each other, these archetypes prove to be anything but ‘typical.’ Their preconceived notions, stereotypes and judgments are challenged at every turn, as one by one, they shed their masks and reveal their truths. Laced with musical sequences and cinematic style, ELEVATOR is a comedic and emotional ride into the human psyche and asks the fundamental question: who are you behind closed doors? Written and directed by Michael Leoni, it runs March 25 through April 30 at the Coast Playhouse in West Hollywood. For tickets call 323-960-7787 or visit www.plays411.com/elevator.

“Harlequino: On to Freedom” celebrates a particular kind of theater created by Italians 500 years ago, the Commedia dell’Arte, and explores the 16th century actors’ limits of free expression in the authoritarian environment they lived in. As the story evolves, a conflict between a group of rogue actors and a Commedia dell’Arte expert becomes a battle for the soul of the Commedia, questioning the purpose of art, what is funny and who writes history. Ultimately the musical asks the question: What must the artist risk to live freely in today’s world? Written and directed by Tim Robbins, it runs March 25 through May 6 at the Actors’ Gang Theatre in Culver City. For tickets call 310-838-4264 or visit www.theactorsgang.com.

“Punk Rock” A ferociously funny, complex and unnerving look at seven intelligent, articulate teens at an English prep school as they tangle with the pressures of love, sex, bullying and college entrance exams. Based on his experiences as a teacher and inspired by the 1999 Columbine shooting, playwright Simon Stephens (The Curious Incident of the Dog in the Night-Time) peels back the layers of the teenage psyche to look at the confusion, disconnect and latent savagery simmering beneath the surface. Written by Simon Stephens, and directed by Lisa James, it runs March 25 through May 14 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

“Waiting for Godot” is a hilarious, moving, disquieting exploration of human existence. The play follows two tramps, Vladimir and Estragon, as they pass the time waiting for a mysterious figure who could save them from their troubles. This distinctive production will be staged in the round in a small black–box theatre, creating an intimacy between audience and performers that will offer a unique experience of the play’s empathy and humanity. Written by Samuel Beckett, and directed by Daniel J. Wilner, it runs March 25 through April 16 at the Other Space @ The Actors Company in West Hollywood. For tickets call 888-693-8507 or visit www.godotla.bpt.me.

“Woody’s Order” When a nonverbal, highly intelligent, cerebral palsied 8 year old realizes that something might one day happened to his parents, he “orders” backup. Woody always plans ahead. His sister Ann, heeding the call for her magical birth, embarks on an extraordinary lifetime adventure to fulfill this order, while navigating the course of her own dreams and destiny. This true, and astonishing, story celebrates humanity and the way we all connect along the way. Written by Ann Talman, and directed by John Shepard, it runs March 25 through April 22 at the Ensemble Studio Theatre/LA in Atwater Village. For tickets call 818-839-1197 or visit www.woodysorder.brownpapertickets.com.

“Man of La Mancha” The fictionalized author ‘Cervantes’ is the main character of Man of La Mancha. While in prison during the Spanish Inquisitions, he is forced to act out parts of Don Quixote for the other inmates. This story-within-a-story of Don Quixote’s musical misadventures – rife with love, chivalry, and of course, four-armed giants – unfurls into something more transcendent: a beacon of hope in a dire world. One of the most important hits of Broadway’s golden age, audiences have been dreaming “The Impossible Dream” for the past half century, with the wandering hidalgo in this quintessential tale about the resilience of the human spirit, and the power of storytelling when faced with insurmountable odds. Written by Dale Wasserman, with music by Mitch Leigh, lyrics by Joe Darion, and directed by Julia Rodriguez-Elliott, it runs March 26 through May 21 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.

“Red Helen” rules her three grown daughters with a powerful fist. The oldest, Astrid, craves appreciation. The middle, Max, brings home money in wee bloody fistfuls. And the youngest, Bebe, has returned from her travels abroad with a fiancé, seeking her father’s approval. But the father is traveling indefinitely, their family steakhouse is in crisis, and Helen’s speech is deteriorating into manic loops. As her daughters try their best to break free, Helen pulls out all the stops to keep them in her grip. Written by Jennifer Barclay, and directed by Bill Voorhees, it runs March 30 through May 20 at the Theatre of NOTE in Hollywood. For tickets call 323-856-8611 or visit www.theatreofnote.com.

“The Accidental Club” Mira Dawson, a washed-up rock star, dies of an accidental overdose and finds herself on the other side, hanging out at The Accidental Club, swapping stories, secrets and songs about life, fame, addiction and death with Billie Holiday, Janis Joplin and Amy Winehouse. Mira wins their Angel of the Month Award. When you win, you get the chance to come back to earth for one night only to spend it however and with whomever you like. Mira chooses one final concert with her faithful fans. Billie warns her not to go, “Get ready for the pain, girl.” Janis tells her, “If it feels good, do it.” She believes this is all just a crazy dream and that at any moment she’ll wake up. Throughout the concert, discoveries are made, As the clock ticks toward midnight, Mira becomes increasingly anxious as she realizes she’s not waking up. Will she? Will we? Written by Sherrie Scott, and directed by Trace Oakley, it runs March 31 through April 28 at the Whitefire Theatre in Sherman Oaks. For tickets call 800-838-3006 or visit www.TheAccidentalClub.com.

“The Inventor and The Escort” During the worst blizzard in New York City history, Julia (a call girl) arrives for an appointment with Jeffrey, a reclusive man who has become rich by inventing best-selling sex toys. What starts as a routine ‘trick’ with trimmings (fake palm trees, suntan lotion, and lots of margaritas) ends up with Jeffrey and Julia helping each other uncover what led them to be who they are, getting considerably more than they bargained for on this first date. This sexy comedy is a cheeky but ultimately touching story of two lost souls in a big city searching for love and happiness in all the wrong places and then surprisingly finding each other. Written and directed by Matt Morillo, it runs March 31 through April 23 at the Lounge Theatre in Hollywood. For tickets call 323-960-4443 or visit www.kadm.com.

“Pie in the Sky” Starting with the crust and ending with the ping of a timer, two women bake an apple pie. Mama shares her recipe for life in the hopes that her daughter Dory will restart her own. Intimate, poignant, and often hilarious…you’ll leave with a warmed heart…and maybe even a slice of warm pie! Written by Lawrence Thelen, and directed by Maria Gobetti, it runs March 31 through May 21 at the Little Victory Theatre in Burbank. For tickets call 818-841-5422 or visit www.thevictorytheatrecenter.org.

“Romeo and Juliet” is the greatest and arguably the most popular love story ever told. People come to see it even knowing in advance the outcome for the “star-crossed lovers.” Many, perhaps most people have seen one version or another of it. So, why mount it again in 2017? There are a couple of reasons: 1. People never get tired of watching a great romance, especially the story of a love that’s pure and true, of a love pursued even against the threat of death. 2. There are fresh ways to approach this deservedly enduring classic. This new production, while respecting Shakespeare’s text, focuses on the humanity of the characters, giving audiences the opportunity to empathize with their predicament, their challenges, and the exaltation of new love. Written by William Shakespeare, and directed by Aaron Ganz, it runs March 31 through April 23 at the Elysium Conservatory Theatre in San Pedro. For tickets call 800-838-3006 or visit www.fearlessartists.org.

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CONTINUING

 

“The Devil’s Music: The Life and Blues of Bessie Smith” Set in 1937 in Memphis, Bessie and her musicians have been turned away from performing at a “Whites-Only” theatre, then finding a hospitable gin joint where Bessie recounts her incredible journey from an impoverished childhood in Chattanooga, to her fortuitous rise as a show-stopping singer. Laughter, pathos and music all come together to deliver an electric, entertaining and surprisingly touching evening in which Bessie sings signature songs such as “I Ain’t Got Nobody,” “St. Louis Blues,” “Baby Doll” and “T’ain’t Nobody’s Bizness If I Do.” Starring singer and actress Miche Braden. Written by Angelo Parra, and directed by Joe Brancato, it runs through March 12 at the Rubicon Theatre Company in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“The Normal Heart” an unflinching, totally unforgettable look at sexual politics during the AIDS crisis and remains one of the theater’s most powerful evenings ever. Fueled by love, anger, hope and pride, a circle of friends struggle to contain the mysterious disease ravaging New York’s gay community. Dismissed by politicians, frustrated by doctors and fighting with each other, their differences could tear them apart – or change the world. Written by Larry Kramer, and directed by Marilyn McIntyre, it runs through March 19 at the Chromolume Theatre at the Attic in Los Angeles. For tickets call 800-838-3006 or visit www.brownpapertickets.com/event/2816561.

“Bye Bye Birdie” the number one rock star in the country, Conrad Birdie, has been drafted into the army. As a final pre-service publicity stunt, his promoter arranges for him to go to the Midwestern town of Sweet Apple, Ohio to kiss a gorgeous teenage fan, Kim, on national television, for broadcast on the nation’s top-rated musical variety show. This does not sit well with the young lady’s devoted boyfriend, Hugo. Meanwhile, Albert the promoter is facing pressure from his beautiful secretary/girlfriend, Rosie, to leave the music business, join a more sedate occupation and settle down with her. Filled with fantastic songs like “Put on a Happy Face” and “Kids”, this classic musical is one you won’t want to miss! Written by Mike Stewart, with music by Charles Strouse, lyrics by Lee Adams, and directed by Todd Nielsen, it runs through April 1 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit www.glendalecentretheatre.com.

“King Lear” tells the story of an elderly King who has decided to end his reign and divide his country among his three daughters, Cordelia, Regan, and Goneril. The corrupt and deceitful Regan and Goneril tell him what they think he would most like to hear; the daughter that truly loves him, Cordelia, flatly but sincerely tells him an unvarnished truth – that she loves him as a daughter should. Lear disowns Cordelia, and splits the kingdom between Regan and Goneril, setting in motion the great tragedy that befalls all of the characters. Written by William Shakespeare, and directed by Julia Rodriguez-Elliott, it runs through May 6 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.

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So, make life bloom with a great show today!

Valentine’s Day is here once again, and with it a host of new shows, including:

 

“Every Brilliant Thing” tells a story spanning nearly three decades and several life-changing events, starting with a young boy’s eye-opening first brush with death (his childhood dog). Donahoe charms spectators into acting opposite him in various roles – a veterinarian, his father, his college lecturer, his fiancée – fostering an intimate sense of community with the audience. Written by Duncan Macmillan with Jonny Donahoe, and directed by George Perrin, it runs February 2 through February 12 at the Edye at The Broad Stage in Santa Monica. For tickets call 310-434-3200 or visit www.thebroadstage.com.

“Love Letters” When they were both seven years old, Andrew Makepeace Ladd III wrote his first letter to Melissa Gardner to tell her she looked like a lost princess. For the next fifty years, through personal triumphs and despair, through wars and marriages and children and careers, they poured out the secrets of their hearts to each other. They defied a fate that schemed to keep them apart, and lived – through letters – for the one most meaningful thing…their undying love for each other. Love Letters is the story of a love affair carried on primarily through letters, written in and about a world where letter-writing was very much an essential mode of communication, especially between men and women. This play will be presented in the traditional manner – very simply, with the two actors seated, reading from the script, as if from letters. Written by A.R. Gurney, and directed by Ann E. Wareham, it runs February 2 through February 5 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“A Delusional Affair” Just when you thought your life was finally under control, Fate steps in, turns everything on its heels, and you’re off on the wild ride of your life. Funny, touching, and just a little bit racy, this play will make you question everything you ever thought you knew about love, marriage, fantasy and reality and come away with a new perspective on it all. Written by Albert James Kallis, and directed by Chris DeCarlo, it runs February 4 through April 30 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.SantaMonicaPlayhouse.com/a-delusional-affair.html.

“And Miss Reardon Drinks a Little” Having been deserted by their father during their childhood, this dark comedy explores the lives of the three Reardon sisters, who have recently lost their mother. During an uncomfortable dinner reunion, a well-meaning but obnoxious set of upstairs neighbors crash the party causing unexpected complications leading to the play’s shattering climax. Written by Paul Zindel, and directed by Linda Alznauer, it runs February 4 through February 26 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.

“War Stories” is ironic. The narrative is an erotic roundelay, taking its cue from a quote from Ovid: “Every lover is a soldier.” The characters are all in their early 30s, which suggests that they’re invested in succeeding in their careers and their relationships, to varying degrees. Jen is a therapist. Her client, bad boy Jake, is having an affair with beautiful actress Chelsea, who is simultaneously the girlfriend of Sam, a writer. Sam dated Jen back in their college days. Written by Sarah Kelly, and directed by Stacy Ann Raposa, it runs February 4 through March 5 at the Actors Workout Studio in North Hollywood. For tickets call 818-506-3903 or visit www.edm.ticketleap.com/war-stories.

“Long Day’s Journey into Night” Eugene O’Neill’s semi-autobiographical masterpiece pulls back the curtain on the Connecticut home of the Tyrone family, where deep-seated resentments and bourbon-fueled tirades cause a family to expose their darkest natures. O’Neill paints the powerful and heart-rending portrait of a single day that begins as any other, only to become a night from which they will never recover. Written by Eugene O’Neill, and directed by Jeanie Hackett, it runs February 8 through March 18 at the Gil Cates Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

“946: The Amazing Story of Adolphus Tips” is a tender coming-of-age tale that uncovers the secrets behind World War II’s D-Day landings. Set in the idyllic seaside village of Slapton Sands, the lives of Lily, her family, and her fiercely independent cat Tips are barely touched by war until American soldiers occupy their house and surrounding land. With a live onstage swing band, enchanting puppetry and Kneehigh’s signature stage sorcery, it tells a story of love, war and prejudice that crosses borders both geographical and generational. A fantastical and celebratory piece that brings together English and American actors and musicians to tell a true story of the relationships between English villagers and American GI’s. Based on Morpurgo’s young adult novel The Amazing Story of Adolphus Tips. Written by Michael Morpurgo, and directed by Emma Rice, it runs February 9 through March 5 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org.

“Cannibals Alone” is a chilling thriller that brings us into the secluded lives of best friends Rae and Mags as they seek to avenge the death of a loved one while fighting a government that breeds and thrives on paranoia in a not too distant dystopian future. Set in the humble confines of a backwoods cabin, Cannibals Alone shows how politics, propaganda and paranoia can affect and twist the average citizen when left to his or her own devices. Written by Steph DeFerie, and directed by Julia Plostnieks, it runs February 9 through March 4 at the Belfry Stage Upstairs at the Crown in North Hollywood. For tickets call 818-849-4039 or visit www.theatreunleashed.com.

“Irving’s Tiara” Lydia runs the office at a local Parks & Rec center. She’s a tough ass woman, with aspirations that go beyond her little Kingdom, but with a game plan that hits every pothole known to mankind. Tommy is a slightly younger cohort– Part dreamer, part schemer– A lottery winner, & yet not quite able to reap the full benefit. He has big plans, and not unlike most of the people in his life, he also is seemingly unable to get out of his own way… Rachel works next door, at the Senior Center. Despite the fact that there’s some type of evidence of Rachel & Tommy being potentially brother & sister, they have a history of for lack of a better term, “romance.” Lydia has a plan. She knows that one of the seniors, (Irving) is the owner of a very valuable “Tiara.” — The origin of this piece is hotly debated, but with Lydia’s prodding, they put their three very disturbed heads together, & plot how to steal Irving’s Tiara. Written and directed by Sam Henry Kass, it runs February 9 through March 1 at the Theatre 68 in North Hollywood. For tickets call 323-960-5068 or visit www.theatre68.com.

“Lyrics from Lockdown” This groundbreaking multimedia production tells Bryonn Bain’s true story of racial profiling and wrongful incarceration at the hands of New York City police and how this experience led to a transformative friendship with death row inmate Nanon Williams. Written and performed by Bryonn Bain, and directed by Gina Belafonte, it runs February 9 through February 26 at the Actors’ Gang Theatre in Culver City. For tickets call 310-838-4264 or visit www.theactorsgang.com.

“33 Variations” A mother coming to terms with her daughter. A composer coming to terms with his genius. And, even though they’re separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama, memory and music combine to transport you from present-day New York to 19th-century Austria, in this extraordinary Tony-nominated play about passion, parenthood and the moments of beauty that can transform a life. Written by Moisés Kaufman, and directed by Thomas James O’Leary, it runs February 10 through March 19 at the Actors Co-op David Schall Theatre in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.

“Alice in Wonderland” You are invited to tumble down the rabbit hole and join Alice, one of literature’s most beloved heroines, in her adventures through Wonderland. A handful of brilliant actors and puppeteers play over 20 unforgettable character using ingenious stagecraft and limitless possibilities of imagination to bring this beloved story to life. Featuring colorful characters like the White Rabbit, the eccentric Mad Hatter, the Cheshire Cat and of course the boisterous Queen of Hearts, Alice in Wonderland has delighted audiences young and old for generations. Written by Lewis Carroll, it runs February 10 through February 12 at the El Portal Mainstage Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

“Debussy: His Letters and His Music” Celebrated soprano Julia Migenes returns to the Odyssey with an exploration of the life of this great composer: his youth, his great wit and his constant battle with the more conservative musical world. Debussy’s actual letters lead into his music in this new stage biography. Accompanied on piano by Manuel Arellano. Written by Julia Migenes, with music by Claude Debussy, and directed by Peter Medak, it runs February 10 through March 11 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

“Family Only” Will and Nicole have just bought their first home. It’s a fixer-upper, but it’s got three bedrooms and a swimming pool, and it’s south of Ventura Blvd. in Sherman Oaks. They’ve worked hard for this. Will manages a sales crew for a company that sells bug-killing chemicals. Nicole works at a child day care center with her mother-in-law. Will and Nicole have no children as yet, but Nicky wants Will to start making a baby with her, and soon. Will and Nicky are throwing a housewarming party, but have invited only members of their own family (hence the title). There’s Will’s dad Walter, an idea man who never seemed to be able to break through and make the big bucks; Andrea, Will’s half-sister, just divorced and facing the prospect of homelessness; her small daughter Chloe; Will’s stepmother Brenda, who’s had to put with a lot; and his blunt-talking grandmother Amanda. Will wants to share his pride and joy with his family. But instead of giving him validation, they’re coming to him, the successful one, with their own needs. But this is a party! Can this family possibly extract the F-U-N from dysfunction and have a good time? What happens today will impact the family for a long time to come. Written by Darryl Vinyard, and directed by Arden Teresa Lewis, it runs February 10 through March 19 at the Theatre West in Los Angeles. For tickets call 323-851-7977 or visit www.theatrewest.org.

“A Gentle Reminder: Miss Coco Peru’s Guide to a Somewhat Happy Life” With her skyrocketing popularity on YouTube, Miss Coco Peru has been inundated with emails from people of all ages asking her the same question: “Coco, what is the secret to a happy life?” Being the giver that she is, Coco has written a new show in which, through story and song, she shares a step-by-step guide that leaves you prepared to enter the world again ready to create your very own “somewhat” happy life. Why just a “somewhat” happy life? Well, let’s face it, you wouldn’t want to be happy all the time because “happy” people make such a racket! Written by Clinton Leupp, and directed by Michael Schiralli, it runs February 10 through February 11 at the Los Angeles LGBT Center’s Renberg Theatre in Hollywood. For tickets call 323-860-7300 or visit www.lalgbtcenter.org/theatre.

“Once on This Island” based on the 1985 novel My Love, My Love; or, The Peasant Girl by Rosa Guy, and is set in the French Antilles archipelago in the Caribbean Sea. With elements of Hans Christian Andersen’s The Little Mermaid; and Shakespeare’s Romeo and Juliet, a peasant girl on a tropical island uses the power of love to bring together people of different social classes. In almost non-stop song and dance, Once on This Island follows the story’s young heroine, Ti Moune, on her quest to prove that love is more powerful than the forces of prejudice, hatred and death. Written by Lynn Ahrens, with music by Stephen Flaherty, and directed by Rufus Bonds, Jr., it runs February 10 through February 19 at the Redondo Beach Performing Arts Center in Redondo Beach and February 24 through March 5 at the Cerritos Center for the Performing Arts in Cerritos. For tickets call 714-589-2770 Ext. 1 (Redondo) 562-916-8500 (Cerritos) or visit www.3dtshows.org.

“Lusting After Pipino’s Wife” It’s a comedy about the never-ending war between the sexes. The play centers around a restaurant Manager, Vinnie & his best friend, Patsy. Vinnie and Patsy like to sit around and talk about women and about life in general. A favorite topic is the restaurant dishwasher’s gorgeous wife. Vinnie can’t understand how a nobody like Pipino can have such a wife. In fact, he doesn’t understand why women won’t give him the time of day, especially tough as nails Lorraine, whose friend Rita, dates Patsy. Patsy decides he can find success selling shoes on the street, and he proposes to Rita. Their wedding is disrupted by a gun-wielding Lorraine, who “rescues” Rita from the altar, leaving Vinnie and Patsy to speculate and commiserate again, about the mysteries of women. Written by Sam Henry Kass, and directed by Ronnie Marmo, it runs February 11 through March 4 at the Theatre 68 in North Hollywood. For tickets call 323-960-5068 or visit www.theatre68.com.

“King Lear” tells the story of an elderly King who has decided to end his reign and divide his country among his three daughters, Cordelia, Regan, and Goneril. The corrupt and deceitful Regan and Goneril tell him what they think he would most like to hear; the daughter that truly loves him, Cordelia, flatly but sincerely tells him an unvarnished truth – that she loves him as a daughter should. Lear disowns Cordelia, and splits the kingdom between Regan and Goneril, setting in motion the great tragedy that befalls all of the characters. Written by William Shakespeare, and directed by Julia Rodriguez-Elliott, it runs February 12 through May 6 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.

“Die, Mommie, Die!” Starring the hilarious Drew Droege (Bright Colors and Bold Patterns, Chloe, Logo’s Cocktails & Classics) as aging Hollywood star Angela Arden. Trapped in a hateful marriage with sleazy film producer Sol and desperate to find happiness with her gorgeous young lover Tony, Angela murders her husband. But when her children, Edith and Lance, discover what she’s done, they decide to take revenge! Family secrets are revealed and you’ll never see the surprise twist coming. This Greek tragedy on acid is an over-the-top comedy of Gay Hollywood proportions. You won’t want to miss this rollicking good time! Written by Charles Busch, and directed by Ryan Bergmann, it runs February 17 through March 26 at the Celebration Theatre @ the Lex Theatre in Los Angeles. For tickets call 323-957-1884 or visit www.celebrationtheatre.com.

“Forever Plaid” What better way to start the new year than with a goofy, charming musical escape? Miraculously revived from the dead, four young singers killed in a car crash on the way to their first-ever big concert get to fulfill their dream and perform the show after all — even though now it’s more than 50 years later and at International City Theatre! Singing in close harmony, squabbling over the smallest intonations and executing their choreography with gentle comedic abandon, the four Plaids will keep everyone smiling and humming along to some of the great pop hits of the ’50s. Written by Stuart Ross, with music by James Raitt, and directed by Scott Dreier and Kurtis Simmons, it runs February 17 through March 5 at the International City Theatre – Long Beach Performing Arts Center in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.

“Collective Rage: A Play in 5 Boops” (The Full title is: Collective Rage: A Play in 5 Boops In Essence; A Queer And Occasionally Hazardous Exploration; Do You Remember When You Were In Middle School And You Read About Shackleton And How He Explored The Antarctic?; Imagine The Antarctic As A Pussy And It’s Sort Of Like That.) In Collective Rage, five different Bettys collide at the intersection of anger, sex, and “theater.” Betty is a dutiful wife. Betty’s busy working on her truck. Betty wants to talk about love. Betty needs to hit something, but Betty keeps using a small hand mirror to stare into parts of herself she’s never examined. Meanwhile, Betty decides to stage a production of that play-within-a-play from some other famous play. This brash uncompromising comedy delivers a knockout blow to a thousand boring tropes about female identity. Written by Jen Silverman, and directed by Lindsay Allbaugh, it runs February 18 through March 19 at the Boston Court Performing Arts Center in Pasadena. For tickets call 626-683-6883 or visit www.BostonCourt.com.

“Faces of the King” Come celebrate the music, life and legacy of Elvis Presley! Starring Shawn Klush, Jake Rowley, The Sweet Inspirations and the Ambassador Tribute Orchestra with the Tennessee Horns. The national touring show, commemorating the 40th Anniversary of Elvis’s passing, combines the three most memorable periods of Elvis’s iconic career to tell the musical life and story in song of this astounding American legend – brought to life by the most celebrated Elvis tribute artists working today. Written by Jake Rowley & Shawn Klush, it runs February 18 through February 19 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

“Liana and Ben” is a twisted, sexy, modern take on Faust. Our story begins with a not-so-chance encounter between a beautiful young woman and a dark, enigmatic stranger. Ben makes Liana an offer: he will keep her young and beautiful for 250 years if she can prove to him that humanity is worth saving. Now, Liana’s time is almost up and Ben demands his proof. They travel forward and backward through history in search of hope – questioning their very existence, the nature of their own mythology and the foundations of good & evil. Written by Susan Rubin, and directed by Mark Bringelson, it runs February 18 through March 26 at the Atwater Village Theatre in Atwater. For tickets visit www.circlextheatre.org.

“Little Children Dream of God” Having braved a perilous journey to escape a violent husband and a volatile political climate in her native Haiti, Sula is determined to find a better life in America for her unborn son. She drifts ashore in Miami on an old rubber tire, eleven months pregnant and desperate not to give birth at sea. For a time she finds shelter in a ramshackle apartment building that houses a lively group of refugees, misfits, and people in need. But when Sula’s husband comes hunting her and the baby, Sula realizes she must banish the demons of her past to create a brighter future. Written by Jeff Augustin, and directed by Andre Barron, it runs February 23 through April 15 at the Road on Magnolia in North Hollywood. For tickets call 818-761-8838 or visit www.roadtheatre.org.

“The Normal Heart” an unflinching, totally unforgettable look at sexual politics during the AIDS crisis and remains one of the theater’s most powerful evenings ever. Fueled by love, anger, hope and pride, a circle of friends struggle to contain the mysterious disease ravaging New York’s gay community. Dismissed by politicians, frustrated by doctors and fighting with each other, their differences could tear them apart – or change the world. Written by Larry Kramer, and directed by Marilyn McIntyre, it runs February 24 through March 19 at the Chromolume Theatre at the Attic in Los Angeles. For tickets call 800-838-3006 or visit www.brownpapertickets.com/event/2816561.

“The Devil’s Music: The Life and Blues of Bessie Smith” Set in 1937 in Memphis, Bessie and her musicians have been turned away from performing at a “Whites-Only” theatre, then finding a hospitable gin joint where Bessie recounts her incredible journey from an impoverished childhood in Chattanooga, to her fortuitous rise as a show-stopping singer. Laughter, pathos and music all come together to deliver an electric, entertaining and surprisingly touching evening in which Bessie sings signature songs such as “I Ain’t Got Nobody,” “St. Louis Blues,” “Baby Doll” and “T’ain’t Nobody’s Bizness If I Do.” Starring singer and actress Miche Braden. Written by Angelo Parra, and directed by Joe Brancato, it runs February 25 through March 12 at the Rubicon Theatre Company in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

 

So take your sweetheart out to see a show tonight!

OPENING

Well the holidays are over, but you can still have some fun at one of our local theatres enjoying productions such as:

 

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“I’m Just Wild About Harry” An exciting musical romp based on Charley’s Aunt, featuring nostalgic favorites such as “Daisy Bell (A Bicycle Built for Two),” “Aba Daba Honeymoon,” “You Made Me Love You,” and, of course, the title tune, “I’m Just Wild About Harry.” In turn-of-the-century Milwaukee, Jack and Harry need a chaperone so they can entertain their sweethearts. Enter their friend Benjamin to impersonate Harry’s Aunt, a rich widow from Brazil. Hilarity ensues when Harry’s Aunt actually arrives on the scene, and this musical farce of mistaken identity climaxes in a delightfully happy conclusion. Written by Brandon Thomas, adapted by Gary Lamb and William A. Reilly, and directed by William A. Reilly, it runs December 15 through February 5 at the Crown City Theatre in North Hollywood. For tickets call 818-605-5685 or visit www.crowncitytheatre.com.

“The Roommate” The story is set in Iowa and follows Sharon. She’s sensible, an empty-nester, curious and very, very talkative. For the first time in her life, at age 54, she takes in a roommate to make ends meet. That’s where Robyn comes in, a new arrival from the Bronx who is hiding a lifetime of secrets. But Sharon has a way of getting to the truth—the fascinating, shocking truth. This intriguing play proves it’s never too late to shake things up—for better or worse. Written by Jen Silverman, and directed by Martin Benson, it runs January 3 through January 22 at the South Coast Repertory on the Julianne Argyros Stage in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“The Manor” is by now a Los Angeles/Beverly Hills institution. The play, now in its fifteenth year, surpassed its 200th performance in 2014. The show is a roman a clef, a fictionalization based on real events with the actual historical characters given new names. To lend authenticity to the presentation, the show is presented in the grand and glorious architectural landmark in which the events of 88 years ago actually took place. Audience members are led from room to room in the lovingly restored marvelous Greystone Mansion as different scenes of the narrative are portrayed, leading up to a shocking and apparent murder and suicide. The Manor depicts momentous changes in the fortunes of the fabulously wealthy MacAlister Family (fictional surrogates of the oil-rich Doheny Family). Family patriarch and mining tycoon Charles makes an illegal if well-intentioned loan to Senator Alfred Winston (a stand-in for Secretary of the Interior Albert Fall). Both men face imminent disgrace and worse in the oncoming Teapot Dome bribery scandal, which will engulf the Warren Harding administration. A scion of the MacAlister family faces violent death. Who is to blame? Written by Kathrine Bates, and directed by Flora Plumb, it runs January 5 through January 29 at the Greystone Mansion, in Greystone Park in Beverly Hills. For tickets call 310-364-3606 or visit www.theatre40.org.

“The Lion” the Drama Desk Award-winning piece written and performed by Scheuer, has redefined the genre of musical theater. Scheuer tells, sings and plays the turbulent story of his family and his own brush with mortality, with his supporting cast of six guitars. Singer/Songwriter Scheuer is the creator and performer of the one-man show. Written by Benjamin Scheuer, and directed by Sean Daniels, it runs January 6 through February 19 at the Audrey Skirball Kenis Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

“TORUK – The First Flight” Inspired by James Cameron’s AVATAR, this production transports you to the world of Pandora in a visually stunning live setting. Experience a storytelling odyssey through a new world of imagination, discovery, and possibility. Through a riveting fusion of cutting-edge visuals, puppetry and stagecraft buoyed by a soaring cinematic score, Cirque du Soleil applies its unique signature style to James Cameron’s imaginary world and “makes the bond” between two kindred artistic visions that capture the imagination. This live immersive experience also bears the distinct signature of directors and multimedia innovators Michel Lemieux and Victor Pilon. It is a living ode to the Na’vi’s symbiotic coexistence with nature and their belief in the basic interconnectedness of all living things. Narrated by a “Na’vi Storyteller” and populated by unforgettable characters, TORUK – The First Flight is a mythical tale set thousands of years before the events depicted in the film AVATAR, and before any humans ever set foot on Pandora. When a natural catastrophe threatens to destroy the sacred Tree of Souls, Ralu and Entu, two Omatikaya boys on the brink of adulthood, fearlessly decide to take matters into their own hands. Upon learning that Toruk can help them save the Tree of Souls, they set out, together with their newfound friend Tsyal, on a quest high up in the Floating Mountains to find the mighty red and orange predator that rules the Pandoran sky. Prophecy is fulfilled when a pure soul rises among the clans to ride Toruk for the first time and save the Na’vi from a terrible fate. Written and directed by Michel Lemieux and Victor Pilon, it runs January 12 through January 15 at The Forum in Inglewood. For tickets call 800-745-3000 or visit www.cirquedusoleil.com/toruk.

“Aladdin, Dual Language Edition” everyone in the fictional city of Agrabah used to be able to speak two languages. The show is based on the Arab-style folktale “Aladdin and the Magic Lamp” from One Thousand and One Nights; the musical includes iconic songs like “A Whole New World” and “Friend like Me.” When the evil Jafar, the Sultan’s Grand Vizier, first finds a Genie’s magic lamp one day, he wishes to divide Agrabah by language so that the people of the palace speak one language and the people in the streets speak another (hence, Spanish and English respectively). However, Jafar speaks both languages, giving him more power. Before making another wish, Jafar, annoyed with his pet parrot, Iago, throws the lamp out the window, and while doing so, he spills some magic “fluency” dust on Iago. The lamp’s dust also enables two other animals, Princess Jazmín’s pet tiger, Rajah, and Aladdin’s pet monkey, Abu, to also speak human languages. To help the audience follow this class conflict adventure, Royal Translators serve as narrators and facilitate official state communication, while the multi-lingual animals translate more intimate conversations. As the story starts Princess Jazmín is running away from the palace, unwilling to be betrothed to yet another snobbish suitor. Aladdin, a street rat, and Princess Jazmín become friends and fall in love, but Jafer has Aladdin apprehended. Later Aladdin befriends at Magic Carpet, as well as a Genie who makes his wishes come true. Written by Jim Luigs and José Cruz González, with music by Alan Menken, lyrics by Howard Ashman and Tim Rice, and directed by Rigo Tejeda, it runs January 13 through February 19 at the CASA 0101 Theater in Boyle Heights. For tickets call 323-263-7684 or visit www.casa0101.org.

“Bee-luther-hatchee” Shelita Burns, editor at a New York publishing house, is searching for Libby Price, an African-American woman who has lived a drifting life across the U.S. and has composed a prize-winning memoir. Shelita wants to present Libby with her award. Shelita’s joy in discovering Libby’s work turns to feelings of betrayal when she learns shocking facts about the author. When Shelita Burns comes face-to-face with the object of her search, Shelita’s actions in response are as startling as the facts she has uncovered. To fully understand the significance of the title Bee-luther-hatchee, you’ll have to see the show. The concerns of the play include cultural appropriation and who has the right to tell certain stories, both of them newsworthy topics. Written by Thomas Gibbons, and directed by Saundra McClain, it runs January 13 through February 18 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.

“Brilliant Traces” In a remote cabin in the wilds of Alaska, as a blizzard rages outside, a lonely figure lies sleeping under a heap of blankets. Suddenly, he is awakened by the insistent knocking of an unexpected visitor, and a distraught young woman bursts into the cabin dressed in full bridal regalia, driven up from… somewhere warm, it would seem. Exhausted, she throws herself on his mercy, but after sleeping for two days straight, her vigor—and combativeness—return. Written by Cindy Lou Johnson, and directed by Kristen Boulé, it runs January 13 through February 11 at the Underground Theatre in Hollywood. For tickets call 800-838-3006 or visit www.BT2017.brownpapertickets.com.

“The Imaginary Invalid” is an outrageous satire of medicine and its practitioners sadly relevant even today. The wealthy Argan revels in poor health, relying on laxatives, suppositories, bloodlettings, and second and third opinions from the leading quacks. Although his daughter Angélique loves the impoverished Cléante, Argan wants to marry her to Thomas Diaforrhea, a medical dunce who can assure his father-in-law a lifetime of free health care. Aided by Argan’s wily, back-talking servant Toinette, the young lovers contrive to meet despite the scheming of Béline, Argan’s mercenary second wife. All is resolved (or is it?) when the clever Toinette and Argan’s sage brother Béralde concoct a hilarious, elaborate plan to teach Argan where to place his trust. Written by Molière, and directed by Susan Stangl, it runs January 13 through February 18 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.

“Picnic” takes place on Labor Day weekend in the joint backyards of two middle-aged widows. One house belongs to Flo Owens, who lives with her two maturing daughters, Madge and Millie, and a boarder who is a spinster school teacher. The other house belongs to Helen Potts who lives with her elderly mother. Into this atmosphere comes a drifter by the name of Hal Carter whose animal vitality seriously upsets the entire group. Written by William Inge, and directed by Sherman Wayne, it runs January 13 through February 19 at the Theatre Palisades Pierson Playhouse in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.org.

“A Time To Kill” tells the story of Jake Brigance, an idealistic white lawyer from Ford County, Mississippi, who sits in on a harrowing court case: A 10-year-old black girl named Tonya Hailey was brutally raped and beaten by two white men. Jake is shaken by the testimony of the girl’s father, Carl Lee Hailey, but when Carl takes the law into his own hands in the courtroom, the grieving father is suddenly under arrest and facing a trial of his own. Carl begs Jake to represent him, and although it’s a tough case, the young lawyer agrees to fight for the justice of Tonya, Carl and their family. With the help of his oft-inebriated mentor Lucien Wilbanks and a bright young law student named Ellen Roark, Brigance goes head to head against district attorney Rufus Buckley. As the controversial trial shakes the town to its core, Brigance finds himself—and his own beloved family—under attack. Written by John Grisham, adapted by Rupert Holmes, and directed by Ronnie Marmo, it runs January 13 through January 28 at the Theatre 68 in North Hollywood. For tickets call 323-960-5068 or visit www.plays411.com/timetokill.

“Zanna, Don’t!” is a musical comedy set in mid-west America and tells the tale of a parallel universe where homosexuality is the norm and heterosexuality is taboo. The show takes place at heterophobic Heartsville High. ‘Magical Matchmaker’ Zanna brings together happy couples until the football team’s star quarterback and the captain of the Girls’ Intramural Mechanical Bull-Riding Team begin to discover their feelings for each other. Written by Tim Acito, with music by Tim Acito, additional lyrics by Alexander Dinelaris, and directed by Lauren J. Peters, it runs January 13 through February 5 at the Chromolume Theatre at the Attic in Los Angeles. For tickets call 323-205-1617 or visit www.crtheatre.com.

“GLORIOUS! The True Story of Florence Foster Jenkins, the Worst Singer in The World” In 1940’s New York, the performer who everyone wanted to see was Florence Foster Jenkins, a joyous and enthusiastic soprano whose deplorable lack of pitch and tone left her audiences falling about with laughter. Known as ‘the worst singer in the world’, she warbles and screeches through charity recitals, extravagant balls, bizarre recording sessions, and an ultimate triumph at Carnegie Hall. A hilarious and heart-warming comedy showcased in the 2016 film Florence Foster Jenkins starring Meryl Streep. Florence Foster Jenkins was an American socialite and amateur soprano who was known and mocked for her flamboyant performance costumes and notably poor singing ability. The historian Stephen Pile ranked her “the world’s worst opera singer”. “No one, before or since,” he wrote, “has succeeded in liberating themselves quite so completely from the shackles of musical notation.” Despite (or perhaps because of) her technical incompetence, she became a prominent musical cult figure in New York City during the 1920s, ’30s, and ’40s. Cole Porter, Gian Carlo Menotti, Lily Pons, Sir Thomas Beecham, and other celebrities were fans. Enrico Caruso is said to have “regarded her with affection and respect”. Written by Peter Quilter, and directed by Anne Gesling, it runs January 14 through February 5 at the Morgan-Wixson Theatre in Santa Monica. For tickets call 310-828-7519 or visit www.morgan-wixson.org.

“Nice Iranian Girl” During the Iran/Iraq War, in her childhood years in Tehran in Iran’s Islamic Republic, she huddles in a basement with her grandparents while Saddam Hussein’s aircraft bombard the neighborhood. She makes her way to London and safety, until she finds herself homeless at 15. She manages to bluff her way into a job at an exclusive high-end London nightclub, before she decides to head for Hollywood to seek a job as a VJ on MTV. She’s hired as a correspondent on Al Gore’s Current TV until she gets fired when she poses for Maxim magazine. Subsequently she appears on 275 episodes of Attack of the Show, then on 35 episodes of MTV’s America’s Best Dance. She was a correspondent for The Best Damn Sports Show Period; Big Morning Buzz; The Insider; and award events on the TV Guide Channel. Layla Rumi conquered America and her past because she refused to hear the word “No”. However, there was still a vacancy in her heart. She’d never be able to visit her girlhood home again as Iran had put her on a death list because she posed in a bikini for Maxim. Her tale is a classic American story: the immigrant who arrives in the USA, and through hard work and her own gifts (academic, talent and beauty) becomes a success. Written by Layla Rumi, and directed by Richard Embardo, it runs January 14 through February 11 at the Whitefire Theatre in Sherman Oaks. For tickets call 800-838-3006 or visit www.niceiraniangirl.brownpapertickets.com.

“The Last Vig” In this world premiere comedy by David Varriale, Academy Award-nominated actor Burt Young (Rocky, Chinatown, The Pope of Greenwich Village) stars as aging mob boss Big Joe — the last of a dying breed. Times are changing. Can Joe stay in the game with the help of his young, hip-hip loving assistant, Bocce, and his old friend, Jimmy “The Fixer” D? Or will the juice on the $100K he owes be his last vig? Written and directed by David Varriale, it runs January 14 through February 19 at the Zephyr Theatre in Los Angeles. For tickets call 323-960-7712 or visit www.TheLastVig.com.

“Chapatti” What do you get when you mix an Irish tale with 19 cats, one dog named after a pancake, and two eccentric animal lovers? Annabella Price and Mark Bramhall star in this humorous and heartwarming tale about two animal lovers in Dublin, and their unexpected spark as they re-discover the importance of human companionship. This second-chance comedy celebrates these unforgettable characters who still believe in love. Written by Christian O’Reilly, and directed by David Ellenstein, it runs January 15 through January 29 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“Late Company” Michael, a Canadian politician, and his wife Debora, prepare for their slightly tardy dinner guests Bill and Tamara, and their son Curtis. As the play unfolds, it develops that it’s one year since the suicide of Joel, the gay son of Michael and Debora. Curtis, it turns out, was part of a group that bullied Joel. This dinner, it’s hoped, will be an occasion to achieve closure. The wounds are still raw for Debora in particular. What emerges instead rounds of finger-pointing and revelations of unknown things. Are closure and healing even possible? Written by Jordan Tannahill, and directed by Bruce Gray, it runs January 19 through February 19 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.

“Moby Dick” Like Melville’s book, the play sets sail with three words—“Call me Ishmael” —and then follows the bigger-than-life characters on the hunt for the elusive white whale. The stage is filled with interlocking ropes and cables, framed by arches that hint at both the curved ribs of a whale and the hold of a ship, over an ocean created from a wash of billowing blue silk. Lookingglass’ Moby Dick premiered in 2015 to rave reviews. The production was developed with the acclaimed Actors Gymnasium, which infused the storytelling with riveting physical theatre and circus-like acrobatics. Written by Herman Melville, and directed by David Catlin, it runs January 20 through February 19 at the South Coast Repertory Segerstrom Stage in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“Beckett5” a quintet of darkly humorous, seldom-seen short plays:

‘Krapp’s Last Tape’ Elderly and ailing, Krapp sits at his desk and prepares to listen to audiotape diaries he made thirty years earlier. Beckett’s theatrical poem, one of his most personal works, is infused with his history, emotion and an abiding sense of irony as he captures the weight of regret for missed opportunity and lost love.

‘Come and Go’ is described as a “dramaticule” on its title page and contains only 121 words.

‘Footfalls’ features the character of May, wrapped in tatters and pacing back and forth “like a metronome” on a strip of bare landing outside her dying mother’s room.

‘Act Without Words II’ is a short mime play. A and B, asleep in their sleeping bags, are goaded into their respective lives by an unseen force. Although they never meet, they carry each other through life.

‘Catastrophe’ a director and his assistant prepare an aged man for a public spectacle for a political purpose. One of Beckett’s only politically-themed works, and perhaps his most optimistic, it was written in 1982 and dedicated to then-imprisoned Czech reformer and playwright, Václav Havel.

Written by Samuel Beckett, it runs January 21 through March 5 at the Odyssey Theatre in West Los Angeles. For tickets call 310-477-2055 or visit www.OdysseyTheatre.com.

“The Found Dog Ribbon Dance” Professional cuddler Norma’s quest to return a lost dog to its rightful owner leads her to encounter a slew of oddballs and maybe even discover a second chance at love. A bittersweet romantic comedy about loneliness, oxytocin, and the healing power of Whitney Houston. Written by Dominic Finocchiaro, and directed by Alana Dietze, it runs January 21 through February 26 at the Echo Theater Company @ Atwater Village Theatre in Atwater Village. For tickets call 310-307-3753 or visit www.EchoTheaterCompany.com.

“The Last Five Years” is for anyone who’s been in love – or wants to be. A beautifully intimate, vivid picture of the five-year relationship between a young, ambitious author and a struggling actress. Cleverly, the show unfolds in reverse chronological order: we see her experiences from the painful ending of the relationship, while we see his from the passionate beginning. This endearingly funny, poignant, and insightfully honest two-person musical has enraptured audiences around the world with its spellbinding, emotional score. Written by Jason Robert Brown, with music by Jason Robert Brown, and directed by Nick DeGruccio, it runs January 21 through February 12 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.lamiradatheatre.com.

“Future Sex, Inc.” What does the future hold for sex? The mysterious conglomerate Monocorp fabricates an epidemic condemning intimacy to profit from its “safe” new pseudo-sex product called the Love Light. Meanwhile, at an underground “intimacy” speakeasy, four fallen pop stars gather in collusion to plan their revenge against Monocorp’s devious CEO — a la the current political climate. As the world teeters on the brink of destruction, can these unlikely heroes overcome their differences in time to stop Monocorp’s evil agenda? Future Sex, Inc., the satirical pop musical blends Lady Gaga-esque pop star theatricality with Blade Runner’s dark comic vision. Written by John Papageorge, with music by John Papageorge, and directed by Kiff Scholl, it runs January 27 through February 19 at the Lounge Theatre in Los Angeles. For tickets call 323-960-7738 or visit www.plays411.com/future.

“White Guy on the Bus” Ray, a white financial manager from an affluent neighborhood, has a loving wife and liberal family. Shatique is a black nursing student and single mom from the rough side of town. As they ride the same bus to the same gritty prison every week, they seem to be getting to know each other – until Ray reveals his shocking true purpose for taking these weekly rides. As the ties between Ray and Shatique spin into a complex web of moral ambiguity, revenge and racial biases, they reach a stunning conclusion in this play the New York Times calls “a frank stare-down at racial perceptions today…an unsettling study in cultural disaffection that is likely to spark discussions afterward”. Written by Bruce Graham, and directed by Stewart J. Zully, it runs January 27 through March 18 at the Road on Magnolia in North Hollywood. For tickets call 818-761-8838 or visit www.roadtheatre.org.

“Witness for the Prosecution” featuring Guest Artist Salome Jens, a mystery about a man on trial for murder whose enigmatic wife is called as a “witness for the prosecution” whereupon a series of plot twists, deceptions and lies are dramatically uncovered. Written by Agatha Christie, and directed by Jules Aaron, it runs January 27 through March 12 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.

“Fugu” is suggested by true events. The narrative is set at a time prior to the United States’ entry into World War II. Thanks to the efforts of Japanese diplomat Chiune Sugihara, 6000 Lithuanian Jews were rescued from the clutches of the Nazis and relocated to Kobe, Japan. Colonel Nohiro Yasue, Japan’s Minister of Foreign Affairs, is stationed in Kobe. The newly settled Jews have established a community there. But their safety may be short-lived. The Gestapo’s Colonel Josef Meisinger, a.k.a. The Butcher of Warsaw, is a Nazi liaison at the German Embassy, intent on seeing that no Jews escape alive. Meanwhile, Col. Yasue has devised a scheme with the objective of seeing to it that Japan and America do not come to blows. The plan is called “Fugu.” (You’ll have to see the play to get the full significance of the term.) Yasue, mistakenly believing that President Roosevelt is Jewish, selects the leader of the Jewish community, Dr. Avram Kaufman, to be his emissary to contact Washington, Wall Street and Hollywood to convince the U.S.A of Japan’s good intentions toward the Jews, serving to avoid Japan’s entry into a bloody international war. Meisinger, intent on eliminating the Jews of Kobe, reminds Yasue of Japan’s treaty with Germany and Italy, and demands his cooperation. But Yasue is above all a man of honor, and the Jews are under his sworn protection. Complicating matters for Yasue and Kaufman is the fact that Kaufman’s beautiful daughter Sarah and Yasue’s top aide Setsuzo Kotsuji have fallen in love and have embarked on a forbidden romance. Can a Jewish woman and a Japanese man find love amidst the shadows of war? Can their love possibly survive? Can the brave and honorable Yasue, Kotsuji and Kaufman thwart the machinations of the murderous Nazis? Written by Steven G. Simon and Howard Teichman, and directed by Howard Teichman, it runs January 28 through March 19 at the Pico Playhouse in Los Angeles. For tickets call 323-821-2449 or visit www.wcjt.org.

“Gulf View Drive” picks up almost a decade after May and Raleigh part ways in See Rock City to pursue their separate dreams, keeping faith that they will remain connected and come together again. Having met during the early years of WWII in Last Train to Nibroc and endured the struggles of marriage, family and work against the backdrop of war and uncertainty in See Rock City, May and Raleigh have relocated to Florida, enjoying their dream house and the security their love brings. The year is now 1953, and May is a schoolteacher while Raleigh has found success as a novelist. Their peaceful home is turned upside-down when Raleigh’s cheerless mother comes to stay for an indeterminate amount of time. With May’s mother and Raleigh’s pregnant sister already living with them, the strain becomes both humorous and unbearable. Outside their over-crowded home, questions concerning race, segregation, patriotism and traditional values seep into their lives, challenging them to grow and change with the times, or face the consequences of unyielding resolve. Written by Arlene Hutton, and directed by Katharine Farmer, it runs January 28 through February 12 at the Rubicon Theatre Company in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“Plasticity” Blending cutting-edge science with masterful storytelling, Plasticity takes the audience deep inside the mind of David Rosely, even as he lies in a coma. A hovering circle of doctors and loved ones, including David’s twin brother Grant, are all played by Lyras in an unusual solo performance: the actor not only creates multiple characters, but interacts with them on stage through the use of integrated projections. Written by Alex Lyras and Robert McCaskill, with music by Ken Rich, and directed by Robert McCaskill, it runs January 28 through March 13 at the Hudson Guild Theatre in Los Angeles. For tickets call 323-960-7787 or visit www.plasticitytheplay.com.

“Shades of Disclosure” Widower, Best Friend, Outsider, Confidant. Everyone has history. Do we disclose it? Do we learn from it? QueerWise illuminates an emotionally charged landscape from the perspective of HIV/AIDS survivors. The AIDS epidemic continues to resonate, posing a host of social justice issues that we all must face: Homophobia, Racism, Immigration Rights, Healthcare, and the Rights of Transpersons. Written by QueerWise, and directed by Michael Kearns, it runs January 28 through February 25 at the Skylight Theatre in Los Angeles. For tickets call 213-761-7061 or visit www.skylighttix.com.

“Vanya and Sonia and Masha and Spike” In this hilarious comedy, Vanya and his adopted sister, Sonia, live a quiet life in the Pennsylvania farmhouse where they grew up, while their sister Masha travels the world as a movie star. Just as their cleaning woman issues a warning about terrible events in their future, Masha returns for an unannounced visit with her 20-something boy toy Spike in tow. And so begins this unforgettable family reunion filled with rivalry, regret, and racket. All allusions to Chekhov are purely intentional. Written by Christopher Durang, and directed by Barbara Tarbuck, it runs January 28 through March 5 at the Edgemar Center for the Arts in Santa Monica. For tickets call 310-392-7327 or visit www.edgemar.org.

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It’s a brand new year with brand new shows – so get out today and take one in!