We hope that those who lost their homes in the recent historic wildfires have found a way to start rebuilding or relocating so that they can move on with their lives.

Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.

The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:

OPENING

“Judy Collins Live” Judy Collins has inspired audiences with sublime vocals, boldly vulnerable songwriting, personal life triumphs, and a firm commitment to social activism. In the 1960s, she evoked both the idealism and steely determination of a generation united against social and environmental injustices. Five decades later, her luminescent presence shines brightly as new generations bask in the glow of her iconic 50-album body of work, and heed inspiration from her spiritual discipline to thrive in the music industry for half a century. Judy Collins, now 85, is as creatively vigorous as ever, writing, touring worldwide, and nurturing fresh talent. She is a modern-day Renaissance woman who is also an accomplished painter, filmmaker, record label head, musical mentor, and an in-demand keynote speaker for mental health and suicide prevention. She continues to create music of hope and healing that lights up the world and speaks to the heart. Starring Judy Collins, it runs one night only on April 6 at the Bank of America Performing Arts Center in Thousand Oaks. For tickets visit www.BroadwayInThousandOaks.com.

“Buddies” Is it possible for two adult males to form a meaningful platonic relationship? David doesn’t have friends so much as he has an obligation to hang out with his wife’s friends’ husbands. When his sister-in-law brings over her new boyfriend Adam, the two men realize they’re friendship soul mates. As they try to figure out how to make a new friend at this stage of life, they realize they have no idea what they’re doing. They must embark of a journey of self -discovery just to try to figure out what grown men even do with each other. Written by Ben Abbott, and directed by Morris Schorr, it runs April 4 through May 4 at the 905 Cole Theatre in Hollywood. For tickets visit www.skypilottheatre.com.

“The Civil Twilight” A twisty thriller, THE CIVIL TWILIGHT takes place over a single night during a once-in-a-century storm when a popular radio personality winds up trapped in a motel room in the Midwest with his biggest fan and a deadly game of trust and recrimination is played. Written by Shem Bitterman, and directed by Ann Hearn Tobolowsky, it runs April 5 through May 11 at the Broadwater Studio Theatre in Los Angeles. For tickets call 818-761-8838 or visit www.theciviltwilight.ludus.com.

“You Are Cordially Invited to the End of the World” is an irreverently funny celebration through the cosmos. Since Greg’s terminal diagnosis, he’s felt a deep connection to the Earth—and to save himself, he’ll need to save the planet. Viv desperately wants to savor every last minute with her husband. Meanwhile M, our emcee, searches desperately to find meaning in the chaos of their final year with Dad. A heartfelt and joyful theatrical event, as magical as the world itself. Written by Keiko Green, and directed by Zi Alikhan, it runs April 5 through May 4 at the South Coast Repertory Segerstrom Stage in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“In the Bar of a Tokyo Hotel” shines an undeniable light on the chasm between spiritual ambition and carnal need. The central characters, a debilitated painter and his lonely, desperate wife, express their anguish through plaintive notes of poetry recalling Tennessee Williams at his very best. Written by Tennessee Williams, and directed by Jack Heller, it runs April 11 through May 18 at the Hudson Backstage Theatre in Hollywood. For tickets visit www.onstage411.com/bartokyo.

“Little Shop of Horrors” Dive headfirst into the quirky, thrilling world of Little Shop of Horrors at The Nocturne Theatre, where the ordinary collides with the extraordinary. This timeless musical comedy follows the misadventures of Seymour Krelborn, a meek and underappreciated floral assistant, as he stumbles upon an unusual plant he names “Audrey II,” after his coworker and secret crush – Audrey II isn’t your average houseplant. This sassy, R&B-singing carnivore has an insatiable appetite for human blood and a devious plan for world domination. As Seymour feeds the plant to keep it alive, he finds himself caught in a spiraling web of fame, fortune, and moral dilemmas. The stakes rise as Audrey II’s true origins come to light, pushing Seymour to make choices that could change his life — and the world — forever.  Featuring an unforgettable score that blends rock, Motown, and R&B, Little Shop of Horrors delivers non-stop laughs, heartfelt moments, and toe-tapping musical numbers. This production at The Nocturne Theatre promises an immersive experience full of dazzling performances, imaginative set designs, and the hilariously menacing Audrey II.  Don’t miss the chance to witness the outrageous spectacle of Little Shop of Horrors at The Nocturne Theatre. Whether you’re a longtime fan or a first-time visitor, this iconic musical will leave you spellbound and grinning from ear to ear. Get your tickets today and discover why everyone’s talking about Little Shop of Horrors – a show that’s equal parts heartwarming and horrifying! Written by Howard Ashman, with music by Alan Menken, lyrics by Howard Ashman, and directed by Justin Meyer, it runs April 11 through May 11 at the Nocturne Theatre in Glendale. For tickets call 818-839-0984 or visit www.thenocturnetheatre.com.

“Corktown ‘39” entire story takes place over a span of four days in early May 1939, with the play’s discussive element landing on the ethical dilemma and a moral debate of employing terrorist tactics as a means of achieving a noble goal. Joe McGarrity’s branch of the Clan na Gael was, and still is, a secret organization formed for the purpose of supporting Irish Republicanism in America, both financially and militarily. Written by John Fazakerley, and directed by Steven Robmanv, it runs April 12 through May 25 at the Rogue Machine at the Matrix Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.org.

“Hellas” Spanning decades, and viewed over a single day, the birth of western civilization and democracy takes form in the Greek epic, Hellas. Never before seen on stage, this sweeping, visceral production with a cast of twenty-three is set in early fifth-century B.C. when a tiny, backward and disunited region faced invasion by the mightiest empire the world had ever known … and triumphed. The story is vast, split into two parts of compelling entertainment while encompassing the evolution of societal structures, revenge along with unlikely alliances, and an emerging system of justice. Weekend performances offer the complete saga (with three intermissions), and Friday night performances offer viewing choices of Part I or Part II on alternating weeks. Hellas is a marathon theatrical epic, presented as in ancient Greece, depicting the story over a single day. Hellas weaves historical and compelling narratives of individual and collective struggle, illustrating both the strength and fragility of democracy. Told in verse, mask, rhythm, dance and stage combat, it is a drama exploring flawed but resilient humanity, of vendetta and great battles fought upon land and sea, of oaths and betrayals, familial trauma and struggle, friendship, loyalty, love and sacrifice. This is a tale of the invention of theatre itself by a firsthand witness and participant, the Athenian playwright Aeschylus. Written and directed by Christopher William Johnson, it runs April 12 through May 11 at the Broadwater Mainstage in Los Angeles. For tickets visit www.ticketleap.events/tickets/school-of-night/hellas.

“It’s Just a Wedding” Step into the wonderfully chaotic world of “It’s Just a Wedding,” a black comedy that captures the essence of a generation navigating love and friendship during the early 2000s recession. Follow a tight-knit group of college friends as they reunite and untangle the complexities of their relationships. With an unexpected engagement sparking waves of chaos, the countdown to the wedding becomes a rollercoaster of calamities and surprising revelations. In a world where nothing seems certain, alliances shift and secrets unravel. Who will stand as friend or foe? Written by Cabrina Peer, and directed by Oliver Klein, it runs April 12 through April 13 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 2 or visit www.SantaMonicaPlayhouse.com/Its-Just-a-Wedding.

“Last Night at Mikell’s” James Baldwin is writing himself into bad health. After two heart attacks, the author returns to New York City for some rest, relaxation and much-needed TLC. First on his itinerary is the iconic jazz club Mikell’s, a favorite hangout, where his brother David tends bar. But things have changed. Mikell’s is closing, and his entourage this night consists of just Maya Angelou and Miles Davis. What’s intended as a celebration turns into an Irish wake for the not-yet deceased, instigated by Miles as James impulsively, on the spot, starts writing an elegy to his beloved old joint. It’s time to par-taayy!! Written by Larry Muhammad, and directed by Ben Guillory, it runs April 12 through May 11 at the Los Angeles Theatre Center, Theatre 4 in Los Angeles. For tickets email office@therobeytheatrecompany.org.

“The Totality of All Things” When a hate crime rocks a small Indiana town, an act of vandalism escalates into something with potentially deadly consequences, and the search for answers only leads to uncertainty about the very nature of truth itself. Written by Erik Gernand, and directed by Taylor Nichols, it runs April 18 through May 25 at the Road Theatre in North Hollywood. For tickets call 818-761-8838 or visit www.roadtheatre.org.

“Just Like Us” This true coming-of-age story about four Latina girls is more timely now than ever, posing difficult, yet essential questions about what makes us American. Reporter Helen Thorpe (Elyse Mirto) follows the lives of four Latina girls in Denver who straddle two worlds: Clara (Noelle Franco) and Elissa (Valerie Vega) hold legal documents, while Yadira (Newt Arlandiz) and Marisela (Blanca Isabella) do not. Against the odds, each finds her way into a good college, but the hurdles only mount from there. Student loans are not an option when you don’t have a Social Security number, and if your parents face deportation, your siblings may be moving into your dorm. Written by Karen Zacarías, and directed by Fidel Gomez, it runs April 19 through May 18 at the Los Angeles Theatre Center in Los Angeles. For tickets call 213-489-0994 or visit www.latinotheaterco.org.

“The Violin Maker” Israeli violin maker Amnon Weinstein gathered and restored ruined violins that survived the Holocaust, creating a remarkable collection known throughout the world as the “Violins of Hope.” His extraordinary story and the true tales behind each of the violins are masterfully interwoven with music in this powerful and uplifting new play. Written by Lisa Pearl Rosenbaum and Ronda Spinak, and directed by caryn desai, it runs April 23 through May 11 at the International City Theatre in Long Beach. For tickets visit www.InternationalCityTheatre.org.

“The Secret Comedy of Women” celebrates the joys of the journey from girlhood to womanhood. An immersive theatrical experience that rejoices in the challenges of being a woman — from boys to bras and pantyhose to menopause — this two-woman show explores the universal female experience through a rollicking spectacle of sweetly sharp comedy, songs, dances, stories, and spontaneous moments of discovery that all women share. Written by Barbara Gehring and Linda Klein, it runs April 24 through May 18 at the Colony Theatre in Burbank. For tickets call 855-448-7469 or visit www.playhouseinfo.com.

“The Winter’s Tale” This is a vibrant retelling of the original story about love, loss, and rebirth. Written by William Shakespeare, adapted by Tracy Young, and directed by Tracy Young, it runs April 24 through June 14 at the Skylight Theatre in Los Angeles. For tickets visit www.skylighttheatre.org/thewinterstale.

“The Last Play by Rickérby Hinds” Rickérby Hinds has the unique ability to challenge conventional notions of the stage while taking advantage of its history and traditions. In this Latino Theater Company-commissioned, meta-theatrical comedy that was developed in the company’s Circle of Imaginistas playwriting group, an Afro-Latino playwright, blocked by the challenge of writing what he believes will be his final play, summons characters from some of his previous plays for inspiration — only to confront chaos, comedy, and a deeper understanding of his identity and the true meaning of success. Written by Rickérby Hinds, and directed by Daphnie Sicre, it runs April 26 through May 25 at the Los Angeles Theatre Center in Los Angeles. For tickets call 213-489-0994 or visit www.latinotheaterco.org.

CONTINUING

“CRAZY MAMA: A True Story of Love & Madness” This exquisitely crafted, emotionally riveting tale begins with young Sharon racing home a few days after her 8th birthday for the last piece of cake. But when she enters the kitchen, she finds her mother wielding a knife and lost in a frenzy. As the Sheriff escorts her mother away, the deputy tells Sharon that her mama “is not right in the head.” As Sharon’s mother becomes more delusional and lost in the soul-crushing grip of mental illness, Sharon, her father, and teenage brother Spikey hope and pray for a cure. As Mama continues to be committed to mental institutions, convinced she’s working for the FBI, her father blurs his pain with Kentucky bourbon and her brother struggles with his faith. For 46 years, Sharon lives shackled to her Mama’s pain and her own suffering. Written by Sharon Scott Williams, and directed by Anson Williams, it runs through April 6 at the Rubicon Theatre in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“A Midsummer Night’s Dream” Set in a mystical forest where fairies meddle in mortal affairs, A Midsummer Night’s Dream follows the intertwining fates of four young lovers, a group of bumbling amateur actors, and the magical beings who manipulate their destinies. The play is a whirlwind of mistaken identities, playful trickery, and dreamlike adventure, making it a perfect evening of laughter and wonder for audiences. Written by William Shakespeare, and directed by Mark Sacks, it runs through April 13 at the Helen Borgers Theatre in Long Beach. For tickets visit www.LBShakespeare.org.

“Aristotle/Alexander” When star philosopher Aristotle accepts the coveted position of court tutor for an adolescent Alexander the Great, an intellectual battle of wits between teacher and student collides with high stakes Hellenistic realpolitik bearing life and death consequences. Both then and now, the question of how best to rule reaches a chilling conclusion: democracies are far more fragile than we realize. Written by Alex Lyras, and directed by Danny Cistone, it runs through May 4 at the Company of Angels in Los Angeles. For tickets visit www.AristotleAlexander.com.

Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:

Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall and our co-publisher/editor Sid Fish, we want to send our thanks to the publicists who supply us with this content, to the editors and publishers who deliver it to you, and most importantly, to our readers who use the information we provide!

Sincerely,

Steve Zall, Publisher
Sid Fish, Co-Publisher & Editor

We hope that those who lost their homes in the recent historic wildfires have found a way to start rebuilding or relocating so that they can move on with their lives.

Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.

The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:

OPENING

“Bat Boy: The Musical” the horror rock musical cult favorite based on a June 23, 1992, Weekly World News story about a half-boy, half-bat who grew up living in a cave. Written by Keythe Farley and Brian Flemming, with music by Laurence O’Keefe, and directed by Pat Towne, it runs March 1 through April 6 at the Atwater Village Theatre in Atwater Village. For tickets call 323-882-6912 or visit www.openfist.org.

“Frou-Frou: A Menagerie of Sorts” By turns raucous, poetic, touching, and dangerous, Frou-Frou: A Menagerie of Sorts riffs on Tennessee Williams’s The Glass Menagerie in this story of two queer siblings yearning to be understood. Written by John Anthony Loffredo, and directed by Zi Alikhan, it runs March 1 through March 30 at the Boston Court Pasadena in Pasadena. For tickets visit www.bostoncourtpasadena.org.

“You Cannot Know the Hour” Mr. Brown is a grumpy, peevish, ailing, aging man. A widower, he has a housekeeper to keep his home running smoothly. One day, Brown finds that a nurse has been engaged to look after him on a full-time basis. Brown frequently sees and speaks with the ghost of his dead wife, Helen. She rebukes him for terrible crimes in his past. He responds by protesting his innocence of any wrongdoing. Meanwhile, he finds himself at odds with his nurse. She frequently contradicts his instructions, almost gleefully. Could she possibly be pursuing a sinister, hidden agenda? If so, what is her objective? Is Brown irredeemably evil, or is he an innocent? Written by Katrina Wood, and directed by Trace Oakley, it runs March 1 through March 16 at the Sherry Theatre in North Hollywood. For tickets visit www.cannot-know-hour.brownpapertickets.com.

“Feast” is a vivid reimagining of the epic poem Beowulf, as a cautionary tale. True to the ancient myth, Grendel, a monstrous creature described as ‘mankind’s enemy’ is killed by Beowulf, but it is here that FEAST. diverges. In this immersive and visceral theatre experience, Grendel’s mother throws a dinner party to seek justice for her son’s murder, only to confront her own guilt and rage. Oscillating between witty banter and pointed exploration, this heightened high fantasy crashes into the contemporary political landscape, asking the audience to collectively contemplate climate change, income inequality, and the rising forces of authoritarianism. Experience this humorous, thought-provoking one-woman live theatrical event uniquely curated with an actual ‘feast,’ of charcuterie/small bites and themed drinks. Written by Megan Gogerty, and directed by Laura Covelli, it runs March 8 through April 6 at the Count’s Den in Los Angeles. For tickets visit www.leonixtheatre.org.

“The Remarkable Mister Holmes” Sherlock Holmes is back with an all-new madcap mystery to solve…and a new sidekick! In this fast-paced, wildly comedic musical. Holmes must solve a series of baffling crimes without the help of his trusted partner. Packed with wild wordplay, red herrings, and zany surprises, this over-the-top rollercoaster of musical mayhem is perfect for fans of Arthur Conan Doyle, Mel Brooks, musical theater, or anyone who loves a fun night out. Written by Omri Schein and David Ellenstein, with music by Daniel Lincoln, lyrics by Omri Schein, and directed by David Ellenstein, it runs March 9 through March 30 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“Ain’t Too Proud – The Life and Times of the Temptations” Featuring the Grammy® winning songs and Tony® winning moves, AIN’T TOO PROUD is the electrifying musical that follows The Temptations’ extraordinary journey from the streets of Detroit to the Rock & Roll Hall of Fame. With their signature dance moves and unmistakable harmonies, they rose to the top of the charts creating an amazing 42 Top Ten Hits with 14 reaching number one and being voted the greatest R&B group of all time by Billboard Magazine in 2017. The rest is history — how they met, the groundbreaking heights they hit, and how personal and political conflicts threatened to tear the group apart as the United States fell into civil unrest. This thrilling story of brotherhood, family, loyalty, and betrayal is set to the beat of the group’s treasured hits, including “My Girl,” “Just My Imagination,” “Get Ready,” “Papa Was a Rolling Stone,” and so many more. Written by Dominique Morisseau, with music by The Temptations, and directed by Des McAnuff, it runs March 14 through March 16 at the Bank of America Performing Arts Center in Thousand Oaks. For tickets visit www.BroadwayInThousandOaks.com.

“Cabaret” A thrilling and up-to-date production of a classic show that is now more relevant than ever. Sexy, melodic and unforgettable. The seedy glamour of the Kit Kat Club with its bawdy Emcee provide an unsettling but fitting backdrop to the story of the hard-living entertainer Sally Bowles in the decadent nightlife of Germany in the early ’30s. Come hear some of the most memorable songs in theatre history, including “Cabaret,” “Willkommen,” and “Maybe This Time.” Written by Joe Masteroff, with music by John Kander, lyrics by Fred Ebb, it runs March 14 through March 30 at the Bank of America Performing Arts Center – Scherr Forum Theatre in Thousand Oaks. For tickets call 805-449-2787 or visit www.5startheatricals.com.

“Love! Valour! Compassion!” explores friendship, love, betrayal, and the struggles of gay men navigating life and relationships. Set over three summer weekends at a lakeside home, the play captures the humor, heartbreak, and humanity of a group of eight friends as they confront their fears, desires, and mortality. Written by Terrence McNally, and directed by Aric Martin, it runs March 14 through April 5 at the Westchester Playhouse in Los Angeles. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.

“One for My Baby” is a song and dance extravaganza featuring the brilliant music of Harold Arlen – the favorite composer of Frank Sinatra, Judy Garland and Barbra Streisand. One song hit after another including “Get Happy” “Blues in the Night” “That Old Black Magic” “Stormy Weather” “The Man that Got Away” and many more! Written by Scott Thompson and Fred Barton, with music by Harold Arlen, lyrics by Ted Koehler, Johnny Mercer, E.Y. Harburg, and Ira Gershwin, it runs March 14 through March 23 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

“Two Small Bodies” Two children have disappeared. The mother is a voluptuous, sexy hostess at a strip joint, and the tough-talking detective investigating the possible kidnap or murder case plays a cat-and-mouse game with her. He is relentless and their relationship becomes an unusual and intimate dance. He pushes her and pushes her to confess that she murdered her children, but he gets more than he bargained for. It is seductive. It is provocative. Twists and turns and surprises. Sometimes sexually explicit. Takes place around 1972. Written by Neal Bell, and directed by Gloria Gifford, it runs March 15 through April 26 at the GGC Theatre in Hollywood. For tickets call 310-366-5505 or visit www.onstage411.com/newsite/show/play_info.asp?show_id=7351.

“Beatnik Girl” tells the story of a young woman of vision and principle, Edi Gordon, as she struggles with misogyny, antisemitism, and an unwanted pregnancy while trying to be a Beat poet. Set in New York’s lower east side in 1957, this sweet and touching new play is filled with lyrical original poetry, poignant humor and insight into the human condition that will stir the heart and take you back to the time of the Beat Generation – Kerouac, Ginsberg, Miles … and women too! Get in the groove! Written by Leda Siskind, and directed by Ann Hearn Tobolowsky, it runs March 20 through April 20 at the Theatre Forty in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.

“Unreconciled” is the true story of an adolescent actor cast as Jesus in a school play directed by a parish priest. The story chronicles a survivor’s journey as he confronts his past, navigates a victims’ reparations program set up by the Catholic Church, and discovers the courage to use his voice. This 80-minute piece is a poignant and at times humorous exploration of family, place, and the meaning of reconciliation. Written by Jay Sefton, and directed by Geraldine Hughes, it runs March 21 through March 31 at the Moving Arts in Los Angeles. For tickets visit www.movingarts.ludus.com/index.php?show_id=200471467.

“One Jewish Boy” a funny, biting, bittersweet story about two young people in love who are faced with the world’s unpredictable cruelty. Jesse, a nice Jewish boy from North London, falls hopelessly for Alex, a young woman of mixed race. Navigating any relationship is difficult enough. What happens when you factor in politics and rising prejudices? Written by Stephen Laughton, and directed by Chris Fields, it runs March 22 through April 28 at the Echo Theater Company in Atwater Village. For tickets call 747-350-8066 or visit www.EchoTheaterCompany.com.

“Rhinestone Cowboys” Gay Men’s Chorus of Los Angeles (GMCLA) presents a bedazzled country music celebration covering the gamut of country from Dolly Parton, Shania Twain, and Chris Satapleton to Lil NasX, Brandi Carlile, Chappell Roan and Beyonce! Directed by Ernest H. Harrison, it runs March 22 through March 23 at the Saban Theatre in Beverly Hills. For tickets visit www.GMCLA.org.

“Into the Woods” is a mesmerizing musical that intertwines the adventures of iconic fairy tale characters on a journey of dreams, adventure, and consequence. As Cinderella flees the ball, Jack climbs to new heights, and Little Red embarks on a daring path, they cross paths with the Baker and his Wife, who are desperate to lift a curse. With Stephen Sondheim’s iconic score and a story filled with heart, humor, and surprises, this production is a must-see for audiences of all ages. Written by James Lapine, with music by Stephen Sondheim, and directed by Kari Hayter, it runs March 28 through April 13 at the Carpenter Performing Arts Center in Long Beach. For tickets call 562-856-1999 or visit www.musical.org.

“Jane Eyre” Orphaned as a child, the strong-willed Jane takes a position at Thornfield Hall working as a governess for the brooding Edward Rochester. There, she falls in love with her mysterious employer… until the discovery of a dark secret leads to a devastating aftermath. Written by adapted by Elizabeth Williamson from the novel by Charlotte Brontë, and directed by Geoff Elliott, it runs March 29 through April 20 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.

CONTINUING

“Constellations” a theoretical physicist named Marianne and a beekeeper named Roland cross paths at a party, sparking a relationship that unfolds across a series of alternate realities. With each choice and action leading to multiple divergent outcomes, Payne’s profound and poetic script challenges audiences to consider the power of free will, the fragility of human connection, and the vastness of possibility. Written by Nick Payne, and directed by Jonathan Fox, it runs through March 9 at the Rubicon Theatre in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“West Side Story” Inspired by Shakespeare’s Romeo and Juliet, this timeless tale is set in the 1950s streets of New York City, where two young lovers are caught between rival gangs—the Jets and the Sharks. Written by Arthur Laurents, with music by Leonard Bernstein, lyrics by Stephen Sondheim, and directed by Justin Meyer, it runs through March 30 at the Nocturne Theatre in Glendale. For tickets visit www.thenocturnetheatre.com.

Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:

Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall and our co-publisher/editor Sid Fish, we want to send our thanks to the publicists who supply us with this content, to the editors and publishers who deliver it to you, and most importantly, to our readers who use the information we provide!

Sincerely,

Steve Zall, Publisher
Sid Fish, Co-Publisher & Editor

Our hearts go out to the people who have lost so much in the devastating fires that have wreaked havoc on so many areas of our beautiful city, as well as destroying one of our long-established theaters, Theatre Palisades. We hope they can find a way to rebuild or relocate so they can once again create new productions.

Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.

The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:

OPENING

“The Brothers Abelson Since 1946” Twenty-six-year-old cartoonist Benny Abelson faces a life-changing decision when he visits his family in Texas for Thanksgiving, 1977. At first his dad’s nervous breakdown and his mom’s decision to walk out on her husband of 35 years elicit Benny’s wit and our laughter. Benny prepares to hightail it back to NYC, but as family secrets erupt, the Abelsons open a window for all of us onto the staggering heartbreak of keeping secrets. Written by Dennis Danziger, and directed by Matthew Leavitt, it runs February 1 through March 2 at the Electric Lodge in Venice. For tickets visit www.abelsonplay.com.

“The Book of Mormon” follows two young missionaries who are sent to Uganda to try to convert citizens to the Mormon religion. One missionary, Elder Price, is an enthusiastic go-getter with a strong dedication to his faith, while his partner, Elder Cunningham, is a socially awkward but well-meaning nerd whose tendency to embroider the truth soon lands him in trouble. Upon their arrival in Africa, Elders Price and Cunningham learn that in a society plagued by AIDS, poverty and violence, a successful mission may not be as easy as they expected. Written by Trey Parker, Robert Lopez and Matt Stone, with music by Trey Parker, Robert Lopez and Matt Stone, and directed by Jennifer Werner, it runs February 6 through February 9 at the Bank of America Performing Arts Center in Thousand Oaks. For tickets visit www.BroadwayInThousandOaks.com.

“Bounds” Five women are stranded on a beach in an unknown country. They might be displaced persons, refugees, unhoused, undocumented immigrants. What we do know is that they are unwanted. They pass the time by playing games and singing songs, they fantasize about belonging, and they compete. One of them,they know, will be selected. But who will that be? While they wait, bonds are created, ties of affection. “Bounds” is a story about us, about the truths we take for granted, and about a society unable to exist without bonds. It is also about “the others,” about those to whom we open our doors—or refuse. It is a story about cages, violence, dreams, a story that reflects our time, a time when we struggle with the rules, obligations, and prejudices that keep us from looking in the eyes of our neighbors. Written by Tino Caspanello, translated by Haun Saussy, and directed by Frédérique Michel, it runs February 6 through March 14 at the City Garage in Santa Monica. For tickets call 310-453-9939 or visit www.ticketleap.events/tickets/city-garage/bounds.

“Noises Off” Doors slam, sardines fly, and trousers drop in Michael Frayn’s side-splitting British farce about a theater company desperately trying to get their act together. Both onstage and backstage, chaos reigns for a troupe of floundering actors whose forgotten lines, misplaced props, and steamy romantic entanglements make it nearly impossible for the show to go on. An uproarious love letter to the theater, Noises Off is a peek behind the curtain—where everything that can go wrong, does! Written by Michael Frayn, and directed by Anna D. Shapiro, it runs February 6 through March 2 at the Geffen Playhouse Gil Cates Theater in Los Angeles. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.

“I Want a Country” A group of people huddle in the darkness, clutching suitcases and umbrellas. They have lost their country. Where did it go? They wander in search of a new one. They complain, argue, debate, talk about what makes a place feel like home. Together, they imagine what the country of their dreams would be like: a place where they could find peace, justice, and kindness at last. Though written by Flourakis about the Greek financial crisis of the early 2010s, this haunting and poetic text speaks just as powerfully to our own political moment here in the United States where so many long to replace division and enmity with connection and understanding. Written by Andreas Flourakis, translated by Eleni Drivas, and directed by Frédérique Michel, it runs February 8 through March 16 at the City Garage in Santa Monica. For tickets call 310-453-9939 or visit www.ticketleap.events/tickets/city-garage/i-want-a-country.

“The Sphere of Fixed Stars in the Heavens” On a rooftop in North Hollywood, Owen and Elodie meet at a friend’s birthday party. Then they meet again. And again. And again. They get to know each other, learn about each other, and maybe start to like each other. Again. And again. And again. For both, this one encounter challenges what they know about love, desire, hope, and time. They discover that nothing lasts forever … except for the things that do. Written and directed by J. Holtham, it runs February 13 through February 23 at the Theatre 68 Arts Complex in North Hollywood. For tickets visit www.bespokeplays.com.

“A Funny Thing Happened on the Way to Divorce” introduces three couples, all going through difficult divorces, as they anxiously and frustratingly wait in a room at a courthouse for an appointment with a mediator. Conversations begin, details of each of their troubled marriages are revealed and they eventually learn more about themselves and their relationships in just hours than they have in years of matrimony. Written by Jeff Gould, and directed by Marc Antonio Pritchett, it runs February 14 through February 16 at the 905 Cole Theatre in Hollywood. For tickets visit www.SkyPilotTheatre.com.

“Jersey Boys” experience the meteoric rise of Frankie Valli & The Four Seasons- a journey through fame, fortune, and the timeless music that defined a generation. With hits like ‘Sherry,’ ‘Walk Like a Man,’ and so many more, this show is a perfect blend of nostalgia, heart, and sheer entertainment! Written by Marshall Brickman and Rick Elice, with music by Frankie Valli and Bob Gaudio, and directed by TJ Dawson, it runs February 14 through March 2 at the Carpenter Performing Arts Center in Long Beach. For tickets call 562-856-1999 or visit www.musical.org.

“Master Class” Callas, in the play, commands the stage in a Juilliard masterclass where she offers cutting, humorous, and deeply insightful critiques to her eager-to-please students. While guiding her pupils – each with their own hopes and flaws – Callas reflects on her triumphs and tragedies, from her metamorphosis as a star to her volatile relationship with Aristotle Onassis. Through sharp wit and raw vulnerability, Callas reveals the personal and professional sacrifices required to pursue greatness. Her impassioned teachings and poignant reflections remind us of the profound impact that art can have on individuals and society. Written by Terrence McNally, and directed by Tim Dang, it runs February 14 through March 9 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.theatrewest.org/tickets.

“Watermarks (A Fugue)” Set inside the most famous gift card shop in the world, a manager competes with his one and only customer over what is and what is not. Written by Abbott Alexander, and directed by Marco Rivera, it runs February 14 through February 23 at the Theatre West in Los Angeles. For tickets visit www.theatrewest.org/tickets.

“End of Times Therapy” The year is 2037. Food is scarce, war is imminent, and the patriarchy dominates local tribes. A lone therapist sets up a practice in La Crescenta where she tries to help a young woman find a better life. But power and politics continue to dominate American life even in the post-apocalypse. It explores the themes of class wars, gender roles, romantic love and the therapeutic process in end of times Los Angeles and holds up a mirror to the times in which we now live. Written by Solange Castro, and directed by Robert Yasamura, it runs February 15 through February 23 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 2 or visit www.SantaMonicaPlayhouse.com/End-of-Times-Therapy.

“Macbeth” Set for this production against the haunting backdrop of New Orleans from the late 19th century through the 1920s, Macbeth may be the Bard’s most disturbing play: a macabre tale of witches, hallucinations, ambition, power and Shakespeare’s bloodiest couple. Macbeth and his wife thrash against the rise of their own consciences in a gripping psychological and political thriller that follows Macbeth’s transformation from a celebrated battlefield hero to a bloody tyrant, unveiling the profound darkness that resides within the human soul. Written by William Shakespeare, and directed by Andi Chapman, it runs February 15 through March 9 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.

“UNCONDITIONAL, A Musical Memoir” In the wake of one of life’s most profound challenges, Margot Rose’s Unconditional, A Musical Memoir forges a path to resilience with a commitment to go on in a world of unpredictability. This is a true story of dedication and loss; community and love, in which two women, already in their mid-forties, went to extraordinary lengths to have kids. After a tragic loss, the family would be thrown into a spiral that, once again, forced them to grapple with the question – how do we become (and stay) a family? How are we able to go on? Written by Margot Rose, and directed by Anne Kenny, it runs February 15 through March 9 at the Skylight Theatre in Los Angeles. For tickets call 213-761-7061 or visit www.skylighttheatre.org.

“Alabaster” a darkly comic southern drama by Audrey Cefaly about love, art and the power of women. The journey of a noted photographer lands her in the mysterious realm of an undiscovered folk artist hiding away in North Alabama in this funny and poignant new play. Written by Audrey Cefaly, and directed by Casey Stangl, it runs February 16 through March 30 at the Fountain Theatre in Los Angeles. For tickets call 323-663-1525 or visit www.FountainTheatre.com.

“Desperate Measures” When the dangerously handsome Johnny Blood’s life is on the line, he must put his fate into the hands of a colorful cast of characters. Laws are broken and hearts are won as they try to find justice in a world that often doesn’t seem just. Written by Peter Kellogg, with music by David Friedman, lyrics by Peter Kellogg, and directed by Todd Nielsen, it runs February 21 through March 9 at the International City Theatre in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.

“Oklahoma!” Experience the passion, the rivalry, and the hope that unfolds against the sweeping backdrop of Oklahoma Territory. In the bustling frontier town of Claremore, Oklahoma, a lively group of characters chase their dreams and grapple with the challenges of love and loss. Ado Annie, a captivating young woman, finds herself torn between the affections of Will Parker, a charming cowboy, and Alfred Dreyfus, a hardworking farmhand. Meanwhile, Curly, a handsome ranch hand, falls for Laurey Williams, a spirited farm girl who yearns for a life beyond the farm. As tensions rise between farmers and ranchers over dwindling resources, a rivalry erupts between Curly and Jud Fry, a brooding farmhand who harbors a dark secret. A community auction provides a platform for both love and conflict to unfold, with Laurey offering a picnic basket as a prize to the winner of a competitive barn dance. Through a series of misunderstandings, jealousy, and a dramatic storm, the true depths of love and friendship are revealed. Ultimately, hearts mend, sacrifices are made, and hope prevails in this timeless story of love conquering all. Written by Rodgers & Hammerstein, with music by Rodgers & Hammerstein, and directed by Tim Nelson, it runs February 21 through March 9 at the Rose Center Theater in Westminster. For tickets call 714-793-1150 Ext. 1 or visit www.rosecentertheater.com/oklahoma.

“The Trick” Two businessmen, Furst and Pin, meet a couple of call girls, Yvette and Babette, in a rundown saloon. Meanwhile, a man on the ledge of a building across the street threatens suicide, revealing and changing their lives in unexpected ways. Written by Joe Praml, and directed by Linnea V. Praml, it runs February 21 through February 23 at the Theatre 68 Arts Complex in North Hollywood. For tickets visit www.theatre68.com/tickets.

“44 The Obama Musical” is a satirical look at the rise and presidency of Barack Obama, as well as the eccentric political characters he met along the way. Obama’s election changed history. And as we clearly see also ended racism forever! But 44 is the story of the Obama you won’t read in history books…. because history books are now banned in most states. But also, because 44 is the story of Obama as Joe Biden kinda sorta remembers it…as a Musical! Written and directed by Eli Bauman, with music by Eli Bauman, it runs February 27 through March 23 at the Kirk Douglas Theatre in Culver City. For tickets visit www.centertheatregroup.com.

“I Love You Because” Set in New York City, it centers around a young, uptight greeting card writer whose life is changed when he meets a flighty photographer. Along with their eccentric friends and siblings, they learn to love each other not in spite of their faults, but because of them. Written by Ryan Cunningham, with music by Joshua Salzman, lyrics by Ryan Cunningham, and directed by Megan Ripchik, it runs February 28 through March 16 at the Zephyr Theatre in Los Angeles. For tickets visit www.chrtheatre.com.

CONTINUING

“By the Way, Meet Vera Stark” takes an entertaining and revelatory look at racism in the film industry during the Golden Age of Hollywood. Inspired by the struggles of actresses like Hattie McDaniel and Butterfly McQueen, worlds collide when aspiring African American starlet Vera Stark, who works as a maid to Gloria Mitchell, an aging Caucasian star grasping at her fading career, lands a trailblazing role in an antebellum epic starring none other than her boss! The play examines Vera’s 70-year career and her place in Hollywood history. Written by Lynn Nottage, and directed by Rondrell McCormick, it runs through February 8 at the Westchester Playhouse in Los Angeles. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.

“Richard III” Having helped secure his brother King Edward IV taking the throne of England, the jealous tormented Richard, Duke of York, plots to seize power for himself. Masterfully deceiving and plotting against nearly everyone in the royal court, Richard orchestrates a bloody rise to power before finding all his gains jeopardized by those he betrayed. Written by William Shakespeare, and directed by Richard J. Martinez, it runs through February 8 at the Helen Borgers Theatre in Long Beach. For tickets visit www.LBShakespeare.org.

“Something You Don’t Know” As a family tries to enjoy a weekend away at their cabin, they face the truth of the shocking secrets they’ve been keeping. The play examines how a family navigates the challenges of moving forward with love after a lifetime of trauma. Written by Dani True and Kirsten Jones, and directed by Natasha Renae Potts, it runs through February 15 at the Sawyer’s Playhouse at Loft Ensemble in North Hollywood. For tickets call 818-452-3153 or visit www.loftensemble.org.

“Four Women in Red” about four resilient women searching for missing friends and relatives in the face of apathetic sheriffs and dwindling clues. Are their loved ones lost? Were they taken? Are they even alive? This moving new play celebrates the power of community as the women seek answers against all odds. Their roller coaster journey involves mystery, grief, prayer and moments of sudden joy. Written by Laura Shamas and directed by Jeanette Harrison, it runs through February 19 at the Victory Theatre Centre in Burbank. For tickets call 818-841-5421 or visit www.thevictorytheatrecenter.org.

“Avenue Q” is about real life. It’s about finding a job, losing a job, learning about racism, getting an apartment, getting kicked out of your apartment, being different, falling in love, promiscuity, avoiding commitment, hangovers, Internet porn and discovering the world. Written by Jeff Whitty, with music by Robert Lopez and Jeff Marx, it runs through March 2 at the Wisteria Theater in North Hollywood. For tickets visit www.wisteriatheater.com.

Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:

Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall and our co-publisher/editor Sid Fish, we want to send our thanks to the publicists who supply us with this content, to the editors and publishers who deliver it to you, and most importantly, to our readers who use the information we provide!

Sincerely,

Steve Zall, Publisher
Sid Fish, Co-Publisher & Editor

Everyone is celebrating the arrival of the New Year and adjusting to the many changes that inevitably come with it, but you can still count on the shows to be seen in our local theaters. Try one and see if it doesn’t help you to remember what is and isn’t real.

Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.

The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:

COMING IN FEBRUARY

“The Book of Mormon” follows two young missionaries who are sent to Uganda to try to convert citizens to the Mormon religion. One missionary, Elder Price, is an enthusiastic go-getter with a strong dedication to his faith, while his partner, Elder Cunningham, is a socially awkward but well-meaning nerd whose tendency to embroider the truth soon lands him in trouble. Upon their arrival in Africa, Elders Price and Cunningham learn that in a society plagued by AIDS, poverty and violence, a successful mission may not be as easy as they expected. Written by Trey Parker, Robert Lopez and Matt Stone, with music by Trey Parker, Robert Lopez and Matt Stone, and directed by Jennifer Werner, it runs February 6 through February 9 at the Bank of America Performing Arts Center in Thousand Oaks. For tickets visit www.BroadwayInThousandOaks.com.

OPENING THIS MONTH

“Death Of a Salesman” this iconic American drama harnesses bold realism with riveting theatricality and is a commentary on the American Dream which resonates even today. Written by Arthur Miller, and directed by Mark Blanchard, it runs from January 10 through January 26 at the Colony Theatre in Burbank. For tickets visit www.onstage411.com/salesman.

“Mean Girls” Cady Heron may have grown up on an African savanna, but nothing prepared her for the wild and vicious ways of her strange new home: suburban Illinois. How will this naïve newbie rise to the top of the popularity pecking order? By taking on The Plastics, a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a Queen Bee without getting stung. Written by Tina Fey, based on the screenplay by Jeff Richmond, with music by Jeff Richmond, lyrics by Nell Benjamin, and directed by Casey Nicholaw, it runs from January 10 through January 12 at the Bank of America Performing Arts Center in Thousand Oaks. For tickets visit www.BroadwayInThousandOaks.com.

“Wish You Were Here” It’s 1978. Protests break out across Iran as five close girlfriends plan weddings, trade dirty jokes and try to live their young lives. As the revolution escalates, each woman is forced to face an uncertain future by staying in Iran or leaving it. Written by Sanaz Toossi, and directed by Mina Morita, it runs from January 12 through February 2 at the South Coast Repertory Julianne Argyros Stage in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“Listing” Raymond is a real estate agent with a passion for historic preservation. His dream listing arrives when the owner of one of Los Angeles’ architecturally significant homes asks him to represent her modernist masterpiece. Open houses bring bumbling buyers and development speculators. When catastrophe strikes and the terms of the sale are hijacked, Raymond’s well-intentioned hopes and plans are thrown into chaos. Even the house itself seems to have its own nefarious agenda. Tragedy, societal tension, and ghosts of the home’s past all simmer to the surface, and the home’s good bones can’t hide the bad blood. Written by Russell Brown, and directed by Tom Lazarus, it runs January 16 through February 16 at Theatre Forty in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.

“The Curious Savage” When Ethel Savage’s late husband leaves her ten million dollars, she decides to establish a fund to support dreamers. But her three greedy stepchildren commit her to a mental institution, hoping to “bring her to her senses.” In the sanitarium, she befriends the other “guests.” Meanwhile, the stepchildren discover that Ethel has hidden the family fortune and attempt to browbeat her into confessing where the money has been stashed. There is a wild goose chase where the question, “Who is really crazy and who is sane?” comes into play. With warmth, humor and dignity, this charming play celebrates those who are often overlooked, emphasizing kindness, affection and empathy in a world that too often rewards greed and ambition. Written by John Patrick, it runs from January 17 through February 23 at the Lonny Chapman Theatre (Main Stage) in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.

“Sleeping Giant” When a firework-filled marriage proposal goes very wrong, the accompanying explosions wake up something very old that has been sleeping in the nearby lake for thousands of years. What follows are intimate, darkly comic and sometimes startling vignettes about the lengths people go to when they desperately want to believe in something. Written by Steve Yockey, and directed by Ann Hearn Tobolowsky, it runs from January 17 through February 23 at the Road Theatre in North Hollywood. For tickets call 818-761-8838 or visit www.roadtheatre.org.

“Here Comes the Night” When Olivia, a musician’s wife and climate science advocate, invites Maggie, an old friend turned social media influencer, to spend the weekend while she has an at-home medical abortion, she doesn’t realize that Maggie is about to throw Olivia off course. And actually, these women of different generations are about to alter each other’s lives in ways they hadn’t expected or imagined. What happens when a woman’s right to choose becomes a litmus test for all of her life choices? Written by Lisa Kenner Grissom, and directed by Hailey McAfee, it runs from January 18 through February 16 at the Moving Arts Theatre in Atwater. For tickets call 323-472-5646 or visit www.movingarts.org.

“The Seagull” On a country lake, a star-struck girl of 19 becomes entangled with a famous actress, her famous writer-boyfriend, and her troubled son. The girl rejects the romantic pleadings of the son but steals the heart of the famous writer and heads for Moscow to pursue him and pursue a life in the theatre as an actress. Written by Anton Chekhov, and directed by Bruce Katzman, it runs from January 18 through February 9 at the Odyssey Theatre in Los Angeles. For tickets visit www.streetratmedia.wixsite.com/the-seagull-la.

“Eleanor” A tour-de-force solo performance by Kandis Chappell brings to life the dynamic and iconic First Lady, Eleanor Roosevelt. Both strong and vulnerable, public and private, Eleanor Roosevelt’s fascinating story will sweep you away. Learn more about the passionate and unforgettable woman at the heart of her husband’s presidency whose impact on history cannot be understated. Written by Mark St. Germain, and directed by David Ellenstein, it runs from January 19 through February 2 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“Millennium Magic 2025” Back in 2000, magician, actor and Theatre West member George Tovar originated Millennium Magic, an annual festival of Magic Castle magicians performing for one weekend each fall at Theatre West. This year, George returns to host three amazing performances as he is joined onstage by his magical friends from Hollywood’s Magic Castle, Vegas, cruise ships and television shows. This array of great talents from the world of magic is the twenty-third annual presentation of this popular show. The line-up of magicians will vary at each performance, so one could attend all three dates and see three different programs. Nowhere else will you be able to see an array of talented magical performers of this caliber at such an affordable price. Written and directed by George Tovar, it runs from January 24 through January 26 at the Theatre West in Los Angeles. For tickets call 323-851-4839 or visit www.theatrewest.org.

“East of the Sun and West of the Moon” is based on a Norwegian folk tale. Karen, a young woman, is offered the chance to rescue her impoverished family from its dire straits if she agrees to become the companion of an enchanted bear for a year. Within the body of the bear resides a handsome prince destined to become Karen’s true love, but the Evil Queen of the Trolls has hatched a scheme to thwart Karen and dominate the bear for the queen’s own purposes. Can love prevail? Written by Kai Cofer, with music by Larry Evans, lyrics by Kai Cofer, and directed by Jon Peterson, it runs from January 25 through January 26 at the Lineage Performing Arts Center in Pasadena. For tickets visit www.our.show/eastofsun.

“The Play That Goes Wrong” The Cornley Drama Society in Britain is putting on a 1920s murder mystery, but as the title suggests, everything that can go wrong… does! The accident-prone thespians battle against all odds to make it through to their final curtain call with hilarious consequences! Written by Henry Lewis, Jonathan Sayer & Henry Shields, and directed by Eric Petersen, it runs from January 25 through February 16 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.LaMiradaTheatre.com.

“Jane Austen in 89 Minutes” is a comedy in which a cast of madcap ladies and gents bring all six of Jane Austen’s beloved novels to comic life and includes modern day zingers about Jane Austen’s fame, fandom, movies, and TV series. The play takes place in a wrinkle in time, the present day intermingled with England’s Regency Era, 1811-1816. At several points, Jane Austen must rein in her characters when they run amok and try to take over the show. Written and directed by Syrie James, it runs from January 29 through February 9 at the Greystone Mansion in Beverly Hills. For tickets call 310-364-3606 or visit www.theatre40.org.

Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:

Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall and our co-publisher/editor Sid Fish, we want to send our thanks to the publicists who supply us with this content, to the editors and publishers who deliver it to you, and most importantly, to our readers who use the information we provide!

Sincerely,

Steve Zall, Publisher
Sid Fish, Co-Publisher & Editor

While we may not have snow on the ground here, we do have other ways to enjoy the holiday season – such as going to see live theater in one of our local venues! With so many to choose from, how can you miss?

Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.

The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:

OPENING

“A Christmas Carol” Every word in Elliott’s play is right out of the novel — not a single one has been added. Throw in lush original music, eye-popping costumes, holiday crafts in the beautifully decorated lobby and photo ops with the cast after the show, and this A Christmas Carol might just be the best holiday party in town. Written by Charles Dickens, adapted by Geoff Elliott, with music by Robert Oriol, and directed by Geoff Eliiott and Julia Rodriguez-Elliott, it runs December 1 through December 24 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.

“A Cowboy Lullaby” Immerse yourself in the timeless allure of cowboy culture as our talented singers and instrumentalists weave a rich tapestry of song, story, and frontier spirit. From haunting ballads to foot-stomping anthems, A COWBOY LULLABY celebrates the rugged charm and indomitable spirit of the American cowboy. So grab your hat and join us under the stars for a night of music that will transport you to a place where dreams are as vast as the open range. Written by James O’Neil and Dan Wheetman, with music by Dan Wheetman, and directed by James O’Neil, it runs December 4 through December 22 at the Rubicon Theatre in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“MADAM SCROOGE: A Christmas Carol Musical” this unique holiday adaptation recounts the story of Madam Eleanore Scrooge, a miserly spinster visited by the ghost of her former business partner Jacob Marley and the spirits of Christmas Past, Present, and Yet to Come. For those 21+ you can make the evening extra special by adding the “SPIRITS OF THE SEASON: Vintage Cocktails & Holiday Jazz Speakeasy” pre-show event. Hidden inside The Nocturne Theatre, are two festive holiday lounges to explore. This pre and post-show lounge is a whimsical space filled with enchanting decor and stunning photo opportunities that are sure to make all your friends jealous. After capturing the perfect snapshot, relax and enjoy the one-hour jazz show in the Speakeasy Cabaret lounge, featuring nostalgic seasonal songs performed by our talented Holiday singers and pianists. Guests may also enjoy Holiday twists on your favorite vintage cocktails and mocktails, crafted with fresh-pressed ingredients. It’s the perfect way to complete your holiday theatre experience! Offered on various dates during the run of the show. Entry price includes reserved seating to the show. Written by Justin Patrick Meyer, with music by Chris Thomas, and directed by Melissa Meyer, it runs December 5 through December 22 at the Nocturne Theatre in Glendale. For tickets visit www.TheNocturneTheatre.com.

“A Christmas Carol” The story follows the miserly Ebenezer Scrooge as he is visited by the Ghosts of Christmas Past, Present, and Future, who take him on a journey of self-discovery. Through their guidance, Scrooge learns the true meaning of Christmas and embraces the spirit of generosity and compassion. Written by Charles Dickens, with music by Alan Menken, lyrics by, and directed by Tim Nelson, it runs December 6 through December 22 at the Rose Center Theater in Westminster. For tickets call 714-793-1150 Ext. 1 or visit www.rosecentertheater.com.

“Bob’s Holiday Office Party” Every year, insurance agent Bob Finhead’s whacked out friends and clients stop by his small-town Iowa office for their annual holiday bash. The town mayor, the sheriff, the twin farmer sisters, the stoner, the town floozy and the pastor’s wife have already RSVP’d for this year’s event. But Bob has dreams of a bigger life and wants to escape their narrow-minded thinking. Will he be able to fulfill his dream of becoming a professional inventor and move to the big city, or will he come to realize how much he is the heart and soul of the town? Will any of this matter once the party starts, the bickering and fighting begins, and the drinks hit the floor? The play is set in the office of insurance salesman Bob Finhead in Neuterburg, Iowa (population 382). Bob is carrying on a flirtation with the mayor’s wife, while the mayor himself is busy accommodating a male houseguest. Joe, the alcoholic town sheriff, is attracted to Brandy, the town party girl who is the twin sister of Carol, the minister’s emotionally disturbed wife. There’s one other set of twins in town, La Donna and La Voris Johnson, wealthy farmers who are proud members of the Neuterburg Tea Party. Written by Joe Keyes and Rob Elk, and directed by Matt Roth, it runs December 6 through December 21 at the Odyssey Theatre in Los Angeles. For tickets visit www.onstage411.com/BHOP.

“Heart of the Holidays” Everyone is invited to enjoy this celebratory play with songs about the importance of community and inclusion. The play includes joyful performances of holiday favorites, including Carol of the Bells, Up on the Rooftop, Run Run Rudolph, The Santa Claus Boogie, Skating (an instrumental by Rex), Angels We Have Heard on High, Grown Up Christmas List, Santa Baby, Pure Imagination, White Christmas, (Everybody’s) Waitin’ For the Man with the Bag, Sleigh Ride, Winter Wonderland, Let it Snow, All I Want for Christmas is You, Happy Holidays, and The Holiday Season. Be ready to join in if a few songs are shared as an audience sing-along! Written and directed by Laurie Gran, with music by Laurie Gran and Devin Weitz, it runs December 6 through December 14 at the Blue Door in Culver City. For tickets visit www.artsupla.org.

“Mrs. Dilber’s Christmas Carol” Mrs. Dilber, Scrooge’s maltreated housekeeper in Charles Dickens’ A Christmas Carol, meets Marley and the Spirits of Christmas before they haunt Scrooge and sets off on a past, present, and future adventure of her own in this subversive and hilarious reimagining of the holiday classic. Written by Arthur M. Jolly, and directed by Michael Houston, it runs December 6 through December 22 at the Loft Ensemble in North Hollywood. For tickets call 818-452-3153 or visit www.loftensemble.org.

“All About Santa” It’s holiday time at the North Pole and everyone is in a tizzy – Santa has disappeared. Is he taking a vacation? Did the sleigh run out of spirits? Can Mrs. Claus keep the home fires burning and the toy shop churning until he can be found? And to make matters worse, who should appear on the scene but the Suits – the Mad Men from Badison Avenue – ready and willing to “solve” the problem with a host of plans to make the holidays even more commercial than ever. The good North Pole folk in this heart-warming Victorian yuletide musical almost succumb to these sinister hijinks, but, with the help of the audience, love and good cheer conquers all, leaving the way clear for still another happy holiday season! Written and directed by Evelyn Rudie and Chris DeCarlo, with music by Evelyn Rudie and Matthew Wrather, it runs December 7 through December 15 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.SantaMonicaPlayhouse.com.

“Rapunzel and Her Holiday Wish” is based on the beloved fairytale, this hair-larious tangled tale undergoes a Holiday Panto makeover. Prepare for a spellbinding journey as Rapunzel tries to escape from her tower with the help of her friends Dame Betty and Simple Simon, all while learning her true identity. Get set for Laguna’s favorite holiday event, filled with laughter, music, pop music from Taylor Swift to Queen and of course snow! Written by Kris Lythgoe, with music by Andy Street, and directed by Becky Lythgoe, it runs December 7 through December 29 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“Troubie’s Home Alone-ly Hearts Club Band” The Troubies’ will be casing the joint for laughs – accompanied by a live band, and lively lobby bar! Celebrating 23 seasons of holiday shows the Troubies are GETTING BETTER all the time. This year’s original, world-premiere musical-comedy is a holi-DAY IN THE LIFE of 6-year-old Kevin McAllister and his wacky family including mom, Kate. But soon SHE’S LEAVING HOME (bye bye), and little Kevin has to say, “GOOD MORNING, GOOD MORNING!” to nobody, while FIXING A HOLE where the burglars get in! Instead, KATIE’S IN THE SKY with DIAMONDS in first class, while Kevin’s in the house with criminals, pondering life without his family, “WHEN I’M 64…” So don’t stay home alone this holiday season…visit the Colony Theatre and GET BY WITH A LITTLE HELP FROM YOUR FRIENDS, the Troubies! Written and directed by Matt Walker, with music by Ryan Whyman, it runs December 7 through December 22 at the Colony Theatre in Burbank. For tickets call 818-558-7000 or visit www.troubie.com.

“OY! To The World” celebrates the Jewish songwriters’ contribution to the canon of Christmas music we all know and love. Each iconic tune captures the spirit of the Yuletide season. From Mel Tormé to Johnny Marks, Sammy Cahn to Jule Styne! Featuring well-known hits that have become beloved Christmas standards like “Have Yourself a Merry Little Christmas”, “I’ll Be Home for Christmas”, “Rudolph the Red-Nosed Reindeer”, “Santa Baby” “The Christmas Song”, “Santa Claus Is Coming to Town” and many more. Written by Gregory Thirloway & Maurice Godin, with music by Gerald Sternbach, and directed by Maurice Godin, it runs December 12 through December 22 at the El Portal Theatre Monroe Forum in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

“Holly Dolly Christmas” Singer/actress Kim Eberhardt returns to Sierra Madre Playhouse with Holly Dolly Christmas, a special holiday edition of her acclaimed show Love, Dolly, a heartfelt musical tribute to country legend Dolly Parton that drew sold-out crowds and adoring fans to the Playhouse last year. This delightful yuletide version showcases some of the Rock ‘n’ Roll Hall of Famer’s multi-platinum hits that have become beloved holiday classics, among them “Rockin’ Around the Christmas Tree,” “Jingle Bell Rock,” “Have Yourself a Merry Little Christmas,” and “Have a Holly Jolly Christmas!” Written and directed by Kim Eberhardt, it runs December 13 through December 22 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.

“Peter Pan and Tinker Bell: A Pirate’s Christmas” is a singing, swashbuckling adventure performed in the high-flying style of a British holiday Panto. Take off on a wild quest with Tinker Bell, Wendy and Peter Pan as they try to put a stop to the plot of some dastardly pirates who plan to kidnap Peter as a present to Captain Hook. Filled with big laughs, magic, dancers and contemporary songs by everyone from Taylor Swift to The Bee Gees, this family show has a little bit of something for everyone! Written by Kris Lythgoe, and directed by Bonnie Lythgoe, it runs December 13 through December 29 at the Scherr Forum Theatre at the Bank of America Performing Arts Center in Thousand Oaks. For tickets call 805-449-2787 or visit www.5startheatricals.com.

“Sugarplum Fairies” Get your golden ticket to this fantastical, candy-coated edition of GMCLA’s beloved holiday event! It’s a concert filled with sugar plums, rich chocolate, and pure fantasy. Our Chorus of 200 will sing and dance 25 songs that celebrate holiday choral traditions and musical confections from classic melodies like “Dance of the Sugar Plum Fairies” from The Nutcracker to popular hits like Dolly’s “Hard Candy Christmas” and Sia’s “Candy Cane Lane!” And we won’t stop until we’ve brought you into a world of “Pure Imagination” with a special tribute to the recent film Wonka and the original Willy Wonka and the Chocolate Factory, showcasing some of the most magical music ever written! Written by Lou Spisto, with music by Ernest H. Harrison, and directed by Ernest H. Harrison, it runs from December 14 through December 15 at the Saban Theatre in Beverly Hills. For tickets visit www.GMCLA.org/SugarPlumFairies.

“Both: A Hard Day’s Silent Night” Open Fist Theatre Company’s annual holiday charity concert spectacular. A rockin’ choir and a swinging live band spread peace and joy, telling the Christmas story through effervescent Gospel arrangements of Beatles songs. Proceeds benefit Heart of Los Angeles (HOLA), giving underserved kids an equal chance to succeed through a comprehensive array of after-school academic, arts, athletics and wellness programs. Written by Mark Wilson, with music by Chris Wabich, and directed by Eboni Nichols, it runs December 18 through December 22 at the Atwater Village Theatre in Atwater Village. For tickets call 323-882-6912 or visit www.openfist.org.

Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:

Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall and our co-publisher/editor Sid Fish, we want to send a special heartfelt thanks to the publicists who supply us with this content, the editors and publishers who deliver it to you, and most importantly, to our readers who rely on the information provided in our columns. May the joy of the holidays last you throughout the coming year!

Sincerely,

Steve Zall, Publisher
Sid Fish, Co-Publisher & Editor

Cooler days have finally arrived, which means it’s time to spend an evening or two in one of our local venues where you can take in one of these fine productions. Don’t miss out on this great opportunity!

Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.

The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:

OPENING

“DIVA The Play” DIVA is the story of world-renowned Australian opera singer Louisa McCrae reliving her life through the lens of a fractured mind. As she unpacks a suitcase full of memories, she is transported back to powerful moments that shaped her extraordinary life. As her mind starts slipping, can she hold onto the memories long enough to revive her broken heart? Written by Vivienne Powell, and directed by Leah Patterson, it runs November 1 through November 10 at the Zephyr Theatre in Los Angeles. For tickets visit www.DIVAtheplay.com.

“A Doll’s House” Witness the play that shook the theatre world and changed everything! This fresh adaptation of Ibsen’s intense drama as Nora Helmer, a woman ahead of her time, faces the ultimate test of courage and self-discovery. In a world that expects her to be nothing more than a devoted wife and mother, Nora dares to ask: What happens when a woman decides to reclaim herself? In her most lucid moment, Nora exclaims “I AM A PERSON”: a person who has never been seen or heard, like millions of women everywhere. Experience the revolutionary masterpiece that has captivated audiences for over a century. Written by Henrik Ibsen, and directed by Mia Christou, it runs November 1 through November 24 at the Beverly Hills Playhouse in Beverly Hills. For tickets visit www.bhplayhouse.com.

“A Good Guy” tells the story of Anna Pope, who as long as she remembers, has always wanted to be a teacher. When a series of events leads to a tragic outcome, she becomes an unexpected hero in her own classroom: a good guy with a gun. Written by David Rambo, and directed by John Perrin Flynn, it runs November 1 through November 10 at the Matrix Theatre in Los Angeles. For tickets visit www.roguemachinetheatre.org/a-good-guy.

“Joan” Comedian. Trailblazer. Force of nature. From Greenwich Village nightclubs to “The Tonight Show” to Hollywood’s red carpets, Joan Rivers made and remade her career through triumph and tragedy. This is the story of a pioneer and the story of a mom—who were one and the same. Get up close and personal with the famously edgy, fearless and loving legend in this hilarious and heartbreaking account of an American icon. Written by Daniel Goldstein, and directed by David Ivers, it runs November 1 through November 24 at the South Coast Repertory Julianne Argyros Stage in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“A Streetcar Named Desire” The Streetcar Project presents Williams’s complete, unabridged text with just four performers, no props, and no set. By stripping bare to the bones one of the greatest pieces of American drama ever written, The Streetcar Project has established itself as a genuine underground sensation throughout the past year by astonishing audiences in private homes, a SoHo fashion boutique, movie theatres, churches, barns, warehouses, art galleries, and factories in and around New York City. As the ghosts of Williams’s New Orleans prepare to haunt Los Angeles, West Coasters will now have the chance to grab the ticket for which New Yorkers have been clamoring. Written by Tennessee Williams, and directed by Nick Westrate, it runs November 1 through November 3 at the warehouse at 2100 Zeno Place in Venice. For tickets visit www.thestreetcarproject.com/tickets.

“A Doll’s House Part 2” The story continues! Fifteen years after the door slammed shut, Nora Helmer returns to the home she once left behind. Now a successful author and advocate for women’s rights, she must confront the past she thought she had escaped. With sharp dialogue and surprising twists, this modern sequel delves into the complexities of marriage, identity, and the price of freedom. Don’t miss this powerful exploration of what it means to come back—and what it takes to move forward. Written by Lucas Hnath, and directed by Allen Barton, it runs November 2 through November 24 at the Beverly Hills Playhouse in Beverly Hills. For tickets visit www.bhplayhouse.com.

“One For the Road” is a chilling study of power and powerlessness. Set in an unnamed totalitarian country, the play presents a violent, disturbing portrait of political horror in which an interrogator torments a tortured prisoner and his imprisoned wife and child. Written by Harold Pinter, and directed by Miguel Perez, it runs November 2 through November 3 at the Art of Acting Studio Theatre 2 in Los Angeles. For tickets visit www.brownpapertickets.com/event/6459496.

“A View from the Bridge” delves into the complexities of family, love, and justice. Set in a tight-knit Italian-American community in 1950s Brooklyn, the play explores the lives of its characters with raw emotion and powerful storytelling. As tensions rise and secrets unravel, the audience is drawn into a world where loyalties are tested, and the consequences of one’s actions have far-reaching implications. With compelling characters and intense relationships, this timeless drama keeps audiences on the edge of their seats from start to finish. Written by Arthur Miller, and directed by David Ellenstein, it runs November 3 through November 17 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“It’s All Your Fault, Tyler Price!” follows Jackson, a middle school boy with big feelings who’s in big trouble after punching his bullying classmate, Tyler Price, for mocking Jackson’s sister, Lucy. Lucy, who attends the same school’s special day class, has epilepsy and related learning challenges. To avoid expulsion, Jackson’s principal insists he explain himself to the entire school. In response, Jackson stages a scrappy, heartfelt musical using music he “borrows” from his composer dad. Through each family member’s bravery, we watch healing begin for all. Written by Ben Decter and Kristin Hanggi, with music by Ben Decter, and directed by Kristin Hanggi, it runs November 7 through December 15 at the Hudson Theatre in Los Angeles. For tickets visit www.tylerpricemusical.com.

“The Goddamn Couple Down the Hall (Oh…., and Merry Christmas!)” It’s Christmas in Pasadena. And the Woodruff clan is gathering at the condo of elder daughter, Dana. Her fiancé, Chad, is preparing a gourmet feast for the holiday. The guests include Dana’s parents, Jerry and Maureen, as well as her younger sister, Sydney, and her boyfriend, Lance. What promises to be a beautiful day spent with loved ones gets turned on its head by the goddamn couple down the hall, Lucinda and Kenny, who clearly hate each other, and whose screaming matches – funny and foul-mouthed — can be heard loud and clear by the Woodruffs. When things down the hall suddenly go quiet, the Woodruffs wonder if that means Kenny and Lucinda have kissed and made up? Or could there be foul play? The family’s divided on whether they should investigate. Is it better to let sleeping dogs lie or should they dig in and try to unravel what actually happened between their feuding neighbors? Written by Mark Wilding, and directed by Charlie Mount, it runs November 8 through December 15 at Theatre West in Studio City. For tickets call 323-851-4839 or visit www.theatrewest.org.

“Private Eyes” Matthew believes his wife, Lisa, is having an affair with Adrian. Or is he just imagining it? Or is it actually a play they are rehearsing? Or is it something to keep his therapist entertained? The twists and turns keep coming, as the audience is left to determine what is actually true in this self-styled “relationship thriller”? Written by Steven Dietz, and directed by Michael Keith Allen, it runs November 8 through December 15 at the Theatre Palisades at the Pierson Playhouse in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.org.

“Adventures In the Great Beyond” A twenty-year old rebellious devotee of new age philosophy drops out of college to follow a gregarious guru and a band of soul-searching pranksters in the middle of the Arizona desert. In this 90-minute immersive pop rock production, the stage is set for a divine musical comedy of karmic proportions. Girl meets boy, and in the story’s unconventional twist — a mother-guru romance that transcends lifetimes, offers a comical and provocative lens through which to examine intergenerational dynamics and spiritual soul-searching. This clever plot device underscores the cyclical nature of human experience, a theme that resonates with the musical’s exploration of mysticism and self-realization. For truth-seekers of all ages Adventures in the Great Beyond is a refreshing romp through life six decades into the Age of Aquarius. Featuring musical numbers about karma, meditation, miracles and more. Written and directed by Tom Chiodo, with music by Joe Nedder, lyrics by Tom Chiodo, it runs November 9 through December 8 at the Hudson Mainstage Theatre in Los Angeles. For tickets visit www.greatbeyondmusical.com.

“Fiddler on the Roof” Jason Alexander stars in a Broadway classic! Overflowing with musical hits you know and love, including “Tradition,” “Sunrise, Sunset,” “If I Were a Rich Man,” “Matchmaker, Matchmaker,” and “To Life (L’Chaim!),” Fiddler on the Roof is the heartwarming story of fathers and daughters, husbands and wives, and life, love, and laughter. Our beautiful production will introduce a new generation to this uplifting celebration which raises its cup to joy! To love! To life! Written by Joseph Stein, with music by Jerry Bock, lyrics by Sheldon Harnick, and directed by Lonny Price, it runs November 9 through December 1 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.LaMiradaTheatre.com.

“The Girl Who Made the Milky Way” The Khoisan, an ancient ethnic group with a long and intriguing history, are believed to be the oldest human inhabitants of southern Africa. In the play, a young girl, Little Sister (Stakiah Lynn Washington), evolves from struggling with her place and duties among her people to embracing her uniqueness, voice, courage, and identity. Supported by a cast of archetypal characters in the form of animals, trees, mountains and spirits (Jamela Asha, Edward Hong, Max Lawrence, Carter Michael and Makha Mthembu), Little Sister braves the dangers of the African savanna and confronts the unfair expectations the world has of her because she is a girl. Not only does she help find her father by creating the stars of the night skies, but she also discovers her true self. Written by June Carryl, and directed by Armina LaManna, it runs November 9 through November 17 at the Colony Theatre in Burbank. For tickets call 818-649-9474 or visit www.imaginetheatreca.org.

“Agatha Christie’s The Murder of Roger Ackroyd” is a thrilling tale of greed, blackmail and murder most foul. This ingenious 1926 novel cemented Christie’s reputation as the greatest mystery novelist of all time. The story’s shocking twist ending has thrilled readers for generations and has been called “the best and most cunning solution devised in her storied career.” Now, the landmark novel comes to the stage in a new and fastmoving adaptation. Filled with colorful characters, outrageous laughter and nail-biting suspense, this Christie classic is sure to leave audiences guessing, gasping and delighting in the case long after the curtain has come down. Written by Mark Shanahan, based on the book by Agatha Christie, and directed by Jules Aaron, it runs November 14 through December 15 at Theatre Forty in the Mary Levin Cutler Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.

“Waiting for Godot” As Vladimir and Estragon wait and wait for the arrival of the elusive Godot, a cast of mysterious misfits interrupt their endless vigil in Samuel Beckett’s tragi-comic masterpiece that has captivated audiences for decades. Written by Samuel Beckett, and directed by Judy Hegarty Lovett, it runs November 14 through December 15 at the Gil Cates Theater at Geffen Playhouse in Westwood. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.

“Arms Around America” Staged as if a radio theater company is performing a live broadcast, the evening-length shows will include four actors navigating a forest of microphones, while voicing dozens of characters. Froot will create live foley sound effects with an eclectic collection of everyday objects. Wholly contributing to the experience is a three-piece band. The performers will share the stage with eight audience members seated at a kitchen table, who will provide real-time commentary on the unfolding action. Written and directed by Dan Froot, with music by Julio Montero, it runs November 15 through November 16 at the UCLA Nimoy Theater in Los Angeles. For tickets visit www.cap.ucla.edu/event/dan-froot-company-0.

“First Date” when blind date newbie Aaron is set up with serial-dater Casey, a casual drink at a busy New York restaurant turns into a hilarious high-stakes dinner. Written by Austin Winsberg, with music by Alan Zachary & Michael Weiner, and directed by James Esposito, it runs November 15 through December 1 at the Zephyr Theatre in Los Angeles. For tickets visit www.chrtheatre.com.

“The Producers” a down-on-his-luck Broadway producer and his mild-mannered accountant come up with a scheme to produce the most notorious flop in history, thereby bilking their backers (all “little old ladies”) out of millions of dollars. Only one thing goes awry: the show is a smash hit! Written by Mel Brooks and Thomas Meehan, with music by Mel Brooks, and directed by Susan Weisbarth, it runs November 15 through December 14 at the Westchester Playhouse in Los Angeles. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.

“Broadway Showstoppers in Concert” features one Broadway showstopper after another, performed by a splendid cast of Broadway and Hollywood veterans, 12 spectacular dancers, all accompanied by Fred Barton’s 16-piece orchestra! Written and directed by Scott Thompson, with music by Fred Barton, it runs November 16 through November 17 at the El Portal Theatre Debbie Reynolds MainStage in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

“Clue” murder and blackmail are on the menu when six mysterious guests assemble at Boddy Manor for a night they’ll never forget! Was it Mrs. Peacock in the study with the knife? Or was it Colonel Mustard in the library with the wrench? Based on the fan-favorite 1985 Paramount Pictures movie and inspired by the classic Hasbro board game, CLUE is the ultimate whodunit that will leave you dying of laughter and keep you guessing until the final twist. Written by Sandy Rustin, Hunter Foster and Eric Price, with music by Michael Holland, and directed by Casey Hushion, it runs November 29 through December 1 at the Bank of America Performing Arts Center in Thousand Oaks. For tickets visit www.BroadwayInThousandOaks.com.

CONTINUING

“Committed?” Let’s face it: Suicide Sucks. And no one knows how to handle it. How do you transform the worst thing that’s ever happened to you…? With humor as a shield and community as her anchor, Lisa uses raw honesty and biting wit to share a “Ritual for Robbie.” Written by Lisa Robins, and directed by Mitch Levine, it runs through November 3 at the Rogue Machine at the Matrix Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.org/committed.

“Beehive: The 60’s Musical” is a wailing musical tribute to the groundbreaking female voices of the 1960’s.Featuring such beloved hits as Natural Woman, My Boyfriend’s Back, One Fine Day, Proud Mary and more, BEEHIVE: THE 60’S MUSICAL features six extraordinary women performing more than two dozen timeless hits from Aretha Franklin, Diana Ross, Janis Joplin, Carole King, Tina Turner and more. Complete with a live onstage 5-piece band and funkadelic 60’s fashions, BEEHIVE: THE 60’S MUSICAL will have audiences of all ages movin’ and groovin’ and shouting for more. Written by Fred Helsel, and directed by Augusto Guardardo, it runs through November 10 at the Simi Valley Cultural Arts Center in Simi Valley. For tickets call 805-583-7900 or visit www.simi-arts.org.

“Summertime, An Interlude” The hottest day of summer is interrupted when a community leader is rushed to the hospital. As Red fights for his life, the neighborhood bands together to hunt down his wannabe executioner. Through belly laughs, cold beer, and blunt smoke, the truth about the shooting at “Red’s Deli” bleeds out. Relationships are tested, lies are told, questions are answered, confessions are made — and before sundown, the neighborhood loses a piece of its heart forever. Written by Aniello Fontano, and directed by Dayo Ade, it runs through November 10 at Sawyer’s Playhouse in Loft Ensemble in North Hollywood. For tickets call 818-452-3153 or visit www.loftensemble.org.

Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:

Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall and our co-publisher/editor Sid Fish, we want to send our heartfelt thanks to the publicists who supply us with this content, the editors and publishers who deliver it to you, and most importantly, to our readers who rely on the information provided in our columns.

Sincerely,

Steve Zall, Publisher
Sid Fish, Co-Publisher & Editor

Those days of extreme heat seem to finally have ended, but you can still escape the daily grind of everyday life by visiting one of our local venues to experience the magic of live theater. It’s an awesome experience you won’t want to miss!

Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.

The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:

OPENING

“The Life and Music of George Michael” The American Theatre Guild is pleased to present the dynamically staged concert-style show which chronicles George Michael’s remarkable musical journey. This dynamically staged concert-style show, which chronicles George Michael’s remarkable musical journey and his deep connection with fans, will tour over 25 cities in the U.S. Audiences will join a true celebration of this icon, and experience live renditions of early hits from Wham! as well as George Michael’s illustrious solo career that made him a legend. celebrates the performance and sound of one of the biggest international stars of our time. The show will have fans on their feet dancing and singing along to blockbuster hits including “Wake Me Up Before You Go Go,” “Freedom,” “Faith,” “Careless Whisper,” “Father Figure,” and many more. Written and directed by Dean Elliott, with music by George Michael, it runs one night only on October 9 at the Bank of America Performing Arts Center in Thousand Oaks. For tickets visit www.BroadwayInThousandOaks.com.

“Robert Dubac’s the Book of Moron” Robert Dubac returns to Laguna Playhouse with The Book of Moron, his newest Off-Broadway hit described as one of the most “Hilarious” “Intelligent” and “Scorching” satirical attacks on idiocracy since Mark Twain. For those tired of adolescent comedies generated by the mediocrity of television, this fast-paced satire comes to life with precision and wit. It’s comedy on steroids. Think your funny bone can handle it? Robert Dubac’s the Book of Moron is recommended for ages 13+.Written and directed by Robert Dubac, it runs October 3 through October 4 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“¡Pasaje!” The riveting coming-of-age story explores themes of identity, belonging, and community through the eyes of Andy on the eve of his 18th birthday. He discovers that everything he believes in – his ethnicity, his family, his upbringing – are lies that have been told to him since birth. These lies lead Andy to South El Monte, where he meets a beautiful dancer, Marcelina, and the community patriarch, Don Miguel, who help him unearth long-buried secrets, propelling him to a poignant revelation about the Latin American diaspora and ultimate acceptance of his true self. In the end, he discovers his family is both flawed and redemptive. Written by American J. Quiroz, with music by Asdru Sierra, and directed by Benjamin Perez, it runs October 4 through November 3 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.

“Crevasse” Filmmaker and Nazi propagandist Leni Riefenstahl meets Walt Disney in this world premiere. In 1938, German filmmaker Leni Riefenstahl went to Hollywood to find American distribution for her award-winning film, Olympia. Only one studio head would meet with her: Walt Disney. Ann Noble and Leo Marks star in an astonishing true story of betrayal, Nazi propaganda and cartoons. Written by Tom Jacobson, and directed by Matthew McCray, it runs October 4 through October 27 at the Victory Theatre Center in Burbank. For tickets visit www.thevictorytheatrecenter.org.

“House of Spirits” House of Spirits is a free-roam cocktail party inside the TRULY haunted Nocturne Theatre! Enjoy a night of themed cocktails, macabre magic, strange roaming specters, live music and interactive experiences.  Take your experience to a deeper level by interacting with characters to discover a sinister story at the heart of it all.  A truly unique haunted experience, unlike any other party in town! 

Guests are encouraged to dress up for the evening, be it in costume, cocktail attire, or your favorite time-period clothing! All time periods will fit in at the House of Spirits, as the specters who roam the halls have been around throughout countless centuries.

 -> Engage, interact and discover! By speaking with the specters and spirits who roam the halls, you’ll slowly uncover the mysteries of the house’s dark history.  Clues, riddles and secrets to the nature of the hauntings are hidden throughout the premises, so always keep your eyes and ears open, you never know what you might discover.

 -> Guests are free to experience the events of the evening at their own level and leisure.  You may simply choose to indulge in the included cocktail tastings, while enjoying the live shows and roaming entertainment, or you might decide to dig a little deeper and explore the hidden mysteries of the house, to uncover the sinister story that lies at the heart of it all.  The choices are up to you!

 -> Our crafted cocktails are designed to elevate your spirit game! Themed specifically for House of Spirits, our cocktails are curated into a ‘tasting menu’, featuring a variety of unique flavor profiles unlike anything you’ve ever had before.  Be bold, try them all and you may discover a new favorite spirit by the end of the night!

 -> Ask the Giant Ouija Board questions as you commune and interact with the spirits of the house. If you feel like digging a little deeper, speak with the inhabitants of the house to reveal a sinister story that haunts the mansion.

Ticket Options:

• Bronze: Full access to the 2-hour experience + 4 mini craft cocktails.
• Silver: Full access + 4 mini craft cocktails and a bonus fifth cocktail.
• Gold: Full access + expedited entry, 4 mini craft cocktails, a bonus fifth cocktail, and decadent chocolates.

Produced by Justin & Melissa Meyer, it runs October 4 through November 2 at the Nocturne Theatre in Glendale. For tickets visit www.thenocturnetheatre.com/shows.

“Little Shop of Horrors” Seymour Krelborn is a meek and dejected assistant at a floral shop who happens upon a strange plant, which he affectionately names “Audrey II” after his crush at the shop. Little does he know that this strange and unusual plant will develop a soulful R&B voice, a potty mouth, and an unquenchable thirst for HUMAN BLOOD! Written by Howard Ashman, with music by Alan Menken, lyrics by Howard Ashman, and directed by Brian Kite, it runs October 4 through October 20 at the Scherr Forum Theatre at the Bank of America Performing Arts Center in Thousand Oaks. For tickets call 805-449-2787 or visit www.5startheatricals.com.

“The Orphans’ Revenge” In this wickedly smart musical, we find a selfless heroine sacrificing herself to keep an orphanage from being recycled into a saloon. Originally produced by The Group Rep, this was one of the most successful productions in their 50-year history, eventually wending its way to the Ford Theatre in Washington, DC. It is tongue-planted-ferociously-in-cheek with music that is imminently hummable and lyrics that are wickedly whip smart. Written by Suzanne Buhrer and Gene Casey, with music by Gene Casey, Suzanne Buhrer and Jan Casey, and directed by Stan Mazin, it runs October 4 through November 10 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.

“Phoenix” When Bruce and Sue meet four weeks after an uncharacteristic one-night-stand, Sue has this to say to him: one, I had a great time with you that night and two, let’s never see each other again. Thus begins, a 4,000-mile journey well beyond the confines of their carefully structured worlds. Bruce is fueled by an overwhelming but undefined compulsion to join her in Phoenix. Sue is reluctantly charmed by his persistence, but steadfast in her resolve to keep him at bay. Both are forced to consider a whole new world of possibility, though not one free of difficulty and loss. A dramatic comedy about courage. Written by Scott Organ, and directed by Michael Yavnieli, it runs October 4 through October 19 at the BROADWATER BLACKBOX in Los Angeles. For tickets visit www.eventbrite.com/e/phoenix-by-scott-organ-presented-by-aegis-theatre-company-tickets-1008626036627?aff=oddtdtcreator.

“Trouble in Mind” The play tackles the harsh truths of racism of the 50s and 60s in American theatre. Set during rehearsals for a Broadway show, the story centers on Wiletta Mayer, an African American actress who has long been cast in stereotypical roles. As rehearsals progress, Wiletta’s fight for dignity clashes with the realities of the industry’s racial biases, threatening her career. Written by Alice Childress, and directed by Kimberly Hébert Gregory, it runs October 4 through November 10 at the Actors Co-op’s David Schall Theatre in Hollywood. For tickets call 323-462-8460 or visit www.actorscoopboxoffice@gmail.com.

“Heading Into Night: A clown play about…[forgetting]” bring a clown ode to loss and remembrance to the Odyssey stage, exploring the unexpected humor and discoveries to be found in the loss of memory, and deeply honoring the experience of people whose memories are fading. Written by Beth F. Milles and Daniel Passer, and directed by Beth F. Milles, it runs October 5 through November 17 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

“Just for the Record” An intimate evening of the behind-the-scenes stories of the greatest songs of rock ‘n’ roll from the composer & arranger who was there, in the recording studios. You will hear songs and stories about sessions with Barry Manilow, Dionne Warwick, Louis Armstrong when he recorded “What a Wonderful World” and so many more! You will hear his composition of Barbra Streisand’s “Here’s to Life” as you have never heard it before. Hear these famous hit songs that shaped his musical career. It’s the soundtrack of your life! It is truly a night you’ll always remember, an experience you will never forget! Written and directed by Artie Butler, it runs October 5 through October 6 at the DEBBIE REYNOLDS MAINSTAGE – El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

“Norwid’s Return” A keen thinker and fervent moralist, Norwid’s work only gained world recognition long after his death. Classical music by the great composers, performed by pianist Łukasz Yoder, illuminates the Norwidean darkness and the complexity of his mind. Written by Kazimierz Braun, and directed by Marek Probosz, it runs October 5 through October 6 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

“The Errors Tour starring Varla Jean Merman” Drag icon and award-winning singer and comedienne Varla Jean Merman will return to Catalina Jazz Club in Hollywood with her new show The Errors Tour for two performances only. Written by Jeffery Roberson, Ricky Graham, and Jacques LaMarre, and directed by Michael Schiralli, it runs October 8 through October 9 at the Catalina Jazz Club in Hollywood. For tickets visit www.CatalinaJazzClub.com.

“160 Years of Walking: 1865-2025” charts a harrowing journey from the brutal shackles of slavery to the complex realities of contemporary society through the lens of a single bloodline. The show seamlessly blends traditional dramatic elements with innovative forms like hip-hop and stream-of-consciousness, creating a truly immersive theatrical experience that resonates with audiences on multiple levels. The bold fusion of historical fact and imaginative storytelling creates a powerful and thought-provoking tapestry that is both deeply personal and profoundly universal. Written by David Lee Lindsey, and directed by Justin Lord and Veronica Thompson, it runs October 11 through October 27 at the Stella Adler Academy of Acting and Theatre in Hollywood. For tickets visit www.townestreetla.org.

“Robbin, From the Hood” In this re-imagined, classic tale, corporate greed dominates the deceptive game of capitalism. Robbin Woods, a 17-year-old math genius, is given the opportunity to enter that seemingly unattainable world. Once inside, she recognizes the massive inequities that exist and creates a plan to level the playing field, because sometimes you have to do the wrong thing for the right reason. Written by Marlow Wyatt, and directed by Chuma Gault, it runs October 11 through November 17 at the Road Theatre in North Hollywood. For tickets call 818-761-8838 or visit www.roadtheatre.org.

“A Girl Grows Wings” Inspired by testimonials and essays written by young, undocumented immigrants known as “Dreamers,” A Girl Grows Wings poignantly depicts one girl’s journey as she navigates the fallout her status inflicts on her hopes and dreams. The daughter of undocumented immigrants who fled violence in their home country, Alma’s parents cross the border when she is just an infant. At the age of 18, Alma begins to navigate the world of possibility in the only country she’s ever called home. However, learning of her undocumented status presents new challenges and betrayals. Alma goes on a journey to reconnect with her fractured cultural identity and her familial roots. Triumphing over adversity, she grows her wings in a touchingly beautiful and imaginative style. Written by Marisela Treviño Orta, and directed by Rocío Carrillio, it runs October 12 through October 20 at the Los Angeles Theatre Center in Los Angeles. For tickets call 818-761-8838 or visit www.latinotheaterco.org.

“The Wisdom of Eve” an engrossing tale of an unscrupulous ingenue’s rise to Broadway stardom through lies, cheating and blackmail. Written by Mary Orr, and directed by Bryan Rasmussen, it runs October 12 through November 23 at the Whitefire Theatre in Sherman Oaks. For tickets call 818-687-8559 or visit www.whitefiretheatre.com.

“I, Daniel Blake” a powerful, timely and poignant story about people coming together in the face of a Kafkaesque government bureaucracy that refuses to see them as human beings. Daniel is a caring, warm-hearted middle-aged man who suddenly finds himself unable to work. Katie hopes for a fresh start for herself and her teenage daughter. Together, they attempt to navigate the nightmarish unemployment and public housing system while clinging to their dignity and humanity. We are all Daniel Blake. Written by Dave Johns, adapted by Paul Laverty, and directed by Simon Levy, it runs October 13 through November 24 at the Fountain Theatre in Los Angeles. For tickets call 323-663-1525 or visit www.FountainTheatre.com.

“I’ll Be with You Shortly” Welcome to the afterlife. Take a number. Carrie has been in a car accident. Becoming aware of her immediate surroundings, she concludes that she’s probably dead. She’s not in Heaven, and she’s not in Hell. She’s in some kind of waiting area. When she inquires, she’s told that it’s “Reception.” While she waits, an assortment of individuals parades ahead of her. Some are directed to a Heavenly paradise. Others will go straight to some level of the Inferno. Has Carrie been a good person or a bad person? She’ll learn her ultimate fate and destination. She’ll be in for two big surprises that neither she nor the theatre audience can expect. Written by Michael Merton, and directed by Carol Becker, it runs October 15 through November 7 at the Loft Ensemble Theatre in North Hollywood. For tickets visit www.neoensembletheatre.ticketspice.com/ill-be-with-you-shortly.

“Four Top” is a relationship comedy about the sometimes confused, sometimes desperate and sometimes farcical search for love and meaning, and the realization that it is better to have loved and lost than never to have been bitten by a ferret at your ex’s engagement party. Written by Michael B. Kaplan, and directed by Kathleen R. Delaney, it runs October 17 through November 24 at the Lonny Chapman Theatre – Upstairs Stage in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.

“Ain’t Misbehavin’ – The Fats Waller Musical Show” audiences will journey back to the dynamic New York jazz scene of the 1920s and 1930s that celebrates the essence of the Harlem Renaissance and the black musicians whose unsurpassed talents illustrated the era’s cultural landscape. Written by Murray Horowitz and Richard Maltby, Jr., with music by Various composers and lyricists, and directed by Paul David Bryant, it runs October 18 through November 3 at the Carpenter Performing Arts Center in Long Beach. For tickets call 562-856-1999 or visit www.musical.org.

“Being Piaf” Actress, singer and writer Eleanora Owen channels the “little sparrow,” sharing her life story and repertoire with the audience. Tim Byron Owen directs this original solo play with music that highlights Piaf’s joie de vivre, resilience, and triumph over a life of abject poverty and despair. Written by Eleanora Owen, and directed by Tim Byron Owen, it runs October 18 through October 27 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

“The Civil Twilight” A twisty thriller, THE CIVIL TWILIGHT takes place over a single night during a once-in-a-century storm when a popular radio personality winds up trapped in a motel room in the Midwest with his biggest fan and a deadly game of trust and recrimination is played. Written by Shem Bitterman, and directed by Ann Hearn Tobolowsky, it runs October 18 through November 24 at the Broadwater Studio Theatre in Los Angeles. For tickets call 818-761-8838 or visit www.theciviltwilight.ludus.com.

“Murder on the Links” When Christie’s most famous detective, Hercule Poirot, arrives in France in response to an urgent summons from Paul Renauld, he finds he’s too late — M. Renauld now lies dead, face down in a grave on the edge of the golf course he was building. Certain facts do not add up… and when a second body is found, it’s been stabbed in a seemingly impossible way. Written by Steven Dietz from the novel by Agatha Christie, and directed by Todd Nielsen, it runs October 18 through November 3 at the International City Theatre in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.

“The Piano Lesson” A captivating story about legacy, identity and cultural heritage unfolds in 1930s Pittsburgh, where a brother and sister are locked in a bitter dispute. At the center of their debate is a precious family heirloom—a piano with the faces of their ancestors carved into it. While one sees an important history worth preserving, the other sees the key to unlocking a brighter future. In Wilson’s enthralling prose, this Pulitzer Prize-winning play weaves together elements of history and spirituality, creating a haunting story about reckoning with a complicated past. Written by August Wilson, and directed by Gregg T. Daniel, it runs October 19 through November 10 at A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.

“A Streetcar Named Desire” The Streetcar Project presents Williams’s complete, unabridged text with just four performers, no props, and no set. By stripping bare to the bones one of the greatest pieces of American drama ever written, The Streetcar Project has established itself as a genuine underground sensation throughout the past year by astonishing audiences in private homes, a SoHo fashion boutique, movie theatres, churches, barns, warehouses, art galleries, and factories in and around New York City. As the ghosts of Williams’s New Orleans prepare to haunt Los Angeles, West Coasters will now have the chance to grab the ticket for which New Yorkers have been clamoring. Written by Tennessee Williams, and directed by Nick Westrate, it runs October 28 through October 30 at an airplane hangar overlooking the LA River in Frogtown (2415 Eads Street) in East Los Angeles. For tickets visit www.thestreetcarproject.com/tickets.

CONTINUING

“Once” On the streets of Dublin, an Irish busker who has lost faith in love and music meets a Czech immigrant who reignites his passion and inspires him to dream once more. Over the course of one fateful week, an unexpected friendship and collaboration quickly evolves into a beautiful but complicated love story, underscored by compelling, emotionally rich music. Written by Enda Walsh, with music by Glen Hansard and Markéta Irglová, and directed by Michael Michetti, it runs through October 6 at the Rubicon’s Karyn Jackson Theatre in Ventura. For tickets visit www.rubicontheatre.org.

“Standing By” Through a chance meeting, Jeffery, a rambunctious, free-spirited television writer, and Ellen, a concert flutist who is more private and reserved, fall deeply in love despite their differences. But their blossoming romance is cut short by Ellen’s leukemia relapse. Forced to confront their deepest fears and past wounds, they learn the true meaning of love and courage. Written by Norman Barasch, and directed by Wolfgang Bodison, it runs through October 6 at the Playhouse West – Magnolia Studio in North Hollywood. For tickets visit www.onstage411.com/standingby.

“Little Shop of Horrors” the wildly popular story of down-on-his-luck Seymour, who pines for his beautiful co-worker, Audrey, at Mushnik’s Skid Row Florists—not knowing the feelings are mutual. When he stumbles across a strange and interesting new plant, it looks like Seymour may get everything he’s ever wanted. But first, he’ll have to tackle the sneaky succulent’s unquenchable thirst for human blood in this thrilling creature feature bursting with the sounds of doo-wop and Motown. For Seymour to reap the benefits that his voracious plant promises him: love, fame and fortune, he has to keep the plant alive—with blood. Written by Howard Ashman, with music by Alan Menken, lyrics by Howard Ashman, and directed by Jenn Thompson, it runs through October 19 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:

Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall and our co-publisher/editor Sid Fish, we want to send our heartfelt thanks to the publicists who supply us with this content, the editors and publishers who deliver it to you, and most importantly, to our readers who rely on the information provided in our columns. Wishing you health, prosperity, and joy throughout the year!

Sincerely,

Steve Zall, Publisher
Sid Fish, Co-Publisher & Editor