Here are the new shows opening in our theaters this month:

OPENING

“A Christmas Carol” a masterpiece about the redemptive and transformative power of love. It allows families to take a supremely theatrical journey and celebrate the transformative power of forgiveness during the holidays. Ebenezer Scrooge’s rebirth from miserly curmudgeon to the epitome of love and generosity affirms our faith in the potent goodness of humanity during this beloved time of year. Written by Charles Dickens, adapted by Geoff Elliott, with music by Ego Plum, and directed by Geoff Elliott and Julia Rodriguez-Elliott, it runs December 1 through December 23 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.ANoiseWithin.org.

“Latina Christmas Special” Back by popular demand and bursting with laughs, more laughs, music and escandalo (scandal)! You thought your holidays with the family were dramatic? Try these three hilarious, touching and surprisingly personal Christmas stories of holidays past told by three acclaimed Latina comedians. Written by Maria Russell, Sandra Valls and Diana Yanez, and directed by Geoffrey Rivas, it runs December 1 through January 7 at the Los Angeles Theatre Center in Los Angeles. For tickets call 866-811-4111 or visit www.thelatc.org.

“Pacific Overtures” is set in 1853 and follows the difficult Westernization of Japan, told from the point of view of the Japanese. In particular, the story focuses on the lives of two friends caught in the change. Written by John Weidman, with music by Stephen Sondheim, and directed by James Esposito, it runs December 1 through December 17 at the Chromolume Theatre at the Attic in Los Angeles. For tickets call 323-205-1617 or visit www.crtheatre.com.

“The SantaLand Diaries” Patrick Censoplano dons the candy-cane tights for a Santa Monica Playhouse holiday celebration in this outrageously funny one-man play from NPR’s well-loved humorist David Sedaris about the author’s experiences as an unemployed writer taking a job as an elf at Macy’s department store in New York City, taking a wry look at how the holiday season brings out the best – and the worst – in us all. Written by David Sedaris, adapted by Joe Mantello, and directed by Chris DeCarlo, it runs December 1 through December 17 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.SantaMonicaPlayhouse.com.

“Santasia” This Off-Broadway Hit and Critics Pick laugh out loud annual holiday romp, is the perfect blend of Yuletide snark and sentiment, and has been compared to “The Carol Burnett Show”, “The Kids in the Hall”, “In Living Color”, “Saturday Night Live” and Vaudeville. This multi-media holiday special has it all including classic Rankin and Bass Claymation inspired movies, musical parodies, and heartfelt holiday moments. Written by Shaun and Brandon Loeser, and directed by Shaun Loeser, it runs December 1 through December 25 at the Whitefire Theatre in Sherman Oaks. For tickets call 818-990-2324 or visit www.santasia.com.

“William Shakespeare’s Antony & Cleopatra” has its all: Romance, passion, sex, heartbreak, the fascination of royalty, war, politics, the epic sweep of history and, at its center, one of history’s most celebrated love stories: that of Antony, a general and triumvir of the Roman Republic who defied his Emperor; and the woman for whom Antony was willing to risk all, the Macedonian usurper of the throne of Egypt, the mighty Queen Cleopatra. Written by William Shakespeare, and directed by Gloria Gifford, it runs December 2 through December 30 at the Gray Studios in North Hollywood. For tickets call 310-366-5505 or visit www.tix.com.

“Sugar Plum Fairy” is the story of Loh’s holiday trauma, which revolves around the piles of tinsel, reindeer infestations, too-cheery tales of preternaturally good-hearted children—and the memories of a particularly fraught childhood holiday. At the age of 12, she was obsessed with landing the highly coveted lead role in the Beverly Rosann School of Dance’s production of The Nutcracker. Written by Sandra Tsing Loh, and directed by Bart DeLorenzo, it runs December 3 through December 24 at the South Coast Repertory’s Julianne Argyros Stage in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“A Christmas Carol with Charles Dickens” In his lifetime, Charles Dickens was recognized not only as a great writer, but as an actor. His greatest successes on the stages of Britain and the United States were his solo performances of his own work. One of the first pieces he presented to great acclaim was A Christmas Carol. In what has become a holiday tradition, ISC re-creates (with a little artistic license) the experience of a public reading given by Mr. Dickens himself. Written by Charles Dickens, and directed by Melissa Chalsma, it runs December 7 through December 23 at the Independent Studio in Atwater. For tickets call 818-710-6306 or visit www.iscla.org.

“Aladdin and his Winter Wish” is a singing, swinging and soaring adventure that features family-friendly magic, with a comedic twist, dancing (with “So You Think You Can Dance” alumni), and contemporary music from “Jai Ho” (Slumdog Millionaire) to “Treasure” (Bruno Mars) to “Fantasy” (Earth, Wind and Fire) and many more! Written by Kris Lythgoe, with music by Keith Harrison, and directed by Spencer Liff, it runs December 8 through December 31 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“Disney’s Beauty and the Beast” a young woman in a provincial town, and a Beast, who is actually a handsome young Prince who lives in a luxurious castle in France. When an Old Beggar Woman, who is actually an Enchantress, asks the Prince for shelter from the freezing cold, the Prince shuns the beggar for her repulsive appearance, at which time the Enchantress appears transforming the Prince into a Beast for his cold-hearted and selfish ways. The Enchantress casts a magic spell upon the Prince’s entire castle, including his good-natured servants, who are transformed into household objects to reflect their different personalities. Ashamed of his new appearance, the Beast conceals himself inside his castle with a magic mirror as his only window to the outside world, and an enchanted rose, which will bloom until he turns 21 years of age. Time is running out. If the Beast can learn to love a woman and earn her love in return before the final petal falls off the rose, the curse will be broken and he will return to his original self as a Prince. But, if not, he will remain a Beast forever, and all the members of his household will be doomed as well for all eternity. Written by Linda Woolverton, with music by Alan Menken, lyrics by Howard Ashman and Tim Rice, and directed by Rigo Tejeda, it runs December 8 through January 21 at the CASA 0101 Theater in Boyle Heights. For tickets call 323-263-7684 or visit www.casa0101.org.

“Ashes to Ashes” is a madcap romantic comedy that’s a perfect escape for the holidays. Liberal Sara and right-winger Jefferson are polar opposites about everything — except their love and devotion for their two, newly deceased, filthy-rich best friends. Trapped by the time-constraints of their friends’ will, the two are forced to spend the next 16 days, 21 hours and 32 minutes together, scattering ashes across Europe. Whether they make it or not, the audience is in for a bumpy and very funny ride. Written by Debbie Bolsky, and directed by Katherine James, it runs December 9 through January 14 at the Odyssey Theatre in Los Angeles. For tickets call 310-564-9410 or visit www.AshesToAshesThePlay.com.

“Charles Dickens’ A Christmas Carol” This timeless tale of redemption and hope follows the miserly Ebenezer Scrooge (Peter Van Norden), who is visited by the ghost of his former partner Jacob Marley (Joe Spano) and three spirits, who show him the error of his ways. Burns’ adaptation provides particular insight into the circumstances of the lost and lonely boy who became a bitter and hardened miser, an echo of Dickens’ own experience. Drawing from rich language of Dickens’ novel, the characters not only speak the dialogue but also narrate their thoughts and actions. The lack of a fourth wall allows the audience to be a part of Scrooge’s inner journey as he discovers the joy and meaning in Christmas. Written by Charles Dickens, adapted by Karyl Lynn Burns, and directed by Brian McDonald, it runs December 9 through December 23 at the Rubicon Theatre Company in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“Beauty and the Beast – A Christmas Rose” An updated version of the classic tale, in the style of a traditional British family Panto, BEAUTY AND THE BEAST – A CHRISTMAS ROSE features family-friendly magic, with a comedic twist, dancing (with “So You Think You Can Dance” alumni), contemporary music and more. Written by Kris Lythgoe, with music by Michael Orland, and directed by Sheldon Epps, it runs December 13 through December 24 at the Pasadena Civic Auditorium in Pasadena. For tickets call 800-982-2787 or visit www.BeautyAndTheBeastPanto.com.

“Miracle on 34th Street” an old man going by the name of Kris Kringle fills in for an intoxicated Santa in Macy’s annual Thanksgiving Day parade. Kringle proves to be such a hit that he is soon appearing regularly at the chain’s main store in midtown Manhattan. When Kringle surprises customers and employees alike by claiming that he really is Santa Claus, it leads to a Supreme Court case to determine his mental health and, more importantly, his authenticity. Written by Valentine Davies, and directed by Danny Feldman, it runs December 14 through December 23 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.PasadenaPlayhouse.org.

“The Nutcracker” The Long Beach Ballet continues its annual holiday tradition, for the 35th year this December. This production boasts a full symphony orchestra, a flying sleigh, a real live horse, on-stage pyrotechnics, and a cast of over 200. Former Disney designers Elliot Hessayon and Scott Schaffer created the enchanting scenery, Australian artist Adrian Clark designed the detailed costumes, and renowned magician Franz Harary created the special effects. Written by Alexandre Dumas, with music by Pyotr Ilyich Tchaikovsky, and directed by David Wilcox, it runs December 16 through December 24 at the Long Beach Convention & Entertainment Center Terrace Theatre in Long Beach. For tickets call 877-852-3177 or visit www.LongBeachNutcracker.com.

“How the Princh Stole Christmas” The Troubies will pay tribute to the Purple One himself as they send-up the Music of Prince while mashing it with the story of How the Grinch Stole Christmas. Dr. Seuss’ detestably fiendish hero the Grinch will get a makeover he won’t soon forget as he transforms from Green to Purple in the Troubies’ seasonal spoof! You’ll get Delirious over the Troubadour Theater Company’s latest adventure – a Sign of the Times skewering of Who-manity’s triumph over The Grump. The Controversy starts when The Princh dons Santa’s Raspberry Beret, hops in his Little Red Corvette sleigh, and decides “Let’s Go Crazy!” Be at The El Portal to feel the Housequake when the Purple Rain of terror is ended and The Princh is heard to say, “I Would Die for You”. The Troubies’ annual holiday show has become a tradition in Los Angeles and this will be their 16th in a long line of productions bringing guffaws and groans to the most festive time of the year. In this hilarious takeoff the Troubies’ signature blend of theatricality and mayhem will provide laughs aplenty featuring their renowned live musical and comedic style. Written and directed by Matt Walker, it runs December 21 through December 31 at the El Portal Theatre Debbie Reynolds Mainstage in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

Enjoy life more – see a show tonight, and have a very happy holiday season!

Here are the new shows opening in our theaters this month:

OPENING

“Yohen” In Japanese pottery, the term “yohen” refers to unpredictable changes that take place in the kiln. James and Sumi Washington are an interracial couple struggling to maintain their 37-year marriage after James retires from the US Army. The dramatic change in routine prompts questions about life, love, and aging, as the couple attempts to repair what’s broken and decide what is worth saving. Screen, stage, and television actor Danny Glover and Emmy Award-winning actress June Angela will star in the revival. Written by Philip Kan Gotanda, and directed by Ben Guillory, it runs November 1 through November 19 at the David Henry Hwang Theater at the Union Center of the Arts in Los Angeles. For tickets call 213-625-7000 or visit www.eastwestplayers.org.

“Caught” You walk into a gallery hosting District 798, a show of new work inspired by a legendary Chinese dissident artist who was imprisoned in China for a single, epic work of art. Recently profiled in The New Yorker, the Chinese artist himself is present, and begins his presentation by sharing the details of an ordeal that breaks your heart and stirs your sense of justice. But… his lecture is interrupted; then that interruption is broken. Soon, you find yourself in a labyrinthine exploration of truth, art, social justice, and cultural appropriation, where nothing is as it first appears. Written by Christopher Chen, and directed by Ed Sylvanus Iskandar, it runs November 3 through December 10 at the Think Tank Gallery in Los Angeles. For tickets visit www.thinktank.gallery.

“In-Laws, Outlaws, and Other People (That Should Be Shot)” It is 6 p.m. and the Douglas family is busily preparing to be invaded by their quirky relatives for their annual Christmas Eve dinner. After robbing a local liquor store, two bumbling crooks, Tony and Vinny, seek a place to briefly hide out. Using a ruse to gain entrance into the home, they soon find themselves in charge of an ever-growing list of zany family members. Who is holding whom hostage? This dysfunctional family holiday comedy will leave you quite merry! Written by Steve Franco, and directed by Ria Erlich, it runs November 3 through December 10 at the Theatre Palisades Pierson Playhouse in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.com.

“The Man Who Came to Dinner” about the nightmare holiday guest who never leaves – or so it seems. Just before Christmas, Sheridan Whiteside, a noted radio personality, is invited to dinner at the home of Ernest W. and Daisy Stanley in Mesalia, Ohio. After slipping on ice and claiming to have dislocated his hip, he becomes an intrusive and outrageously demanding houseguest. Written by Moss Hart and George F. Kaufman, and directed by Linda Kerns, it runs November 3 through December 17 at the Actors Co-op David Schall Theatre in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.

“Driving Miss Daisy” takes place in the 1940s through 1970s at the height of the Civil Rights movement. The play delicately explores racial tensions when a warm friendship evolves between an elderly Jewish woman and her black chauffeur. Written by Alfred Uhry, and directed by Heather Provost, it runs November 4 through December 10 at the Colony Theatre in Burbank. For tickets call 866-811-4111 or visit www.colonytheatre.org.

“I’m Not Famous – a Musical Journey with Barbara Minkus” Join us for a funny, poignant and powerful evening of theatre as film, television and Broadway star Barbara Minkus shares private moments, personal tidbits, and a plethora of musical delights. Written by Barbara Minkus, and directed by Susan Morgenstern, it runs November 5 through November 26 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.SantaMonicaPlayhouse.com/im-not-famous.html.

“Chasing Mem’ries: A Different Kind of Musical” Tyne Daly stars as a woman not quite ready to let go of the life she’s loved and the love of her life. Written and directed by Josh Ravetch, with music by Bill Cantos & Mari Falcone, Dave Grusin, Marvin Hamlisch, Michel Legrand and Johnny Mandel, lyrics by Alan & Marilyn Bergman, it runs November 7 through December 17 at the Geffen Playhouse, Gil Cates Theater in Westwood. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

“King Charles III” The Queen is dead. After a lifetime of waiting, the prince ascends the throne. A future of power. But how to rule? Camilla, William, Kate and Harry join Charles in Mike Bartlett’s “future history play,” exploring the people beneath the crown. The Los Angeles premiere of the 2015 Olivier Award winning best new play. A contemporary Shakespearean drama. Written by Mike Bartlett, and directed by Michael Michetti, it runs November 8 through December 3 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.PasadenaPlayhouse.org.

“BIG FISH – 12 Chair Version” is a fantastical new musical that follows the life of Edward Boom, a traveling salesman who lives life to its fullest. Edward’s larger-than-life stories delight everyone around him—most of all, his devoted wife Sandra. But their son Will, about to have a child of his own, is determined to find the truth behind his father’s epic tales of witches, giants, and mermaids. Overflowing with heart and shifting between present day and a storybook past, this musical brings a family together and reveals the true meaning of friendship. Written by John August, based on the novel by Daniel Wallace, with music by Andrew Lippa, and directed by Cathy Thomas-Grant, it runs November 9 through November 18 at the Smothers Theatre, Pepperdine University in Malibu. For tickets call 310-506-4522 or visit www.arts.pepperdine.edu.

“Avenue Q” is an irreverent and hilarious musical that tells the timeless story of a recent college grad named Princeton, who moves into a shabby New York apartment all the way out on Avenue Q. He soon discovers that, although the residents seem nice, it’s clear that this is not your ordinary neighborhood. Together, Princeton and his new-found friends struggle to find jobs, love and their ever-elusive purpose in life. Filled with gut-busting laugh-out-loud humor and a delightfully catchy score, not to mention puppets, AVENUE Q is a truly unique show that has quickly become a favorite for audiences everywhere. Not appropriate for children under 16 years of age. Written by Jeff Whitty, with music by Robert Lopez and Jeff Marx, and directed by Susan Goldman Weisbarth, it runs November 10 through December 16 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.

“DeLEARious” There’s a new king in town. Queen Elizabeth is dead — all hail King James! In deLEARious, Ron and Phil are writing about King James I and Shakespeare — who in turn are writing about the legendary King Lear. Phil gets sick of Ron’s laziness and womanizing; King James gets sick of Shakespeare and demotes him to working on the Bible; and King Lear gets sick of everyone and goes crazy. Great songs, a clever story and lots of laughs! Written and directed by Ron West, with music by Phil Swann and Ron West, it runs November 10 through December 16 at the Atwater Village Theatre in Atwater. For tickets call 323-882-6912 or visit www.openfist.org.

“Letters from Home” In 2016, Kalean Ung learned of a drawer in her father’s study, filled with letters from family and friends living in desperate circumstances in refugee camps and detailing their lives during the genocide that befell Cambodia with the rise of the Khmer Rouge. This play examines her own life through the stories her father (acclaimed composer Chinary Ung) told her of arriving in America in the 1960s as a young music student, and his subsequent quest to rescue family members. Written by Kalean Ung, with music by Chinary Ung, and directed by Marina McClure, it runs November 10 through November 18 at the Independent Studio in the Atwater Crossing Arts + Innovation Complex in Atwater Village. For tickets call 818-710-6306 or visit www.iscla.org.

“The Secret in the Wings” is a witty, magical, and darkly mysterious collage of lesser–known fairy tales that explores simple parables in the context of a surreal, tempestuous dream. Written by Mary Zimmerman, and directed by Joseph V. Calarco, it runs November 11 through December 16 at the Historic Lankershim Arts Center in North Hollywood. For tickets call 323-944-2165 or visit www.coeurage.org/sitw.

“Sherlock Holmes and the Case of the Jersey Lily” England’s greatest actress and national treasure Lillie Langtry is the target of blackmail in a sex scandal that threatens to bring down the British monarchy. The perpetrator of this extortion is the vilest fiend ever to walk the streets of London, Professor Moriarty. Three men team up in an attempt to thwart the foul misdeed: The Great Detective, Sherlock Holmes; his friend, John H. Watson, M.D.; and the playwright, Oscar Wilde. Can these three succeed in stopping the arch-villain when Scotland Yard cannot? Written by Katie Forgette, and directed by Jules Aaron, it runs November 16 through December 17 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.

“A Christmas Story” Back in the 1960s, humorist, writer, raconteur and TV and radio personality Jean Shepherd (1921-1999) was the undisputed king of late night radio on the East Coast. His live broadcasts from the Limelight Café in Greenwich Village late on Saturday nights on WOR-AM became appointment listening for millions of fans. (This was a decade before Garrison Keillor and Saturday Night Live made their way onto the airwaves. This was when people still listened to AM radio.) Written by Philip Grecian, based on the screenplay by Jean Shepherd, Leigh Brown and Bob Clark, and directed by Christian Lebano, it runs November 17 through December 31 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.

“A Funny Thing Happened on the Way to the Forum” finds the Roman slave Pseudolus scheming his way to freedom by playing matchmaker for his master’s son, Hero, who is smitten with the blonde and beautiful Philia. However, things don’t go at all according to plan. The complications that ensue involve blackmail, funny disguises and long-lost children, while Pseudolus desperately tries to keep up with his end of the bargain. Written by Burt Shevelove and Larry Gelbart, with music by Stephen Sondheim, and directed by Joseph Leo Bwarie, it runs November 17 through December 31 at the Garry Marshall Theatre in Burbank. For tickets call 818-955-8101 or visit www.garrymarshalltheatre.org.

“Levi!” a classic fit new musical based on the life of Levi Strauss. Written by Larry Cohen and Janelle Webb Cohen, with music by Richard M. Sherman and Robert B. Sherman, and directed by Bruce Kimmel, it runs November 17 through December 2 at the Los Angeles City College Camino Theatre in Los Angeles. For tickets call 323-953-4999 Ext. 2990 or visit www.red.vendini.com/ticketsoftware.html?t=tix&e=b3d784085302c0056f5583711938c080.

“The Marvelous Wonderettes” At Springfield High School, you better believe that the female population has hopes and dreams as big as their crinoline skirts! This holds especially true for the Wondrettes — four gals with incredible voices who all want to make it big, and by the second act’s 10-year high school reunion, you’ll find out which of them did. The leading ladies keep this nostalgic romp rocking with their versions of ’50s and ’60s jukebox classics like “Lollipop,” “Dream Lover,” “Lipstick on Your Collar,” “It’s My Party” and many more. Written by Roger Bean, and directed by Robert Marra, it runs November 17 through January 7 at the Crown City Theatre Company in North Hollywood. For tickets call 818-605-5685 or visit www.crowncitytheatre.com.

“A Midsummer Night’s Dream” is a romantic fantasy, set in royal court and enchanted forest, weaves together four plots all joined to the upcoming nuptials of the Duke and his Amazon queen. Written by William Shakespeare, and directed by Marc Singer, it runs November 17 through December 31 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.

“One Way Ticket to Oregon” takes place in Alexandria, Louisiana during the very hot and humid summer of 2010. At its core are two life-long friends, June Collins, an older no nonsense African American woman with an intuitive understanding of people, and Leigh Anne Rainey, a fiery and opinionated older southern belle living in an aging house that has been home to her family for over 150 years. When Leigh Anne receives the diagnosis that her cancer has returned and spread to her pancreas, she’s forced to confront her mortality and how it will affect her son Bobby, who relies on her stability, his unstable wife Eve, and her young grandson Duke, who has autism. With help from her friend June, Leigh explores her limited options, including the use of medical marijuana to curb her symptoms, and learns about doctors in Oregon who can legally help her to “die with dignity.” As she wrestles with her faith, unresolved issues of race and heritage threaten to unravel the core of Leigh’s fragile family, an emotional struggle taking place all too often around the world today. Written by B.C Caldwell, and directed by JJ Mayes, it runs November 17 through December 17 at the Promenade Playhouse in Santa Monica. For tickets visit www.tinyurl.com/onewaytix.

“A Christmas Carol” visits from three ghosts help Scrooge to see the light and change his ways. This wonderful, optimistic Christmas message shows us that, the human spirit is capable of renewal and its hopeful message has earned a place of honor in the hearts of generations. Tiny Tim, Bob Cratchit, and the lively carolers will put you in the perfect holiday mood! Glendale Centre Theatre’s traditional dramatization of Ebenezer Scrooge’s life-changing Christmas Eve is entertaining, captivating, and touching. Written by Charles Dickens, and directed by Tim Dietlein, it runs November 24 through December 24 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit www.glendalecentretheatre.com.

“A Christmas Carol” Nineteenth-century London comes to life and recaptures for audiences the spirit of an old-fashioned Christmas with this timeless Dickens classic and all the favorite characters—Tiny Tim and the Cratchit family, the Fezziwigs, the Ghosts of Christmas past, present and yet-to-come—and everyone’s favorite curmudgeon, Ebenezer Scrooge. Written by Charles Dickens, and directed by John-David Keller, it runs November 24 through December 24 at the South Coast Repertory Segerstrom Stage in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“We Are America” is a musical salute to our veterans! All performers are 60 or more years old. Special New Years Eve performance. Written by Pink Lady, and directed by Jack Failla, it runs on select dates from November 25 through December 31 at the Madrid Theatre in Canoga Park. For tickets call 800-838-3006 or visit www.brownpapertickets.com/event/3097240.

“The Heart of Robin Hood” Robin Hood and his unmerry gang of cutthroats steal from the rich, but it never occurs to them to give back. When a wicked Prince John threatens it all, the bold Marion steps in to protect the poor. Written by David Farr, and directed by Gisli Örn Gardarsson and Selma Björnsdóttir, it runs November 29 through December 17 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org/RobinHood.

“A Very Die Hard Christmas” a team of terrorists has seized a building, taken hostages, and declared war. One man has managed to escape. An off-duty cop hiding somewhere inside. He’s alone, tired…and he doesn’t like Christmas. This is much more than a stage version of the holiday classic Die Hard, its parody at its best with Christmas miracles and familiar holiday friends galore. Yippee Ki-Yay, Father Christmas! Written by Josh Carson, and directed by Gregory Crafts, it runs November 29 through December 17 at the Belfry Stage, Upstairs at the Crown in North Hollywood. For tickets call 818-849-4039 or visit www.theatreunleashed.org.

“Bob’s Holiday Office Party” Every year, insurance agent Bob Finhead’s whacked out friends and clients stop by his small-town Iowa office for their annual holiday bash. The town mayor, the sheriff, the twin farmer sisters, the stoner, the town floozy and the pastor’s wife have already RSVPed for this year’s event. Bob’s Holiday Office Party is a Los Angeles holiday tradition that has been making the season brighter with gut busting hilarity since 1995. Written by Joe Keyes and Rob Elk, and directed by Matt Roth, it runs November 30 through December 17 at the Atwater Village Theatre in Atwater. For tickets call 800-838-3006 or visit www.bobsofficeparty.com.

“It’s a Wonderful Life: The Radio Play” takes place at KAWL, a struggling 1940s radio station that good-hearted owner Michael Anderson is barely keeping alive. He calls on some old friends (with big personalities) and some less-than-professional station employees to offer up a live radio version of Frank Capra’s touching masterpiece It’s a Wonderful Life in what might sadly be the station’s last live show. But it’s the holidays, a time when miracles can happen…. Written by Jim Martyka, and directed by Jenn Scuderi Crafts, it runs November 30 through December 17 at the Belfry Stage, Upstairs at the Crown in North Hollywood. For tickets call 818-849-4039 or visit www.theatreunleashed.org.

Enjoy life more – see a show tonight!

Here are the new shows opening in our theaters this month:

OPENING

“THE FACE, Behind the Face, behind the face” a performing artist confronts the ups and downs and struggles of his life and career and is led to the conclusion that his voice and his music are the keys to his success. The story provides a framework for the glorious singing voice of vocalist and actor Anthony Gruppuso, who performs in nineteen musical numbers. The songs include favorites from the Broadway canon, pop standards, lesser-known gems, and some brand-new material. Written by Anthony Gruppuso, with music by John Dickson, and directed by Calvin Remsberg, it runs October 1 through October 29 at the Theatre West in Los Angeles. For tickets call 323-851-7977 or visit www.theatrewest.org.

“Mice” Ayushi and Grace have just met. Both are pastor’s wives. Both are being held captive, locked in the basement pantry of a serial cannibal. Today, food isn’t the only thing on his mind. If Ayushi and Grace are to survive, they must win a series of mind games with their captor. They must discern what it really means to become good. Written by Schaeffer Nelson, and directed by Roderick Menzies, it runs October 1 through October 29 at the Ensemble Studio Theatre/LA (in Atwater Village Complex) in Atwater. For tickets call 818-839-1197 or visit www.dime.io/events/mice/9/2017.

“So Long Boulder City” Straight from the world of the almost-Best Picture winner LA LA LAND, So Long Boulder City is comedian Jimmy Fowlie’s take on Emma Stone’s one woman show-within-a-movie that played to a barely-sold house. It’s a tale of determination, ambition, crushed dreams and Hollywood triumphs. You won’t want to miss what Deadline Reporter calls “A struggling actresses’ tour-de-force!” Starring Jimmy Fowlie as Mia Dolan. Written by Jimmy Fowlie and Jordan Black, and directed by Jordan Black, it runs October 2 through November 6 at the Celebration Theatre in Hollywood. For tickets call 323-957-1884 or visit www.celebrationtheatre.com.

“Tilda Swinton Answers an Ad on Craigslist” Walt is a gay wallflower. After a devastating break-up, Walt innocently places an ad on Craigslist for a new roommate. When other-worldly star Tilda Swinton shows up at his door and insists on moving in to “study” Walt for her next big movie role, things gets hysterically chaotic. Written by Byron Lane, and directed by Tom DeTrinis, it runs October 4 through October 25 at the Celebration Theatre in Hollywood. For tickets call 323-957-1884 or visit www.celebrationtheatre.com.

“An Accident” follows the story of a woman who is struck by a car, leaving her severely injured and with little memory of her past. Her sole visitor is the man who hit her. Critically acclaimed, this powerful drama explores how small decisions can change the course of a life and how the body and mind heal in unexpected ways. Written by Lydia Stryk, and directed by Kate Jopson, it runs October 5 through October 29 at the Lounge Theatre in Los Angeles. For tickets call 323-205-6642 or visit www.anaccident.brownpapertickets.com.

“Cagney the Musical” Direct from its hit run in New York, CAGNEY is the award-winning musical that follows the life of the legendary James Cagney from the streets of New York to his rise as one of the brightest stars of Hollywood, from a vaudeville song-and-dance man to the cinema’s original tough guy. Broadway’s Robert Creighton, in the role he was born to play, leads the original NYC cast of six who tap dance through a score that blends original music with classic George M. Cohan favorites, including Give My Regards To Broadway, Grand Old Flag, and Yankee Doodle Dandy. Written by Peter Colley, with music by Robert Creighton & Christopher McGovern, and directed by Bill Castellino, it runs October 5 through October 29 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.cagneythemusical.com.

“Working 2017” is a fresh look at the struggle of the middle class in Studs Terkel’s ‘Working’ updated with new characters. Written by Bobby Moresco, it runs October 5 through November 9 at the Whitefire Theatre in Sherman Oaks. For tickets call 800-838-3006 or visit www.working2017.brownpapertickets.com.

“The Comedic Tragedy of Macbeth” In Dunsinane Sanitorium, an early 20th century insane asylum, a lowly janitor (Macbeth) bonds with five patients: a delusional bipolar who thinks she is his wife, a schizophrenic best friend, and three patients with multiple personalities (ranging from the superintendent of the asylum to witches, murderers, and physicians). Written by William Shakespeare, adapted by Rebecca Lynne, and directed by Rebecca Lynne, it runs October 6 through October 21 at the Brand Park in Glendale. For tickets visit www.deanproductionstheatre.com.

“The Dreamer Examines His Pillow” A striking, surreal study of the often-bizarre byways that love between men and women can follow. Told in three related scenes, the play uses indirection and richly evocative language to make its unsettling but ultimately illuminating points. The Dreamer Examines His Pillow is a philosophic dream-comedy full of rich symbolism, magical realism, and emotional intensity about love, marriage and maturity. Written by John Patrick Shanley, and directed by Mark Blanchard, it runs October 6 through October 29 at the Hudson Mainstage Theatre in Los Angeles. For tickets visit www.plays411.com/dreamer.

“Red Sand” Innovative, unusual new piece of movement theatre with heart, humor and a touch of absurdity: this show is at once non-linear, chaotic, cathartic, and undeniably relatable. Presented through a series of revolving stories and using an evocative dreamscape of sights, sounds, and sensuality, this new piece of physical theatre journeys through the capricious stages of loss and hope, walking on the edge of the thin line between the sensations, real or imaginary, true or false, of what frees and fetters us. Written and directed by Serena Dolinsky, it runs October 6 through November 17 at the Santa Monica Playhouse, The Other Space in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.SantaMonicaPlayhouse.com/red-sand.html.

“Young Frankenstein” When Frederick Frankenstein, an esteemed New York brain surgeon and professor, inherits a castle and laboratory in Transylvania from his grandfather, deranged genius Victor Von Frankenstein, he faces a dilemma. Does he continue to run from his family’s tortured past or does he stay in Transylvania to carry on his grandfather’s mad experiments reanimating the dead and, in the process fall in love with his sexy lab assistant Inga? Young Dr. Frankenstein (that’s Fronkensteen) attempts to complete his grandfather’s masterwork and bring a corpse to life. Together with his oddly shaped and endearing helper Igor (that’s Eye-gor), his curvaceous lab assistant Inga, and in spite of his incredibly self-involved madcap fiancée Elizabeth, Frankenstein succeeds in creating a monster — but not without scary and quite often hysterical complications. Written by Thomas Meehan, with music by Mel Brooks, and directed by David Lamoureux, it runs October 6 through October 15 at the Redondo Beach Performing Arts Center in Redondo Beach, then October 20 through October 29 at the Cerritos Center for the Performing Arts in Cerritos. For tickets call 714-589-2770 Ext. 1 (Redondo) or 562-916-8500 (Cerritos) or visit www.3dtheatricals.org.

“Mrs. Warren’s Profession” explores what happens to a family when Cambridge-educated Vivie discovers that her genteel upbringing has been funded by her mother’s illicit (but successful) business dealings as a prostitute and madam. Written by George Bernard Shaw, and directed by Michael Michetti, it runs October 8 through November 18 at A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.

“Twelve Angry Men” Be part of the courtroom action in this classic drama in which 12 jurors decide the fate of a young man accused of murder. What will the verdict be? Find out in this suspenseful thriller that pits passionate jurors against one another in a timely, timeless and bold examination of the American justice system. Written by Reginald Rose, and directed by Michael Matthews, it runs October 8 through October 22 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“Afterlife: a ghost story” explores the fragility of the human psyche and the lingering effects of great loss framed by a chilling tale. An impending storm forces troubled couple, Connor and Danielle to return to their beachfront home for the first time since they lost their son. While they reluctantly attempt to secure their house and also try to pick up the pieces of their fractured lives, they are welcomed by dead fishes littering the shore, enormous black birds that appear to be waiting and watching and a familiar voice whispering from the waves…calling to them. When the storm hits sooner than expected, they are thrust into another dimension, where they must confront their tragedy and learn how to cope with the pain of remembering before they are swept away forever. This hauntingly beautiful play asks the question: what do you do when hardest part of living is remembering? Written by Steve Yockey, and directed by Steve Jarrard, it runs October 13 through November 12 at the Avery Schreiber Playhouse in North Hollywood. For tickets call 323-860-6569 or visit www.afterlife.brownpapertickets.com.

“The Daughters of the Kush” It’s 1963, at Plains University in Iowa. Lambda Kappa Nu is a historically Black sorority. The sisters are referred to as The Daughters of the Kush. Kathy is the sorority’s lone white, Jewish pledge. She has been raised by Black adoptive parents and is eager to pledge her adoptive mother’s sorority. When Kathy meets with a violent mishap, the Daughters suddenly find themselves under investigation. Written by George W. Corbin, and directed by Veronica Thompson, it runs October 13 through October 29 at the Stella Adler Theatre in Hollywood. For tickets call 805-496-2982 or visit www.corbinkush.eventbrite.com.

“The Final Girl” No one under 17 will be admitted. Smalltown, USA, 1978. High-school senior Victoria Vahtes becomes the target of escaped psychotic Morgan Miller. In a one-night spree of butchery, the masked Miller murders Victoria’s best friend, boyfriend, and parents before attempting to kill her. Rescue arrives in the form of Miller’s pistol-packing psychiatrist, Dr. Harriett Gordon-Lewis but Miller escapes and disappears without a trace. Six years later, violent psychotic escapes from understaffed insane asylums and the ensuing murder sprees have become a national epidemic. When a mysterious masked female vigilante starts killing fugitive psychotics mid-rampage, Dr. Gordon-Lewis suspects former patient Victoria Vahtes. After a spectacularly bloody asylum escape by psychotic Wayne Walton, Dr. Gordon-Lewis follows Walton’s trail of destruction back to his childhood hometown, certain he will be pursued by the vigilante known to law enforcement as The Final Girl. Written and directed by Christopher Johnson, it runs October 13 through November 4 at the McCadden Place Theatre in Hollywood. For tickets call 800-838-3006 or visit www.thefinalgirl.brownpapertickets.com.

“Homecoming Queen’s Got a Gun: The Musical” The song tells the story of a High School Homecoming Queen who freaks out and goes on a killing spree. The stage show has it all…singing, dancing, and murder! Come check out what happens before that prom night. Blood and Mascara will run!! But will the question ever be answered — who is Johnny? Join Julie Brown, as Julie Brown and her best friend Debbie Dickey (Drew Droege) as they count down the minutes and the student bodies, until Homecoming! Something’s not right at Betty Ford High. People are starting to drop dead, but no one has time for that because there a new a Homecoming Queen to crown! Like for sure! Grab your best prom outfit for a night of total awesomeness! Written by Julie Brown and Kurt Koehler, and directed by Kurt Koehler, it runs October 13 through October 21 at the Celebrity Cavern Club Theater inside Casita Del Campo Restaurant in Silverlake. For tickets visit www.juliebrown.tix.com.

“Is He Dead?” It’s 1846. Talented French artist, Millet, feels honor bound to save his fiancée and her father from financial ruin. Millet soon realizes that great paintings make much more money after the artist dies. In desperation, he fakes his own death and becomes… his sister. Written by Mark Twain, and directed by Todd Nielsen, it runs October 13 through November 18 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit www.glendalecentretheatre.com.

“Joseph and the Amazing Technicolor Dreamcoat” The story is based on the Biblical story of Joseph, found in the Book of Genesis. It is set in a frame in which a narrator is telling a story (sometimes to children, encouraging them to dream). She then tells the story of Joseph, another dreamer (“Prologue,” “Any Dream Will Do”). In the beginning of the main story Jacob and his 12 sons are introduced (“Jacob and Sons”). Joseph’s brothers are jealous of him for his coat of many colours, a symbol of their father’s preference for him (“Joseph’s Coat”). It is clear from Joseph’s dreams that he is destined to rule over them (“Joseph’s Dreams”). To get rid of him and prevent the dreams from coming true, they attempt fratricide, but then they sell Joseph as a slave to some passing Ishmaelites (“Poor, Poor Joseph”), who take him to Egypt. Back home, his brothers, led by Reuben (Levi in the original Broadway production) and accompanied by their wives, break the news to Jacob that Joseph has been killed. They show his tattered coat smeared with his blood – really goat blood – as proof that what they say is true (“One More Angel in Heaven”). After the bereft Jacob leaves, the brothers and their wives happily celebrate the loss of Joseph. In Egypt, Joseph is the slave of Egyptian millionaire Potiphar. He rises through the ranks of slaves and servants until he is running Potiphar’s house. When Mrs. Potiphar makes advances, Joseph spurns her. She removes his shirt, feels his chest and back, squeezes his rear and blows him kisses. Potiphar overhears, barges in, sees the two together – and jumps to conclusions (“Potiphar”). Outraged, he throws Joseph in jail. Depressed, Joseph laments the situation (“Close Every Door”) – but his spirits rise when he helps two prisoners put in his cell. Both are former servants of the Pharaoh and both have had bizarre dreams. Joseph interprets them. One cellmate, the Baker, will be executed, but the other, the Butler, will be returned to service. Upon hearing this, the rest of the prisoners surround Joseph and encourage him to go after his dreams (“Go, Go, Go Joseph”). Written by Tim Rice, with music by Andrew Lloyd Webber, lyrics by Tim Rice, and directed by Will North, it runs October 13 through October 22 at the Kavli Theatre at the Thousand Oaks Civic Arts Plaza in Thousand Oaks. For tickets call 800-745-3000 or visit www.5startheatricals.com.

“Kaidan Project: Walls Grow Thin” You receive a letter from your childhood friend who is haunted by a mysterious event in your shared past—and she needs your help. When you arrive at her family’s warehouse, you ascend to the fifth and sixth floors in a creaking freight elevator, followed by a voice that calls out through the shadows, drowning you in echoes of wells and engines and graveyards, in tangles of hair and snow, in sharp reflections of your darkest moments—a voice that may not be human. A small group of twelve enters a room alone, the walls begin to thin, and a dark spirit stirs within you—will you ever escape it? Written by Lisa Dring and Chelsea Sutton, and directed by Sean T. Cawelti, it runs October 13 through November 5 at the A secret warehouse location in Los Angeles. For tickets call 213-596-9468 or visit www.rogueartists.org.

“Mr. Burns, a Post-electric Play” After the collapse of civilization, a group of survivors keep the spark of human spirit alive by telling stories around a campfire. As the years wear on, these stories expand into the realm of legend and myth. Written by Anne Washburn, and directed by Jaime Robledo, it runs October 13 through November 18 at the Broadwater in Los Angeles. For tickets call 310-281-8337 or visit www.sacredfools.org.

“A Picasso” The curtain rises. We are in Paris, 1941. A screen projects black and white images of old Parisian streets on the Left Bank. The rue des Grands-Augustins, Picasso’s studio, and his favorite hangout, Le Catalan Café, come to the forefront. The romance is contrasted by the sound of marching boots and the reality of the German Occupation. The boots invade our set, an underground vault. Lights up! Our hero, Pablo Picasso, is thrown in! Sex, Art, Politics, Nazis, and a classy 20th century icon are all wrapped up into an intense, confrontational drama with sensitivity and wit. Mademoiselle Fischer, a beautiful, “cultural attaché”, from Berlin has arrested Picasso. She needs him to authenticate three of his pieces, recently “confiscated”, by the Nazis from their Jewish owners, for inclusion in a “degenerate art show”, curated by Joseph Goebbles. Picasso does, whereupon he learns that the works will be destroyed in a bonfire! Written by Jeffrey Hatcher, and directed by Natalia Lazarus, it runs October 13 through November 11 at the Promenade Playhouse in Santa Monica. For tickets visit www.PromendePlayhouse.com.

“Turn Me Loose” is a new comedic drama about the extraordinary and explosive life of the late Dick Gregory—starring Emmy Award-winner and “Scandal” star Joe Morton—that shines a light on the first black comedian to expose white audiences to racial comedy. Gregory confronted bigotry with shockingly disarming humor, marched alongside Martin Luther King, Jr., and deeply influenced comics from Richard Pryor to Chris Rock. He’s been a prolific writer, muckraker, provocateur, and candidate for Mayor of Chicago and for President of the United States. He was singled out by President Obama as one of his all-time favorite comedians. Experience the comic genius of Dick Gregory and the poetic final words of his mentor, slain civil rights activist, Medgar Evers. Written by Gretchen Law, and directed by John Gould Rubin, it runs October 13 through October 29 at the Wallis Annenberg Center for the Performing Arts Lovelace Studio Theater in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org/Theater.

“Gem of the Ocean” set in 1904, nearly 50 years after slavery ended, but at a time when freedom is still precarious. Many former slaves and descendants venturing north find themselves at Aunt Ester’s door in Pittsburgh’s Hill District. A renowned cleanser of souls claiming to be 285 years old, Ester provides solace, advice and healing. Citizen Barlow, racked with guilt because he let another man take the rap for his crimes, desperately wants to be pure again—and Aunt Ester may be his only hope. Written by August Wilson, and directed by Kent Gash, it runs October 14 through November 11 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“Underneath the Lintel: An Impressive Presentation of Lovely Evidences” When a reclusive librarian discovers a 113-year overdue book in the night slot, curiosity compels him to pursue the borrower. His search for answers leads to a worldwide, whirlwind journey, where he discovers instead the great mysteries of humanity. Written by Glen Berger, and directed by Steven Robman, it runs October 18 through November 19 at the Audrey Skirball Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

“An Evening with Fritz Coleman” Everyone’s favorite weatherman shares his hilarious, insightful take on growing up and growing older. He proves that aging isn’t pretty … but it’s pretty funny! NBC4’s weathercaster for the past 35 years, Coleman has made eight appearances on The Tonight Show with Johnny Carson and Jay Leno, and he is a three-time Emmy Award winner. Written and directed by Fritz Coleman, it runs October 19 through October 22 at the Colony Theatre in Burbank. For tickets call 866-811-4111 or visit www.colonytheatre.org.

“Hello Stranger” is about a man who has mixed feelings about returning to his hometown in the Inland Empire after having been away for many years. He is there to attend his 30-year high school reunion, but finds he is drawn to stay after encountering a strange girl in the yard of the house he grew up in with his mother. The house has since gone through many owners and his mother is long dead but the man has been haunted by things that happened here in his childhood. He meets the woman who now lives in his old house who is covering up a tragedy that also connects to him, which has colored the whole town. The man then embarks on a journey through his past, dreams, and memories to uncover dark secrets about his mother and the town, and along the way he meets other characters of mysterious origins who may or may not be helping him, and who may or may not be part of the ghost world of the Day of the Dead Festival, which is when the play takes place. Written by Sharon Yablon, and directed by Sarah Figoten Wilson, it runs October 19 through November 18 at the Theatre of NOTE in Hollywood. For tickets call 323-856-8611 or visit www.theatreofnote.com.

“An Enemy of the Pueblo” is a feminist Chicano modern adaptation of Henrik Ibsen’s classic play, An Enemy of the People, a Curandera (shaman woman) warns the people in the border town of Milagros (Miracles) of the poisoning of the water, but no one want to believe her because their economic futures depend on the water in the springs attracting the “gringos” back to the town. Written by Josefina López, and directed by Corky Dominguez, it runs October 20 through November 12 at the CASA 0101 Theatre in Boyle Heights. For tickets call 323-263-7684 or visit www.casa0101.org.

“Feathers of Fire: A Persian Epic” is a visually breathtaking cinematic shadow play for all ages. Inspired by the 10th-century Persian epic Shahnameh (‘The Book of Kings’), the action-packed tale follows star-crossed lovers Zaul and Rudabeh who triumph at the end against all odds. Hamid Rahmanian’s graphics, derived from the visual tradition of the region, are rendered as puppets, costumes, masks, scenography and digital animation, all of which come to life in a “live animation” on a cinema-size screen. Suitable for ages 5+. Written and directed by Hamid Rahmanian and Larry Reed, it runs October 20 through October 29 at the Wallis Annenberg Center for the Performing Arts Bram Goldsmith Theater in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org/Theater.

“Home” an orphan who leaves his family’s farm in North Carolina to seek refuge and prosperity in the North. We experience the epic journey from adolescence to adulthood, as he struggles to stay true to himself amid a rapidly changing and turbulent America. Spanning the 1950s through the Vietnam War and Civil Rights eras, heartbreaking hurdles and setbacks continuously obstruct his road to happiness. But Cephus perseveres and always manages to remain upbeat. Written by Samm-Art Williams, and directed by Gregg T. Daniel, it runs October 20 through November 5 at the International City Theatre – Long Beach Performing Arts Center in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.

“Sinner’s Laundry” the residents of Newport Women’s Correctional Facility have all mysteriously vanished. Courtney Sauls (Dear White People) and Christine Woods (Hello Ladies) star as Jess and Sam, the only two inmates who remain — and they are locked in Rec Room No. 4 with nothing but some crappy board games and their imaginations. Waiting for Godot meets Orange is the New Black meets The Book of Revelations as they navigate their way towards salvation in this unique, funny and poignant exploration of the power of redemption and the divinity within us all. Written by John Lavelle, and directed by Becca Wolff, it runs October 20 through November 19 at the Lounge Theatre in Hollywood. For tickets call 323-380-8843 or visit www.iamatheatre.com.

“This Land” is a deep, painful, joyful story that spans 150 years as four families, each with roots in different parts of the world, make their home on the same plot of Southern California land. A host of old curses and blessings, traditions and recipes, loves and betrayals, conspire to threaten successive displacements. And as the story unfolds each successive generation grapples with whether this land is truly theirs. Written by Evangeline Ordaz, and directed by Armando Molina, it runs October 20 through November 12 at the Company of Angels in Los Angeles. For tickets visit www.companyofangels.org.

“New York Water” Linda and Albert, both in their mid-thirties, meet in New York through a Personals ad. They connect. They feel stifled by their native big city and decide to move elsewhere. Their American odyssey will take them first to the Midwest and then to Hollywood. Linda ascends to dizzying heights while Albert remains steeped in mediocrity. After Hollywood, where do you go next? Written by Sam Bobrick, and directed by Howard Teichman, it runs October 21 through December 17 at the Pico Playhouse in Los Angeles. For tickets call 323-821-2449 or visit www.wcjt.org.

“Redline” engines and heart rates explode on a journey towards redemption in a profoundly intimate theater-going experience. James Eckhouse (All the Way on Broadway, Beverly Hills 90210) stars as Raymond, whose moment of road rage along a frigid eastern Sierra highway shattered his relationship with his family forever. The impact of this event ripples through the years until his estranged son (Graham Sibley – Jane the Virgin, Sully) returns to test the limits of forgiveness. Written by Christian Durso, and directed by Eli Gonda, it runs October 21 through November 19 at the Lounge Theatre in Hollywood. For tickets call 323-380-8843 or visit www.iamatheatre.com.

“Bright Colors and Bold Patterns” Josh and Brennan are about to get married in Palm Springs on a lovely Saturday afternoon. However, the night before becomes a drunken, drug-fueled scream riot, because their friend Gerry has arrived, furious that their invitation says “please refrain from wearing bright colors or bold patterns”. In the struggle for equality, what do we really want? What do we lose? And is there any cocaine left? Written by Drew Droege, and directed by Michael Urie, it runs October 22 through October 25 at the Celebration Theatre in Hollywood. For tickets call 323-957-1884 or visit www.celebrationtheatre.com.

“Chicas are 4Ever” In the two act musical stage show, Chico’s Angels are going under the covers for another case and this one sparkles like a diamond….literally…it’s a diamond heist! It seems the Countess Tago’s world famous Chez Chez Diamond has been stolen and she needs the Angels to steal it back! This will be no easy task, so Chico also hired a world renowned Jewel Thief Expert Manuel Hung to assist the Angels. Before long, the Angels and Bossman become entangled in a web of lies, double-crosses and a final heist that comes to an explosive conclusion…literally…it explodes on stage! Written by James Edward Quinn, Kurt Koehler and Oscar Quintero, with music by Dan Ring, lyrics by Mr. Dan, and directed by Kurt Koehler, it runs October 26 through November 5 at the Cavern Club Theater inside Casita Del Campo Restaurant in Silverlake. For tickets visit www.chicosangels.com.

“Les Liaisons Dangereuses” Set among the decadent ruling class of pre-revolutionary France, this is a seductive and unsettling tale of sex, deceit, cruelty and the struggle for power in an all-too-recognizable world. Former lovers, the Marquise de Merteuil (Reiko Aylesworth and Elyse Mirto) and Vicomte de Valmont (Scott Ferrara and Henri Lubatti) now compete in games of seduction and revenge. Merteuil incites Valmont to corrupt the innocent Cécile de Volanges (Chelsea Kurtz and Elizabeth Rian) before her wedding night, but Valmont has targeted the peerlessly virtuous and married Madame de Tourvel (Lindsay LaVanchy and Liza Seneca). The production is fully double cast. Written by Choderlos de Laclos, adapted by Christopher Hampton, and directed by Robin Larsen, it runs October 26 through December 10 at the Kiki & David Gindler Performing Arts Center in Glendale. For tickets call 818-506-1983 or visit www.Antaeus.org.

“The Radiant” depicts the story of scientist Marie Curie after the death of her partner in marriage and science, Pierre Curie, in a horrific accident. She shared the Nobel Prize in physics with her husband and a colleague in 1903, becoming the first female awardee. In 1911, she won the Nobel Prize in chemistry, being the only woman to win twice. Following her husband’s death in 1906, she is alone with two children to raise, simultaneously continuing her vital and pioneering scientific work. She finds herself increasingly drawn to her lab partner, the younger, married Paul Langevin. The two become lovers, and when news of their clandestine affair is leaked to the Paris tabloids, she is the focus of a scandal that threatens her life and career and the safety of her children. A naturalized French citizen, she had been born in Warsaw to an atheist father and a Catholic mother. Nonetheless, the xenophobic and anti-Semitic press of the time attack her for being a foreigner and, supposedly, a Jew. She is forced to flee from home after it is attacked by an angry mob. She returns to Paris to advance her research and, as the years pass, it is evident that she is becoming affected by the radioactive nature of her materials. Written by Shirley Lauro, and directed by Jane Edwina Seymour, it runs October 27 through November 19 at the Other Space at The Actors Company in West Hollywood. For tickets call 323-960-7712 or visit www.Plays411.com/radiant.

“End of the Rainbow” The real fireworks happened offstage. It’s December 1968 and Judy Garland is about to make her comeback…again. In a London hotel room, with both her new young fiancé and her adoring accompanist, Garland struggles to get “beyond the rainbow” with her signature cocktail of talent, tenacity and razor-sharp wit. Featuring some of Garland’s most memorable songs, this savagely funny play-with-music offers unique insight into the inner conflict that inspired and consumed one of the most beloved figures of our time. Written by Peter Quilter, with music by Jon Steinhagen, and directed by Michael Matthews, it runs October 28 through November 12 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.lamiradatheatre.com.

“The Red Dress” This fictionalized account of a parents’ marriage and their forced divorce by the Nazis begins in 1924 Berlin. Alexandra Schiele (Laura Ligouri) is a famous film actress from a prominent Jewish family who falls in love with a down-on-his-luck World War I vet, Franz Weitrek (J.B. Waterman). Franz is able to parlay his wife’s connections into work as a film director. But when his career takes off making Nazi propaganda films, his wife suddenly becomes a liability. Written by Tania Wisbar, and directed by Kiff Scholl, it runs October 28 through November 19 at the Odyssey Theatre in Los Angeles. For tickets call 323-960-5521 or visit www.Plays411.com/reddress.

“Taking Sides” a provocative and gripping drama based on the true story of German conductor and composer (and accused Nazi sympathizer) Wilhelm Furtwängler. The play explores the terrible collision between art, power, politics and personal responsibility. Harwood’s dramatization of the investigation into Furtwängler is set in 1946 in the American Zone of occupied Berlin. Major Steve Arnold interrogates Furtwängler following the war in preparation for his de-Nazification tribunal. Why did Furtwängler remain in Germany while many of his colleagues fled out of protest or because of persecution. Did he naively believe that art was above politics? Did he allow himself to be manipulated by the Nazi propaganda machine? Or was he, in fact, a collaborator? Written by Sir Ronald Harwood, and directed by Stephanie Coltrin, it runs October 28 through November 12 at the Rubicon Theatre Company in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“Strays” is a warm, funny journey through one woman’s experiences in the animal rescue world as she finds parallels of her own story. Twice adopted, Lisa Wharton faces her own fears of abandonment and the guilt of not being able to protect the ones she loves and finds hope, one rescue at a time. Written by Lisa Wharton, and directed by Lisa Nicole Lennox, it runs October 29 through December 3 at the Secret Rose in North Hollywood. For tickets visit www.straystheshow.com.

CONTINUING

“[Title of Show]” Jeff and Hunter, two struggling writers, hear about a new musical theatre festival although the deadline for submissions is a mere three weeks away! With nothing to lose, the pair decides to enter a script but the big question is what to write about? Deciding to follow the old adage, “write what you know,” they set off on a unique musical adventure with their three friends: writing a musical about writing a musical! Frequently hilarious, occasionally heartbreaking and thoroughly inspiring, [title of show] is a love letter to musical theatre and to the joy of collaboration and creativity. Written by Hunter Bell, with music by Jeff Bowen, and directed by Aric Martin, it runs through October 15 at the Morgan-Wixson Theatre in Santa Monica. For tickets call 310-828-7519 or visit www.morgan-wixson.org.

“A Love Affair” follows the roller-coaster-ride of a 38-year (and counting) marriage, from the romantic naiveté of a 1950’s honeymoon, to the irritation of daily life in the Coming-of-New Age ’90’s. The successes, the disappointments, the sex, the traumas, the traumas about sex and the budget and the children and the adventure of casting your lot with another human being…for life. Written by Jerry Mayer, and directed by Chris DeCarlo, it runs through November 19 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.santamonicaplayhouse.com/a-love-affair.html.

Enjoy life more – see a show tonight!

The Hollywood Fringe Festival is on this month on the Southern California theater scene:

OPENING

“Blackbird” Inspired in part by the crimes of sex offender Toby Studebaker (though in no way a literal dramatization of actual events) the play depicts a young woman meeting a middle-aged man 15 years after being sexually abused by him when she was 12 years old. Written by David Harrower, and directed by Anna Stromberg, it runs June 1 through June 25 at the Los Angeles LGBT Center’s Davidson/Valentini Theatre in Hollywood. For tickets call 323-860-7300 or visit www.lalgbtcenter.org/theatre.

“Under the Jello Mold” is Jennie’s Fahn’s one-woman show about how she dealt with her very colorful character of a mother during what turned out to be the final act of her life. Jennie’s mother was a force to be reckoned with: a former dancer, never content to merely rehash her past, there was always a story to be embellished, always a name to drop, and always a lesson to teach. From the inevitability of aging, to criminal acts, to life-changing decisions, Jennie survived the onslaught by finding comedy in every possible tragedy. If anyone could make something ridiculous out of the banal, it was certainly her mom; particularly when it came to where she hid the instructions for what to do in case of her death. Told in anecdotes, characters, and even a little song, the show is full of laughs and a lot of heart. In addition, in an unexpected twist, Jennie learns that her mom had more than just burial instructions hidden. Written by Jennie Fahn, and directed by Tom Cavanaugh, it runs June 1 through June 24 at the Ruby Theatre @The Complex in Hollywood. For tickets visit www.hff17.com/4402.

“Bitch Brow” is a dark comedy set in a Long Island Laundromat on one summer night.  A tough townie chick and an uptight young woman from East Hampton’s upper crust clash over everything from career choices to finger fucking in this hilarious and heartwarming look at the hard choices women are forced to make. These two opposites will try to find common ground… until one of them winds up dead. Written by Demetra Kareman, and directed by Tara Karsian, it runs June 2 through June 24 at the Lounge Theater in Hollywood. For tickets visit www.hollywoodfringe.org/projects/4296?tab=tickets.

“Dogfight” It’s November 21, 1963. On the eve of their deployment to a small but growing conflict in Southeast Asia, three young Marines set out for one final boys’ night of partying and debauchery. But, when Corporal Eddie Birdlace meets Rose, an awkward and idealistic waitress whom he enlists to win a cruel bet with his fellow recruits, she rewrites the rules of the game and teaches him the power of love and compassion. Written by Peter Duchan, with music by Benj Pasek and Justin Paul, and directed by Jennifer Oundjian and Jennifer Strattan, it runs June 2 through June 25 at the Hudson Mainstage Theatre in Hollywood. For tickets visit www.plays411.com/dogfight.

“Holmes, Sherlock and The Consulting Detective” will feature 12 actors playing upwards of 25 different characters. Audiences will physically follow three different plots through a literary labyrinth of clues and misdirection in a story that features Sherlockian mainstays, new characters, and a host of theatrical surprises. Written by Jonathan Josephson, and directed by Paul Millet, it runs June 2 through July 1 at the Santa Anita Train Depot in Arcadia. For tickets visit www.Unboundproductions.org.

“In the Valley of the Shadow” An apocalyptic event in an LGBT nightclub changes everything; love becomes hate, hate becomes love. Playwright Katherine Cortez grew up in Orlando with no openly gay nightclubs, witnessing family and friends hiding in shadows and losing lives to AIDS before it had a name. She completed the AIDS LifeCycle ride, but then…The Pulse nightclub shooting on the eve of LA PRIDE. Written by Katherine Cortez, and directed by Elina de Santos, it runs June 2 through June 24 at the Rogue Machine Theatre (in The Met) in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.net/now-playing.

“Little Shop of Horrors” Meek flower shop assistant Seymour pines for co-worker Audrey. During a total eclipse, he discovers an unusual plant he names Audrey II, which feeds only on human flesh and blood. The growing plant attracts a great deal of business for the previously struggling store. After Seymour feeds Audrey’s boyfriend, Orin, to the plant after Orin’s accidental death, he must come up with more bodies for the increasingly bloodthirsty plant. Written by Howard Ashman, with music by Alan Menken, and directed by J. Bailey Burcham, it runs June 2 through June 18 at the Hillcrest Center for the Arts in Thousand Oaks. For tickets call 805-381-1246 or visit www.HillcrestArts.com.

“Nic and Brooke’s Comedy Dance Party” An homage to the classic variety shows, it asks what it would look like if Sonny and Cher were still on the air today…and black. Triple threat talents Nick and Brooke take the audience through a fun-loving comedy romp with sketches, musical numbers and yes, a dance party. Reminiscent of the great comedy/variety shows of the 70s with a modern twist, it also incorporates The Carol Burnett Show, Laugh-In and even a little Soul Train. Written by Matt Ritchey and Tom Cavanaugh, and directed by Matt Ritchey, it runs June 2 through June 23 at the Lounge Theatre in Los Angeles. For tickets visit www.hollywoodfringe.org/projects/4598?tab=tickets.

“Nothing Bad: A Werewolf Rock Musical” tells the story of Perfection, California, where everything is exactly that—perfect. But when good girl Lilly White realizes she wants something more than everything, the rebel motorcycle gang looks like a great solution. There’s only one problem: they’re werewolves. And once she’s bitten, she will learn about Perfection’s dark underbelly as she transforms into The Beast. Written and directed by Erik Blair, with music by Daniel Sugimoto, it runs June 2 through June 24 at the Studio/Stage in Los Angeles. For tickets visit www.hollywoodfringe.org/projects/4168.

“We Are Not These Hands” Two cagey 15 year olds, Moth and Belly, live in the ruins of a dystopian society where filth is abundant and the addiction to consumerism and porn is incessant. But, they have each other – a relationship bound by love, an Internet café, and a slew of inside jokes. If they could only “cross the river,” and be in the capitalist society where an ostensible future exists. When they meet Leather, the journey veers in unconceivable directions as a series of humorous events unfold. Written by Sheila Callaghan, and directed by Larry Biederman, it runs June 2 through June 24 at the Rogue Machine Theatre (in The Met) in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.net/now-playing.

“An Evening with John Wilkes Booth” The assassination of Abraham Lincoln was a pivotal point of this nation’s history, but it is a story that is always told from Lincoln’s point of view. John Wilkes Booth was a great actor, but his father and brother were even greater. And his jealousy and his love for the South and slavery lead him to commit the heinous crime for which he is known. An Evening with John Wilkes Booth is a one man play that lets us know who John Wilkes was and why he did what he did. Along the way, there is Shakespeare, sex, drama, and the entire acting out of the assassination itself. Written by Lloyd J. Schwartz and Clinton Case, and directed by Lloyd J. Schwartz, it runs June 3 through June 24 at the Complex Theatre (Flight space) in Los Angeles. For tickets visit www.hollywoodfringe.org/projects/4579.

“Inversion” Adam, a socially awkward mathematician, especially with women, laments his inability to find the hot woman of his dreams before his mom declines too far into the world of Alzheimer’s. His best friend, Brendan, who seems to get any woman he wants, tries to support his endeavor, with disastrous results. Thus begins the spiral into dating and love and relationships as Brendan encourages Adam to date a low self-esteemed slightly older woman, Rhonda, in order to help Adam learn how to date. In meeting up with Rhonda, Adam finds his hot woman:  Natalia, Rhonda’s roommate. Thinking he’s finally met the woman of his dreams, Adam forges ahead with Natalia thinking maybe he can also ease his mother’s concerns about his well-being as she declines. Romantic entanglements explode in this touching, all too real look at how men and women relate to not only the opposite sex as friends and lovers, but how friendships are tested by the dating world. Written by Aditya Putcha, and directed by Elise Hodge, it runs June 3 through June 18 at the Sacred Fools Theatre Studio in Los Angeles. For tickets call 916-214-6255 or visit www.emhpros.weebly.com.

“Lyman” When a woman has a chance encounter with a homeless man she thinks she recognizes, she begins to wonder what his life could have been like had he made different choices. Was Lyman Liri really the hero he claims to have been? And could his life have ended up much differently? These questions propel a journey through the various universes in which Lyman might have existed and show how our choices affect our own destiny, as well as the destinies of those around us. It is a certainty: one choice separates us all from a Fate of fortune or homelessness….Written and directed by Anne Johnstonbrown, it runs June 3 through June 18 at the Hudson Backstage Theatre in Hollywood. For tickets call 323-856-4249 or visit www.plays411.com/lymantheplay.

“Man of La Mancha” tells the poignant story of Don Quixote and his pursuit of the impossible dream. His dream is Everyman’s dream. His tilting at windmills is Everyman’s adventure. Celebrating life – not as it is, but as it should be – is at the heart of this inspiring and unforgettable musical. The Spanish-influenced score is a musical delight, containing the magnificent and uplifting anthem to all that is best in us: THE IMPOSSIBLE DREAM. Remember what it is to believe in all that is noble, heroic and romantic with this rousing classic. Written by Dale Wasserman, with music by Mitch Leigh, lyrics by Joe Darion, and directed by Glenn Casale, it runs June 3 through June 25 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.lamiradatheatre.com.

“Nicky” transforms the world of 1800s Russia into present-day Palm Springs. Under the piercing desert sun, characters plod through the unforgiving heat, clinging to their self-described identities while chasing after and running away from their true desires. Nicky was developed in the Coeurage CoLab. Written by Boni B. Alvarez, and directed by Beth Lopes, it runs June 3 through July 1 at the Greenway Court Theatre in Los Angeles. For tickets call 323-673-0544 or visit www.greenwaycourttheatre.org/nicky.

“Nosferatu, A Symphony in Terror” From the fervent mind of Bram Stoker’s Dracula…filtered through the lens of Friedrich Murnau…comes an experience so unique that you will remember it for the rest of your life.  Nosferatu takes the audience on an unforgettable voyage from the world we know to the exotic and mysterious ends of our own imaginations.  Crown City Theatre Company presents Nosferatu through the magic of music, dance and drama.  This is a unique and unforgettable evening of theatre!! Written by Friedrich Murnau, and directed by William A. Reilly, it runs June 3 through June 24 at the Studio/Stage in Los Angeles. For tickets call 818-605-5685 or visit www.HFF17.com/4556.

“Thanksgiving” Chloe Patterson has invited her perfect fiancé to what she will make sure is the perfect Thanksgiving, despite her very imperfect family. She’s got a solid plan in place to combat any and all hints of dysfunction, providing for every possible contingency — except the unexpected dinner guest: a very unfiltered, Las Vegas stripper. Scabs are picked, secrets are revealed, and fights erupt as this group struggles to make it through another holiday unscathed. Written by Tiffany Cascio, and directed by Kitty Lindsay, it runs June 3 through June 23 at the Lounge Theatre in Hollywood. For tickets call 323-455-4585 or visit www.hollywoodfringe.org/projects/4549.

“The Merchant of Venice” In 2017, Shakespeare’s comic tragedy, arguably one of the most controversial plays ever written, continues to raise penetrating questions about racism, religion, mercy and justice. Written by William Shakespeare, and directed by Ellen Geer, it runs June 3 through October 1 at the Will Geer’s Theatricum Botanicum in Topanga. For tickets call 310-455-3723 or visit www.theatricum.com.

“The Other Mozart” The name Nannerl Mozart has long been a footnote in classical music history, but this production reveals the extraordinary talent and rich inner thoughts of Wolfgang Amadeus Mozart’s sister. A prodigy, keyboard virtuoso and composer, Nannerl performed alongside her brother throughout Europe as children to great acclaim, but was forced to give up her artistic passion as a young woman due to the societal expectations of her gender. Her brother would rise to become one of the preeminent composers in history, while Nannerl’s own works were lost. This monodrama is set in a stunning 18-foot dress (designed by Magdalena Dabrowska from the National Theater of Poland). The modern-styled music created for the play utilizes clavichords, music boxes, bells, teacups, fans and other objets d’art that might have captured Nannerl’s imagination. This is a multi-sensual experience that transports the audience into a surreal world of oversized beauty and delight – but also one of overwhelming restrictions and prejudice where, finally, this other Mozart tells her story. Written by Sylvia Milo, with music by Nathan Davis and Phyllis Chen, and directed by Isaac Byrne, it runs June 3 to June 18 at the Rubicon Theatre in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“The Spidey Project” Nerdy social outcast Peter Parker takes on an alter ego as he attempts to defeat a dastardly collection of terrifying villains and perhaps his biggest nemesis of all: himself. Written and directed by Justin Moran, with music by Jordan Ostrowski, it runs June 3 through June 24 at the Studio/Stage in Los Angeles. For tickets call 818-849-4039 or visit www.hollywoodfringe.org/projects/4398.

“This Side of Sweetwater” explores the absurd, the romantic and the enigmatic through the lives of seven couples in This Side of Sweetwater. From wide-open dreamscapes through life changing celebrations to the uncertain vastness of a cool desert night, his characters fall for each other, argue, swear they can’t go on, and then … they go on:

8min – Directed by Amy French  A stage manager and a lighting designer fall for each other in the wide-open dreamscape of an empty stage.  At first, it’s the lighting designer’s dream, but is it the stage manager’s by the end?

I’ve Always Wanted to Write a Play – Directed by Marisa O’Brien  A recently married couple get ready to host friends the night before a wedding.

Gay Wedding – Directed by Katherine Barcsay  One partner in a just married gay couple is drunk off his ass.  Their married hetero friends are having relationship issues.  And the caterer just wants to get paid.

Close – Directed by Paul Hoan Zeidler  A gay man escaping his desperately ill lover is stranded out in the desert when his car breaks down.  He rescues/ is rescued by a disheveled woman with one shoe who’s been thrown out of the car by her husband.

Part – by Tony Foster, Directed by Shaina Rosenthal   A couple prepare to go to dinner at a restaurant where the man will meet the woman’s parents for the first time.

Written by Tom Stanczyk, it runs June 3 through June 24 at the Asylum at McCadden Theatre Main Space in Los Angeles. For tickets visit www.hollywoodfringe.org/projects/4370?tab=tickets.

“Three Can Keep a Secret” what was supposed to be an easy score turns into nuthin’ but a friggin’ mess. Whack the mark. Stage the scene. Take the money. Retire to Cabo. That’s how it was supposed to go down. But for poor wannabe gangsters Moose and Sonny, a really bad night is only just beginning. This is a darkly funny and slightly twisted interactive crime thriller where the audience chooses how the story proceeds while the anti-heroes attempt to literally get away with murder. With multiple decision points throughout the story for audiences to vote on (like a Choose Your Own Adventure book), no two performances will be the same! Written by Gregory Crafts, and directed by Jacob Smith, it runs June 3 through June 24 at the Studio/Stage in Los Angeles. For tickets call 818-849-4039 or visit www.hollywoodfringe.org/projects/4735.

“Trump In Space” Four hundred years from now, thanks to the stripping away of EPA regulations, the earth has blown up. Two human factions survive and are on the hunt for Polaris 4, a planet capable of sustaining human life. One faction, the United States of Commerce, lives by a motto of “opportunity at any cost.” Ruled by The Executive, his chief representative in space is starship Captain Natasha Trump, a lineal descendant of Donald J. Trump. Competing with her to reach Polaris 4 first is a resistance called The Separatists, gathered on the Starship California and led by President Gary Hart, Natasha’s ex-lover. Which faction will be the first to reach Polaris 4 and establish the New Cosmic Order? Written by Gillian Bellinger and Landon Kirksey, with music by Tony Gonzalez and Sam Johnides, and directed by Matt Zettell, it runs June 3 through June 24 at the Actors Company Let Live Theater in Hollywood. For tickets call 323-455-4585 or visit www.hff17.com/4764.

“Hold These Truths” tells the inspirational true story of civil rights hero Gordon Hirabayashi who took his fight all the way to the Supreme Court. Ryun Yu (Geffen Playhouse’s Take Me Out), whose solo performance has captivated audiences and sold-out shows from coast-to-coast, stars in this heartwarming, entertaining and powerful story. Written by Jeanne Sakata, and directed by Jessica Kubzansky, it runs June 4 through June 25 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.PasadenaPlayhouse.org.

“A Midsummer Night’s Dream” The most magical outdoor setting in Los Angeles is once again transformed into an enchanted forest inhabited by lovers both fairy and human. Shakespeare conjures a world of wonder, magic and romance where comical misunderstandings and the pain of unrequited love are resolved, and all is reconciled through midsummer night revelries and the enduring power of nature. Written by William Shakespeare, and directed by Melora Marshall, it runs June 4 through September 4 at the Will Geer’s Theatricum Botanicum in Topanga. For tickets call 310-455-3723 or visit www.theatricum.com.

“Conversations ‘Bout The Girls” is a touching solo show from accomplished artist Sonia Jackson that focuses on women’s relationships to various aspects of their breasts or the breasts of others. It is a series of relatable stories that connects with topics such as the names women have heard breasts called, getting breasts, bras, cancer, cleavage and more. The stories vary from hilarious to heartbreaking, embarrassing to moving, but all are…’bout the girls. Written by Sonia Jackson, and directed by Jessica Lynn Johnson, it runs June 4 through June 24 at the Dorie Theatre at The Complex in Los Angeles. For tickets visit www.hollywoodfringe.org/projects/4318.

“My Janis” is a window into Janis Joplin’s private world as she struggles to find her identity in the summer of 1966. Joplin spent a reclusive year at her parents’ house in Texas after she nearly died from speed and alcohol addiction in San Francisco. At 23, she works hard to fit in and get rid of her destructive habits: she goes back to college, gets a part time job, goes to psychotherapy and waits for her boyfriend to come to marry her… He never shows up.  But she keeps singing. She keeps having very controlled fun. While on a vacation with her friends in Austin she waits for a call from her old friend, Chet Helms who is now a big manager in San Francisco.  Things are changing fast with the music revolution and the hippie movement and he wants her to sing for one of his groups  “Big Brother and The Holding Co”. Janis doesn’t know what to do. She is scared of San Francisco – scared of her own monsters, but this is her dream come true, after years of failures. Can she finally be true to herself and be loved for what she really is? Written and directed by Arianna Veronesi, it runs June 4 through June 25 at the New Collective Mainstage in Hollywood. For tickets visit www.hollywoodfringe.org/projects/4563?tab=tickets.

“October Baby” What happens when a detail-obsessed woman tries to time the birth of her child to occur during her favorite month of the year? Nine months of chaos…in utero and out! A hilarious and poignant look at motherhood and the need to control from stage and screen veteran Brooke Baumer. Written by Brooke Baumer, and directed by Jessica Lynn Johnson, it runs June 4 through June 24 at the Sacred Fools Theater Black Box in Los Angeles. For tickets visit www.hollywoodfringe.org/projects/4321.

“The Brick – A One Man Musical” Taking his inspiration from neuroscientist David Eagleman’s theory of three deaths (the first: when the body ceases to function; the second: when the body is put in its grave; the third: that moment, sometime in the future, when your name is spoken for the last time), comedy songwriter Bill Berry goes mano a mano with the spirit of his deceased mother, offering her the choice to live on, or die her third and final death. Written by Bill Berry, and directed by Kelly De Sarla, it runs June 4 through June 22 at the Asylum @ Studio C in Los Angeles. For tickets call 310-947-9019 or visit www.hff17.com/4418.

“Tough Brown Leather” A sexual hero’s journey. Sara is the spunky, eight-year-old star running back of her street football team. But off the field, she can’t outrun the attack of a sexual predator. As Sara transitions into womanhood, the effects of the childhood attack stay with her. She takes a few hits, but never stays down for long. Tough Brown Leather is a testament to the human capacity to survive, heal and embrace one’s sexual power. Written by Tonya Jones, and directed by Michael Philip Edwards, it runs June 4 through June 24 at the Lounge Theatre in Hollywood. For tickets call 323-863-3643 or visit www.hff17.com/4588.

“Moments” A road rage confrontation stirs up painful memories for a woman in her late 30’s. Unable to shake off the incident once she gets home, she reaches out to her counselor at a women’s medical health center. Written and directed by Bernadette Armstrong, it runs June 5 through June 25 at the Stephanie Feury Studio Theatre in Hollywood. For tickets call 818-437-0177 or visit www.hff17.com/4364.

“A Harmony Boys Christmas” It’s Christmas Eve 1962 and renowned singing sensations The Harmony Boys are presenting their annual yuletide fundraising concert to benefit their charity “Force Feed the World” (in which they shove food and their personal cultural and religious beliefs down the throats of the less fortunate during the holiday season). It’s a singing, dancing, musical comedy extravaganza brimming with heartfelt but provocative satire, at once evoking nostalgia for our nation’s past while dissecting its many shortcomings of the present day. Written and directed by Aaron Matijasic, with music by Ben Stanton, it runs June 8 through June 24 at the Sacred Fools Theater Mainstage in Hollywood. For tickets call 323-455-4585 or visit www.hff17.com/4661.

“The Pleasure Project” A woman no longer timid about her right to freedom of speech and sexual expression, poses the question…can female sexuality save humanity? “What do the humans have that could possibly be worth saving?” asks the alien leader in their weekly Aliens Anonymous meeting. Paula, the sexiest of the aliens, knows the answer! “It’s the clitoris, the only organ in the human body designed solely for pleasure.” But that doesn’t explain why the human female is so screwed up about sex? What follows is a hilarious, irreverent, and sensual romp exploring gender, masturbation, cunnilingus, Christianity & much more in a multimedia one-woman variety show that includes music, dance, lip syncing and, yes, there will be cake. Written by Ava Bogle, and directed by Rachel Avery, it runs June 8 through June 24 at the Rogue Machine Theatre (in The Met) in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.net/now-playing.

“The Pride” takes place in both 1958 and 2008 as it eloquently juxtaposes scenes that examine changing attitudes to sexuality over a period of 50 years. In 1958, Philip is married to Sylvia, but is secretly attracted to her colleague, Oliver. In 2008, Philip lives with his boyfriend Oliver, who continually destroys their relationship with his addiction to casual sex, and turns to their friend Sylvia for guidance and support. As the past and present worlds collide, The Pride’s complex love triangle provides a provocative, humorous and insightful look at identity, fidelity and forgiveness. A stylish, witty and affecting play that alternates between two very distinct time periods and the lives of three characters whose fate is destined by their eras. Written by Alexi Kaye Campbell, and directed by Michael Arden, it runs June 8 through July 9 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org.

“Beauty and the Beast” All-Male Late-Night Date-Night! Based on the original 1740’s tale by Gabrielle-Suzanne Barbot de Villeneuve, this classic musical gets a big twist! Set in a fantasy Medieval milieu “long, long ago,” a lovely and spirited Beauty takes charge of her fate and molds herself a most endearing Beast, who offers her a rose garden of a thousand and one delights. Replete with ditzy sisters, a befuddled sire, a spell-binding sorceress and a flamboyantly foppish suitor, who all inadvertently or intentionally strew more than a few thorns along Beauty and her Beast’s arduous, and ardor-ous, path. Written and directed by Chris DeCarlo & Evelyn Rudie, with music by Evelyn Rudie, it runs June 9 through July 15 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 2 or visit www.santamonicaplayhouse.com/beauty-beast-pride.html.

“Crimes of the Heart” Meg just left a man. Lenny never had a man. Babe just shot a man. Warm-hearted, irreverent, funny and touching, Beth Henley’s first play examines the plight of three Mississippi sisters betrayed by their passions as each is forced to come to terms with her “crimes of the heart”. Written by Beth Henley, and directed by Luke Yankee, it runs June 9 through June 25 at the INTERNATIONAL CITY THEATRE Long Beach Performing Arts Center in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.

“Emotional Terrorism” This one woman stand-up show takes the audience on an intoxicating journey from Orlando to Togo, ballet to bulimia, the runways of Paris to blacking out in Hollywood mansions and sitting on the precipice of suicide, to finding salvation through stand-up comedy. Daniels puts a hilarious spin on her unapologetic, soul-bearing tale of one girl’s journey from humiliation to liberation. Written by Ellyn Daniels, with music by Desmond Devenish, and directed by Desmond Devenish, it runs June 9 through June 24 at the Actors Company (Let Live Theater) in West Hollywood. For tickets visit www.hollywoodfringe.org.

“Zen Shorts” What happens when a Zen Master Panda bear moves next-door to a ten-year-old boy and his two siblings? Award-winning Rogue Artist Ensemble brings this delightful tale to life with over 30 fabulous puppets from around the globe, fantastical video projections and original songs. Based on the Caldecott Award-winning children’s book, watch and listen as Panda Stillwater imparts centuries of Zen master wisdom about family, friendships and getting through the ups-and-downs of growing up.  A summer treat for audiences of all ages 5 and up. Written by Jon J. Muth, and directed by Sean T. Cawelti, it runs June 10 through June 25 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.PasadenaPlayhouse.org.

“The Absolute Brightness of Leonard Pelkey” When a 14-year-old boy goes missing in a small New Jersey town his disappearance is illuminated by memories of his brilliant spirit. This one-man show, written and staring Academy-award winner James Lecesne, tells the story of a young boy who had touched the hearts of his community during his short by richly colorful life. Teens and adults alike will be inspired by this uplifting story about humanity and the dignity of life. Written by James Lecesne, with music by Duncan Sheik, and directed by Tony Speciale, it runs June 11 through June 25 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“The AmityCode” tells the story of Pete, a brilliant robotics engineer, who, after being dumped by his girlfriend, builds a robot to replace her. But he may have programmed his creation too well. As our society continues to replace more and more with technology, this play asks the question: at what point does it become detrimental to us? What makes us human? And finally, why love is the last part of our lives that technology cannot, and should not, replace? Written by Devin Crittenden, and directed by Nick Cimiluca, it runs June 11 through June 25 at the ASYLUM @ Stephanie Feury Studio Theatre in Los Angeles. For tickets visit www.hollywoodfringe.org/projects/4548?tab=details.

“Hollywood Diary” A fictional encounter at the filming of Hush Hush Sweet Charlotte between famous Hollywood gossip columnist Hedda Hopper interviewing all time star Mary Astor about her big return to the big screen but wanting to know details of Mary’s scandalous, tell all, revealing diary. Once used as evidence against Mary, in her own divorce trial. So shocking her contents were, that brought together the major heads of the movie studios accompanied by their lawyers to convince Astor that it would be better for the movie industry, and for her, not to introduce the diary in court. Written and directed by Octavio Carlin, it runs June 12 through June 25 at the Hudson Guild Theatre in Los Angeles. For tickets call 323-667-3162 or visit www.hff17.com/4730.

“Constellations” is the story of Roland, a beekeeper, and Marianne, a quantum physicist. What are their odds of falling in love? With infinite moments that can change the trajectory of a life, it’s anyone’s guess how cosmic collision is possible. Nick Payne’s Olivier and Drama League nominated hit is a charming, devastating and profound exploration of the universal truth of finding and losing love. A play that balances on the question of “what if” is, at its core, a poignant picture of “what is”. Written by Nick Payne, and directed by Giovanna Sardelli, it runs June 14 through July 16 at the Gil Cates Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

“E.D. Blues The Musical” looks to give both men and women a chance to laugh at a subject that –  though widely advertised – is generally considered taboo: Erectile Dysfunction. Be among the first to see a showcase performance of this brand new hilarious romantic musical comedy. The subject matter, though mature, is neither offensive nor profane.  E.D. Blues is about how lives are affected by this unfortunate condition and how our multi-ethnic cast of characters reacts to it – each in their own hilarious way! This show is about how men and the women who love them deal with one of nature’s re-occurring dilemmas.  How a little pill can temporarily solve some problems, but that love is the ultimate cure. Written by Butch Dubarri, with music by Butch Dubarri, Gary Dalton, A.T. Freeman and Chris Glik, and directed by Jeffrey Polk & Kent “Butch” Dubarri Sprague, it runs June 16 through June 18 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

“Oklahoma!” A re-imagining of Rodgers & Hammerstein’s first and most innovative collaboration. Set in the Oklahoma Territory at the turn of the century, the high-spirited rivalry between the local farmers and cowboys provides a colorful backdrop against which Curly, a handsome cowboy, and Laurey, a winsome farm girl, play out their story chock full of realism, heartache, hard work, love, and tragedy all within the dream of a frontier full of possibility in a brand new state. Written by Oscar Hammerstein II, with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and directed by T.J. Dawson, it runs June 16 through June 25 at the Redondo Beach Performing Arts Center in Redondo Beach (for tickets call 714-589-2770 Ext. 1), then June 30 through July 9 at the Cerritos Center for the Performing Arts in Cerritos (for tickets call 562-916-8500), or visit www.3dtshows.org for either location.

“Vanya and Sonia and Masha and Spike” In this hilarious comedy, Vanya and his adopted sister, Sonia, live a quiet life in the Pennsylvania farmhouse where they grew up, while their sister Masha travels the world as a movie star. Just as their cleaning woman issues a warning about terrible events in their future, Masha returns for an unannounced visit with her 20-something boy toy Spike in tow. And so begins this unforgettable family reunion filled with rivalry, regret, and racket. All allusions to Chekhov are purely intentional. Written by Christopher Durang, and directed by Barbara Tarbuck, it runs June 16 through June 24 at the Edgemar Center for the Arts in Santa Monica. For tickets call 310-392-7327 or visit www.edgemar.org.

“Animal Farm” How do lies become truths? This brilliant satire about the corrupting influence of power charts the fall of idealism and the rise of tyranny after the animals of Manor Farm rise up against their human owner in a struggle for rights and equality. Written by George Orwell, with music by Richard Peaslee, lyrics by Adrian Mitchell, and directed by Ellen Geer, it runs June 17 through October 1 at the Will Geer’s Theatricum Botanicum in Topanga. For tickets call 310-455-3723 or visit www.theatricum.com.

“I’m Not a Comedian… I’m Lenny Bruce” Busted for obscenity, Lenny fought for freedom of speech all the way to the supreme court. He accidentally died of an overdose in 1966, while out on appeal. Written by Ronnie Marmo, and directed by Joe Mantegna, it runs June 23 through July 23 at the Theatre 68 in North Hollywood. For tickets visit www.Theatre68.com.

“Measure for Measure” is one of Shakespeare’s most modern plays. It looks at the conflict between strict moralism and unfettered hedonism—and asks what happens when rigid ideologues actually gain access to the reins of power. Audiences can expect a lot of food for thought mixed in with quite bawdy humor and some of the most vibrant characters Shakespeare ever created. Much as the play is full of unexpected twists, the set for this production will include hidden doorways, unusual entrances, and unexpected openings. This is a free performance. Written by William Shakespeare, and directed by Melissa Chalsma, it runs June 24 through July 23 at the Old Zoo in Griffith Park in Los Angeles. For tickets call 818-710-6306 or visit www.iscla.org.

“Rhinoceros” In a small provincial town outside of Paris, the citizens discover how quickly one’s sense of humanity can be eroded when facing the dangers of a herd mentality. A timely and brilliant indictment of impending fascism by this master of Avant-Garde theater. Written by Eugene Ionesco, and directed by Guillermo Cienfuegos, it runs June 24 through August 13 at the Pacific Resident Theatre in Venice. For tickets call 310-822-8392 or visit www.pacificresidenttheatre.com.

“Letters from a Nut” Ted L. Nancy is a customer in need of service. He writes to the city of Huntington Beach requesting a permit for operating his Electronic Nose Blowing Machine, invites Czechoslovakian President Václav Havel to become Treasurer of Ted’s Vacuum Club, asks Nordstrom about buying a mannequin that looks like his deceased neighbor to present to the grieving widow, and more. Time after time, well-meaning representatives offer earnest replies to his letters. Nancy brings his madcap collection of correspondence to the Geffen stage for a one-of-a-kind show that is both outlandish and uproarious. Written by Ted L. Nancy, and directed by Pierre Balloón, it runs June 28 through July 30 at the Audrey Skirball Kenis Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

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“Annie Get Your Gun” This show hits the target with every song and dance! It’s the story of Annie Oakley, one of the Old West’s greatest marksmen, and Frank Butler, who was also renowned for his amazing shooting ability. Both proud and headstrong, they compete against each other and eventually fall in love! It’s tons of fun from start to finish and of course, filled with some of Irving Berlin’s greatest hits! You’re going to love this show! Written by Dorothy Fields and Herbert Fields, with music by Irving Berlin, and directed by Tim Dietlein, it runs through July 1 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit www.glendalecentretheatre.com.

“Les Blancs” depicts the waning days of colonialism crossing into the 20th century as it reveals the impossible moral choices faced by individuals who must reconcile personal happiness with idealism. It is rich with music and dance and set in and around a mission compound in Africa. The time is yesterday, today, and tomorrow– but not very long after that. Written by Lorraine Hansberry, and directed by Gregg T. Daniel, it runs through July 3 at the Rogue Machine Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.com.

Enjoy life more by seeing a show today!