MAISON DE MUSIC FOUNDATION & LA VOIX STUDIO MUSIC GALA HONORED MOTOWN’S RECORD BREAKING AND MOST INFLUENTIAL GIRL GROUP OF ALL TIME – THE SUPREMES!
Students and Stars performed side-by-side at the Gala!
BEL AIR, CA | Sunday, April 23, 2023 – La Voix Studio in association with the Maison De Music Foundation showcased their 10th Annual Gala honoring Randy Taraborrelli, and had a special Tribute to The Supremes. The gala brought out musical legends and artists to honor Motown’s record-breaking and most influential girl group of all time. Celebrity guests included Scherrie Payne, Lynda Laurence, & Susaye Greene, all formerly of THE SUPREMES, Freda Payne, Joyce & Pam Vincent (from Tony Orlando & Dawn) Randy Taraborrelli (biographer of Diana Ross and Beyonce), Janie Bradford (former VP of Motown), Gloria Hendry (from James Bond “Live And Let Die”), Betty Kelly (of Martha Reeves and the Vandellas), Reggie Dozier (Grammy Award Winning Music Engineer), Donald Welch (Producer & Director), Charlo Crossley (of Bette Midler’s Harlettes), Marla Gibbs (from “227” and “The Jeffersons”) and many more!These inspiring musical greats welcomed a new generation of emerging artists that performed special tributes of chart-topping memorial hits in an effort to help raise donations for The Maison De Music Foundation. The long-awaited Annual Gala of the year was held at the American Jewish University in Bel Air, California. The event was scheduled to be from 3:00 pm to 10:00 pm, but lasted until at least 11:00 pm, because everyone was enjoying the night by dancing to the classic hits played by the DJ.
A portion of the proceeds from the event’s ticket sales went to the Maison De Music Foundation for student scholarships. The Maison De Music Foundation is a Nonprofit Organization created for the community to provide diverse services to several music and dance studios, actors workshops etc., by offering scholarships, musical instruments, and transportation. The foundation prides themselves on building a personal relationship with all students, parents, and instructors. The non-profit’s main purpose is to make music lessons more accessible and encourage individuals to pursue music education.
La Voix Studio is the studio where singers develop and improve their voices. It is located in the heart of Studio City and operated by top vocal coaches and celebrity professional singers. The studio offers private vocal lessons with an instructor, group sessions, sight reading classes, singer’s classes, master classes and online lessons as well as piano and guitar lessons. La Voix Studio helps students prepare for auditions, expand their range, enhance their power, confidence, strengthen their voice and eliminate their breaks, all to gain control and preserve the longevity of their voices. The celebrity studio houses great vocal talent and wishes to continue to spread the wealth of knowledge among others. Visit www.lavoixstudio.com for more information.
The event was intended to be a fundraiser for the Maison De Music Foundation scholarship fund, but sadly very few people donated to the fund although they clearly enjoyed the event. However, we have some good news! There is still a way to donate to this very worthwhile cause, even if you didn’t attend the gala, and ALL DONATIONS ARE TAX-DEDUCTIBLE! Please help by donating today! The link is: https://secure.givelively.org/donate/maison-de-music-foundation/sponsorship.
Reported by Sid Fish, All Beverly Hills Publishing
It’s great to see that more of the theaters we feared had been lost during the pandemic closure are opening their doors again with new shows. Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend an event to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running at this time:
OPENING
“Dark of the Moon: A New Musical” follows John, a witch boy from the Smoky Mountains, who falls in love with Barbara Allen, a beautiful and rebellious mortal girl who longs for more life than she finds in the fictitious Appalachian town of Buck Creek. John is willing to give up anything to be with Barbara Allen, and makes a deal with the conjure people to give up his immortality and become mortal if Barbara and he can stay true to each other for a year. Based on the classic stage play of the same name, this new musical adaptation is the sexy, soulful tale of young lovers torn apart by prejudice and fear – a modern melding of “Twilight” and Romeo and Juliet loosely based on a centuries-old ballad. Heart wrenchingly beautiful, and profoundly poetic, Dark of the Moon features a dual score by an award-winning songwriting team with a bluegrass/folk sound voiced by the humans juxtaposed with a rock/soul sound from the witches. Written by Jonathan Prince, with music by Lindy Robbins, Dave Bassett and Steve Robson, and directed by James O’Neil, it runs April 1 through April 16 at the Rubicon Theatre Company in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.
“Kiss of the Spider Woman” Set in a South American prison cell in a country under authoritarian rule, two polar opposites discover that love may spring in the most unlikely of places. Poignant, chilling, funny and sensual, this intimate two-hander is the story of Valentin, a macho political prisoner whose commitment to the Marxist cause takes precedence over everything else, and queer, movie-loving Molina, who escapes the harsh reality of prison life by retelling beloved film noir classics and emulating their glamorous leading ladies. Forced to share a cell in Buenos Aires’ notorious Villa Devoto prison during Argentina’s “Dirty War,” the two forge an unlikely relationship. Written by Manuel Puig, and directed by Michael Michetti, it runs April 1 through April 23 at A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.
“Accomplice” A woman, having an affair with her husband’s junior business partner, contrives to seize control of a significant portion of her husband’s company assets and dispose of her annoying spouse by poisoning his drink. Of course, if the plot was this simple, this would be a remarkably short entertainment. However, the play manipulates our perceptions of who will be the perpetrator and who will be the victim with plot twists that occur with increasing frequency and velocity. Central to the action is the fact that there’s an accomplice in there somewhere, whose participation ensures the success of the whole criminal undertaking. Just exactly who is the accomplice? Unless you’re already a dedicated mystery buff, you won’t see this one coming. Written by Rupert Holmes, and directed by Trace Oakley, it runs April 7 through April 29 at the Sherry Theatre in North Hollywood. For tickets visit www.eventbrite.com/e/accomplice-tickets-591780299807.
“The Pilot Who Crashed the Party” An off-beat homage to the drawing room dramas of the ’30s, this unique and entertaining new play is set in the Santa Monica Mountains on a violent, stormy night filled with rain, lightning and thunder. The streets outside the mansion where Sally is celebrating her 50th birthday are narrow, winding and newly full of mud — when a pilot in a small, single engine plane literally crashes the party. Who, exactly, is this surprise guest? Written and directed by Paul Sand, it runs April 8 through May 7 at the Broadwater Theatre Main Stage in Los Angeles. For tickets visit www.onstage411.com/Pilot.
“Battlesong of Boudica” The legions of conquering Rome have swept across the mist-shrouded island of Britannia and subdued most of its warring, disunified tribes. On the advice of his consort Boudica, Chief Prasutagus of the Iceni tribe, has forged an alliance with the occupying Romans in hope of preserving his people’s liberty. But when Prasutagus is conscripted by Rome and killed in battle, Roman law refuses to recognize Boudica or her young daughters as the deceased chief’s heirs. For resisting the confiscation of her family’s ancestral home by the Romans, Boudica is flogged, and her daughters brutally assaulted. Savaged, dishonored, and discarded for dead, Boudica seeks a bloody revenge. Securing the chiefdom of her tribe by trial of fight, Boudica sends word across Britannia: Rise up, unite and push the Romans out. Soon all of Celtic Britannia is in revolt, rallied beneath the banner of War Chief Boudica. But the steeled force of Rome intends neither surrender nor retreat. And so, the stage is set for an epic battle, the subject of legends and songs sung across two millennia. Written and directed by Christopher William Johnson, it runs April 9 through April 30 at the Hudson Backstage in Hollywood. For tickets visit www.school-of-night.ticketleap.com/battlesong-of-boudica.
“Ava: The Secret Conversations” “I either write the book or sell the jewels. I’m kinda sentimental about the jewels.” So says legendary Hollywood icon Ava Gardner to her ghost writer Peter Evans as they begin work on her tell-all biography that will shock Tinseltown. But as Peter attempts to glean the juicy details about her life story, her marriages to Mickey Rooney, Artie Shaw, and Frank Sinatra, and her turbulent relationship to Howard Hughes, an altogether different and unexpected journey unfolds in this theatrical glimpse into the private life of Hollywood’s original femme fatale. Written by Elizabeth McGovern, and directed by Moritz von Stuelpnagel, it runs April 13 through May 7 at the Gil Cates Theater at the Geffen Playhouse in Westwood. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.
“George Gershwin Alone Final Farewell Performances of Gershwin” This exploration of Gershwin’s short but extraordinary life illuminates the master tunesmith whose work shaped a distinctly American style of music. George Gershwin Alone spotlights this brilliant composer’s prolific partnership with his brother, lyricist Ira Gershwin, and incorporates beloved songs ranging from the popular hits “Fascinating Rhythm,” “I Got Rhythm,” “’S Wonderful,” and “They Can’t Take That Away from Me,” to excerpts from ground-breaking musicals Porgy and Bess and An American in Paris, and a complete performance of “Rhapsody In Blue.” Written by Hershey Felder, with music by George Gershwin and Ira Gershwin, and directed by Joel Zwick, it runs April 13 through April 16 at the Wallis Annenberg Center for the Performing Arts Bram Goldsmith Theater in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org.
“An American In Paris” Originally a jazz-influenced orchestral piece by American composer George Gershwin that was first performed in 1928, this version of the An American in Paris musical is inspired by the Academy Award-winning hit 1951 movie of the same name that starred Gene Kelly and Leslie Caron. An American soldier, an alluring French woman, and an indomitable European city each yearn for a new beginning in the aftermath of World War II. MTW’s An American in Paris will feature an enchanting score by George and Ira Gershwin, a fresh, sophisticated book by Tony nominee and Pulitzer Prize finalist Craig Lucas, and stunning choreography from tap to ballet that will sweep audiences off their feet! Written by Craig Lucas, with music by George and Ira Gershwin, and directed by Jeffry Denman, it runs April 14 through April 30 at the Carpenter Performing Arts Center in Long Beach. For tickets call 562-856-1999 or visit www.musical.org.
“The Laramie Project” In 1998, Matthew Shephard, a college student at the University of Wyoming was kidnapped, beaten, tied to a fence and left to die. His crime? Being gay. Kaufman, Fondakowski and members of the Tectonic Theater Project made six trips to Laramie over the course of a year and a half. They conducted more than 200 interviews with the people of the town. The breadth of the reactions to the crime is fascinating. They have constructed a deeply moving theatrical experience from these interviews and their own experiences in Laramie. This play is a breathtaking collage that explores the depths to which humanity can sink and the heights of compassion of which we are capable. Written by Moises Kaufman, Ms. Leigh Fondakowski and The Techtonic Theater Project, and directed by Kathleen Delaney, it runs April 14 through May 21 at the Lonny Chapman Theatre Main Stage in North Hollywood. For tickets call 818-761-8838 or visit www.roadtheatre.org.
“Moose on the Loose” The Tappino family left their impoverished existence in Calabria, Italy, decades ago for America in search of a better life, like generations of immigrant families before them. They got as far as Way Up Bay, a remote little town somewhere in a frosty part of Ontario, Canada, and they stayed there. And they had kids. And then they had grandkids. Daughter Gina left home to establish herself in the professional world of marketing and now she’s coming home to Way Up Bay to take a year off from work. It’s not a simple vacation. She has a hidden agenda. What could it be? Ironically, the day she arrives, a moose wanders into the Tappinos’ residential neighborhood, and in a town where the most popular television station is The Weather Channel, a moose on the loose is big news. This arouses some concern, as moose can be wild, unpredictable and are downright enormous. So, Daddy Giuseppe decides to go after it with a gun. And the local police go after him. Because this is a comedy about a large and loving albeit chaotic Italian extended family (sister Carmela has an Anglo husband, brother Bruno has an Indigenous girlfriend), the action will sooner or later wind up at the dinner table. What’s Gina’s big secret? What will happen to Giuseppe? What will happen to the moose? How long will it take the Tappinos to discover that the moose is not the only one who is displaced and confused? Written by Dina Morrone, and directed by Peter Flood, it runs April 14 through May 21 at Theatre West in Los Angeles. For tickets call 323-851-7977 or visit www.theatrewest.org.
“Scintilla” Michael and Nora travel to visit his mother Marianne, a reclusive artist who lives at the edge of the woods in California’s Wine Country. As a raging wildfire approaches, Michael must deal with Marianne’s stubborn refusal to leave, and the arrival of two unexpected visitors. The rising tension exposes a complicated family history erupting into a larger question about our very survival on this planet. Written by Alessandro Camon, and directed by Ann Hearn Tobolowsky, it runs April 14 through June 4 at the Road Theatre in North Hollywood. For tickets call 818-761-8838 or visit www.roadtheatre.org.
“Jane Austen Unscripted Tea at Pemberly” An afternoon of improv & English Tea in our garden, starring the critically acclaimed Impro Theatre, in a love-struck and hilarious OUTDOOR production. This is a fully improvised play that brings the world of Jane Austen to life with your suggestions, and dare we say, participation. The always-new production will be presented on the NEW outdoor stage in the garden at Garry Marshall Theatre. Written by Impro Theatre Company, it runs April 15 through May 14 at the Garry Marshall Theatre in Burbank. For tickets visit www.garrymarshalltheatre.org.
“44 – THE unOFFICIAL, unSANCTIONED OBAMA MUSICAL” Barack Obama’s election changed history. And as we can clearly see, it also ended racism forever! But 44 is the story of Obama you won’t read about in history books…because history books are now banned in most states. But also because 44 is the story of Obama as Joe Biden kinda sorta remembers it. Written and directed by Eli Bauman, with music by Eli Bauman, additional songs co-written by Eli Bauman and Jon “Bowzer” Bauman, it runs April 19 through May 20 at the Bourbon Room Hollywood in Hollywood. For tickets visit www.BourbonRoomHollywood.com.
“Dr. Keeling’s Curve” Tells the story of the life and work of Dr. Charles David (“Dave”) Keeling (1928-2005), whose work on CO2 (carbon dioxide) measurement at Caltech in the mid-1950s gave the world its first early warnings of the dangers of climate change. The fully dimensional narrative explores his life as a husband father as well as his brilliant work as a scientist. Written by George Shea, and directed by Kirsten Sanderson, it runs April 21 through April 23 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.
“Romeo Rocks the 80’s” Based on Shakespeare’s Romeo and Juliet, Romeo Rocks the 80’s is a climatic musical featuring an all-blind cast and extraordinary musicians with different disabilities. The production centers around Romeo’s ability to cross over the thresholds of political demands and fight to the death to find his true love. Written by William Shakespeare, with music by Laurie Grant, and directed by Greg Shane, it runs April 21 through May 6 at the Blue Door in Culver City. For tickets visit www.bluedoorculver.com.
(Photo by Richard Andert)
“Footloose: The Musical” is all about fun, dancing & the carefree nature of being a teenager. The indelible music, created from the 1998 musical, is based on the 1984 film and has truly stood the test of time. Not only is Footloose a coming-of-age story or a struggle to fit in, but one that digs far deeper into the impact of death on people’s lives and how they choose to move on from it, or in this case, how they choose not to move on from it. The show tells the story of a city-slicker outsider Ren McCormack and his mother Ethel as they move from fast-paced Chicago to a much slower Beaumont, Texas in search of a change of pace and hopefully a better life. Written by Dean Pitchford and Walter Bobbie, with music by Tom Snow, lyrics by Dean Pitchford and Kenny Loggins, and directed by Barry Pearl and Michelle Elkin, it runs April 22 through May 14 at the Simi Valley Cultural Arts Center in Simi Valley. For tickets visit www.panicproductions.org.
“The King and I” Set in the 1860s, THE KING AND I is based on the true story of Anna Leonowens, a widowed schoolteacher from Wales, who travels to Siam to teach the King’s many children. Her effect on the kingdom and the kingdom’s effect on her are the basis of this beautiful and classic musical. Written by Oscar Hammerstein II, with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and directed by Glenn Casale, it runs April 22 through May 14 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.LaMiradaTheatre.com.
“Coleman ’72” Takes you back to the summer of 1972 through the eyes of three Korean American siblings: Jenn, Michelle and Joey, who pile into the family Buick for an All-American road trip—spontaneously orchestrated by their father. From Milwaukee to Los Angeles and back again, they hit the open plains, stocked with kimchi, banchan and lemon drops, rickety Coleman camper in tow. But Korean parents and American kids hold conflicting ideas of what they’re looking for and the real purpose of their journey comes to light. Written by Charlie Oh, and directed by Chay Yew, it runs April 23 through May 14 at the South Coast Repertory Julianne Argyros Stage in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.
“A Little Night Music” Set in 1900 Sweden, A Little Night Music explores the tangled web of affairs centered around actress Desirée Armfeldt, and the men who love her: a lawyer by the name of Fredrik Egerman and the Count Carl-Magnus Malcom. When the traveling actress performs in Fredrik’s town, the estranged lovers’ passion rekindles. This strikes a flurry of jealousy and suspicion between Desirée; Fredrik; Fredrick’s wife, Anne; Desirée’s current lover, the Count; and the Count’s wife, Charlotte. Both men – as well as their jealous wives – agree to join Desirée and her family for a weekend in the country at Desirée’s mother’s estate. With everyone in one place, infinite possibilities of new romances and second chances bring endless surprises. Written by Hugh Wheeler, with music by Stephen Sondheim, and directed by David Lee, it runs April 25 through May 21 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.pasadenaplayhouse.org.
“The Realistic Joneses” Meet Bob and Jennifer and their new neighbors John and Pony, two suburban couples who discover they have more in common than their identical homes and their surnames. Spare, suggestive, slyly hilarious, and strangely maddening, this profound play explores what is said, what is unsaid and the role that denial plays in helping us navigate life’s chaos. Written by Will Eno, and directed by Judy Hegarty-Lovett, it runs April 30 through May 14 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“South Pacific” On an island in the South Pacific during World War II, Ensign Nellie Forbush, a spunky nurse from Arkansas, falls in love with French planter Emile de Becque. When Nellie learns that the mother of Emile’s children was an island native, she refuses Emile’s proposal of marriage, unable to overcome the prejudices with which she was raised. Meanwhile, the strapping Lt. Joe Cable falls in love with a Tonkinese girl named Liat, but he, too, denies himself a future due to the same fears that haunt Nellie. When Emile accompanies Joe on a dangerous mission that claims Joe’s life, Nellie chooses to embrace a future with Emile and his children, thus confronting and conquering her prejudices.
This show features everyone’s favorite songs including “Some Enchanted Evening,” “Cockeyed Optimist,” “Nothing Like A Dame,” “Honey Bun,” “Younger Than Springtime,” and more!
Doors open at 6 pm. Show starts at 8:00 pm. Tickets are $50 / $65 / $79 / $89 + applicable fees. There are a limited number of VIP Experience Meet & Greet Available, which include a post-show reception with the lead cast and directors – $75.00 + applicable fees.
SPECIAL LIMITED TIME OFFER: Purchase the same ticket to South Pacific & Joseph’s Technicolor Dreamcoat (June 30 & July 1) and save 15% per ticket!
Under 18 Must Be Accompanied by a Paying Adult. With regard to and respect for the safety of our patrons, large bags will not be permitted. No bags bigger than 20” by 16” allowed. Written by James A. Michener, adapted by Oscar Hammerstein II and Joshua Logan, with music by Richard Rodgers, lyrics by Oscar Hammerstein II, it runs two nights only on April 28 and April 29 at the Saban Theatre in Beverly Hills. For tickets call 888-645-5006 or visit www.wmmts.com.
“Under the Skin” Lou needs a kidney. As in now. His daughter Raina’s got one to spare, but she’s also got issues. (Plenty of these.) Like, how come the son of a bitch had sex with so many women who weren’t her mother? Secrets get aired and truths revealed in this lively, unpredictable comedy that asks just how much parents and children really owe one another. Written by Michael Hollinger, and directed by caryn desai, it runs April 28 through May 14 at the International City Theatre in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.
“Whittier Boulevard” Los Angeles in the year 2042. Years of fires, torrential rain, anarchy and bloodshed have led to a totalitarian city-state where the elderly disappear, their stories forgotten. When authorities make a surprise visit to the home of faded Chicana starlet Veronica Del Rio on the eve of her 75th birthday, she enlists the help of her loudmouth nurse, a kindhearted policeman-fan, and a down-on-his-luck poet. Will Veronica disappear and be forgotten before she finds true love? Written by Evelina Fernández, Sal López, Geoffrey Rivas, Lucy Rodriguez and José Luis Valenzuela, and directed by Jose Luis Valenzuela, it runs April 29 through May 28 at the Los Angeles Theatre Center in Los Angeles. For tickets call 213-489-0994 or visit www.latinotheaterco.org.
“Why Worry? Jews R 2 Much Fun!” Kathy and Stanley are deeply in love. They want to get married. Stanley is Jewish, Kathy’s a Catholic. Interfaith marriages happen all the time in America. But Kathy’s father Chris considers Stanley’s father Marv to be a hated, sworn enemy and has felt this way for many years. Kathy and Stanley’s families are to be united in matrimony. In order to prevent Chris’ hate from derailing their happiness, they devise a plan. Stanley’s family, aided by Kathy’s mother Mary, are about to give Chris a very special education. Hilarity ensues. Chris will ultimately have to reconsider the things that are stressing him out. Written by Jerry Mayer, and directed by Chris DeCarlo, it runs April 30 through June 25 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.santamonicaplayhouse.com.
CONTINUING
“Best of Best of This Week This Week” This is L.A.’s premier topical sketch show, with a hilarious group of talented performers presenting each week’s top news stories as only they can. The writers and cast present their favorite ‘Best of Best of’ This Week This Week ripped-from-the-headlines sketches from the past year on weekends. Always fresh. Always funny. Always relevant. Written and directed by Ron West, it runs through April 8 at the Atwater Village Theatre in Atwater Village. For tickets call 323-882-6912 or visit www.openfist.org.
“Run for Your Wife” A taxi driver gets away with having two wives in different areas of London because of his irregular working schedule. But after an accident that puts him in the hospital where his contradictory personal information is found, complications pile up rapidly as tries to keep his life on the same equilibrium as before. Written by Ray Cooney, and directed by Sherman Wayne, it runs through May 6 at the Theatre Palisades in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.org.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
On behalf of the publisher, Steve Zall, and the co-publisher & editor, Sid Fish, we want to thank the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all our readers who rely on this information. We wish everyone continued good health, prosperity, and joyful times throughout the year, and especially to have a wonderful time during the Easter holiday!
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
It’s great to see that more of the theaters we feared had been lost during the pandemic closure are opening their doors again with new shows. Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend an event to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running at this time:
OPENING
“The Way It Is Now” Join the Journey. Versatile talent Dionne Lea (with Keith Harrison Dworkin) captures the quirks and quandaries of today – commiserate, contemplate and celebrate LIFE! The way it is now. With a curated collection of songs, Dionne inspires us all to think, dance and sing along. Written by Dionne Lea, it runs March 2 through March 3 at the El Portal Theatre Monroe Forum in North Hollywood. For tickets call 818-508-4200 or visit www.bit.ly/DionneLea2023.
“Love and Information” What does it mean to be human? The digital age has given humanity access to radical equality, effortless connection and unprecedented intimacy. It has also served as a driver of detachment, alienation and unbridled anger. Love and Information examines these ideas and more through a kaleidoscope of scenes that reflect on the way we communicate in the 21st century. Eight Antaeus actors play dozens of unique characters from around the planet, each asking the biggest questions in this deep, funny, sexy and engaging work. Written by Caryl Churchill, and directed by Emily Chase, it runs March 3 through April 3 at the Kiki & David Gindler Performing Arts Center in Glendale. For tickets call 818-506-1983 or visit www.antaeus.org.
“La Egoista” Josefina is a rising stand-up comic who takes nothing seriously. Her younger sister Betsaida, on the other hand, takes everything seriously. When a sudden diagnosis upends Betsaida’s life, the sisters are drawn together to rediscover the history, friction, and affection that still fuels their relationship. Written by Erlina Ortiz, and directed by Daphnie Sicre, it runs March 4 through April 9 at the Skylight Theatre in Los Angeles. For tickets call 213-761-7061 or visit www.SkylightTix.org.
“To the Bone” Sometimes life throws us a curve ball. It’s been 20 years since the Red Sox lost their chance at the pennant when a Yankees fan ran onto the field and voided the final out, but the Dugan sisters are still mad about it. Kelly and Maureen live on the south shore of Boston, where they were known as “hard girls” back in the glory days of high school. Now they’re readying the house for a meeting with the daughter Kelly gave up for adoption back when she was 17. But when Geneva shows up, things don’t go exactly as expected. Written and directed by Catherine Butterfield, it runs March 4 through March 26 at the Theatre 68 Arts Complex in North Hollywood. For tickets call 818-691-3001 or visit www.theatre68artscomplex.com.
“Mean Girls” Cady Heron may have grown up on an African savanna, but nothing prepared her for the wild and vicious ways of her strange new home: suburban Illinois. How will this naïve newbie rise to the top of the popularity pecking order? By taking on The Plastics, a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a Queen Bee without getting stung. Written by Tina Fey, with music by Jeff Richmond, lyrics by Nell Benjamin, and directed by Casey Nicholaw, it runs March 7 through March 19 at the Segerstrom Center for the Arts Segerstrom Hall in Costa Mesa. For tickets call 714-556-2787 or visit www.scfta.org.
“The Kingston Trio” America’s Troubadours! Revisit the legendary folk music with the legends themselves! FOUR TIME GRAMMY WINNERS! 100 MILLION RECORDS SOLD! Fans of the legendary folk icons The Kingston Trio can rediscover their timeless music all over again. In celebration of 60-plus years of music, the iconic folk group performs their best-loved songs as part of the ‘Keep the Music Playing’ national tour. Performing their timeless classics: Tom Dooley, MTA (He’ll Never return), Greenback Dollar, A Worried Man, Where Have All the Flowers Gone, and more. This is the kind of generational show that parents, children and grandchildren will all equally enjoy. Written by The Kingston Trio, with music by The Kingston Trio, it runs March 8 through March 9 at the EL Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.
“The Lonely Few” Lila is getting by in her Kentucky hometown—scanning groceries at the Save-A-Lot, caring for her erratic brother, and living for Friday nights, when she plays a gig with her band The Lonely Few. And that’s enough. Or she thought it was, until Amy, an established musician ragged from the road, passes through and offers her a shot at something much, much bigger. But is Lila ready for the life she never dared to imagine? Written by Rachel Bonds, with music by Zoe Sarnak, and directed by Trip Cullman and Ellenore Scott, it runs March 9 through April 9 at the Audrey Skirball Kenis Theater at Geffen Playhouse in Los Angeles. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.
“The Human Comedy” Set in war front America in 1942, tells the story of a 14-year-old boy who delivers telegrams to make money for his family. During the course of two days, he grows from an idealistic boy to a mature young man as he struggles with the unfairness of the world around him and the pain of families to whom he delivers the War Department’s death notices. Written by Thom Babbes, based on the novel by William Saroyan, and directed by Thom Babbes, it runs March 10 through April 23 at the David Schall Theater in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.
“Once” Guy meets Girl in this tender love story about a struggling Irish musician on the verge of giving up, and a piano-playing Czech immigrant who reminds him how to dream. Featuring an outstanding ensemble of performers playing their instruments live on stage, this emotionally captivating musical is the only show to have music that won an Academy Award, a Grammy Award, an Olivier Award and a Tony Award. With all of the magical songs from the critically acclaimed film, including the Oscar-winning “Falling Slowly,” this achingly beautiful, joyously uplifting show strikes an unforgettable chord in audiences and speaks to the power of music to connect us all! Written by Edna Walsh, with music by Glen Hansard and Markéta Irglová, and directed by Steve Steiner, it runs March 12 through March 26 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“(Im)migrants of the State” a unique workshop production created by and based on the real-life experiences of formerly incarcerated actors. Written by Tim Robbins, and directed by Jeremie Loncka, it runs March 15 through April 7 at the Actors’ Gang in Culver City. For tickets call 310-838-4264 or visit www.TheActorsGang.com.
“Shanghai Sonatas: A New Musical in Concert” A compelling tale of how the unifying and healing power of music brings cultures together, Shanghai Sonatas is about Jewish refugee musicians finding sanctuary in the Jewish Ghetto of Shanghai in the 1940’s. As a Jewish violinist takes on a troubled Chinese teenager as his student, a connection is made that helps both of them overcome their trauma and survive the war. This musical theater work, setting ripples in motion that carry through to this day, is based on first-person accounts of European musicians who used their optimism, humor, and musical talents to survive, forging friendships with their Chinese neighbors who saved their lives until Allied forces brought freedom to the region in 1945. Written by Alan Goodson, with music by Sean (Xiang) Gao, lyrics by Joyce Hill Stoner, and directed by Chongren Fan, it runs March 16 through March 18 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org.
“The Tempest: An Immersive Experience” In this performance, the audience is cast ashore on a mysterious island, to experience a fully realized telling of what is thought to have been Shakespeare’s final play. Guests will find themselves shipwrecked onto the shifting sands of an island under the spell of supernatural powers. Guests can excavate clues and solve puzzles, while indulging in themed artisan elixirs and island vibrations. Written by William Shakespeare, and directed by Ben Donenberg, it runs March 16 through April 16 at the Shakespeare Center LA in Los Angeles. For tickets visit www.shakespearecenter.org.
“Unrivaled” 11th century Ladies-in-Waiting Murasaki Shikibu and Sei Shonagon are, to this day, two of Japan’s most beloved writers. They also kind of hated each other. This play is about friendship, heartbreak, and what it means to be a female artist. Perhaps most of all, it’s about how no matter how much things change, the more they stay the same… even after a thousand years. Written by Rosie Narasaki, and directed by Margaret Shigeko Starbuck, it runs March 16 through April 23 at the Boston Court in Pasadena. For tickets call 626-683-6801 or visit www.bostoncourtpasadena.org.
“Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery” The male heirs of the Baskerville line are being dispatched one by one. To find their ingenious killer, Holmes and Watson must brace the desolate moors before a family curse dooms its newest heir. Watch as our intrepid investigators try to escape a dizzying web of clues, silly accents, disguises, and deceit as five actors deftly portray more than forty characters. Does a wild hellhound prowl the moors of Devonshire? Can our heroes discover the truth in time? Join the fun during this fast-paced comedy and see how far from elementary the truth can be! Written by Ken Ludwig, and directed by Susan Stangl, it runs March 17 through April 8 at the Westchester Playhouse in Los Angeles. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.
“Yaacobi & Leidental” An absurdist tale about a love triangle gone wrong, Yaacobi & Leidental isa comic escapade through the failings of friendship and love. Even as we laugh at the antics of brash Yaacobi, insecure Leidental and not-as-sweet-as-she-looks Ruth Shahash, we are reminded of our own shared human frailty in the face of desire and suffering. Written by Hanoch Levin, with music by Alex Kagan, and directed by Yonatan Esterkin, it runs March 17 through April 30 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.
PHOTO CREDIT: Jason Niedle
PHOTO CREDIT: Jason Niedle
PHOTO CREDIT: Jason Niedle
PHOTO CREDIT: Jason Niedle
“Did You See What Walter Paisley Did Today?” When a struggling beatnik sculptor in San Francisco stumbles upon a new style of art that thrusts him into fame, fortune, and perhaps some big trouble, well – you’ll just have to see what Walter Paisley did today. Three-time Emmy-winner Randy Rogel (“Animaniacs”) serves up a delightfully varied score of cool jazz, Petula Clark-like knockouts, Neil Sedaka bubble-gum pop, and more. Written by Randy Rogel, with music by Randy Rogel, and directed by BT McNicholl, it runs March 18 through April 2 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.LaMiradaTheatre.com.
“The Thin Place” Can we talk with the departed? Communicate with loved ones we’ve lost? In The Thin Place, Hnath toys with perceptions of reality and the omnipresence of death. Are psychic abilities real, or merely a cunning illusion that awakens our deepest desires? Written by Lucas Hnath, and directed by Abigail Deser, it runs March 18 through April 24 at the Atwater Village Theatre in Atwater Village. For tickets call 310-307-3753 or visit www.EchoTheaterCompany.com.
“It’s Only a Play” It’s the opening night of The Golden Egg on Broadway, and the wealthy producer Julia Budder is throwing a lavish party in her lavish Manhattan townhouse. Downstairs the celebrities are pouring in, but the real action is upstairs in the bedroom, where a group of insiders have staked themselves out to await the reviews. The group includes the excitable playwright; the possibly unstable wunderkind director; the pill-popping leading lady, treading the boards after becoming infamous in Hollywood; and the playwright’s best friend, for whom the play was written but who passed up this production for a television series. Add to this a drama critic who’s panned the playwright in the past and a new-in-town aspiring singer, and you have a prime recipe for the narcissism, ambition, childishness, and just plain irrationality that infuse the theatre—and for comedy. But don’t worry: This play is sure to be the hit they have all been hoping for. Written by Terrence McNally, and directed by Larry Eisenberg, it runs March 23 through April 23 at the Theatre Forty in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.
“Heavenly Country” Nemo would like to be able to think of himself as a modern-day cowboy. Actually, he’s a moving company employee originally from Minneapolis. In the course of his work, he meets a pretty lady named Lily whom he thinks can tutor him in the cowboy lifestyle. Lily would rather turn him into a Southern gentleman. It seems the cowboy ways include hard drinking, and Lily will have none of that. She enlists her pastor and his wife to try and save Nemo from his personal demons. Will Nemo find the heavenly country within Lily’s loving arms, or will Nemo go to hell at the bottom of a whiskey bottle? Written by Joel Russell, and directed by L. Flint Esquerra, it runs March 24 through April 22 at the Two Roads Theatre in Studio City. For tickets visit www.eventbrite.com/e/heavenly-country-tickets-440764718137?aff=ebdssbdestsearch.
“Ragtime: The Musical” this musical tapestry depicts an African-American family, a Jewish immigrant family, and a wealthy white suburban family in turn-of-the-century America, who collide in pursuit of the American Dream. Ragtime is a powerful portrait of life during the turn-of-the-century, exploring America’s timeless contradictions of freedom and prejudice, wealth and poverty, hope and despair. Written by Terrence McNally, with music by Lynn Ahrens, lyrics by Steven Flaherty, and directed by Jeffrey Polk, it runs March 24 through April 2 at the Kavli Theatre at the Bank of America Performing Arts Center in Thousand Oaks. For tickets call 805-449-2787 or visit www.5startheatricals.com.
OPENING IN APRIL
“South Pacific” On an island in the South Pacific during World War II, Ensign Nellie Forbush, a spunky nurse from Arkansas, falls in love with French planter Emile de Becque. When Nellie learns that the mother of Emile’s children was an island native, she refuses Emile’s proposal of marriage, unable to overcome the prejudices with which she was raised. Meanwhile, the strapping Lt. Joe Cable falls in love with a Tonkinese girl named Liat, but he, too, denies himself a future due to the same fears that haunt Nellie. When Emile accompanies Joe on a dangerous mission that claims Joe’s life, Nellie chooses to embrace a future with Emile and his children, thus confronting and conquering her prejudices.
This show features everyone’s favorite songs including “Some Enchanted Evening,” “Cockeyed Optimist,” “Nothing Like A Dame,” “Honey Bun,” “Younger Than Springtime,” and more!
Doors open at 6 pm. Show starts at 8:00 pm. Tickets are $50 / $65 / $79 / $89 + applicable fees. There are a limited number of VIP Experience Meet & Greet Available, which include a post-show reception with the lead cast and directors – $75.00 + applicable fees.
SPECIAL LIMITED TIME OFFER: Purchase the same ticket to South Pacific & Joseph’s Technicolor Dreamcoat (June 30 & July 1) and save 15% per ticket!
Under 18 Must Be Accompanied by a Paying Adult. With regard to and respect for the safety of our patrons, large bags will not be permitted. No bags bigger than 20” by 16” allowed. Written by James A. Michener, adapted by Oscar Hammerstein II and Joshua Logan, with music by Richard Rodgers, lyrics by Oscar Hammerstein II, it runs April 28 through April 29 at the Saban Theatre in Beverly Hills. For tickets call 888-645-5006 or visit www.wmmts.com.
CONTINUING
“Cock” is the tale of a gay man torn after meeting and falling in love with a woman. Visceral and funny, the play tackles thorny issues rarely seen onstage. Its honest and straightforward exploration of bisexuality suggests that gay or not, people fall in love with those who can give us happiness. Written by Mike Bartlett, and directed by Taubert Nadalini, it runs through March 4 at the LGBT Center’s Davidson/Valentini Theatre in Hollywood. For tickets call 323-860-7300 or visit www.lalgbtcenter.org/tickets.
“King Lear” An old, arrogant ruler, King Lear, decides to pass on the crown, bur first tests and divides the kingdom amongst three daughters. In a fit of rage, Lear banishes the youngest daughter Cordelia. The two eldest daughters of Lear reveal their true natures and betray his trust. Lear’s world and reign collapses with tragedy for all. Shakespeare’s epic and hauntingly tragic story of a Royal family, torn apart by love, greed and madness. Written by William Shakespeare, it runs through March 11 at the Helen Borgers Theater in Long Beach. For tickets visit www.LBShakespeare.org.
“Love…or Best Offer” is a romantic comedy about the trials and tribulations of online dating in the “over 50” generation including overcoming heartbreak and rejection, and all in an effort to find love, or best offer. Written by Phil Olson, and directed by Doug Engalla, it runs through March 19 at the Lonny Chapman Theatre – Upstairs at GRT in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.
“Picasso at the Lapin Agile” Paris, 1904. Albert Einstein and Pablo Picasso meet at a bar, a favorite spot for struggling artists and writers, with an array of colorful characters and lively repartee. It’s just before Einstein’s theory of relativity transformed physics and Picasso’s transition to cubism opened limitless possibilities for modern art. What might these icons of art and science have discussed while standing on the precipice of greatness? The play imagines, in a light-hearted and humorous way, the similarities of the creative process involved with great leaps of imagination in art and science. Written by Steve Martin, and directed by Amelia Mulkey, it runs through April 2 at the Ruskin Group Theatre in Santa Monica. For tickets call 310-397-3244 or visit www.ruskingrouptheatre.com.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
On behalf of the publisher, Steve Zall, and the co-publisher & editor, Sid Fish, we want to thank the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all our readers who rely on this information. We wish everyone continued good health, prosperity, and joyful times throughout the year.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
It’s great to see that some of the theaters we feared had been lost during the pandemic closure are opening their doors again with new shows. Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend an event to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running at this time:
OPENING
“The First Deep Breath” Pastor Albert Jones and his family are proud leaders of the Mother Bethel Baptist Church and pillars of their community. Plans are being made for a special memorial service to honor their late daughter Diane on the sixth anniversary of her passing. But when Abdul-Malik, the eldest son whom Albert blames for her death, returns home from prison, the family’s veneer begins to crack as shocking revelations come to light. Written by Lee Edward Colston II, and directed by Steve H. Broadnax III, it runs February 9 through March 5 at the Gil Cates Theater at Geffen Playhouse in Los Angeles. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.
“Call Me Elizabeth” A child star at age 12 (in National Velvet), she was the virgin bride of hotel heir Nicky Hilton at 18 (she quipped that she was the only virgin in Hollywood) but would marry three more times within a decade: to dashing British actor Michael Wilding, to whom she bore two sons; to producer Mike Todd, who died tragically in a plane crash, and who may have been her truest love; and to immensely popular crooner Eddie Fisher. It’s at this point in her history that Call Me Elizabeth picks up her narrative. It’s 1961, and Ms. Taylor is being interviewed by renowned journalist Max Lerner (one of her flings). Having previously received three Oscar® nominations (for Raintree County; Cat on a Hot Tin Roof; Suddenly, Last Summer), this is the year she will win the gold statue, for Butterfield 8. She’ll become the highest-paid actress in Hollywood, as well as one of its most controversial. While the general public’s obsession with the private lives of celebrities has nowhere nearly approached the dimensions that we see today, there was nonetheless enough interest in the lives of the stars to sustain a collection of gossip columns, movie magazines, and publications called scandal sheets (e.g., Confidential). Elizabeth has been called a homewrecker for allegedly derailing Fisher’s earlier marriage to Debbie Reynolds. Taylor’s fame as a performing artist is outshining the career of her singer-husband. Her marriage to Fisher is now clearly also on shaky ground. The focus of the media on her not-so-private-any-more life is overshadowing her achievements on screen. 1961 is also the year she will bounce back from a life-threatening illness. A tracheotomy will leave a scar on her neck. Her illness is one factor causing the delay of the start of production of her next feature, Cleopatra. Her co-stars will be Rex Harrison and Richard Burton. Written by Kayla Boye, and directed by Erin Kraft, it runs February 10 through February 19 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.
“Garbo’s Cuban Lover” The lover of the title is Mercedes de Acosta (1893-1968), a contract screenwriter for MGM who was also a playwright, poet and costume designer. She had affairs with some of the most illustrious actresses and writers in America, including Edith Wharton, Adele Astaire, Katherine Cornell, Pola Negri, Alla Nazimova, ballerina Tamara Karsavina, a young Tallulah Bankhead, Eva La Gallienne, dancer Isadora Duncan, Marlene Dietrich, and the love of her life, Greta Garbo. Born to a Cuban father and Spanish mother, de Acosta’s ability to move in social circles and her position as a writer for MGM put her in contact with many of the most beautiful and important women in Hollywood. Garbo’s Cuban Lover focuses on two of the most important relationships of her life—with Marlene Dietrich and Greta Garbo, professional adversaries who become rivals for de Acosta’s love. Garbo holds an erotic power over de Acosta that the Cuban cannot resist nor control. She returns to Garbo no matter how often she is betrayed. But Garbo and Dietrich both have secrets from de Acosta. It will be many years before she learns the whole truth about her two greatest loves. Written by Odalys Nanin, and directed by Angela Nicholas, it runs February 10 through February 25 at the Casa 0101Theatre in Los Angeles. For tickets visit www.eventbrite.com/e/garbos-cuban-lover-tickets-467303747087.
“Harold and Maude” This ‘offbeat, upbeat comedy’ is about a about Harold, a troubled 19 year old, who finally learns how to truly live when he meets a delightfully wacky and deliciously eccentric octogenarian, Maude. Harold’s self-attained alienation has caused him to cry out for attention in an escalating series of strange scenarios. His peculiar attachment to Maude, whom he meets at a funeral (a mutual passion) is what ultimately saves him and what thoroughly captivates the audience. This stage version will certainly delight both aficionados of the film and newcomers to the story. Written by Colin Higgins, and directed by Larry Eisenberg, it runs February 10 through March 19 at the Lonny Chapman Theatre – Main Stage in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.
“Nimrod” is the meeting place between Julius Caesar and The Simpsons Movie. It explores the breakdown of language (the fact that we’re speaking two languages) in this tendentious modern political age—this age of stupid lies, un-fake fake news, alternate facts and real bone chilling tragedy. NIMROD is a brute farce written in verse! that follows an imagined final year of an uncouth, bloviating, orange hued president’s administration from the point of view of the beleaguered First Lady. It’s a wild ride full of betrayals, unexpected violence, grand soliloquies (larded with even grander fart jokes). Written by Phinneas Kiyomura, and directed by Alina Phelan, it runs February 10 through March 19 at the Theatre of NOTE in Hollywood. For tickets visit www.theatreofnote.com.
“Former Ladies of the Supremes at Catalina Jazz Club” Scherrie Payne and Susaye Greene, Former Ladies of the Supremes, with Joyce Vincent, will be performing for one night only at the Catalina Jazz Club in Hollywood. This is an event not to be missed for those who love music from the 70s and 80s! Scherrie Payne and Susaye Greene, formerly of the Supremes, are genuine former members of the legendary Motown recording trio. The third singer in this trio is Joyce Vincent. This group can be traced to the group of yesterday, the history, the songs, and most importantly the talent is there! Since their formation in 1986 they have acquired an impressive biography with recordings and sold-out performances all over the world. The Ladies have performed alongside a host of other legendary Motown acts including The Temptations, The Four Tops, and Martha Reeves and The Vandellas. In the summer of 2000 Scherrie Payne had the honor of uniting with the Supreme Diva, Miss Diana Ross, for the Diana Ross and The Supremes “Return To Love” Tour. In April 2016 the ladies celebrated their 30th anniversary with a special performance in Hollywood, CA. Scherrie and Susaye are proud of their Supreme history, and continue to present this beautiful music to audiences worldwide as……”Scherrie Payne & Susaye Greene, Formerly of The Supremes!” Respected author, and Motown historian Sharon Davis noted that this trio is….”Authentically Keeping The Legend Alive.” The show runs February 11 only at the Catalina Jazz Club in Hollywood. For tickets call 323-466-2210 or visit www.ticketweb.com/search?q=former+ladies.
“Much Ado About Nothing” Claudio is pursuing the hand of the lovely young Hero. Meanwhile, Beatrice and Benedick want nothing of love. Beatrice and Benedick’s verbal jousts are witty and sharp, each one calculated to wound. Yet, beneath their animosity lies a mutual attraction that neither dares confess — until circumstances force them to admit their true love. Filled with romance, intrigue and surprising plot twists, Much Ado About Nothing is the ultimate screwball comedy, a precursor to those famous movies of the ’30s and ’40s. Written by William Shakespeare, and directed by Guillermo Cienfuegos, it runs February 11 through March 12 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.
“The Dreamer Examines His Pillow” Tommy has isolated himself in a sparsely furnished, crummy apartment. There’s a reclining chair, a refrigerator stocked with beer, a surreal self-portrait nailed to the wall, and that’s it. He’s recently broken up with Donna, who’s come pounding on his door. Donna is erotically obsessed with Tommy and wants Tommy back, but she’s upset that he’s been seeing her 16-year-old kid sister. Tommy would sort of like to be back with Donna, but waffles on the subject. Donna seeks advice from her widowed father, an artist who will never win a prize as dad of the year, nor husband of the year. Dad does have some surprises for her (e.g., he reveals to her what sex is for), and he has some ideas as to how Donna can resolve her situation with Tommy. You’ll have to see the play to see what happens next. Written by John Patrick Shanley, and directed by Anne Kathryn Parma, it runs February 17 through February 26 at the Odyssey Theatre in Los Angeles. For tickets visit www.odysseytheatre.com.
“How I Learned to Drive” The play focuses on her progress between the ages of 11 and 18. Her intellectual and physical development are both accelerated and she is on her way to becoming a young woman of considerable potential. Lacking a father at home, her uncle Peck steps in to counsel her and teach her things, like how to drive (hence the title). They are both in their way somewhat troubled individuals, and they find some comfort in each other’s company. Can they become close without crossing a line? Written by Paula Vogel, and directed by Steve Jarrard, it runs February 17 through March 19 at the Sherry Theater in North Hollywood. For tickets call 323-860-6569 or visit www.howilearnedtodrive.brownpapertickets.com.
“tick, Tick… BOOM!” about the courage it takes to follow one’s dreams. Funny and moving, this autobiographical work about an aspiring composer trying to write the great American musical before time and life pass him by offers a revealing look at the man who would go on to posthumously receive three Tony Awards and a Pulitzer Prize for Drama for his revolutionary rock musical, Rent. Written by Jonathan Larson, with music by Jonathan Larson, and directed by Kari Hayter, it runs February 17 through March 5 at the International City Theatre – Long Beach Convention & Entertainment Center in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.
“Calvin Berger a Musical” Loosely based on the story of Cyrano de Bergerac, the musical Calvin Berger is the contemporary and hilarious story of unrequited feelings, love notes, and physical insecurity among high school seniors. Smitten with the beautiful Rosanna, Calvin is paralyzed by self-doubt due to the size of his nose. No words of encouragement coming from his quirky best girlfriend Bret seem to help. Rosanna finds her head turned by the good-looking new student, Matt, who is painfully shy and unable to voice his mutual attraction to her. Hoping to forge a closer relationship to his love, Calvin offers to pen Matt’s eloquent love notes to Rosanna. As deceptions unravel and truths are revealed, Calvin is about to learn that sometimes what you’re looking for is right under your nose. Written by Barry Wyner, with music by Barry Wyner, and directed by Richard Israel, it runs February 18 through March 26 at the Colony Theatre in Burbank. For tickets call 866-811-4111 or visit www.colonytheatre.org.
“Disney’s The Little Mermaid” Featuring all of the beloved songs from the 1989 animated film like “Part of Your World” and “Under the Sea,” as well as new music written by Alan Menken and lyrics by Howard Ashman and Glenn Slater, this live musical performance of Disney’s The Little Mermaid promises to be a must-see Orange County family event. With stunning sets, breathtaking costumes, and a talented cast of performers, this stage production is sure to transport audiences to a world of magic and wonder. Written by Hans Christian Andersen, Roger Allers, with music by Alan Menken, lyrics by Howard Ashman & Glenn Slater, and directed by Tim Nelson, it runs February 18 through March 5 at the Rose Center Theater in Westminster. For tickets call 714-793-1150 Ext. 1 or visit www.rosecentertheater.com/disneys-the-little-mermaid.
“The Lifespan of a Fact” this highly entertaining, very funny new play follows young intern Jim Fingal, whose first assignment at an elite New York magazine is to fact check an essay written by a highly celebrated and cantankerous author. What Jim finds turns his world upside down. Thought-provoking, with zinging one-liners, The Lifespan of a Fact explodes into a hilarious slugfest between “facts” and “truth,” making it hard to imagine a play ever being more timely. Written by Jeremy Kareken, David Murrell and Gordon Farrell, and directed by Simon Levy, it runs February 18 through April 12 at the Fountain Theatre in Los Angeles. For tickets call 323-663-1525 or visit www.FountainTheatre.com.
“Sunday in the Park with George” On a Sunday afternoon on La Grande Jatte, French artist George Seurat is hoping to find the inspiration to create a masterpiece. As the piece comes together, the people come alive; his mother, his friends, his critics, the woman he loves. Stroke by stroke, dot by Dot, will George create something lasting, something new? Written by James Lapine, with music by Stephen Sondheim, and directed by Sarna Lapine, it runs February 19 through March 19 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.pasadenaplayhouse.org.
“Di Lady Di” The narrative begins when Diana is still a girl. Her family is torn apart by divorce, and she is separated from her mother. Born into a noble family, she is accorded the title of Lady. Blonde, beautiful, and a virgin at nineteen, she attracts the attention of the Prince of Wales who, a decade her senior, is under pressure to marry and generate heirs to secure the royal line. He had been dating her older sister. Diana marries the Prince and does her duty by giving birth to two sons. The Prince rewards her love with betrayal. He has a mistress. His unfaithfulness sends her into a spiral of depression and she is ultimately granted a divorce. She refuses to remain a victim, however. She is prominent as an activist for a variety of humanitarian causes, notable among them advocacy for AIDS patients and a push for the abolition of land mines. She becomes the public’s favorite Royal and regains her own agency as The People’s Princess. Written by Charlotte Munson, with music by Richard Munson, lyrics by Charlotte Munson, it runs February 24 through March 5 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.
“Steppin’ Out with Ben Vereen” is an evening filled with song, stories, and humor that takes you on a journey with tributes to Broadway, Frank Sinatra, Sammy Davis Jr., Stephen Schwartz, and splash of reggae and rock ‘n’ roll. The show features hit songs such as ‘Magic to Do’ from Pippin, ‘Defying Gravity’ and ‘For Good’ from Wicked and ‘Life is Just a Bowl of Cherries.’ The show won the prestigious Cabaret Award after playing New York’s 54 Below in 2015. Few entertainers today are as accomplished or as versatile as Ben Vereen. His legendary performances transcend time and have been woven into the fabric of this country’s artistic legacy. His first love and passion is and always will be the stage. On Broadway, Vereen starred in Pippin, Wicked, Fosse, I’m Not Rappaport, Hair, Jesus Christ Superstar, Grind, Jelly’s Last Jam and A Christmas Carol. His role in Pippin garnered him both the prestigious Tony Award and the Drama Desk Award for “Best Actor in a Musical.” He performed his show An Evening with Ben Vereen to Jazz at Lincoln Center as an exclusive eight-performance run at Dizzy’s Club. The New York Times raved, “Everything finally coalesced in ‘Mr. Bojangles,’ when he became an archetypal vaudevillian: singing, dancing, whistling – doing it all.” Written by Ben Vereen, it runs February 24 through February 25 at the Catalina Jazz Club in Hollywood. For tickets call 323-466-2210 or visit www.CatalinaJazzClub.com.
“Let Me In” Life takes an unpredictable turn for the bride’s best friend and the intended groom when a wedding becomes a funeral in this new comedy that is (most probably) based on true events. Written and directed by Brynn Thayer, it runs February 25 through April 2 at the Theatre 68 Arts Complex in North Hollywood. For tickets call 818-691-3001 or visit www.theatre68artscomplex.com.
OPENING IN APRIL
“South Pacific” On an island in the South Pacific during World War II, Ensign Nellie Forbush, a spunky nurse from Arkansas, falls in love with French planter Emile de Becque. When Nellie learns that the mother of Emile’s children was an island native, she refuses Emile’s proposal of marriage, unable to overcome the prejudices with which she was raised. Meanwhile, the strapping Lt. Joe Cable falls in love with a Tonkinese girl named Liat, but he, too, denies himself a future due to the same fears that haunt Nellie. When Emile accompanies Joe on a dangerous mission that claims Joe’s life, Nellie chooses to embrace a future with Emile and his children, thus confronting and conquering her prejudices.
This show features everyone’s favorite songs including “Some Enchanted Evening,” “Cockeyed Optimist,” “Nothing Like A Dame,” “Honey Bun,” “Younger Than Springtime,” and more!
Doors open at 6 pm. Show starts at 8:00 pm. Tickets are $50 / $65 / $79 / $89 + applicable fees. There are a limited number of VIP Experience Meet & Greet Available, which include a post-show reception with the lead cast and directors – $75.00 + applicable fees.
SPECIAL LIMITED TIME OFFER: Purchase the same ticket to South Pacific & Joseph’s Technicolor Dreamcoat (June 30 & July 1) and save 15% per ticket!
Under 18 Must Be Accompanied by a Paying Adult. With regard to and respect for the safety of our patrons, large bags will not be permitted. No bags bigger than 20” by 16” allowed. Written by James A. Michener, adapted by Oscar Hammerstein II and Joshua Logan, with music by Richard Rodgers, lyrics by Oscar Hammerstein II, it runs April 28 through April 29 at the Saban Theatre in Beverly Hills. For tickets call 888-645-5006 or visit www.wmmts.com.
CONTINUING
“Staged” Taylor and Burton, Olivier and Leigh…Fennington and Haverly. After an acrimonious divorce, can a famous, high-maintenance acting couple work together again twenty years later? Rita Rudner stars as revered actress Fenella Fennington, with Mike McShane starring as her ex-husband Jarvis Haverly, in this delightful world premiere comedy. Written by Martin Bergman & Rita Rudner, and directed by Martin Bergman, it runs through February 12 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“Other Desert Cities” A story about Brooke Wyeth who returns home to Palm Springs after a six-year absence to celebrate Christmas with her parents, her brother and her aunt. Brooke announces that she is about to publish a memoir dredging up a pivotal and tragic event in the family’s history – a wound they don’t want reopened. In effect, she draws a line in the sand and dares them all to cross it. Written by Robin Baitz, and directed by Chloe King, it runs through February 18 at the Theatre Palisades in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.org.
“Katrina” When two desperate strangers find themselves trapped in an abandoned hospital on the verge of collapse during Hurricane Katrina, they must remember how they got there before they can get out. Written by LaDarrion Williams, and directed by Jazmine Nichelle, it runs through February 19 at the Loft Ensemble in North Hollywood. For tickets call 818-452-3153 or visit www.loftensemble.org.
“Ubu the King” Killing Wenceslaus and his entire family are not enough for old Ubu, his greed and insatiable appetite lead him into a spiraling series of events that result in murder, war, and ultimately the restoration of the King’s son, Boggerlas, to the throne of Poland. Meanwhile, Ubu and his conspirators sail off to safety at the end of the play facing no consequences for their reign of terror. You must be 18 or older to attend. Written by Alfred Jarry, translation by Cyril Connolly and Simon Watson Taylor, and directed by Tim Robbins, it runs through February 25 at the Actor’s Gang Theater in Culver City. For tickets call 310-838-4264 or visit www.TheActorsGang.com.
“And If I Don’t Behave Then What” If I resist, if I cross that line, if I don’t conform …what then? Open Fist Theatre Company presents the West Coast premiere of the 2021 Eurdram English-language Committee Award-winning And If I Don’t Behave Then What by Berlin-based Serbian playwright Iva Brdar, a provocative, explosively funny and moving exploration of how “being good” can shape our lives. Written by Iva Brdar, translated by Ana Brdar, and directed by Beth F. Milles, it runs through March 4 at the Atwater Village Theatre in Atwater Village. For tickets call 323-882-6912 or visit www.openfist.org.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
On behalf of the publisher, Steve Zall, and the co-publisher & editor, Sid Fish, we want to thank the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all our readers who rely on this information. We wish everyone continued good health, prosperity, and joyful times throughout the year.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
With the holidays behind us, most of our theaters have returned to normal operations. Covid protocols are dictated by each individual venue, so be prepared to show proof of vaccination, and bring a face mask to wear during the show in case the venue requires it. You should check with the theater before you attend an event to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running at this time:
OPENING
“Chopin In Paris” In this stunning solo show, the “Poet of the Piano” tells his romantic story – a love affair with the most famous woman and authoress in France, George Sand, while sharing intimate details and live performances of some of his most beloved Waltzes, Polonaises, Mazurkas and more. Written by Hershey Felder, with music by Fryderyk Chopin, and directed by Joel Zwick, it runs January 4 through January 15 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“EISENHOWER: This Piece of Ground” Tony-winning theatre, television and film star John Rubinstein will portray General Eisenhower. Rubinstein had the honor of meeting “Ike” at the White House when he was a boy. Rubinstein, a lifelong Ike aficionado, has a deep commitment to the material and brings strength, humanity and humor to the role. This play is fiction, a piece of history. It is adapted from a range of General Eisenhower’s memoirs, speeches, and letters. The author is grateful to David Eisenhower and the Eisenhower family for permission to quote as needed. Written by Richard Hellesen, and directed by Peter Ellenstein, it runs January 6 through January 22 at the Hudson MainStage Theatre in Los Angeles. For tickets visit www.onstage411.com/eisenhower.
“Billie! Backstage with Lady Day” Billie Holiday (1915-1959) was a trail-blazing musical artist, known as perhaps the first female vocalist to use her voice in the style of jazz improvisation. Recording first with Benny Goodman, she became the first Black female vocalist to front a white band, that of Artie Shaw. She also performed with Count Basie and Duke Ellington. She had long professional associations with saxophonist Lester Young (who named her Lady Day; she called him Prez) and pianist Teddy Wilson. Born to poverty in Philadelphia, she was a victim of sexual assault while still a child and sentenced by the court to a Catholic correctional institution. It was only her first experience with the court, however. She was convicted at age 13 (along with her mother) of prostitution. Subsequent arrests involved possession of narcotics and substance abuse. Despite a turbulent life, abusive relationships, and racism, she prevailed to become one of the greatest jazz and blues artists of her time, before her untimely demise at age 44 from cirrhosis of the liver. In addition to multiple hit recordings, she sold out Carnegie Hall three times. Written by Synthia L. Hardy, and directed by Bryan Rasmussen, it runs January 13 through January 22 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.
“Final Interview” The stress of a job interview is cranked up to 10 when a gun is thrown in the mix. If the interview goes poorly, someone dies. In a claustrophobic game of cat and mouse, both interviewer and interviewee desperately try to escape a high-rise office with their lives. Final Interview exposes the corruption behind corporate greed and the ability to right the wrongs of one’s past. Written by Gabriel Oliva, and directed by Katierose Donahue-Enriquez, it runs January 13 through January 29 at the Pico Playhouse in Los Angeles. For tickets visit www.finalinterview.brownpapertickets.com.
“Home Front” VJ Night, 1945. On a night like this, anything can happen — the world is never going to be the way it was. Austin Highsmith Garces (seen at the Victory in Resolving Hedda and The End of Sex) and C.J. Lindsey (The Men in My Life, True Story on Netflix) star as a white woman and an African American soldier who fall in love the night World War II ends — a time of euphoria for Americans after years of devastating conflict. But can that sense of goodwill and new beginnings wipe away the racial mistrust and discrimination in a country still deeply mired in the Jim Crow Era? Written by Warren Leight, and directed by Maria Gobetti, it runs January 13 through February 19 at the Victory Theatre Center in Burbank. For tickets call 818-841-5421 or visit www.thevictorytheatrecenter.org.
“Brothers Play” Youngest brother Thomas has just been bailed out of jail — having thrown a rock through the stained-glass rose window at their local Catholic church, shattering his family’s code of silence mere days before Christmas. This event upsets middle brother Francis’s plans to marry a stripper, and eldest brother Jude’s commitment to honor the tradition of going to the gambling boats for the holidays like they always do. But Thomas has been sleep-walking and his stammer has returned along with memories he can no longer ignore, forcing everyone to unwrap their shared trauma just in time for Christmas. Written by Matthew Doherty, and directed by James Eckhouse, it runs January 14 through February 5 at the Legacy LA in Los Angeles. For tickets visit www.brothersplay23.com.
“Guess Who’s Coming to Dinner?” A progressive white couple’s proud liberal sensibilities are put to the test when their daughter brings her Black fiancé home to meet them in this fresh and relevant stage adaptation of the iconic film Guess Who’s Coming to Dinner. Blindsided by their daughter’s whirlwind romance and fearful for her future, Matt and Christina Drayton quickly come to realize the difference between supporting a mixed-race couple in your newspaper and welcoming one into your family—especially in 1967. But they’re surprised to find they aren’t the only ones with concerns about the match, and it’s not long before a multi-family clash of racial and generational difference sweeps across the Draytons’ idyllic San Francisco terrace. At the end of the day, will the love between young Joanna and John prevail? With humor and insight, the play begins a conversation sure to continue at dinner tables long after the curtain comes down. Written by Todd Kreidler, adapted from the screenplay by William Rose, and directed by Cate Caplin, it runs January 14 through January 22 at the Greystone Mansion in Beverly Hills. For tickets call 310-364-3606 or visit www.theatre40.org.
“Twelve O’Clock Tales with Ava Gardner” Hollywood, California… 1974. On the set of the blockbuster disaster film, Earthquake, Oscar nominated screen siren Ava Gardner is focusing on her first big budget starring role in over a decade. Tucked away in her dressing room bungalow, the “queen of the scandal sheets” does battle with her past. But only a fool would bet against Ava. Written by Alessandra Assaf and Michael Lorre, it runs January 15 through March 5 at the Whitefire Theatre in Michael A. Shepperd. For tickets call 818-687-8559 or visit www.whitefiretheatre.com.
“Incident at Our Lady of Perpetual Help” The play tells the story of the O’Sheas, a cash-challenged, Irish-Catholic family just trying to get through 1973. Linda O’Shea, our 19-year-old narrator, is attempting to re-enact for the audience the most turbulent day of her life, but her family keeps interrupting, insisting on telling their side of the story. The 1970s was a time of old school living. No Facebook, no tweets, no texting, no Skype. A time when public ridicule in a close-knit, hermetically sealed Catholic parish was the ultimate nightmare. When Linda’s mother leaves it to Linda to tell her younger sister about the birds and the bees, the bawdy conversation is somehow overheard by the parish priest…and Father Lovett is not amused. He sets out to confront the family about “the corruption of their eldest daughter’s soul.” Written by Katie Forgette, and directed by Ann Hearn Tobolowsky, it runs January 19 through February 19 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-3606 or visit www.theatre40.org.
“All My Sons” The play centers around Joe Keller, a successful manufacturer of WWII essential military supplies, who lives comfortably with his wife, Kate, and son, Chris, in a suburban American neighborhood. They have only one sadness in their lives – the loss of their son, Larry, an American fighter pilot, who went missing in World War II. After three years, Kate still clings to the hope that her son is alive. But Chris would like her to give up that hope because he wants to marry Ann, a long-time neighbor and Larry’s former fiancée. And so, it begins… to not only unravel the family but the entire neighborhood as well when secrets are revealed. Written by Arthur Miller, and directed by Ben Lupejkis, it runs January 20 through February 11 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.
“BLOOD SUPPLY: A Zombie Apocalypse Love Story” Blood Supply is a post-apocalyptic rock musical set one year after the zombie virus. Raw and authentic, hilarious and poignant, writer Holly Anne Mitchell debuts in this powerhouse piece on loss, hope, love, resilience, and redemption. Written by Holly Anne Mitchell, with music by Holly Anne Mitchell and Grady Land, with special contributions from Ian Michaels and Mike Fowler, and directed by David Dickens, it runs January 20 through February 11 at the Theatre 68 Arts Complex-The Emerson in North Hollywood. For tickets visit www.onstage411.com/bloodsupply.
“Do You Feel Anger?” What is the absurdity — and danger — of a world where the feelings of some people matter more than those of others? When Sofia is hired as an empathy coach at a debt collection agency, she finds she has her work cut out for her. These employees can barely identify what an emotion is, much less practice deep, radical compassion for others. As they painstakingly stumble towards enlightenment, someone keeps mugging Eva in the kitchen, and the unspoken dynamics of their seemingly blithe workplace culture become increasingly unsettling. Written by Mara Nelson-Greenberg, and directed by Halena Kays, it runs January 21 through February 25 at the Circle X Theater Company Atwater Village Theatre in Atwater. For tickets call 323-644-1929 or visit www.onstage411.com/bloodsupply.
“Grease” After a whirlwind summer romance, leather-clad greaser Danny and girl-next-door Sandy are unexpectedly reunited when she transfers to Rydell High for senior year. But can they survive the trials and tribulations of teenage life and find true love once more? Bursting with hits including “Summer Nights,” “Greased Lightnin’,” “Hopelessly Devoted to You,” and “You’re the One That I Want,” this thrilling new production reignites the energy and joy of the show for a new generation. Written by Jim Jacobs and Warren Casey, with music by Jim Jacobs and Warren Casey, and directed by Kari Hayter, it runs January 21 through February 12 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.LaMiradaTheatre.com.
“Southern Girls” Set in a small town in Alabama, follows the lives of six women, from childhood in 1952 through middle age in 1992. Three of the women are white, two are Black, and one is biracial. Their stories span the Jim Crow years, the Civil Rights Era, and what came after. Race impacts the trajectory of their lives to a significant degree, but they also confront class snobbery, sexism, rape, and the need to establish autonomy over their own bodies. There are friendships, romances, betrayals and careers. Some will remain in their small Alabama town. Others will get away. Some will encounter defeat, while others will live their lives in hope. Written by Sheri Bailey and Dura Temple, and directed by Zadia Ife, it runs January 21 through February 26 at the Hudson Backstage Theatre in Hollywood. For tickets visit www.onstage411.com/southerngirls.
“Mr. Yunioshi” The title Mr. Yunioshi refers to the name of the character portrayed by Mickey Rooney in the 1961 film Breakfast at Tiffany’s, directed by Blake Edwards (Rooney’s former roommate). Rooney portrays Audrey Hepburn’s neighbor. It is a cringe-inducing characterization, in which Rooney dons yellowface and wears appliances to “play Asian.” Our play Mr. Yunioshi reverses the real-life event by casting Asian American actor J. Elijah Cho to play Mickey Rooney. Rooney is depicted here as something of a narcissist, at first believing he is being cast as the romantic lead opposite Ms. Hepburn. When it becomes apparent that he is being tapped to play the role of Mr. Yunioshi, Rooney must deal with the question: Should he play the Asian character? We know from the cinematic record what he ultimately did, but our play shows how he arrived there. Written and directed by J. Elijah Cho, it runs January 27 through February 5 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.
“Appropriate” Appropriate is set in present-day Arkansas, where the estranged members of the Lafayette family gather at their late father’s crumbling plantation to prepare for the estate sale. But decades of resentment have a way of bubbling to the surface, and a shocking discovery in the piles of clutter sends them spiraling as they confront repressed histories, regrets and each other. Written by Branden Jacobs-Jenkins, and directed by Delicia Turner Sonnenberg, it runs January 28 through February 26 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.
“The Little Foxes” The Little Foxes is set in 1900 Alabama, where Ben and Oscar Hubbard stand to earn millions by funding an industrialized cotton mill. But first they’ll need their calculating sister, Regina, to secure the seed money from her dying husband. When he refuses, the siblings stop at nothing to satisfy their own ambitions and keep the wealth in the family. It is Regina, however, with razor-sharp intellect and diabolical gentility, who is the most ruthless. Ferocious and funny, this celebrated classic takes an absorbing look at all sides of the American Dream. Written by Lillian Hellman, and directed by Lisa Peterson, it runs January 28 through February 26 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.
“Former Ladies of the Supremes at Catalina Jazz Club” Scherrie Payne and Susaye Greene, Former Ladies of the Supremes, with Joyce Vincent, will be performing for one night only at the Catalina Jazz Club in Hollywood. This is an event not to be missed for those who love music from the 70s and 80s! Scherrie Payne and Susaye Greene, formerly of the Supremes, are genuine former members of the legendary Motown recording trio. The third singer in this trio is Joyce Vincent. This group can be traced to the group of yesterday, the history, the songs, and most importantly the talent is there! Since their formation in 1986 they have acquired an impressive biography with recordings and sold-out performances all over the world. The Ladies have performed alongside a host of other legendary Motown acts including The Temptations, The Four Tops, and Martha Reeves and The Vandellas. In the summer of 2000 Scherrie Payne had the honor of uniting with the Supreme Diva, Miss Diana Ross, for the Diana Ross and The Supremes “Return To Love” Tour. In April 2016 the ladies celebrated their 30th anniversary with a special performance in Hollywood, CA. Scherrie and Susaye are proud of their Supreme history, and continue to present this beautiful music to audiences worldwide as……”Scherrie Payne & Susaye Greene, Formerly of The Supremes!” Respected author, and Motown historian Sharon Davis noted that this trio is….”Authentically Keeping The Legend Alive.” The show runs February 11 only at the Catalina Jazz Club in Hollywood. For tickets call 323-466-2210 or visit www.ticketweb.com/search?q=former+ladies.
CONTINUING
“Piece of Mind” When Gwen and Allie open a daring business venture to shore up their meagre retirement savings, it seems like a stroke of brilliance. Offering an alternative to traditional counselling, they provide a room with a coffin on a rent by the hour basis. Clients are offered the opportunity to take turns playing dead while one airs their grievances and is heard in full. Peace of mind is expected to follow. While the concept is unique and interest in it is huge, when they launch, they unwittingly open a Pandora’s box along with the business concept, threatening their investment, their reputations and even their friendship. A darkly comic series of events involving a series of clients, Allie’s daughter Tess and Gwen’s Aunt Rowena take them on a rollercoaster ride from hope to desperation. Along the way, all are forced to face their own demons. Just as the business seems doomed, they discover the concept is not as mad as it sounds, and each of them have been helped by it in unexpected ways. Written by Emma Wood, and directed by Susan C. Hunter, it runs through January 29 at the Brickhouse Theatre in North Hollywood. For tickets call 800-838-3006 or visit www.pieceofmind.bpt.me.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
On behalf of the publisher, Steve Zall, and the co-publisher & editor, Sid Fish, we want to thank the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all our readers who rely on this information. We wish everyone continued good health, prosperity, and joyful times throughout the year.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
Most theaters have returned to normal operations again, however county mandates for mask requirements are still being decided as we go to press, so check the current guidelines before you leave to attend any performances. Covid protocols also vary from venue to venue, so you may still have to show proof of vaccination, and/or wear a mask during the show, so please communicate with the theater before you attend an event to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running at this time:
OPENING
“Chriskirkpatrickmas: A Boy Band Christmas Musical” Holiday entertainment just got more magical. Think, “A Christmas Carol” meets “It’s a Wonderful Life” meets…*NSYNC. It’s Christmas Eve 2009 and Chris Kirkpatrick from *NSYNC has a decision to make. This musical parody mashup of holiday classics features 12 original songs in a celebration of the season with music direction by Taylor Williams, whose work can be heard on the Grammy Award winning albums Hamilton, Dear Evan Hansen, and The Color Purple (2016 Revival). Written by Alison Zatta, with music by Alison Zatta and Valen Shore, and directed by Valen Shore, it runs December 1 through December 11 at the Actors Company in Los Angeles. For tickets visit www.chriskirkpatrickmas.com.
“Bob’s Holiday Office Party” Every year, insurance agent Bob Finhead’s whacked out friends and clients stop by his small-town Iowa office for their annual holiday bash. The town mayor, the sheriff, the twin farmer sisters, the stoner, the town floozy and the pastor’s wife have already RSVP’d for this year’s event. But Bob has dreams of a bigger life and wants to escape their narrow-minded thinking. Will he be able to fulfill his dream of becoming a professional inventor and move to the big city, or will he come to realize how much he is the heart and soul of the town? Will any of this matter once the party starts, the bickering and fighting begins, and the drinks hit the floor? The play is set in the office of insurance salesman Bob Finhead in Neuterburg, Iowa (population 382). Bob is carrying on a flirtation with the mayor’s wife, while the mayor himself is busy accommodating a male houseguest. Joe, the alcoholic town sheriff, is attracted to Brandy, the town party girl who is the twin sister of Carol, the minister’s emotionally disturbed wife. There’s one other set of twins in town, La Donna and La Voris Johnson, wealthy farmers who are proud members of the Neuterburg Tea Party. Written by Joe Keyes and Rob Elk, and directed by Matt Roth, it runs December 2 through December 18 at the Beverly Hills Playhouse in Beverly Hills. For tickets visit www.onstage411.com/BHOP.
“A Christmas Carol” tells the story of Ebenezer Scrooge, a prosperous curmudgeon of a man who believes that personal wealth is far more valuable than the happiness and comfort of others. With an infuriated “Bah! Humbug!” Scrooge summates his feelings of Christmas tidings and charitable giving, but he’s forced to face his selfish ways when three ghosts on Christmas Eve lead him through his Past, Present, and Future. Thanks to their guidance, Scrooge eventually learns to recognize his faults, and greets Christmas morning with a cheerful “Happy Christmas” before spending the day reconnecting and sharing love with those that mean the most to him. Written by Charles Dickens, with music by Alan Menken, lyrics by Lynn Ahrens, and directed by Tim Nelson, it runs December 2 through December 18 at the Rose Center Theater in Westminster. For tickets visit www.rosecentertheater.com.
“Santasia – A Holiday Comedy” The critically acclaimed musical sketch comedy show features Broadway musical parodies, heartfelt sentiment and classic Rankin and Bass inspired Claymation movies. The popular and celebrated live stage show has run in Los Angeles for the past 23 years. Written by Brandon Loeser and Shaun Loeser, and directed by Brandon Loeser, Shaun Loeser and Tania Pearson-Loeser, it runs December 2 through December 25 at the Whitefire Theatre in Sherman Oaks. For tickets visit www.santasia.com.
“Volun-Tears” is based on the true experiences of women who have suffered sexual harassment and sexual abuse in the United States Armed Forces. Performed by a majority of U.S. Veterans, the play exposes the truth about the insidious, systemic sexual harassment and abuse that continues to shame and dishonor America’s military. Written by Lester Probst, and directed by Tony Lugo, it runs December 2 through December 11 at the Blue Door Theatre in Culver City. For tickets visit www.artsupla.org.
“Winter Wishes: A Holiday Cabaret Theatre” Featuring a talented cast of 15 singer-actors performing treasured songs and telling stories of holiday memories and wishes we will usher in this Magical Season of Joy and Light uplifting your spirits, making you laugh out loud and inspiring hope in your heart. Music by Paul Cady, with music by Paul Cady, it runs December 2 through December 11 at the Theatre West in Los Angeles. For tickets call 323-851-7977 or visit www.theatrewest.org.
“Ain’t Misbehavin’: The Fats Waller Musical Revue” It’s 1930’s Harlem, and the joint is jumpin’! Nightclubs like “The Cotton Club” and “The Savoy Ballroom” are the playgrounds of high society, and dive bars on Lenox Avenue pulse with piano players banging out new tunes that are a wild mix of raucous, rowdy, and mournful. At home on the keyboard is Thomas “Fats” Waller – the big-hearted, bigger-than-life impresario and international jazz pianist who helped create and define American swing. This is a musical tribute to Waller’s passion for pleasure and play. The revue features a five-person, triple-threat cast performing such classic hit songs like “Honeysuckle Rose,” “Your Feet’s Too Big,” “Black and Blue,” “I’m Gonna Sit Right Down and Right Myself a Letter,” “The Jitterbug Waltz,” and the iconic title song. Written by Murray Horwitz & Richard Maltby, Jr., with music by Thomas “Fats” Waller, and directed by Wren T. Brown, it runs December 3 through December 18 at the Rubicon Theatre Company in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.
“A Christmas Carol” A Noise Within’s delightfully festive, musically merry stage adaptation of Charles Dickens’ A Christmas Carol has become a Los Angeles tradition with its innovative staging, whimsical costumes, original music and boundless good cheer. Written by Charles Dickens, adapted by Geoff Elliott, with music by Robert Oriol, and directed by Geoff Elliott and Julia Rodriguez-Elliott, it runs December 3 through December 23 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.
“Die Heart” This holiday season, the Troubies leave no stone unturned and no glass un-shot – as they blow the roof off the Colony Theatre and hold the audience hostage with the classic Christmas film Die Hard combined with the music of Heart – in Troubadour Theater’s production of DIE HEART! Don’t spend the holidays “Alone,” run barefoot to the Colony Theatre and see the Troubies “Kick it Out,” but remember, don’t be late-comers or we’ll go “Crazy on You!” Hans Gruber and his “Bara-crewda” will be gunning for laughs in Burbank as they take on that tempestuous “Magic Man,” John McClane in this can’t-miss Troubie extravaganza! Written and directed by Matt Walker, with music by Ryan Whyman, it runs December 8 through December 18 at the Colony Theatre in Burbank. For tickets call 818-558-7000 or visit www.troubie.com.
“Shambles” Blurring the lines between audience and performers, this immersive experience drops theater goers into a 60’s NASA holiday party complete with alien abductions, ugly Christmas sweaters and free-flowing champagne, as theatergoers meander through curated rooms of wonder. Written by Stefan Haves, with music by Philip Giffin, it runs December 8 through December 31 at the Actors’ Gang at The Ivy Substation in Culver City. For tickets call 310-838-4264 or visit www.ci.ovationtix.com/35132/production/1141592.
“A Very DIE HARD Christmas” In A Very DIE HARD Christmas, a team of terrorists has seized a building, taken hostages, and declared war. One man has managed to escape. An off-duty cop hiding somewhere inside. He’s alone, tired…and he doesn’t like Christmas. Action, humor, Professor Snape taking people hostage, singing, dancing, the guy from Family Matters, guns, puppets, explosions, the EPA guy from Ghostbusters getting punched in the face, Christmas miracles and familiar holiday friends galore. Maybe even an appearance by the legend himself, Santa Claus! This is much more than a stage version of the holiday classic Die Hard, its parody at its best. Written by Josh Carson, Brad Erickson, Andy Rocco Kraft and Mike Mayket, and directed by Gregory Crafts, it runs December 8 through December 18 at the Studio/Stage in Los Angeles. For tickets visit www.theatreunleashed.org.
“Promises, Promises” The story concerns a junior executive at an insurance company who seeks to climb the corporate ladder by allowing his apartment to be used by his married superiors for trysts. Most of the play takes place at Christmas time and trouble starts at the annual office Christmas party. Includes the hits: “I’ll Never Fall in Love Again,” “Promises, Promises,” “I Say a Little Prayer for You,” “A House Is Not a Home,” and more! Written by Neil Simon, with music by Burt Bacharach and lyrics by Hal David, and directed by Brent Beerman, it runs December 9 through January 15 at the Lonny Chapman Theatre Main Stage in North Hollywood. For tickets visit www.thegrouprep.com.
“The Wonderful Winter of Oz: A Holiday Panto” Lythgoe Family Panto invite you to take a new adventure to the enchanted land of Oz in their fantastically festive and fun production. Based on the British tradition of pantomime, where the audiences’ participation is part of the show, expect a hilarious, heartwarming evening full of song, dance and holiday merriment! The classic American tale gets a holiday makeover as Dorothy is spirited away by a blizzard on Christmas Eve and finds herself in a strange and wondrous land full of witches, munchkins and more! With beloved holiday tunes and a talented cast, you’ll discover the magic of panto to enrich your holiday season! Written by Kris Lythgoe, and directed by Bonnie Lythgoe, it runs December 9 through December 30 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“La Voix Studio 10th Annual Winter Gala” La Voix Studio, in association with the Maison De Music Foundation, will host their 10TH Annual Winter Gala honoring Randy Taraborrelli and The Supremes. The gala is expected to bring out musical legends and artists to honor Motown’s record breaking and most influential girl group of all time. Confirmed celebrity guests include Scherrie Payne, Lynda Laurence & Susaye Greene of The Supremes, Freda Payne, Joyce and Pam Vincent (Tony Orlando & Dawn), Randy Taraborrelli (biographer of Diana Ross and Beyonce), Iris Gordy and Karla Bristol Gordy (the Berry Gordy Family), Janie Bradford (former VP of Motown), Gloria Hendry from James Bond “Live And Let Die,” Betty Kelly of Martha Reeves and the Vandellas, Reggie Dozier (Grammy Award Winning Music Engineer), Donald Welch (Producer & Director), Charlo Crossley of Bette Midler’s Harlettes, Marla Gibbs from 227 and the Jeffersons along with many more! These inspiring musical greats will welcome a new generation of emerging soulful artists to perform a special tribute of chart-topping memorial hits to help raise donations for Maison De Music Foundation. Written by Shoshana Phillips, and directed by Donald Welch, it runs December 11 through December 11 at the American Jewish University in Bel Air. For tickets visit www.lavoixstudio.com.
“Latina Christmas Special” You thought your holidays with the family were dramatic? Try these three hilarious, touching and surprisingly personal Christmas stories of holidays past told by three acclaimed Latina comedians. When these three sassy BFFs get together, they down plenty of tequila and dish about everything from moms to cucarachas (cockroaches) to Farrah Fawcett and share their funny and intimate stories of childhood Christmas “dramas” that make them uniquely American, undoubtedly Latina and, most of all, friends. Bursting with laughs, more laughs, music and escándalo (scandal)! Written by Maria Russell, Sandra Valls and Diana Yanez, and directed by Geoffrey Rivas, it runs December 13 through December 20 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org/noise-now.
“18 Minutes of Fame: A Musical Journey with Barbara Minkus” You’ve seen her —a lot: On stage, on screen and especially on television. Other than the fact that she never became actually famous, she’s had what most performers would consider an enviable career. Because she started out as, and remains, an accomplished singer, her show business memoir is a musical one. Her road hasn’t always been an easy one. She faced physical challenges. She had to conceal her stage mother’s ongoing infidelities. Aspiring early on to sing opera, Barbara found her audiences steering her in the direction of musical comedy. Gaining a foothold in national media, she worked with the show business greats. She appeared 25 times as a raconteur and singer on The Merv Griffin Show; Appeared on TV with Danny Kaye and Jerry Lewis; 27 episodes of Love, American Style as a variety of characters; stints on Tosh O; Getting On; The Tonight Show. Her stage career has included the touring company of Funny Girl (as Fanny Brice); a starring role on Broadway in The Education of Hyman Kaplan; Off-Broadway roles in Picon Pie (as Molly Picon); Don’t Leave It All to Your Children; Rondelay. She starred locally as Jennie Grossinger in Saturday Night at Grossinger’s. She also had roles in eleven feature films. Along the way, she found true love. A trip to Israel with her husband brought her closer to her Jewish roots. Written by Susan Morgenstern and Barbara Minkus, and directed by Susan Morgenstern, it runs December 16 through December 18 at Theatre West in Los Angeles. For tickets call 323-851-7977 or visit www.theatrewest.org.
“The Long Beach Nutcracker” This production boasts a full symphony orchestra, a flying sleigh, a real live horse, on-stage pyrotechnics, and a cast of over 250. Former Disney designers Elliot Hessayon and Scott Schaffer created the enchanting scenery, Australian artist Adrian Clark designed the detailed costumes, and renowned magician Franz Harary created the special effects. Written by E. T. A. Hoffmann, with music by Pyotr Ilyich Tchaikovsky, and directed by David Wilcox, it runs December 16 through December 23 at the Terrace Theater at the Long Beach Convention & Entertainment Center in Long Beach. For tickets visit www.LongBeachNutcracker.com.
CONTINUING
“A Child’s Christmas in Wales” Dylan Thomas recounts his childhood in Wales and the simple pleasures of Christmas in a small sea-side town. Snowballs, songs, and presents are all part of the whimsical Winter landscape as we follow a young boy through the most wonderful time of the year. Written by Dylan Thomas, it runs through December 11 at the Helen Borgers Theatre in Long Beach. For tickets visit www.LBShakespeare.org.
“Mrs. Dilber’s Fabulous Bedcurtains” is a comedic reimagining of the classic holiday tale, but without the old rich guy! Instead, playwright Arthur M. Jolly focuses on Mrs. Dilber, the housekeeper in the original story — and her epic attempt to get some bedcurtains despite a series of ghosts and other diversions including Dr. Jekyll, the little matchstick girl and an oddly Mr. Hyde-esque Tiny Tim … on a night somewhat adjacent to the more familiar story. Written by Arthur M. Jolly, and directed by Tor Brown and Marc Leclerc, it runs through December 18 at the Loft Ensemble in North Hollywood. For tickets visit www.loftensemble.org.
“A Christmas Carol” Features SCR Founding Member Richard Doyle as Ebenezer Scrooge. This Orange County holiday tradition, now in its 42nd year, provides a perfect holiday story about Southern California holiday theatre. Written by Charles Dickens, adapted by Jerry Patch, and directed by Hisa Takakuwa, it runs through December 24 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.
“The Empire Strips Back– the Unauthorized Star Wars™ Burlesque Parody” Combining striptease, song and dance, troupe routines and plenty of humor, audiences are transported into the world of burlesque to witness a menacing troop of seriously sexy Stormtroopers, a dangerously seductive Boba Fett, tantalizing Twi’leks, a delightfully lukewarm Taun Taun, a lady-like Skywalker, and of course, scantily clad and daring Droids. Even Darth Vader will explore her feminine side with a fantastical twist. Written and directed by Russall S. Beattie, it runs through January 1 at the Montalbán Theatre in Hollywood. For tickets visit www.empirestripsback.com.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
On behalf of the publisher, Steve Zall, and the co-publisher, Sid Fish, we want to thank all of the theater publicists who supply us with this content, all of the editors and publishers who deliver it to our readers, the wonderful staff of all the theaters we attend for doing a magnificent job during these trying times, and to all of our readers who support our efforts to keep you informed. We wish everyone good health, prosperity, and joyful times throughout this holiday season. And, although we have a special place in our hearts for Beverly Hills, we want to extend those wishes to all of the Southern California region!
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
Most theaters have returned to normal operations again, however county mandates for mask requirements are still being decided as we go to press, so check the current guidelines before you leave to attend any performances. Covid protocols also vary from venue to venue, so you may still have to show proof of vaccination, and/or wear a mask during the show, so please communicate with the theater before you attend an event to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running at this time:
OPENING
“44: The Unofficial, Unsanctioned Obama Musical” Barack Obama’s election changed history. And as we can clearly see, it also ended racism forever! But 44 – The unOFFICIAL, unSANCTIONED OBAMA MUSICAL is the story of Obama you won’t read about in history books…because history books are now banned in most states. But also because 44 is the story of Obama as Joe Biden kinda sorta remembers it… 44 is a melting pot of music that delivers everything you’d come to expect from a Musical about the Obama Era – Sarah Palin scream-singing “Drill Me Baby” like Ozzy Osbourne, President Obama crooning “How Black Is Too Black?” over a smooth Motown groove, and of course, a 90’s R&B Slow Jam where Mitch McConnell declares his unquenchable passion for his beloved musket. Written and directed by Eli Bauman, with music by Eli Bauman and Jon “Bowzer” Bauman, it runs November 3 through November 15 at the Bourbon Room in Hollywood. For tickets visit www.44ObamaMusical.com.
“The Sweet Delilah Swim Club” a story of five Southern women whose friendships began many years ago on their college swim team, who set aside a long weekend every August to recharge their relationships with each other. Free from husbands, kids and jobs, they meet at the same beach cottage, the “Sweet Delilah on North Carolina’s Outer Banks”, to catch up, laugh and meddle in each other’s lives. “The Sweet Delilah Swim Club” is a hilarious and touching comedy about friendships that last forever. Written by Jessie Jones, Nicholas Hope and Jamie Wooten, and directed by Martha Hunter, it runs November 4 through December 11 at the Theatre Palisades in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.org.
“Warrior Queen Anahit the Brave” a world premiere, family-friendly musical inspired by an Armenian fairy tale. Filled with song, multi-media, interactive elements and spectacle, the story of Anahit’s transformation from peasant rug weaver to sword-wielding Queen of the Armenian Highlands is sure to empower girls and transfix boys ages six and up. Written and directed by Armina LaManna, with music by Shahen Hagobian, it runs November 5 through November 18 at the Colony Theatre in Burbank. For tickets call 818-649-9474 or visit www.imaginetheatreca.org.
“Mindplay” Drama Desk Award–nominated theatermaker and mentalist Vinny DePonto leads us on a raucous romp through the back channels of our innermost thoughts, exploring the fragmented and flawed nature of our memories, and asks us to question whether we can trust the voice inside our heads. In the spirit of the Geffen’s long tradition of magic comes an entirely new theatrical event in which your thoughts play a leading role. Written by Vinny DePonto & Josh Koenigsberg, and directed by Andrew Neisler, it runs November 8 through December 18 at the Audrey Skirball Kenis Theater – Geffen Playhouse in Westwood. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.
“9 TO 5 the Musical” Based on the hit 1980 movie starring Dolly Parton, Jane Fonda, and Lily Tomlin, 9 TO 5 the Musical tells the story about three workmates pushed to a boiling point by their sexist and egotistical boss. Outrageously funny, thought-provoking, and even a little romantic, this musical is about friendship and revenge in the Rolodex era. And remember, long before there was #MeToo, there were #WeThree. Written by Patricia Resnick, with music by Dolly Parton, and directed by Kirk Larson, it runs November 11 through December 10 at the Westchester Playhouse in Los Angeles. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.
“Smile” A kid from the inner city whose mother moved her in order to attend a White, affluent public school in Philadelphia’s Main Line, Rachel is a young girl still dreaming of her first kiss; she’s ill-equipped to navigate a world which defines her solely by gender, race and class. When an “incident” at school lands Rachel in the guidance counselor’s office, her situation sparks the young mother’s own questions and insecurities. Soon, Rachel and Helen find themselves developing a complicated relationship. Written by Melissa Jane Osborne, and directed by Michelle Bossy, it runs November 12 through December 5 at the Atwater Village Theatre in Los Angeles. For tickets call 323-380-8843 or visit www.iamatheatre.com.
“Guess Who’s Coming to Dinner” A progressive white couple’s proud liberal sensibilities are put to the test when their daughter brings her Black fiancé home to meet them in this fresh and relevant stage adaptation of the iconic film Guess Who’s Coming to Dinner. Blindsided by their daughter’s whirlwind romance and fearful for her future, Matt and Christina Drayton quickly come to realize the difference between supporting a mixed-race couple in your newspaper and welcoming one into your family—especially in 1967. But they’re surprised to find they aren’t the only ones with concerns about the match, and it’s not long before a multi-family clash of racial and generational difference sweeps across the Draytons’ idyllic San Francisco terrace. At the end of the day, will the love between young Joanna and John prevail? With humor and insight, the play begins a conversation sure to continue at dinner tables long after the curtain comes down. Written by Todd Kriedler, adapted from the screenplay by William Rose, and directed by Cate Caplin, it runs November 17 through December 18 at Theatre Forty in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.
“Anatomy of Gray” Set at the end of the 19th century in the small town of Gray, Indiana, The Wizard of Oz meets Our Town in the Open Fist Theatre Company production of Anatomy of Gray, a funny and touching “children’s story for adults.” Following the death of her father, 15-year-old June prays for a “healer” so no one in town will ever have to suffer again. When a man literally blows into town in a hot air balloon, she thinks her prayer has been answered. At first, the new doctor cures anything and everything; but soon his presence leads to a clash between faith and science. Written by Jim Leonard, and directed by Ben Martin, it runs November 19 through January 21 at the Atwater Village Theatre in Atwater Village. For tickets call 323-882-6912 or visit www.openfist.org.
“The Brothers Paranormal” After a nationwide increase in sightings of “Asian-looking ghosts,” two Thai brothers struggle to launch a ghost-hunting business. The two brothers–one born in Thailand and the other in the American Midwest–are called to investigate the paranormal hauntings at the home of an African American couple displaced by Hurricane Katrina in this supernatural thriller. A suspenseful, humorous, and compassionate exploration of the trauma of leaving home, whether crossing the country, the globe, or over from the other side. Written by Prince Gomolvilas, and directed by Jeff Liu, it runs November 20 through December 11 at the East West Players in Los Angeles. For tickets call 213-625-7000 or visit www.eastwestplayers.org.
“Invincible – The Musical” This inventive new work weaves the four-time GRAMMY® Award and 2022 Rock & Roll Hall of Fame Inductees’ legendary catalogue and inspired new songs throughout a reimagining of Shakespeare’s Romeo and Juliet. Invincible – The Musical is set in the modern, war-torn metropolis of Verona where the newly elected Chancellor Paris vows to destroy the progressive resistance and return the city to its traditional roots. The star-crossed lovers’ story, exploring how love and equality battle for survival in times of great transformation, envisions peace in a divided world. Written by Bradley Bredeweg, with music by Pat Benatar & Neil Giraldo, and directed by Tiffany Nichole Greene, it runs November 22 through December 18 at the Wallis Annenberg Center for the Performing Arts Bram Goldsmith Theater in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org.
“Disney’s Winnie the Pooh: The New Musical Stage Adaptation” In a new story from the Hundred Acre Wood, this fresh stage adaptation is told with impressive life-size puppetry, telling exciting new stories featuring characters that have played iconic roles in the lives of children for generations. Accompanying the magical, modern narrative is an original score from Nate Edmondson, which features some of the songs written for the animated feature from The Sherman Brothers’, including Winnie the Pooh, The Blustery Day, The Wonderful Thing About Tigger’s, Whoop-De-Dooper Bounce, and A.A. Milne’s The More It Snows. Written and directed by Jonathan Rockefeller, with music by Nate Edmondson, it runs November 23 through December 30 at the Kirk Douglas Theatre in Culver City. For tickets visit www.winniethepoohshow.com.
“Patsy Cline Holiday Concert” One of the biggest box-office hits and critical successes in the history of Sierra Madre Playhouse was its 2015 production of the musical “Always…. Patsy Cline.” Now, the Playhouse is bringing back that show’s dynamic star and musical director, reuniting them for an extraordinary concert entertainment, Patsy Cline Holiday Concert. Written by Cori Cable Kidder, it runs November 25 through December 23 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.
CONTINUING
“In the Heights” is a heartfelt, hopeful, high-energy musical about community, neighborhood and finding where you belong. The story takes place over three days in a close-knit neighborhood in Washington Heights in Upper Manhattan, New York City – a place where the coffee from the corner bodega is light and sweet, the windows are always open, and the breeze carries the rhythms of three generations of music. Written by Lin-Manuel Miranda and Quiara Alegría Hudes, and directed by Luis Salgado, it runs through November 13 at the Karyn Jackson Theatre in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.
“Rent” follows a year in the life of a group of impoverished young artists and musicians struggling to survive and create in New York’s Lower East Side under the shadow of HIV/AIDS. How these young bohemians negotiate their dreams, loves, and conflicts provides the narrative thread to this groundbreaking musical. Written by Jonathan Larson, with music by Jonathan Larson, and directed by Reena Dutt, it runs through November 19 at the Shakespeare Center of Los Angeles in Los Angeles. For tickets call 323-576-8193 or visit www.coeurage.org/rent.
“Belleville” A newly married American couple seem to be living an enviable life in the colorful, multi-ethnic neighborhood of Belleville, Paris… But when a series of small, unexpected encounters escalates the tension between them, some surprising cracks in the foundation of their isolated yet idyllic life begin to show. What do you believe when you aren’t even sure of those whom you trust most? Written by Amy Herzog, and directed by Benjamin Burt, it runs through November 20 at the Beverly Hills Playhouse in Beverly Hills. For tickets call 323-657-5992 or visit www.crimsonsquare.org.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
Our best wishes go out to all of our readers as always. We also want to send our heartfelt thanks to our Public Relations representatives who supply us with this important information, and to our editors and publishers who continue to publish these columns. We hope this year will be a safe and healthy one for theatergoers, reviewers, and everyone everywhere.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
The Inheritance – Part 1 & 2 at the Geffen Playhouse
The Geffen Playhouse hosted a fabulous opening event on Sunday for the west coast premiere of Matthew López’s masterpiece “The Inheritance – Part 1 & 2”. Invited media experienced the production starting with the premiere of “The Inheritance – Part 1” in the early afternoon, which was moving, evocative, and thought-provoking, with laughter, tears, and ending in thunderous standing ovations as the audience cheered for more!
The story is set in contemporary Manhattan, where Eric and Toby are 30-somethings who seem to be very much in love and thriving. But on the cusp of their engagement, they meet an older man haunted by the past, and a younger man hungry for a future. Chance meetings lead to surprising choices as the lives of three generations interlink and collide—with explosive results. A new perspective on today’s gay culture and how the AIDS crisis has affected the world we live in today. We saw Part 1 early in the afternoon.
The street was blocked off for our safety.
After this, we exited the theater to find Le Conte Avenue blocked off on both sides in front of the theater and decorated in a festive style, with a cherry tree as the centerpiece of the circle. This was followed by a lovely outdoor dinner and picnic held on the grounds of the UCLA campus and served up by the UCLA Event Catering staff along with a gourmet ice cream truck, a unique shaved ice truck, a specialty Churro cart and a high-end coffee stand.
There were also a number of information booths available for various LGBTQIA+ associations. Representatives from each group were on hand to answer questions and give out literature.
Beautiful music filled the air which was provided by a live guitarist at the event. Groups of people gathered together and chatted about what we had witnessed in Part 1 of this amazing show prior to the break. Everyone remarked at how moved they were by what they had seen, and agreed that they were anxiously awaiting what was yet to come in the upcoming Part 2 which was set to begin later that day. (During the run of the production, audiences will see Part 1 on one day and then see Part 2 separately on a subsequent day, but the media was being allowed to view both parts the same day for this special event.)
The center of the street was filled with huge semi-transparent plaques, on which were written significant quotes about gay acceptance, love, self-identity, and the many ways that AIDS has changed the world. These were potent images intended to get people thinking about things in a different way.
As the sun set, the group headed back into the Geffen patio and lobby to enjoy some more music and have a few drinks before Part 2 began. Just before 7 pm we all headed back into the theater.
When Part 2 of The Inheritance concluded, the entire audience was once again on their feet, with thunderous applause for the entire cast of this momentous production as they took their well-deserved bows. Most of the audience then headed to the after party at STK Steakhouse Los Angeles in The W Los Angeles hotel on Hilgard. There we were able to meet many members of the cast and enjoy some more fabulous food served by STK on a stunning buffet table.
We had a fantastic time at this incredible event, and want to send our special thanks to Gil Cates Jr., Executive Director, and Zenon Dmytryk, Director of Public Relations, and the entire staff of the Geffen Playhouse for organizing, producing and hosting this evening!
(left to right) Steve Zall and Sid Fish at the Grand Opening Gala of the Inheritance Part 1 & 2
Most theaters have returned to normal operations again, however county mandates for mask requirements are still being decided as we go to press, so please check the current guidelines before you leave to attend any performances. Covid protocols also vary from venue to venue, so you may still have to show proof of vaccination, and/or wear a mask during the show, so please check with the theater before you attend an event to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should check with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running at this time:
OPENING
“Drag: The Musical” is a groundbreaking new show full of glamour, glitz, and DIVAtastic twists featuring drag superstar Alaska Thunderf*ck. Debuting at the Bourbon Room in Hollywood, the all-star cast boasts a roster of drag icons including Alaska, Jujubee, Jackie Cox, Jan Sport, Lagoona Bloo, and Aria B. Cassadine, along with pop music legend Joey McIntrye, and Broadway veterans Nick Adams and Alysha Deslorieux. Together, they tell the tale of two rival drag clubs that must go head-to-head to overcome their differences in order to survive. Enjoy a hilarious and heartfelt celebration of the LGBTQ+ community and the power of family. Harkening back to cult classics like Rocky Horror and La Cage aux Folles with a modern twist, DRAG: The Musical is sure to become a modern-day, queer cult classic. Written by Alaska Thunderf*ck, with music by Tomas Costanza and Ashley Gordon, and directed by Spencer Liff, it runs through October 15 at the Bourbon Room in Hollywood. For tickets visit www.bourbonroomhollywood.com.
Photos & videos we took during the production
“To the Bone” a darkly funny comedy about family, baseball, genetics — and the unexpected vagaries of life. Twenty years after the Red Sox lost their chance at the pennant when a Yankees fan bounded onto the field in the ninth inning to void what would have been the game-winning out, Sisters Kelly Moran and Maureen Dugan still live on the “Irish Riviera” south of Boston, where they were known as “hard girls” back in high school. Written and directed by Catherine Butterfield, it runs October 1 through November 5 at the Open Fist Theatre Company – Atwater Village Theatre in Atwater Village. For tickets call 323-882-6912 or visit www.openfist.org.
“Nina Simone: Four Women” Following the 1963 bombing of the 16th Street Baptist Church in Birmingham, AL. that killed four young girls, Simone shifted her considerable talents to activism. The result was some of the most powerful, impactful civil rights anthems ever written. Ham’s intensely personal play with music takes theatregoers into how the iconic chanteuse gave voice to countless other Black women fighting to overcome stereotypes and racism. Written by Christina Ham, and directed by Logan Vaughn, it runs October 2 through October 23 at the South Coast Repertory – Julianne Argyros Stage in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.
“Basement Folly” a couple ponders what to do when they discover that an unknown person is living in their basement. A normal couple would take swift action. But not these people. They have to discuss it: Call police? Kick the person out, with so many people homeless? Give priority to an old family friend who appears, homeless and needing shelter? What about their adult daughter, who wants a temporary place? What if it’s the wife’s unstable sister? What’s moral? What’s safe? And who’s down there, anyway? All fodder for the family’s greatest talent: bickering. Written by David Datz, and directed by Carol M. Becker, it runs October 3 through October 26 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-3606 or visit www.theatre40.org.
“Mother Sisters” a docu-play curated and constructed by Makaela Vogel based on interviews she conducted with her eight aunts. Looking back over their varied and fascinating lives, these women affirm the strength and transformative power of their bond as sisters and female travelers of the late 20th century. Written by Makaela Vogel, and directed by Sky Paley, it runs October 5 through October 27 at the Echo Theater Company – Atwater Village Theatre in Atwater Village. For tickets call 310-307-3753 or visit www.EchoTheaterCompany.com.
“The Mousetrap” Seven strangers are stranded at Monkswell Manor during a blizzard when a police sergeant unexpectedly arrives, worried that a murderer-at-large is among the guests. Before he can investigate, one of them is killed. Will the police be able to solve the case before another “mouse” falls? Written by Agatha Christie, and directed by Jules Aaron, it runs October 6 through November 13 at the Lonny Chapman Theatre – Main Stage in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.
“Cindy & The Disco Ball: The Musical” time-travels back to a decade that was dy-no-mite! Colorful fashion, sensational songs, and disco dance moves bring an all-new Cinderella story to life. The story unfolds at a SoCal High School in 1976. On the flip side, a glittering Soul Sister with magic up her sleeves is keeping tabs on Cindy and her “messy” relationship with her stepsister. It’s a fun and fabulous journey through teenage self-discovery, high school romance, and four friends who dream up something big for the future – you know… the 1980s. Written by Joseph Leo Bwarie and Lori Marshall, with music by Rachael Lawrence, lyrics by Joseph Leo Bwarie and Lori Marshall, and directed by Joseph Leo Bwarie and Christine Lakin, it runs October 7 through October 30 at the Garry Marshall Theatre in Burbank. For tickets call 818-955-8101 or visit www.garrymarshalltheatre.org.
“A Day in the Death of Joe Egg” In this highly theatrical, very funny, but ultimately devastating tragic-comedy, married couple Bri and Sheila use irreverent humor as a way to cope with the daily struggle of caring for their 10-year-old, severely brain-damaged daughter, whom they’ve affectionately nicknamed “Joe Egg.” The result is an immensely moving and profound play about love and marriage. Written by Peter Nichols, and directed by Ethan Maniquis, it runs October 7 through November 21 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.
“Staring Into Nothing” Is a new musical/rock opera which explores the impact of mass media, social media, and the digital information age on the quality of our lives. It asks and attempts to answer the age-old philosopher’s question: “What Is Good and What Is Not?” Written by Steve Rogers, with music by Steve Rogers and Kurt Barabas, and directed by Jeffrey Polk, it runs October 7 through October 9 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.
“A Funny Thing Happened on the Way to Divorce” Three couples, each intent on getting divorced, find themselves sharing the same meeting room waiting for the same divorce mediator. Once, each of these couples were in love. What happened to bring each of them to this point? While they’re waiting, Brian and Carol, Doug and Angie, and Ken and Tanya share their stories of love that went wrong. Their tales are by turns hilarious and heartbreaking. Written by Jeff Gould, and directed by Marc Antonio Pritchett, it runs October 9 through November 20 at the New Collective Theater in Hollywood. For tickets visit www.divorce.brownpapertickets.com.
“Inconceivable” Based on personal experience and written by the performing actress, Atlanta/Israel native Meirav Zur, everything seen in this comedic solo production is true and resonates with audiences. This is a hilarious and real fertility journey. Those who are “inside” infertility can never truly explain it, and those who are “outside” of infertility can never truly understand it. This show bridges that gap, with many laughs along the way. Written and directed by Meirav Zur, it runs October 10 through December 12 at the Hudson Theatre in Los Angeles. For tickets visit www.onstage411.com/inconceivable.
“The Addams Family” embraces the wackiness in every family, features an original story and it’s every father’s nightmare: Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. And if that wasn’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents. Written by Marshall Brickman and Rick Elice, with music by Andrew Lippa, and directed by Kirsten Chandler, it runs October 14 through October 23 at the Kavli Theatre at the Bank of America Performing Arts Center in Thousand Oaks. For tickets call 800-745-3000 or visit www.5startheatricals.com.
“Daddy Issues” How far will a gay guy go to please his overbearing Jewish parents? Mr. and Mrs. Moscowitz are in denial about their son’s gay lifestyle, disapprove of his career choice, and question his flair for decoration. To get his family to stop kvetching, Donald needs a son. With the help of his ballsy best friend Henrietta and rising drag queen Levi, Donald hires the ten-year-old kid from downstairs. Written and directed by David Goldyn, it runs October 14 through November 13 at the Dorie Theatre @The Complex in Hollywood. For tickets visit www.daddyissuestheplay.com.
“Damn Yankees” How far would you go to help your favorite team win? Would you risk your wife, your life, your very soul? Joe Hardy is about to find out, when his despair over the state of the Washington Senators summons a sulfuric stranger with an offer Joe can’t refuse. Featuring audience favorites like, “Shoeless Joe from Hannibal, MO.,” “Heart,” and “Whatever Lola Wants, Lola Gets,” Damn Yankees is a Faustian funfest that celebrates love, baseball, and the importance of an escape clause. Written by George Abbot & Douglass Wallop, with music by Richard Adler & Jerry Ross, and directed by Cynthia Ferrer, it runs October 14 through October 30 at the Carpenter Performing Arts Center in Long Beach. For tickets call 562-856-1999 or visit www.musical.org.
“Farragut North” about behind-the-scenes election intrigue. No trick is too dirty, no lie is too outrageous, no spin is too ingenious if it gets your candidate over the top. Titled after the Metrorail stop closest to Washington D.C.’s geographic center for think tanks, lobbyists, power plays and spin-doctoring, Farragut North is a classic tale of hubris set against a contemporary landscape. Written by Beau Willimon, and directed by Peter Allas, it runs October 14 through November 5 at the Theatre 68 Arts Complex – The Rosalie in North Hollywood. For tickets visit www.onstage411.com/farragutn.
“Ubu the King” Killing Wenceslaus and his entire family are not enough for old Ubu, his greed and insatiable appetite lead him into a spiraling series of events that result in murder, war, and ultimately the restoration of the King’s son, Boggerlas, to the throne of Poland. Meanwhile, Ubu and his conspirators sail off to safety at the end of the play facing no consequences for their reign of terror. You must be 18 or older to attend. Written by Alfred Jarry, translation by Cyril Connolly and Simon Watson Taylor, and directed by Tim Robbins, it runs October 14 through November 19 at the Actors Gang in Culver City. For tickets call 310-838-4264 or visit www.TheActorsGang.com.
“(Un)Documents” The multiple award-winning solo work lyrically depicts Valles’s journey across both sides of a river with two names, moving between languages to find their place in a nation that demands sacrifice at the altar of citizenship. In doing so, they create a new kind of documentation written with anger, fierce love, and the knowledge that what makes us human can never be captured on a government questionnaire. Written by Jesús I. Valles, and directed by Rudy Ramirez, it runs October 14 through November 20 at the Los Angeles Theatre Center in Los Angeles. For tickets call 213-489-0994 or visit www.latinotheaterco.org.
“The Atheist Mother” based on the fictionalized life of Madelyn Murray O’Hair, the woman who led the fight to ban prayer in America’s public schools. O’Hair’s battle to take God out of our classrooms became a cause celebre in 1961. The legal case was contested bitterly over the next two years, culminating in the 1963 Supreme Court decision holding that bible reading and prayer recitation in public schools were impermissible under the doctrine of separation of church and state articulated in the first amendment to the U.S. constitution. O’Hair’s enraged enemies in religious and political circles denounced the high courts’ decision and called her the most hateful woman in America. Written by Willard Manus, and directed by Judith Rose, it runs October 16 through November 13 at the Brick House Theatre in North Hollywood. For tickets visit www.brownpapertickets.com/event/5573882.
“The Inheritance Part 1 & Part 2” (Note: This production is presented in two separate plays, Part 1, and Part 2, that alternate days in the theater. A separate ticket is required for each show.) In contemporary Manhattan, Eric and Toby are 30-somethings who seem to be very much in love and thriving. But on the cusp of their engagement, they meet an older man haunted by the past, and a younger man hungry for a future. Chance meetings lead to surprising choices as the lives of three generations interlink and collide—with explosive results. Written by Matthew López, and directed by Mike Donahue, it runs October 16 through November 27 at the Geffen Playhouse – Gil Cates Theater in Westwood. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.
“According to the Chorus” In the basement quick change room of a Broadway theatre in the mid-1980s life is full of angst as the long-running production may close at any time and the chorus women are at war with the wardrobe department. Will the new dresser, with her own sad past and uncertain future, be able to navigate this minefield? This story is a funny, nostalgic behind-the-scenes look at a pivotal period in the history of Broadway where women’s issues and the AIDS crisis play out through the everyday lives of Equity performers and union dressers. Written by Arlene Hutton, and directed by Emily Chase, it runs October 21 through December 11 at the Road Theatre in North Hollywood. For tickets call 818-761-8838 or visit www.RoadTheatre.org.
“Lend Me A Tenor” Culture-climbers in provincial but pretentious Cleveland are threatened with embarrassment when “Il Stupendo,” the Italian tenor they’ve imported to sing Pagliacci, may prove to be indisposed (or even worse) at the last minute. In this quintessential farce replete with six slamming doors and a phone that never stops ringing, members of the Cleveland Opera Company frantically try to keep the show going when the star can’t go on. The antics accelerate at full tilt, with one case of mistaken identity after another in this hilarious combination of slapstick, word play, romance, and great opera music! Written by Ken Ludwig, and directed by Todd Nielsen, it runs October 21 through November 6 at the International City Theatre – Long Beach Performing Arts Center in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.
“Man’s Favor Devil’s Plan” CONSUMER ADVISORY: This play deals with adult content including violence and racism. It is unsuitable for small children. Los Angeles, California, 1938, Mr. Avery’s Hotel. A microcosm of a nation that has been steep in a vicious hypocritical quagmire so pervasive that it’s become a reflection of the consciousness of a country. The owner is a victim of his own diabolical abuse and in denial of the consequences even though he is surrounded by them. Laddie, DD, and the rest in his employ navigate in a way that creates two worlds, one that allows them existence and the other that forces murderous results. Written by Kwik Jones, and directed by C. Julian White, it runs October 22 through November 20 at the Los Angeles Theatre Center in Los Angeles. For tickets call 213-489-7402 or visit www.therobeytheatrecompany.org.
“Radio Golf” Harmond Wilks, Pittsburgh’s first Black mayoral candidate, finds himself on the verge of the business breakthrough of a lifetime. The arrival of an unexpected visitor with surprising news forces Harmond to choose between his personal aspirations and his integrity. With humor and courage, Radio Golf challenges the steep price progress can exact upon the soul. Written by August Wilson, and directed by Gregg T. Daniel, it runs October 22 through November 13 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.
“WET: A DACAmented Journey” is the story of what it means to be an American in every sense of the word except for one: on paper. Chronicling the story of Anner Cividanis’ Journey as an undocumented American, the play captures the desperation that DREAMers experience with limited options of adjustment of status under a broken U.S. Immigration System. Written by Alex Alpharaoh, and directed by Daphnie Sicre, it runs October 22 through November 13 at the Greenway Court Theatre in Los Angeles. For tickets call 323-673-0544 or visit www.GreenwayCourtTheatre.org.
“EISENHOWER: This Piece of Ground” Tony-winning theatre, television and film star John Rubinstein will portray General Eisenhower. Rubinstein had the honor of meeting “Ike” at the White House when he was a boy. Rubinstein, a lifelong Ike aficionado, has a deep commitment to the material and brings strength, humanity, and humor to the role. This play is a fiction, a piece of history. It is adapted from a range of General Eisenhower’s memoirs, speeches, and letters. The author is grateful to David Eisenhower and the Eisenhower family for permission to quote as needed. Written by Richard Hellesen, and directed by Peter Ellenstein, it runs October 28 through November 20 at the Theatre West in Los Angeles. For tickets call 323-851-7977 or visit www.TheatreWest.org.
“A Few Good Men” In this courtroom drama about two Marines on trial for complicity in the death of a fellow Marine at Guantanamo Bay, a Navy lawyer – who’s more interested in softball games than the case — expects a plea bargain and a cover-up of what really happened. Prodded by a determined female member of his defense team, he eventually makes a valiant effort to defend his clients and, in so doing, puts the military mentality and the Marine code of honor on trial. RECOMMENDED FOR MATURE AUDIENCES ONLY! Written by Aaron Sorkin, and directed by Casey Stangl, it runs October 29 through November 20 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.lamiradatheatre.com.
“Love Among the Ruins” When wealthy widow and socialite Jessica Medlicott is sued for breach of promise by her money-seeking ex-fiancé, will her past as an actress help or haunt her? As highly respected, strait-laced lawyer Sir Arthur Granville-Jones steps into the picture, he is driven to hilarious distraction by her larger-than-life personality. Based on the 1975 ABC Theater Presentation with Katharine Hepburn and Laurence Olivier, this world premiere adaptation of the courtroom classic Love Among the Ruins is every bit as charming and delightful as the original film, which garnered a Peabody Award and multiple Emmys. Written by James G. Hirsch and Robert A. Papazian, and directed by Michael Arabian, it runs October 30 through November 13 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
CONTINUING
“Lost Lake” is a tense, carefully wrought drama about the surprising, complicated friendship formed by two very different people with no one else to turn to. The lakeside rental Veronica has managed to afford is a far cry from the idyllic getaway she and her children so desperately need, and the disheveled property owner Hogan has problems of his own. Problems that Veronica is inevitably and irrevocably pulled into. An engrossing and revealing portrait of two strangers bound together by circumstance, Lost Lake is a vivid play about the struggle for connection in an imperfect world. Written by David Auburn, and directed by Faye Viviana, it runs through October 9 at the Beverly Hills Playhouse in Beverly Hills. For tickets call 310-855-1556 or visit www.crimsonsquare.org.
“The Wild Party” tells the story of one tragic, decadent night in a New York apartment shared by Queenie and her menacing lover, Burrs. The couple decides to throw the party to end all parties where Queenie meets a handsome stranger who wants to lure her away. Lust, jealousy, deception, drugs, sex, and violence all play out against the backdrop of Manhattan during the Roaring Twenties and Prohibition, just one year before Crash of 1929. This darkly brilliant show won a slew of awards and its thrilling, pitch-perfect score has become a modern-day classic. Contains adult situations and language, for mature audiences only. Written by Andrew Lippa, with music by Andrew Lippa, and directed by Kristin Towers-Rowles, it runs through October 9 at the Morgan-Wixson Theatre in Santa Monica. For tickets call 310-828-7519 or visit www.morgan-wixson.org.
“Mass Graves” A group of men, struggling with the consequences of their past actions, try to recover their lives inside a confined halfway house. As their cohabitants and families start closing in, each is forced to confront the crimes they committed. Can they redeem themselves or will the past keep pushing them to the edge? Written by Cris Eli Blak, and directed by Matt Lorenzo, it runs through October 23 at the Sawyer’s Playhouse at Loft Ensemble in North Hollywood. For tickets call 818-452-3153 or visit www.loftensemble.org.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
Our best wishes go out to all of our readers as always, and we want to wish everyone a Happy Father’s Day this month! We also want to send heartfelt thanks to our Public Relations representatives who supply us with this great information, and to our editors and publishers who continue to publish these columns. We hope this year will be a safe and healthy one for theatergoers, reviewers, and everyone everywhere.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
Most theaters have returned to normal operations again, however county mandates for mask requirements are still being decided as we go to press, so please check the current guidelines before you leave to attend any performances. Covid protocols also vary from venue to venue, so you may still have to show proof of vaccination, and/or wear a mask during the show, so please check with the theater before you attend an event to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should check with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running at this time:
OPENING
“Animal Farm” Revolt is afoot at Manor Farm, when downtrodden beasts of burden rise-up against the cruel Farmer Jones. But self-ruled animal utopia quickly gives way to the temptations of power and privilege in Peter Hall’s fast-moving musical adaptation of George Orwell’s savage satire. Written by George Orwell, adapted for the stage by Peter Hall, with music by Richard Peaslee, lyrics by Adrian Mitchell, and directed by Julia Rodriguez-Elliott, it runs September 3 through October 2 at the A Noise Within in Pasadena. For tickets call 626-353-3100 or visit www.anoisewithin.org.
“Being Future Being” delves into the power of creation, building a visual, aural, and ancestral landscape of Indigenous power. By (re)building new visions of the forces that brought this world into being, the multilayered performance becomes a site for transformation, ushering into focus new futures with the potential to reshape the way we relate to ourselves, our environment, and to the human and more-than-human cohabitants of our world. Written and directed by Emily Johnson, it runs September 8 through September 10 at the Eli and Edythe Broad Stage in Santa Monica. For tickets call 310-434-3200 or visit www.broadstage.org.
“Dragon Show: The Extended Tail” is a highly interactive immersive experience featuring handmade artwork and architecture, original songs, and an engaging cast of talented performers. Feel the burst of excitement and wonder you’ve been missing as the world you know melts away before your eyes — revealing a breathtaking magical realm you never knew was there. Written by Katelyn Schiller and Nick Rheinwald Jones, with music by Weston Gaylord, and directed by Katelyn Schiller, it runs September 8 through October 2 at the (private residence) in Los Angeles. For tickets visit www.spybrunch.ticketleap.com/dragon-show-extended.
“Ghosts” As widow Helene Alving tries to start her life anew after the death of her philandering husband, she must confront the ghosts of the past and the weight of her own secrets. She is determined that her son will not follow in his father’s footsteps, but when Oswald returns from France, she discovers that she may be too late. Written by Henrik Ibsen, adapted by Richard Eyre, and directed by Bart DeLorenzo, it runs September 8 through October 23 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.
“Bearings” Richard Kalvar crossed a line. He did something he never thought he would do; and then something happened. It must have because things no longer make sense. Rich has lost his bearings. Can Detective Mike Salcedo help him piece together the weird, passionate, hilarious fragments of his shattered life and make sense of them again? Can Kalvar regain his bearings? Written and directed by Matt Chait, it runs September 9 through October 9 at the Flight Theatre in Hollywood. For tickets visit www.eventbrite.com/e/bearings-tickets-395606518747.
“Bright Blue Sky” A heartfelt original musical that follows the personal accounts of an everyday group of people in the North Tower of the World Trade Center on the morning of September 11, 2001. Written and directed by Vincent Aniceto, with music by Tim Nelson, it runs September 9 through September 18 at the Rose Center Theater in Westminster. For tickets visit www.rosecentertheater.com.
“Nunsense” is a hilarious spoof about the misadventures of five nuns trying to manage a fundraiser. Sadly, the rest of the sisterhood died from botulism after eating vichyssoise prepared by Sister Julia Child of God. Thus, the remaining nuns – ballet-loving Sister Leo, streetwise Sister Robert Anne, befuddled Sister Mary Amnesia, the Mother Superior Sister Regina, and mistress of the novice Sister Mary Hubert, stage a talent show to raise the money to bury their dearly departed. With catchy songs and irreverent comedy, NUNSENSE is sure to keep audiences rolling with laughter. Written by Dan Goggin, with music by Dan Goggin, and directed by Alta Abbott, it runs September 9 through October 2 at the Theatre Palisades in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.org.
“Silent Sky” When astronomer Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she doesn’t begin by looking through a telescope. She joins a group of women “computers,” charting the stars as a vital part of the world’s first study of the sky done from photographs. As Henrietta, in her free time, attempts to measure the light and distance of stars, she also takes measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. Based on the life of 19th-century astronomer Henrietta Leavitt, Silent Sky explores a woman’s place in society during a time of immense scientific discoveries. Written by Lauren Gunderson, and directed by Barbara Schofield, it runs September 9 through October 9 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.
“Almost, Maine” Welcome to Almost, Maine, a place so far north, it’s barely in the United States. Where the residents are so disorganized, it’s not quite a town. On one cold clear winter’s night, as the Northern Lights float magically in a star-filled sky, the inhabitants of Almost find themselves falling in and out of love in unexpected and hilarious ways. In nine entwined stories, strangers become friends, friends become lovers and lovers become strangers. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend – almost. Written by John Cariani, and directed by Stephanie A. Coltrin, it runs September 10 through September 25 at the Rubicon Theatre Company in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.
“The Romantics” In this comic reversal of Romeo and Juliet, a mother and neighboring father concoct a fake family feud to make their son and daughter think they are ill-fated lovers and fall in love. Their scheme succeeds, but now how will the “feuding” parents find a way to reconcile so that the couple can wed? This wildly funny and entertaining comedy is filled with live music, sword fights and period costumes. The play is the basis for the 1960 musical The Fantasticks. Written by Edmond Rostand, and directed by Suzanne Hunt, it runs September 10 through September 25 at the Kings Road Park in West Hollywood. For tickets visit www.theromantics-weho2022.eventbrite.com.
“The Secret World of Archy & Mehitabel” Recounts the strangest collaboration in the history of literature: a partnership between a tiny six-legged creature whose ancestors walked with the dinosaurs, and an overworked, overwrought newspaper man in New York City. What could possibly come of it? Adapted for the stage by Dan Gilvezan from the beloved columns by New York Evening Sun journalist Don Marquis, the tales of Archy, a cockroach with the soul of a poet, and his best friend Mehitabel, the “toujours gai” alley cat, remain as charming, poignant, and relevant today as when they first delighted readers in 1916. Written by Don Marquis, adapted for the stage by Dan Gilvezan, and directed by Moosie Drier, it runs September 10 through October 15 at the Whitefire Theatre in Sherman Oaks. For tickets call 818-687-8559 or visit www.whitefiretheatre.com.
“Sanctuary City” is the provocative, unforgettable story of two life-long friends, their tenuous grip on living in America, and persevering through whatever comes their way with wit and grit. Profoundly human and undeniably universal, it begs the question: how much do we owe to one another? Written by Martyna Majok, and directed by Zi Alikhan, it runs September 14 through October 9 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.pasadenaplayhouse.org.
“The Secret Comedy of Women” Celebrates the joys of the journey from girlhood to womanhood. An immersive theatrical experience that rejoices in the challenges of being a woman — from boys to bras and pantyhose to menopause — this two-woman show explores the universal female experience through a rollicking spectacle of sweetly sharp comedy, songs, dances, stories, and spontaneous moments of discovery that all women share. Written by Barbara Gehring and Linda Klein, it runs September 14 through October 16 at the Huntington Beach Library Theatre in Huntington Beach. For tickets call 855-448-7469 or visit www.playhouseinfo.com.
“The Great Jheri Curl Debate” Veralynn Jackson knows hair, her neighborhood, and that the invention of the Jheri Curl marks the end of the world. When she takes a job in Mr. Kim’s Korean-owned Black beauty supply store and the posters start talking to her, Veralynn might finally come to know her true calling. South Side Chicago meets South Korea in this heartfelt play where a business partnership and a touch of magical realism bring these two unlikely friends closer to understanding themselves and each other. Written by Inda Craig-Galván, and directed by Scarlett Kim, it runs September 15 through October 9 at the David Henry Hwang Theater at the Union Center of the Arts in Los Angeles. For tickets call 213-625-7000 or visit www.eastwestplayers.org.
“Everybody” A funny, provocative, and very modern riff on a 15th-century morality play by Branden Jacobs-Jenkins. This is the story of us all, as we journey through life’s greatest mystery—the meaning of living. Representing the randomness of life and death, some of the cast are assigned roles by lottery during the show, creating a unique viewing experience each night. Written by Branden Jacobs-Jenkins, and directed by Jennifer Chang, it runs September 16 through October 17 at the Kiki & David Gindler Performing Arts Center in Glendale. For tickets call 818-506-1983 or visit www.Antaeus.org.
“I Never Sang for my Father” is an American classic that exposes the painful truths of the relationship between a gentle mother, a dutiful son, an alienated daughter, and their harsh, detached father. Family dynamics unravel as they are forced to face the past in this beautifully crafted drama. Written by Robert Anderson, and directed by Doug Kaback, it runs September 16 through October 23 at the Two Roads Theatre in Studio City. For tickets visit www.brownpapertickets.com/event/4525327.
“Babe” A dark comedy by Jessica Goldberg about cultural evolution and the selves we thought we knew. Abby has been Gus’s right hand in the world of A&R music since the ’90s. Together they signed big bands, loved, fought, and lived hard; it was the best kind of work marriage, at least that’s how Abby sees it. Until Gen Z Kaitlin shows up, hell bent on showing these old rockers it’s 2022, and there’s a new generation hell bent on changing the world—evolve or die. Who goes down? Written by Jessica Goldberg, and directed by Chris Fields, it runs September 17 through October 24 at the Echo Theater Company @ Atwater Village Theatre in Atwater Village. For tickets call 310-307-3753 or visit www.EchoTheaterCompany.com.
“Young Frankenstein” Legendary actress Sally Struthers (“All in The Family,” “Gilmore Girls”) stars as “Frau Blücher” in this electrifying musical stage adaptation of Mel Brooks’ brilliantly funny film that will leave you in stitches! Frederick Frankenstein, grandson of the infamous inventor Doctor Frankenstein, reluctantly inherits the family estate in Transylvania. With the help of a hunchbacked sidekick named Igor and lab assistant Inga, Frederick finds himself following in the mad-scientist tradition of his ancestor, creating a monster for this century. When the monster escapes, hilarity abounds. London reviewers called it “a love letter to American vaudeville” and “an evening of gloriously impure fun.” Please note: Contains mature humor, adult language, sexual innuendo, and situations. Written by Mel Brooks and Thomas Meehan, with music by Mel Brooks, and directed by Jeff Whiting, it runs September 17 through October 9 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.lamiradatheatre.com.
“A Clean Brush” tells the story of two house painters, Dick and Mello, who land a job painting a room in the basement of recently widowed Zoe Craig’s home. Zoe’s husband died in the room when he ‘accidentally’ fell into a stand of fireplace implements and suffered a severe head trauma, and now Zoe is looking to turn the room into a rental cash cow. The house painters think this is just another job until Zoe’s nosy neighbor stops by and plants doubt in the painter’s minds as to what really happened to the Widow Craig’s clumsy spouse. Complicating matters, Mello falls for the gorgeous Zoe. But are Mello and Dick being asked to cover up a murder? Written by Norm Foster, and directed by Howard Storm, it runs September 22 through October 23 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.
“Night Watch” is an ingeniously devised “Hitchcock type” noir thriller which builds steadily in menace and suspense until the final, breath-stopping moment. Unable to sleep, Elaine Wheeler paces the living room of her Manhattan townhouse, troubled by unsettling memories and vague fears. The mystery begins when Elaine observes one corpse, and then another in the abandoned building opposite her home. Although her friends, family and authorities may not believe her, Elaine insists that she saw what she saw, and continuous suspicions arise as she begins to drive herself and everyone around her to their emotional limits. But with only limited evidence on hand, will plans be made for Elaine to be sent to a sanitarium or will a supposed killer make themselves known? Written by Lucille Fletcher, and directed by Brandon Ferruccio, it runs September 23 through October 8 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.
“Kim’s Convenience” Set in a family-run Korean convenience store – is a hilarious and heartwarming ode to generations of immigrants. Mr. Kim is a first-generation Korean immigrant and the proud owner of Kim’s Convenience for the past 30 years. Now he’s trying desperately – and hilariously – to grapple with both a changing neighborhood landscape and the chasm between him and his second-generation offspring. Before KIM’S CONVENIENCE was a hit on Canadian TV and Netflix, it brought laughter to audiences through this warm and joyous stage play. Written by Ins Choi, and directed by Jon Lawrence Rivera, it runs September 25 through October 9 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“Desert Stories for Lost Girls” When 18-year-old Carrie moves in with her grandmother, she is thrown into a world of memory and mystery that unearths her family’s Genízaro identity — shining a light on a dark, bloody, and little-known period in the history of the American Southwest. Written by Lily Rushing, and directed by Sylvia Cervantes Blush, it runs September 30 through October 16 at the Los Angeles Theatre Center in Los Angeles. For tickets call 213-489-0994 or visit www.latinotheaterco.org.
“The Wiz Special Screening” On its opening day in 2021, the Academy Museum screened The Wizard of Oz (1939) accompanied by a live orchestra. To celebrate the first anniversary of the museum, we are proud to present the beloved Motown musical version of L. Frank Baum’s classic fantasy. Director Sidney Lumet followed a string of Oscar-winning 1970s classics with this lavish adaptation of the popular Broadway musical noted for its lively score and all-Black cast. Lumet’s film features a stellar array of iconic entertainers including Diana Ross as Dorothy (reconceived for the film as a shy Harlem schoolteacher), Michael Jackson as the Scarecrow, Lena Horne as Glinda and Richard Pryor as The Wiz, and was nominated for its Art Direction, Cinematography, Costume Design, and Music (Adaptation Score). Our screening of The Wiz will feature live and in-person dance performances by The Debbie Allen Dance Studio youth performers. Written by Joel Schumacher, with music by Quincy Jones, Charlie Smalls, Anthony Jackson, and directed by Sidney Lumet, it runs September 30 only at the Academy Museum of Motion Pictures in Beverly Hills. For tickets call 323-930-3000 or visit www.academymuseum.org.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
Our best wishes go out to all of our readers as always, and we want to wish everyone a Happy Father’s Day this month! We also want to send heartfelt thanks to our Public Relations representatives who supply us with this great information, and to our editors and publishers who continue to publish these columns. We hope this year will be a safe and healthy one for theatergoers, reviewers, and everyone everywhere.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
