Our local theaters have lots of new offerings. It’s time to treat yourself to the magic of live theater by going to see a show!
Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:
OPENING
Photos by Marco Ovando
Photos by Marco Ovando
“Cupid’s Secret” Treat your valentine to the most unique and romantic experience the City of Angels has to offer. Cupid’s Secret is an erotic retelling of the world’s most famous love stories and the untold truths behind them.
Enter the secret speakeasy, hidden atop the Beverly Center, for an immersive evening complete with live music, sensual vocals, erotic burlesque, seductive choreography and jaw-dropping acrobatics. Enjoy a multi-course dinner of Saint Valentines’ most delectable aphrodisiacs at the early show or choose the late-night show with handcrafted cocktails and a la carte dining including a selection of fine caviars.
Featuring a live band, burlesque, and speakeasy with handcrafted cocktails, prix fixe dinner & caviar bar, this is a show not to be missed. Produced by Voss Events, the show runs February 1 through 18 at the Voss Speakeasy on the 8th floor of the Beverly Center in Los Angeles. For tickets call 888-885-8677 or visit https://feverup.com/m/150166.
Photos by Marco Ovando
“Grumpy Monkey, The Musical” Meet Jim Panzee and all his friends as they enjoy a wonderful day of exciting adventures. There’s just one problem; Jim is in no mood for any fun OR games, and no one knows why! It’s the perfect story for families and kids because we all experience those big feelings. Not every day is a good one, and that’s okay. Written by Nina Meehan, adapted from the Book by Suzanne Lang & Max Lang, with music by Daniel Mertzlufft & Jacob Ryan Smith, and directed by Nina Meehan, it runs February 3 through March 3 at the Porticos Art Space in Pasadena. For tickets call 626-356-7529 or visit www.PasadenaPlayhouse.org.
“I Am Not Your Perfect Mexican Daughter” follows Julia, a Chicago high school student as she navigates trials and tribulations of following her dreams of becoming a writer alongside the death of her sister, Olga—who might not have been quite as perfect as she seemed. This poignant and vibrant new work is a love story of young Chicanas who, in trying to find the truth about the people and the world around them, end up finding themselves. Written by Erika L. Sánchez. Adapted for the stage by Isaac Gómez, and directed by Sara Guerrero, it runs February 3 through March 3 at the Greenway Court Theatre in Los Angeles. For tickets call 323-673-0544 or visit www.GreenwayCourtTheatre.org.
“Arrowhead” Gen is unexpectedly pregnant. Gen is also a lesbian. Yeah, it’s confusing. So, Gen does what any unexpectedly pregnant lesbian with a doe-eyed, (potential) arsonist of a girlfriend must: she goes and throws a secret abortion party at a lake house with her straight friends from college. With the arrival of her lesbian best friend and a few other unexpected visitors… what could go wrong? Written by Catya McMullen, and directed by Jenna Worsham, it runs February 8 through March 4 at the Atwater Village Theatre in Los Angeles. For tickets call 323-380-8843 or visit www.iamatheatre.com.
Photo Courtesy of Music Theatre West
“42nd Street” 42nd Street follows Peggy Sawyer (Emma Nossal), a small-town dancer who uses her naïve charm to win her way into the hearts of the audience and onto the chorus line of the biggest show on Broadway. Beloved by generations, 42nd Street celebrates the “hip hooray and ballyhoo” of musical theatre and the courage to chase one’s dreams. Audiences can expect to be amazed by an incredible cast, ensemble talent that includes working professionals alongside 10 students from the Orange County School of the Arts, a stunning score, and thrilling choreography. Written by Michael Stewart and Mark Bramble, with music by Harry Warren, lyrics by Al Dubin, and directed by Cynthia Ferrer, it runs February 10 through February 25 at the Carpenter Performing Arts Center in Long Beach. For tickets call 562-856-1999 or visit www.Musical.org.
“Joseph and the Amazing Technicolor Dreamcoat” From rags to riches, dreams to destiny, Joseph’s extraordinary journey will captivate audiences of all ages. Witness his meteoric rise from favored son to betrayed brother, from Egyptian prisoner to Pharaoh’s right-hand man. Sing along to iconic hits like “Any Dream Will Do” and “Close Every Door”, and let the infectious rhythms of country-western, calypso, and French balladry carry you away. Written by Andrew Lloyd Webber and Tim Rice, with music by Andrew Lloyd Webber and Tim Rice, it runs February 16 through March 3 at the Rose Center Theater in Westminster. For tickets call 714-793-1150 Ext. 1 or visit www.rosecentertheater.com.
“Mack & Mabel” tells the story of the tumultuous romantic and artistic relationship between silent movie director Mack Sennett and one of his biggest discoveries and stars, Mabel Normand. In a series of flashbacks, Sennett relates the glory days of Keystone Studios from 1911, when he discovered Normand through his creation of Sennett’s Bathing Beauties and the Keystone Cops, to Normand’s death from tuberculosis in 1930. Written by Michael Stewart, revised book by Francine Pascal, with music by Jerry Herman, and directed by Scott Thompson, it runs February 16 through February 18 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.ci.ovationtix.com/371/production/1180065.
“Marilyn, Mom & Me” Eileen Heckart, the no-nonsense Broadway actress, and Marilyn Monroe, the glamorous Hollywood legend, developed an enduring bond during the filming of Bus Stop — perhaps the most important film of Monroe’s career. Forty-five years later Yankee, Heckart’s now-middle-aged son, tries to unravel his mother’s relationship with Monroe in order to better understand his own path with this highly critical, yet loving woman. Written and directed by Luke Yankee, it runs February 16 through March 3 at the International City Theatre in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.
Photo by Zach Morrison
“Sex With Strangers” This thought-provoking play explores the intersection of love, ambition, and the digital age. A captivating journey of passion, connection, and the complexities of modern relationships. Written by Laura Eason, and directed by Kate Sargeant, it runs February 17 through March 3 at the McCadden Place Theatre in Hollywood. For tickets visit www.sweet-tix.com.
“Sweeney Todd: The Demon Barber of Fleet Street” Savor the macabre madness as a murderous barber, hungry for revenge for his lost family, strikes a partnership with a beastly baker in this eight-time Tony Award-winning masterpiece that will leave audiences gasping with fear and delight. Written by Hugh Wheeler, adapted by Christopher Bond, with music by Stephen Sondheim, and directed by Julia Rodriguez-Elliott, it runs February 17 through March 17 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.
“Matty” is the life story of Christy Mathewson, legendary hall-of-fame pitcher for the New York Giants (1900 to 1916), gentleman, philosopher and first true American hero who inspired a whole generation of fans to make baseball America’s pastime. Mathewson was arguably America’s first major baseball legend – a college-educated all-American farm boy from baseball’s age of innocence, a multi-faceted baseball player with homespun wit. Besides his ballpark records, still among the most impressive ever posted, he was an author of books for boys, toured in vaudeville, made a motion picture, and was a war hero, a coach, a sportswriter and very likely the first major sports figure to be a product spokesperson. Written by Eddie Frierson, and directed by Kerrigan Mahan, it runs February 23 through February 25 at the Santa Monica Playhouse in Santa Monica. For tickets visit www.SantaMonicaPlayhouse.com/matty.
“Eisenhower: This Piece of Ground” offers a candid and thought-provoking perspective on a significant chapter in American history. Set at the President’s farm in Gettysburg, Pennsylvania a year after leaving the Oval Office, the play opens in 1962, as the New York Times Magazine releases its inaugural ranking of American Presidents based on greatness. Eisenhower reflects on his life and legacy, recalling pivotal moments, including his Kansas upbringing, distinguished military career, triumphs in World War II, and his two terms as President. The exploration revolves around the qualities and challenges that define greatness in an American President. Written by Richard Hellesen, and directed by Peter Ellenstein, it runs February 24 through March 10 at the Rubicon Theatre in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.
“Fatherland” a riveting true story. A 19-year-old faces the hardest day in his life when he testifies in federal court after informing the FBI of his father’s involvement in the Jan 6 attack on Capitol. Fast-moving, powerful, and theatrical, Fatherland erupts verbatim from official court transcripts, case evidence, and public statements. Written and directed by Stephen Sachs, it runs February 25 through March 30 at the Fountain Theatre in Los Angeles. For tickets call 323-663-1525 or visit www.FountainTheatre.com.
CONTINUING
“Ain’t Misbehavin’” It’s 1930’s Harlem, and the joint is jumpin’! Nightclubs like the Cotton Club and the Savoy Ballroom are the playgrounds of high society, and dive bars on Lenox Avenue pulse with piano players banging out new tunes that are a wild mix of raucous, rowdy, and mournful. Featuring the intoxicating music of Thomas “Fats” Waller – the big-hearted, bigger-than-life impresario and international jazz pianist who helped create and define American swing with a song list that includes “Ain’t Misbehavin’,” “Honeysuckle Rose,” “I’m Gonna Sit Right Down and Write Myself a Letter,” “I Can’t Give You Anything but Love,” and dozens more. Written by Richard Maltby, Jr. and Murray Horwitz, with music by Thomas “Fats” Waller, and directed by Yvette Freeman Hartley, it runs through February 11 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“Love’s Labour’s Lost” Games, hilarity and matters of the heart take center stage in this fun and fast-moving romantic Shakespearean comedy. After taking a vow to avoid women and commit to a life of study and self-improvement for three years, the King and two of his friends have to host a princess and her two ladies. The three men fall in love and decide to court the women. The couples fall in love, but their love and trust will be tested. Written by William Shakespeare, and directed by Maren English, it runs through February 17 at the Helen Borgers Theater in Long Beach. For tickets visit www.LBShakespeare.org.
Photo by Jeff Lorch
Photo by Jeff Lorch
“POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive” A derogatory comment, a summit gone awry, an anal abscess—it’s a bad day at the White House. When the President unwittingly spins a PR nightmare into a global crisis, it inevitably falls on the seven women he relies on most to clean up the mess. Take a raucous romp through the halls of the West Wing in a riotous and irreverent farce about the men who hold the power vs. the women who get the job done. Written by Selina Fillinger, and directed by Jennifer Chambers, it runs through February 25 at the Gil Cates Theater at Geffen Playhouse in Los Angeles. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.
Photo by Jeff Lorch
Photo by Jeff Lorch
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall, and the co-publisher & editor Sid Fish, we want to send our heartfelt thanks to the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all, to our readers who enjoy our columns. We wish everyone good health, prosperity, and joyful times throughout the new year!
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
It’s a new year, and our local theaters have lots of new offerings to partake of. It’s time to treat yourself to the magic of live theater by going to a local production!
Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:
OPENING
“An Evening with Groucho” The two-act comedy consists of the best Groucho one-liners, anecdotes and songs including “Hooray for Captain Spalding,” and “Lydia, the Tattooed Lady.” The audience literally becomes part of the show as Ferrante ad-libs his way throughout the performance in grand Groucho style. Accompanied by his onstage pianist, Ferrante portrays the young Groucho of stage and film and reacquaints us with the likes of brothers Harpo, Chico, Zeppo and Gummo, Charlie Chaplin, W.C. Fields and Marx foil Margaret Dumont. A show perfect for all ages! Written and directed by Frank Ferrante, it runs January 4 through January 7 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“Beau Jest” Sarah Goldman is worried that her Jewish parents will not be accepting of her WASP boyfriend, so she hires an actor to pose as a Jewish doctor she’s dating. However, he turns out not to be Jewish either, but is so convincing in a role that he could just win over her parents…and quite possibly Sarah as well. Written by James Sherman, and directed by Jonathan Fahn, it runs January 12 through February 18 at the Theatre Palisades Playhouse in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.org.
“Mercury” Three stories cross outside of Portland, OR in a pitch-black comedy with an illicit affair, a couple hanging on by a thread, bears at the window, the deadliest curiosity shop on the west coast, and a missing dog named Mr. Bundles. No one’s happy, people stop being nice, and blood spills. This mash up of myth, missing empathy, and “good neighbors” explores what happens when the mercury rises. Written by Steve Yockey, and directed by Ann Hearn Tobolowsky, it runs January 12 through March 2 at the Road Theatre in North Hollywood. For tickets call 818-761-8838 or visit www.RoadTheatre.org.
Photo by Matthew Murphy for MurphyMade
“Pretty Woman the Musical” centers on the relationship that develops between Vivian Ward, a free-spirited Hollywood prostitute, and Edward Lewis, a wealthy businessman who hires her for a week to be his escort for several business and social functions. Before long, the two learn that their connection goes beyond a simple transaction. Written by Garry Marshall, with music by Bryan Adams and Jim Vallance, and directed by Jerry Mitchell, it runs January 12 through January 14 at the Bank of America Performing Arts Center in Thousand Oaks. For tickets visit www.BroadwayInThousandOaks.com.
“Sukkot” is the hilarious and heartwarming story of the Sullivan family, a half-Jewish-half-Irish-Catholic family attempting to rejoice by celebrating an obscure Jewish holiday that no one has ever heard of. One year after losing his wife to cancer, Patrick Sullivan is still unable to overcome his overwhelming grief, until a rabbi introduces him to the little-known Jewish holiday of Sukkot – the only holiday where God directly commands us to rejoice! Suddenly energized by the holiday, Patrick builds a sukkah (a Jewish hut) in their yard and forces his three grown children to celebrate with him as they gather at the family house to attend their mother’s unveiling ceremony. Written by Matthew Leavitt, and directed by Joel Zwick, it runs January 13 through February 4 at the Skylight Theatre in Los Angeles. For tickets visit www.the6thact.ludus.com.
“Kate” In her widely celebrated one-woman show, revered comedian Kate Berlant explores the events of her life that have brought her to this moment. Embodying many characters in this tour de force performance, she expertly morphs before our eyes and exposes a truth she has, until now, kept hidden. Written by Kate Berlant, and directed by Bo Burnham, it runs January 17 through February 11 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.pasadenaplayhouse.org.
“The Manor- Murder and Madness at Greystone” The show is a roman a clef, a fictionalization based on real events with the actual historical characters given new names. To lend authenticity to the presentation, the show is presented in the grand and glorious architectural landmark in which the events of 95 years ago actually took place. Audience members are led from room to room in the lovingly restored marvelous Greystone Mansion as different scenes of the narrative are portrayed, leading up to a shocking and apparent murder and suicide. The Manor- Murder and Madness at Greystone depicts momentous changes in the fortunes of the fabulously wealthy MacAlister Family (fictional surrogates of the oil-rich Doheny Family). Family patriarch and mining tycoon Charles makes an illegal if well-intentioned loan to Senator Alfred Winston (a stand-in for Secretary of the Interior Albert Fall). Both men face imminent disgrace and worse in the oncoming Teapot Dome bribery scandal, which will engulf the Warren Harding administration. A scion of the MacAlister family faces violent death. Written by Kathrine Bates, and directed by Martin Thompson, it runs January 18 through February 3 at the Greystone Mansion, in Greystone Park in Beverly Hills. For tickets call 310-364-3606 or visit www.theatre40.org.
“Strangers on a Train” Two young men meet on a train: one an ambitious architect, the other a playboy with a taste for danger. As the train takes them to their destination, the two travelers speculate on what it would be like to commit the perfect murder. With a Private Investigator on their case, little do they know that their lives will soon become fatally linked forever. Written by Craig Warner, based on the novel by Patricia Highsmith, and directed by Jules Aaron, it runs January 18 through February 18 at the Theatre Forty, in the Mary Levin Cutler Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.
“Confessions of a Prairie B*tch” Arngrim offers a riotous evening of anecdotes, stand-up comedy, and multimedia content about life as the scorned yet beloved devious pre-teen, complete with frilly petticoats and curls. The one-woman stage show made its debut in New York City in 2002 and has since become a global sensation, drawing packed houses in the U.S. and abroad. Written and directed by Alison Arngrim, it runs January 19 through January 28 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.
Photo by Ashley Randall
“(Im)migrants of the State” An unflinching, emotional, thought-provoking evening of theater, weaving together self-reflection and humor, through authentic voices on their journey toward redemption and healing. An original new work, created and performed by an ensemble of Prison Project alumni with over 240 years of combined incarceration, telling powerful, inspirational stories that speak to anyone who has ever lost hope, or lived their life in fear and regret. Written by Jeremie Loncka, Richard Loya and members of The Actors’ Gang Alumni Advocacy Project, and directed by Jeremie Loncka and Richard Loya, it runs January 19 through January 28 at the Actors’ Gang Theater in Culver City. For tickets call 310-838-4264 or visit www.theactorsgang.com.
“La Cocina” La Cocina looks at the back of house of a modern-day NYC restaurant kitchen as cooks and waitstaff juggle orders, dishes, and their own dreams of a better life. Written by Tony Menéses, and directed by Adam Chambers, it runs January 19 through February 11 at the Loft Ensemble in North Hollywood. For tickets call 818-452-3153 or visit www.loftensemble.org.
“Private Lives” centers around Amanda and Elyot, a divorced couple who, while honeymooning with their new spouses Victor and Sibyl, discover that they are staying in adjacent rooms at the same hotel. Despite a perpetually stormy relationship, Amanda and Elyot realize they still have feelings for each other – and it soon becomes clear they cannot live with each other, but also cannot live without each other! Written by Noël Coward, and directed by Richard Perloff, it runs January 19 through February 10 at the Westchester Playhouse in Los Angeles. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.
“Mystic Pizza” A new musical you’ll love at first slice! Based on the classic 1988 Julia Roberts rom-com, MYSTIC PIZZA is a new musical about three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint. The infectious score features mega-hits of the ’80s and ’90s, from “Girls Just Wanna Have Fun,” and “Addicted to Love,” to “Nothing’s Gonna Stop Us Now,” “Take My Breath Away,” and many, many more! Written by Sandy Rustin, with music by Carmel Dean, and directed by Casey Hushion, it runs January 20 through February 11 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.LaMiradaTheatre.com.
“POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive” A derogatory comment, a summit gone awry, an anal abscess—it’s a bad day at the White House. When the President unwittingly spins a PR nightmare into a global crisis, it inevitably falls on the seven women he relies on most to clean up the mess. Take a raucous romp through the halls of the West Wing in a riotous and irreverent farce about the men who hold the power vs. the women who get the job done. Written by Selina Fillinger, and directed by Jennifer Chambers, it runs January 25 through February 18 at the Gil Cates Theater at Geffen Playhouse in Los Angeles. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.
“Twelve Angry Jurors” Following the closing arguments of a murder trial, the twelve members of the jury must deliberate, with a guilty verdict meaning death for the accused, an inner-city teen. Still amazingly relevant today. The democratic jury system is meant to be impersonal, but it ultimately becomes personal, revealing and passionate, as anger rears its dramatic head. Written by Sherman L. Sergel, based on the television movie by Reginald Rose, and directed by Tom Lazarus, it runs January 26 through March 3 at the Lonny Chapman Theatre – Main Stage in North Hollywood. For tickets call 818-763-5990 or www.thegrouprep.com.
“Brushstroke” The Lower East Side, 1956. Marvin (Malcom Barrett), a young art patron with a secret, meets Ted (James Urbaniak), a middle-aged painter with a secret. Enter a world of espionage, abstract expressionism and egg creams. Written by John Ross Bowie, and directed by Casey Stangl, it runs January 27 through March 3 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.odysseytheatre.com/tickets/?eid=111850.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall, and the co-publisher & editor Sid Fish, we want to send our heartfelt thanks to the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all, to our readers who enjoy our columns. We wish everyone good health, prosperity, and joyful times throughout the new year!
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
The holiday season is in full swing now, and local theaters are joining in with a bevy of new offerings. It’s time to treat yourself to the magic of live theater by going to a local production!
Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:
OPENING
“The Climb” Led by two blind actors who lost their vision in their 20s, The Climb tells the true story of their journey, using original rap, poetry, spoken word, and classic songs to take the audience along as they share their most vulnerable moments. The show answers questions that most people might be curious about, but never ask directly. These brave performers share their stories of their blindness and their journey to find a greater sense of self. Written by Ronnie Chism and Maliaka Mitchell, and directed by Greg Shane, it runs December 1 through December 9 at the Blue Door Theater in Culver City. For tickets visit www.bluedoorculver.com.
“It’s a Wonderful Life – On Air” It is Christmas Eve, 1947 in the studio of radio studio WNBC in New York City and a major snowstorm has hit the Big Apple. None of the Broadway stars who were scheduled to perform WNBC’s annual live radio broadcast of “It’s A Wonderful Life” were able to get through the storm so the station’s General Manager has to scramble to gather a cast of anyone still left in the building – the copy boy, secretaries – even a nun soliciting donations for homeless orphans! During the broadcast, everything that could go wrong DOES! But in the end, this merry band of misfits delivers one of the funniest and most heartwarming renditions of the holiday classic ever to go out over the airwaves. Performed as a “live” radio broadcast complete with live foley sound effects, IT’S A WONDERFUL LIFE – ON AIR is a hilariously fun way to celebrate the holidays with the entire family. Written and directed by Fred Helsel, it runs December 1 through December 23 at the Simi Valley Cultural Arts Center in Simi Valley. For tickets call 805-583-7900 or visit www.simi-arts.org.
“Madame Scrooge: A Christmas Carol Musical” This unique holiday adaptation will be performed in one of the oldest theaters-in-the-round in the country and feature a Broadway style musical score written by the award-winning Hollywood composer Chris Thomas. The show will be packed full of unique choreography, over the top costumes, high end creature suits, and vocals from our leading lady Madame Scrooge that will knock the audience out of their seats. Additionally, Meyer2Meyer Entertainment will include some of their typical immersive elements into the show; you might be involved in a snowball (soft plush) fight! Fun for the entire family. Written and directed by Justin Patrick Meyer, with music by Chris Thomas, it runs December 1 through December 23 at The Nocturne Theatre in Glendale. For tickets visit www.TheNocturneTheatre.com.
Photo by Jason Niedle – Tethos Creative
“Mary Poppins” The story follows the Banks family as they receive a visit from the magical nanny Mary Poppins, who takes them on a series of unforgettable adventures. Along the way, they learn the importance of family and the power of imagination. As audiences join the Banks family on their adventure, they’ll be swept away by classic songs such as “A Spoonful of Sugar,” “Supercalifragilisticexpialidocious,” and “Chim Chim Cher-ee.” Written by Julian Fellowes, with music by Richard M. Sherman and Robert B. Sherman, additional music and lyrics by Anthony Drewe and George Stiles, and directed by Tim Nelson, it runs December 1 through December 17 at the Rose Center Theater in Westminster. For tickets call 714-793-1150 Ext. 1 or visit www.RoseCenterTheater.com/Disneys-MaryPoppins.
“SANTASIA – A Holiday Comedy” The critically acclaimed musical sketch comedy show features Broadway musical parodies, heartfelt sentiment and classic Rankin and Bass inspired Claymation movies. The popular and celebrated live stage show has played to Sold Out crowds in Los Angeles for the past 24 years. Written and directed by Brandon Loeser and Shaun Loeser, it runs December 1 through December 23 at the Whitefire Theatre in Sherman Oaks. For tickets visit www.santasia.com.
“A Permanent Image” Those traditionally joyous and colorful holidays are approaching and members of an estranged family from a small town in Idaho gather to bury the family patriarch. Siblings Bo and Ally are stunned to see how their childhood home has been “decorated” for the occasion. When Mom delivers a surprising twist, we start to see a method behind this madness. A fusion between realism and the absurd, A Permanent Image is an intensive comedic and dramatic exploration of the distance families put between themselves, and what it takes to bring them back together. Written by Samuel D. Hunter, and directed by Andrew Weyman, it runs December 2 through January 14 at the Pacific Resident Theatre in Venice. For tickets call 310-822-8392 or visit www.pacificresidenttheatre.org.
“So Many Stars” It’s the waning weeks of the year, evenings come sooner, there’s a nip of coolness in the air, the sky gets darker faster, you look up, and there are….so many stars. It makes you feel that you’re part of this immense universe. The new show So Many Stars is about so much more than just the season. With music and songs, it celebrates the joy of life itself. Winter’s on its way, and some of the songs are seasonally appropriate. There are a few Christmas songs, and one Chanukah song, but the songs selected are here because they’re timeless. Written and directed by Victoria Lavan, it runs December 2 through December 10 at the Theatre West in Studio City. For tickets call 323-851-7977 or visit www.theatrewest.org.
“Spirits Of the Season: Vintage Cocktails & Holiday Jazz” Taste the Spirits of the Season inside a vintage holiday cabaret. Located upstairs, The Nocturne Theatre hides 5 festive secret rooms to explore. Relax and enjoy seasonal songs performed by our Holiday Jazz Crooner inside our Speakeasy Cabaret. Holiday twists on your favorite vintage cocktails will be offered, crafted with fresh-pressed ingredients. Directed by Justin Patrick Meyer, it runs December 2 through December 23 at the Nocturne Theatre in Glendale. For tickets visit www.TheNocturneTheatre.com.
“A Christmas Carol” This delightfully festive, musically merry stage adaptation of Charles Dickens’ A Christmas Carol has become a Los Angeles tradition with its innovative staging, whimsical costumes, original music and boundless good cheer. Audiences are invited to arrive early to enjoy special snacks, crafts and photo opportunities in the decorated lobby, and to stay after the performance to take pictures with the cast. Written by Charles Dickens, adapted by Geoff Elliott, with music by Robert Oriol, and directed by Julia Rodriguez-Elliott and Geoff Elliott, it runs December 3 through December 24 at A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.
Photo by Gary Emord Netzley
“A Christmas Story – The Musical” Set in 1940s Indiana, a young and bespectacled Ralphie Parker schemes his way toward the holiday gift of his dreams, an official Red Ryder® Carbine-Action 200-Shot Range Model Air Rifle. An infamous leg lamp, outrageous pink bunny pajamas, a maniacal department store Santa, and a triple-dog-dare to lick a freezing flagpole are just a few of the distractions that stand between Ralphie and his Christmas wish. Written by Joseph Robinette, with music by Benj Pasek and Justin Paul, and directed by Matt Lenz, it runs December 5 through December 31 at the Ahmanson Theatre in Los Angeles. For tickets visit www.centertheatregroup.org.
“A Cinderella Christmas” This holiday season, put on your glass slippers and join us for our annual Lythgoe Family Panto, A Cinderella Christmas! Based on the traditional British Panto, where the audiences’ participation is part of the show, expect a hilarious, heartwarming evening full of song, dance and holiday merriment! In A Cinderella Christmas, the timeless rags to riches story of a young girl meeting her prince gets an exciting holiday makeover. A wild, wacky, and interactive holiday event, A Cinderella Christmas sets the age-old fairytale of Cinderella to modern music, with a comical twist and incredible magic! Featuring songs like “9 to 5” by Dolly Parton and “When You Believe” by Whitney Houston, this year’s Panto promises to be the very best! In A Cinderella Christmas, the timeless rags to riches story of a young girl meeting her prince gets an exciting holiday makeover. A wild, wacky, and interactive holiday event featuring all of your favorite characters, A Cinderella Christmas sets the age-old fairytale of Cinderella to modern music, with a comical twist and incredible magic! Featuring songs like 9 to 5 by Dolly Parton and When You Believe by Whitney Houston, make Panto your holiday tradition! Written by Kris Lythgoe, with music by Andy Street, and directed by Bonnie Lythgoe, it runs December 7 through December 29 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 Ext. 1 or visit www.lagunaplayhouse.com.
Photo by Meredith Mashburn Photography
“The Cher Show” THE CHER SHOW is 35 smash hits, six decades of stardom, two rock-star husbands, a Grammy, an Oscar, an Emmy, and enough Tony Award-winning Bob Mackie gowns to cause a sequin shortage in New York City, all in one unabashedly fabulous new musical that will have audiences dancing in the aisles! Superstars come and go. Cher is forever. For six straight decades, only one unstoppable force has flat-out dominated popular culture – breaking down barriers, pushing boundaries and letting nothing and no one stand in her way. THE CHER SHOW is the Tony Award-winning musical of her story, and it’s packed with so much Cher that it takes three women to play her: the kid starting out, the glam pop star, and the icon. Written by Cher, with music by Cher, and directed by Casey Hushion, it runs December 8 through December 10 at the Bank of America Performing Arts Center in Thousand Oaks. For tickets visit www.BroadwayInThousandOaks.com.
“Hanyak” The title Hanyak alludes to the Czech family roots of the story’s protagonist, a young woman from the Midwest who comes to Hollywood, like many others before her, in pursuit of a dream. She becomes involved creatively and romantically with a famous and accomplished older man. They make well-received arthouse films together. It’s a vibrant, glamorous life, until the day she must come to grips with the fact that there is a price to pay for the fulfillment of your Hollywood dreams. Written by Tanna Frederick, and directed by Jenny Sullivan, it runs December 8 through December 10 at the Two Roads Theatre in Studio City. For tickets visit www.hanyak.ticketleap.com/onewomanshow.
Photo Courtesy of Santa’s Circus
“Santa’s Circus” For the first time in Los Angeles, step into an enchanting holiday fantasy at Santa’s Circus, a mesmerizing theatrical experience that delivers the joy of Christmas in a whole new way through a unique blend of theater and cirque-style acrobatics. Santa and Mrs. Claus have curated a show filled with thrills, laughter and wonder. Experience remarkable performers and awe-inspiring cirque acts from around the world that feature breathtaking acrobatic feats, dance, gymnastics, illusions, comedy and more. Families have the opportunity to take a complimentary photo with Santa, and kids will get to write a letter to deliver to Santa with the help of Mrs. Clause during the show.
During the 19 performances, proceeds from 10% of every ticket sold will be donated to four youth-focused charities: the Ryan Seacrest Foundation, D’Addario Foundation/Immersive Music Challenge, LACC‘s Guardian Scholars, and the Boys & Girls Club of Hollywood. Also, a benefit show on Tuesday, December 12 at 5:00pm has been added to the schedule for the general public to attend along with hundreds of attendees from these participating charities who will receive donated tickets. Patrons who purchase tickets can receive 20% off this show—or ANY show throughout the entire run—when applying the code SCLAHOLIDAY20 at check-out.
Written and directed by Francisco Santos, it runs December 8 through December 23 at the Montalbán Theatre in Hollywood. For tickets visit www.santascircusexperience.com/los-angeles.
“The World Goes ‘Round” Winner of 3 Drama Desk Awards, The World Goes ‘Round is filled with humor, romance, drama, and nonstop melody. The musical revue features story songs about charming misfits whose unconventional truths are celebrated in brassy up-tempo belt numbers and tender ballads that could have only come from the pens of John Kander and Fred Ebb, the geniuses behind shows like Cabaret to Chicago. This nonstop hit-parade featuring unforgettable gems like “Mr. Cellophane,” “Maybe This Time,” “Cabaret” and “New York, New York.” Written by Scott Ellis, Susan Stroman, and David Thompson, with music by John Kander, lyrics by Fred Ebb, it runs December 9 through December 23 at the Rubicon Theatre in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.
“A Very Die Hard Christmas” A real Christmas crowd-pleaser with lots of laughs and nostalgia, this fun musical parodies the hit film Die Hard on the 35th anniversary of that action classic’s release. New York cop John McClane flies to Los Angeles to visit his estranged wife Holly for Christmas. But soon after he shows up at Nakatomi Plaza for her office work party, terrorists take over the building and it’s up to John to save the day. Written by Jeff Schell and The Habit, additional dialogue by Sandro Monetti, and directed by Sandro Monetti, it runs December 10 through December 20 at the Theatre Forty in the Mary Levin Cutler Theatre in Beverly Hills. For tickets call 310-364-3606 or visit www.theatre40.org.
“OY! To The World” Christmas with a Twist! is a delightful walk down memory lane, celebrating the Jewish songwriter’s contribution to the canon of Christmas music we all know and love. Each iconic tune captures the spirit of the Yuletide season. Featuring well-known hits that have become beloved Christmas standards like “Have Yourself a Merry Little Christmas”, “I’ll Be Home for Christmas”, “White Christmas”, “Rudolph the Red-Nosed Reindeer”, “Santa Baby” “The Christmas Song”, “Santa Claus Is Coming to Town” and many more. Oy! To the World ~ Christmas with a Twist! is a ninety-minute, new musical comedy that the whole family will enjoy, with great Catskills humor and all the wonderful holiday music we know and love. It’s an all-inclusive holiday celebration! Written by Gregory Thirloway & Maurice Godin, and directed by Maurice Godin, it runs December 14 through December 23 at the El Portal Theatre Monroe Forum in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.
Photo by Katie Ging
“Long Beach Nutcracker” This production boasts a full symphony orchestra, a flying sleigh, a real live horse, on-stage pyrotechnics, and a cast of over 250. Former Disney designers Elliot Hessayon and Scott Schaffer created the enchanting scenery, Australian artist Adrian Clark designed the detailed costumes, and renowned magician Franz Harary created the special effects. This year’s production will feature Megan Wilcox, formerly with the world-renowned Dresden Ballet, as the Sugarplum Fairy, and the return of Melissa & Ade, celebrity winners from “So You Think You Can Dance.” Melissa Sandvig will once again perform her stand-out role as the Dewdrop Fairy and Ade Obayomi will be featured in the “Arabian Dance.” Written and directed by David Wilcox, it runs December 16 through December 23 at the Terrace Theater at the Long Beach Convention & Entertainment Center in Long Beach. For tickets visit www.LongBeachNutcracker.com.
CONTINUING
“The Gift of the Magi” Enjoy this modernized spin on the classic Christmas tale of the Gift of the Magi! When a wife and husband give each other handpicked Christmas gifts, they realize that each person personally sacrificed their own happiness to obtain each gift proving love is more powerful than gift giving. Written by O. Henry, adapted by Helen Borgers and Lauren Velasco, it runs through December 10 at the Helen Borgers Theater in Long Beach. For tickets visit www.LBShakespeare.org.
“70, Girls, 70” This long-buried gem will sparkle with its glorious, catchy music and wittily hysterical lyrics. A charming group of clever, enterprising senior citizens take matters into their own hands when their residence hotel is about to be sold. They band together and take life by the bootstraps and go to extraordinary creative measures to save their home. Along the way they discover the value of saying “YES!” when life invites us. Written by David Thompson & Norman L. Martin, with music by John Kander, lyrics by Fred Ebb, and directed by Bruce Kimmel, it runs through December 17 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.
Photo by Rob Latour
“Love Actually Live” transports friends and families into a three-dimensional world where the film and live action seamlessly blend, immersing audiences in the heartwarming London setting. Iconic scenes from the movie are displayed on screens that move throughout the set, complemented by an all-star cast of singers and a live orchestra, delivering a reimagined soundtrack featuring beloved songs such as “Christmas is All Around,” “Trouble with Love,” and Joni Mitchell’s “Both Sides Now.” Written by Richard Curtis, adapted by Anderson Davis, with music by Jesse Vargas, and directed by Anderson Davis, it runs through December 30 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org/LAL.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall, and the co-publisher & editor Sid Fish, we want to send our heartfelt thanks to the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all, to our readers who enjoy our columns. We wish everyone good health, prosperity, and joyful times this holiday season, and throughout the year to come!
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:
OPENING
“Inherit the Wind” Two of the nation’s leading lawyers go head-to-head in the ultimate battle of wit, wisdom, and will in this powerful drama. With freedom of speech hanging in the balance, will this small-town courtroom bring us together or tear the nation apart? In a fresh production boldly reimagined for today, this will make you rethink what you know and dare you to question just how much society has evolved. Written by Jerome Lawrence and Robert E. Lee, and directed by Michael Michetti, it runs November 1 through November 26 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.pasadenaplayhouse.org.
“Towards Zero” When a house party gathers at Gull’s Point, the seaside home of Lady Tressilian, Neville Strange finds himself caught between his old wife Audrey and his new flame Kay. A nail-biting thriller, the play probes the psychology of jealousy in the shadow of a savage and brutal murder. A carefully unpeeled investigation before our eyes brings the story to a pointed ending. Written by Agatha Christie and Gerald Verner, and directed by Hannah Jackson, it runs November 3 through December 10 at the Theatre Palisades in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.org.
“A Gentleman’s Guide to Love and Murder” When the low-born Monty Navarro finds out that he’s eighth in line for an earldom in the lofty D’Ysquith family, he figures his chances of outliving his predecessors are slight and sets off down a far more ghoulish path. But can he knock off his unsuspecting relatives without being caught and become the ninth Earl of Highhurst? And what of love? Because murder isn’t the only thing on Monty’s mind… Written by Robert L. Freedman, with music by Steven Lutvak, lyrics by Robert L. Freedman, and directed by Catherine Rahm, it runs November 10 through December 9 at the Westchester Playhouse in Los Angeles. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.
“Mama Mama Can’t You See” There is no “I” or “me” in combat. Dangerously imaginative Coin & Ghost theater company presents Mama Mama Can’t You See, an explosive new play about human connection and the mythology of war. Highly physical, sensual, funny, angry and surreal, it is inspired by playwright Stan Mayer’s life as a U.S. Marine. But don’t get it twisted: this is not a play about war. Rather, it’s a play about how to tell a war story. Written by Stan Mayer and Cecilia Fairchild, and directed by Zachary Reeve Davidson, it runs November 10 through December 10 at the Studio/Stage in Los Angeles. For tickets call 818-925-4928 or visit www.coinandghost.org.
“Beautiful: The Carole King Musical” Follow the inspiring true story of Carole King’s remarkable rise to stardom – from being part of a hit songwriting team with her husband Gerry Goffin to becoming one of the most successful solo acts in popular music history. Along the way, she wrote the soundtrack to a generation, with countless classics like “(You Make Me Feel Like) A Natural Woman,” “Take Good Care of My Baby,” “You’ve Got a Friend,” “So Far Away,” “It Might as Well Rain Until September,” “Up on the Roof,” and “The Locomotion.” Don’t miss this smash Broadway hit that ran for 6 years! Written by Douglas McGrath, with music by Gerry Goffin & Carole King, Barry Mann & Cynthia Weil, and directed by David Ruttura, it runs November 11 through December 3 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.LaMiradaTheatre.com.
“The Talented Tenth” Portrays graduates of Howard University who have succeeded (the big house, the new cars, the lavish vacations, the families). Bernard in particular feels conflicted about betraying his original principles. Bernard is a hard-driving executive at a small chain of Black radio stations. His programming decisions have boosted the stations’ ratings and significantly increased its commercial value. Now, the owner of the chain, Griggs, is considering selling the chain to an international white corporation, which would ravage Bernard’s plans for the company. Bernard’s life outside of work is becoming problematic, too. He has a beautiful, capable wife of many gifts who has given him four children. He also has a smart, hot, younger mistress who is making increasing demands on him. Bernard has had plans for these Black radio stations that would serve and uplift his community. What will happen to them now? What will do Bernard do about the two beautiful women in his life? Written by Richard Wesley, and directed by Ben Guillory, it runs November 11 through December 10 at the Robey Theatre Company at Los Angeles Theatre Center in Los Angeles. For tickets call 213-489-7402 or visit www.therobeytheatrecompany.org.
“Freight: The Five Incarnations of Abel Green” An African American everyman travels through time in different incarnations, including a 19th Century minstrel, a faith healer, an FBI informant, a struggling actor and an out-of-work mortgage broker. In each life, Abel is guided, distracted, helped or hindered by a handful of characters with whom his destiny is forever intertwined. We meet each new iteration of Abel Green on a train, which changes in appearance in accordance with each time period and serves as a link between dimensions. Written by Howard L. Craft, and directed by Joseph Megel, it runs November 12 through December 16 at the Fountain Theatre in Los Angeles. For tickets call 323-663-1525 or visit www.FountainTheatre.com.
“The Half-Light” A drama with warmth and humor. After an intriguing encounter with a psychic, a college secretary asks herself: Can certain people be trained to see the dead? Iris’s pursuit of an answer leads to a more earthbound challenge when her beloved colleague, Andrew, is suddenly stricken by grief. Armed with her own intuition and the garrulous enthusiasm of her friend Helen, Iris attempts to coax Andrew back to the land of the living. In the meantime, Helen faces off with her daughter, Teresa, who believes her house is haunted. These four characters’ entwined journeys all tilt toward the same goal: to be fully seen in the light and the half-light by another living being. Written by Monica Wood, and directed by Ann Hearn Tobolowsky, it runs November 16 through December 17 at the Theatre Forty in the Mary Levin Cutler Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.
“Radical or, Are You Gonna Miss Me?” What do you do when the people you call family are the ones who hurt you the most? This is the sweeping story of three women on the Mexican American border who, more than anything, desperately want to be seen — and who will do anything in their power to make themselves known, no matter how great the cost. Written by Isaac Gómez, and directed by Jess McLeod, it runs November 16 through December 11 at the Atwater Village Theatre in Atwater Village. For tickets call 323-380-8843 or visit www.iamatheatre.com.
“A Family Business” Rose Klein, a budding, talented chef, and her boyfriend Julio, are cooking dinner tonight for Rose’s mother Harmony, a spiritual psychologist, and her father Seth, an unrepentant child of the sixties. Joining them will be Julio’s parents: Max Gold, the feared tyrannical head of Gold Studios, and Julio’s mother Elena, Max’s brilliant, acerbic, trophy wife. Rose and Julio hope this will be a night to remember. It will be, although not in the way that any of them could have imagined. Written by Matt Chait, and directed by Brian Shnipper, it runs November 17 through December 31 at the Hudson Main Stage Theatre in Hollywood. For tickets visit www.onstage411.com/newsite/show/play_info.asp?show_id=6389.
“Frozen Fluid” In a mythic Antarctica (but one resonant with our current climate crisis), two scientists study glaciers and whales. When a third phytoplankton scientist arrives — Tay, who identifies as nonbinary — Herman and Terra begin to confront their own ideas of gender and their control of the natural world. As things unravel for all three of them, a new world begins to take shape — one where gender, identity, religion, climate, and time itself become new, expansive, and free of human interference. Written by Fly Jamerson, and directed by Amanda McRaven, it runs November 18 through December 17 at the Los Angeles LGBT Center Davidson/Valentini Theatre in Hollywood. For tickets visit www.coeurage.org.
Photo by Berrie Tsang
“Cori Cable Kidder’s Holiday Spectacular. A 1940s Christmas Revue” The decade was a rich one for memorable songs remembered fondly decades later. The first half of the decade reflected the fact that so many of our brave young men and women were overseas, fighting to ensure that a free America would endure. The second half of the Forties celebrated an America flush with victory, with a booming economy, a booming population and a vision of an ever-brighter future. The music was performed by crooners, small combos and big bands. The songs touched upon the world at war (Boogie Woogie Bugle Boy, We’ll Meet Again, I’ll Be Seeing You), marked our coming home (It’s Been a Long, Long Time), and celebrated the holidays (White Christmas, The Christmas Song, Let It Snow!). The music varied from ballads to boogie to swing. Some of it we call The Great American Songbook and much of it we still want to hear when the holidays approach. Written and directed by Cori Cable Kidder, it runs November 24 through December 23 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.
Photo by Russ Rowland
“The Very Hungry Caterpillar Holiday Show” Each performance features four Eric Carle stories brought to life by a menagerie of 75 eye-popping, award-winning puppets. Audiences will meet the colorful characters of Brown Bear, Brown Bear; travel the world with 10 Little Rubber Ducks; get whisked away to a winter wonderland in Dream Snow; and of course, spend time with the star of the show, The Very Hungry Caterpillar. Each story features a variety of enchanting puppets and audience participation elements, brought to life by a captivating cast of storytellers, sweeping original music, and stunning puppetry. The pre-show experience includes a free activity station for little ones, plus, all attendees will have the opportunity to purchase a photo with The Very Hungry Caterpillar himself. Written by Eric Carle, and directed by Jonathan Rockefeller, it runs November 25 through January 21 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.hungrycaterpillarshow.com.
Photo by Rob Latour
“Love Actually Live” transports friends and families into a three-dimensional world where the film and live action seamlessly blend, immersing audiences in the heartwarming London setting. Iconic scenes from the movie are displayed on screens that move throughout the set, complemented by an all-star cast of singers and a live orchestra, delivering a reimagined soundtrack featuring beloved songs such as “Christmas is All Around,” “Trouble with Love,” and Joni Mitchell’s “Both Sides Now.” Written by Richard Curtis, adapted by Anderson Davis, with music by Jesse Vargas, and directed by Anderson Davis, it runs November 29 through December 30 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. For tickets call 310-746-4000 or visit www.TheWallis.org/LAL.
CONTINUING
Photo by Caught in the Moment Photography
“The Sound of Music” Join Maria Rainer, a free-spirited young woman, and the von Trapp family, as they find love and hope in an uncertain time. Based on the true story of the von Trapp Family Singers and later adapted into the hit movie starring Julie Andrews, The Sound of Music has been a cultural staple for decades. Audiences of all ages will be charmed by classic hit songs including the titular “The Sound of Music” and “My Favorite Things.” The incredible sets, costumes, and powerful vocal performances from the Nun Chorus are also sure to delight ticket holders. Written by Howard Lindsay and Russel Crouse, suggested by “The Trapp Family Singers” by Maria Augusta Trapp, with music by Richard Rodgers, lyrics by Oscar Hammerstein II, it runs through November 5 at the Carpenter Performing Arts Center in Long Beach. For tickets call 562-856-1999 or visit www.musical.org.
“Monster” Hannah’s life is a total mess. To get back on track, she must face the Monster who haunts her every thought, trying to destroy her and everyone who loves her. Written by April Littlejohn, and directed by Bree Pavey, it runs through November 12 at the Loft Ensemble in North Hollywood. For tickets call 818-452-3153 or visit www.loftensemble.org.
“Outrage” Ethan is an acting and writing teacher who runs a prestigious school. He confronts increasing tensions in his life, as friends and students seem eager to lash out in anger and recrimination over the election of a controversial President, all while Los Angeles anxiously awaits the verdict in an incendiary criminal trial involving a racially charged police shooting. The midnight beeping of a defective smoke alarm is the harbinger of all that is about to sweep life as Ethan knew it away. As the city takes in the verdict, Ethan’s world is quite suddenly changed forever. Forced to look at life from the other side of cancellation, Ethan attempts to reconcile relationships while determining where his creative life went, and how it might re-emerge. Written and directed by Allen Barton, it runs through November 12 at the Beverly Hills Playhouse (Main Stage) in Beverly Hills. For tickets call 323-657-5992 or visit www.crimsonsquare.org/buy-tickets.
“A Raisin in the Sun” Each of the Youngers, a Black family, has a different view of how to spend their father’s life insurance settlement to better the family. Will they open a business, send Beneatha to medical school or move to an all-white suburb? Hansberry’s masterpiece seeks answers to the still-relevant questions posed in Langston Hughes’ poem Harlem: What happens to a dream deferred? Written by Lorraine Hansberry, and directed by Khanisha Foster, it runs through November 12 at the South Coast Repertory Julianne Argyros Stage in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.
Photo by Jeff Lorch
“Baby Foot” Two seemingly mismatched souls find themselves on the cusp of a life-changing connection. Blackie’s first night in rehab intersects with Alexis’s 90-day release. A long night’s journey into day drives their sensation seeking impulsivities full throttle into the same lane where hearts and minds are torn between the seductive allure of the drug and an elusive promise of a brighter, sober future. Written and directed by Tim Venable, it runs through November 20 at the Rogue Machine, in the Matrix Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.org.
“Lewis and Tolkien” Set in Oxford, England in the autumn of 1963 at the famous “Rabbit Room” of the Eagle and Child Pub, this play is something of a return to the familiar for C.S. Lewis (author of The Chronicles of Narnia) and J.R.R. Tolkien (who wrote The Lord of the Rings). Filled with humor, rousing debate, and reconciliation, the two men learn the true value of their friendship with a little help from a few pints of beer and the energetically curious barmaid, Veronica. Written and directed by Dean Batali, it runs through December 3 at the Actors Co-op Crossley Theater in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall, and the co-publisher & editor Sid Fish, we want to send our heartfelt thanks to the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all, to our readers who enjoy our columns. We wish everyone good health, prosperity, and happy times throughout the year.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:
OPENING
“The Engagement Party” The champagne is on ice, the hors d’oeuvres are perfectly arranged, and the table is exquisitely set. But not all goes to plan. At a swank Park Avenue apartment, a young couple is celebrating their engagement with an intimate gathering of family and friends. When a glass of wine is spilled, the night takes an unexpected turn, unleashing a spiraling sequence of events and revelations that will irrevocably change their lives. Written by Samuel Baum, and directed by Darko Tresnjak, it runs October 4 through November 5 at the Gil Cates Theater at Geffen Playhouse in Westwood. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.
“La Cage” A high-energy, immersive live theatrical experience, will launch at Hollywood Roosevelt’s iconic Cinegrill Theatre on October 5. Inspired by the legendary La Cage Aux Folles nightclub in LA, the variety show promises to bring back the golden age of Hollywood supper clubs to a new generation while paying homage to its rich history. Secretly hidden behind a bookcase at the Hollywood Roosevelt Hotel, audiences will be transported to a world of glitz and glamor, where performers will dazzle with their live vocals, incredible dancing, all accompanied by the electrifying rhythms of a live band.
As a tribute to the original La Cage, the show will celebrate the groundbreaking performers who blazed a trail for drag culture. Original La Cage cast member and international entertainer, Tommi Rose, will serve as the emcee. Additionally, guests will be treated to a surprise celebrity performer at each show. Cheyenne Jackson and Ada Vox are among the special guests with additional performers and cast to be announced. To round out the one-of-a-kind extravaganza, audiences can dine at the opulent Cinegrill Theatre offering modern takes on classic cocktails, and a delicious supper club-inspired menu.
Adam Sanders, better known as his drag persona, Ada Vox, is an accomplished vocalist, songwriter, and drag queen who found success and pushed boundaries as a contestant on the hit singing competition series “American Idol”. Vox also finished as runner-up on “Queen of the Universe”’ streaming on Paramount+. With a powerful voice influenced by the likes of Selena Quintanilla, Whitney Houston, and Aretha Franklin, Vox has continued stunning crowds in her live performances and on tour.
Cheyenne Jackson is a GRAMMY & Emmy nominated actor and producer who most recently starred in three seasons of Fox’s “Call Me Kat” opposite Mayim Bialik, in addition to HBO’s “The Watchen,” and “The Morning Show.” Other notable credits include 4 seasons of “American Horror Story, “GLEE,” “30 ROCK,” ”American Woman,” “Saved by The Bell,” “Curb your Enthusiasm,” “CSI,” “Willl & Grace,” & “Descendants 3.” Cheyenne also appeared in Steven Soderbergh’s critically acclaimed “Behind the Candelabra” opposite Michael Douglas and Matt Damon & was nominated for best supporting actor for his role as Caleb in “Julie and the Phantoms” for NETFLIX. Films include OSCAR- nominated “United 93,” “The Green,” “Lola Versus,” with Greta Gerwig, “Love is Strange” opposite Alfred Molina and John Lithgow, “Six Dance Lessons in Six Weeks” opposite Gena Rowlands, & the 2021 horror hit “Werewolves Within.” He’ll next be seen in the indie “CTRL ALT DEL” with Jason Priestley and Mena Suvari, and then with Cate Blanchett, Jamie Lee Curtis, Kevin Hart & Jack Black in Lionsgate’s BORDERLANDS out in 2024. On/Off-Broadway, Jackson recently played the WOLF/PRINCE in the Tony-Winning revival of INTO THE WOODS opposite Sarah Bareillies, other credits include “The Performers,” “The Most Happy Fella,” “8,” “Finian’s Rainbow,” Thoroughly Modern Millie,” “Damn Yankees,” “AIDA,” “Xanadu,” “The Agony and the Agony” and “All Shook Up.” He was nominated for a GRAMMY for his performance as TONY in the acclaimed recording of WESTSIDE STORY with the San Francisco Symphony and has sold out Carnegie Hall twice. A devoted husband and father of twins, he is grateful always, for any opportunity to create art.
Tommi Rose began his career performing in the bars and cabarets of San Francisco, gaining inspiration and learning his craft from great impersonators and comedians including Divine, Phillys Diller and Charles Pierce. This is where he was discovered by Eve Finocchio, the legendary impresario of “Finocchio’s,” the famous North Beach nightclub home to the world’s longest running and most celebrated drag review. Known for its live band and elaborate production numbers, Tommi served as the show’s star and emcee for over 12 years. Rose has performed all over the world from Europe to Asia and beyond. He has shared the stage with notable figures like Carol Channing, Tommy Tune and more.
The original La Cage Aux Folles nightclub launched in 1981, and its allure skyrocketed instantly as it showcased exceptional female impersonators, captivating audiences with their impeccable performances, and featuring opulent production numbers, adorned with bedazzled singers and dancers donning magnificent costumes. Over the years, some of its famous patrons have included Lucille Ball, Warren Beatty, Johnny Carson, Sammy Davis Jr., Joan Collins, Tony Danza, Sean Penn, Frank Sinatra, Arnold Schwarzenegger, Elizabeth Taylor, Robin Williams, and Milton Berle.
Directed by T.J. Dawson, the show opens October 5 and runs Friday nights at 7p.m. and 10p.m. every week. For tickets or more information visit www.welcometolacage.com.
“Love Among the Ruins” In this newly reinvented version, Jessica Medlicott (Jobeth Williams), once a great actress, is now a beautiful and wealthy widow. She is accused of “breach of promise” by a handsome young Naval officer who claims she promised to marry him. Her only hope may be the greatest barrister at the Old Bailey, Sir Arthur Granville Jones (Peter Strauss). Jessica Medlicott is no ordinary client and the sparks that fly as she drives Sir Arthur to distraction keeps the audience guessing, laughing and crying until the very end. Is she guilty of “breach of promise?” Only the great Sir Arthur can get to the truth. Written by James G. Hirsch and Robert A. Papazian, and directed by Michael Arabian, it runs October 6 through October 29 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.
“Cindy & The Disco Ball: The Musical” time-travels back to a decade that was dy-no-mite! Colorful fashion, sensational songs, and disco dance moves bring an all-new Cinderella story to life. The story unfolds at a Southern California High School in 1976. On the flip side, a glittering Soul Sister with magic up her sleeves is keeping tabs on Cindy and her “messy” relationship with her stepsister. It’s a fun and fabulous journey through teenage self-discovery, high school romance, and four friends who dream up something big for the future – you know… the 1980s. Written by Joseph Leo Bwarie and Lori Marshall, with music by Rachael Lawrence, lyrics by Joseph Leo Bwarie and Lori Marshall, and directed by Joseph Leo Bwarie and Christine Lakin, it runs October 7 through October 29 at the Garry Marshall Theatre in Burbank. For tickets call 818-955-8101 or visit www.garrymarshalltheatre.org.
“Dog Door” is a funny, smart and ultimately moving play about radical acceptance and the power of telling your own story. Five seemingly random dogs find themselves in a room with only one way out – and they can’t leave until they’ve bonded together as a Pack. Fortunately, a sixth dog, Stella, a former military K-9, is there to help. But when an uncontrollable and foul-smelling stray joins them, the group is thrown into chaos. Can these canines discover the one thing that unites them? Written by Grant Gottschall, and directed by Genny Wilson, it runs October 7 through October 29 at the McCadden Place Theatre in Los Angeles. For tickets visit www.dogdoorplay.ticketspice.com/dog-door.
“Jews R 2 Much Fun!” Kathy and Stanley are deeply in love. They want to get married. Stanley is Jewish, Kathy’s a Catholic. Interfaith marriages happen all the time in America. But Kathy’s father Chris considers Stanley’s father Marv to be a hated, sworn enemy and has felt this way for many years. Kathy and Stanley’s families are to be united in matrimony. In order to prevent Chris’ hate from derailing their happiness, they devise a plan. Stanley’s family, aided by Kathy’s mother Mary, are about to give Chris a very special education. Hilarity ensues. Chris will ultimately have to reconsider the things that are stressing him out. Written by Jerry Mayer, and directed by Chris DeCarlo, it runs October 7 through November 12 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.santamonicaplayhouse.com.
“On Your Feet! The Story of Emilio & Gloria Estefan” This inspiring true story about heart, heritage, and two people who believed in their talent -and each other – has already won the hearts of audiences and critics alike. ON YOUR FEET! THE STORY OF EMILIO & GLORIA ESTEFAN is the exhilarating original musical based on the extraordinary life of 26-time Grammy Award-winning husband-and-wife team Gloria and Emilio Estefan, featuring a book by Academy Award and Golden Globe winner Alexander Dinelaris and a score made up of some of the most loved and iconic songs of the past quarter-century including “Rhythm is Gonna Get You,” “Conga,” “Get On Your Feet,” “Don’t Want To Lose You Now,” “1-2-3,” and “Coming Out of the Dark.” Written by Alexander Dinelaris, with music by Emilio & Gloria Estefan, and directed by Luis Salgado, it runs October 7 through October 29 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.LaMiradaTheatre.com.
“Rise” a poignant journey throughout the decades of an African American woman born and bred in Boyle Heights. As the neighborhood evolves, this love story unfolds the ties that bind her to it, unraveling the tragic mystery behind her unrelenting resolve to never leave. Written by Kimba Henderson, and directed by Lui Sanchez, it runs October 7 through November 5 at the Company of Angels Theater in Boyle Heights. For tickets visit www.companyofangels.org/rise.
“44 – THE unOFFICIAL, unSANCTIONED OBAMA MUSICAL (Told Through the Hazy Recollection of Joe Biden)” 44 is a melting pot of music that touches on the highs and lows of the Obama era – Sarah Palin scream-singing “Drill Me Baby” like Ozzy Osbourne, President Obama crooning “How Black Is Too Black?” over a smooth Motown groove, and of course, “Filibusters,” a hardcore hip-hp jam where Mitch McConnell and Ted Cruz rap “Green Eggs and Ham” in its entirety. Barack Obama’s election changed history. And as we can clearly see, it also ended racism forever! But 44 is the story of Obama you won’t read about in history books…because history books are now banned in most states. But also because 44 is the story of Obama as Joe Biden kinda sorta remembers it. Written and directed by Eli Bauman, with music by Eli Bauman and Jon “Bowzer” Bauman, it runs October 11 through November 18 at the Bourbon Room Hollywood in Hollywood. For tickets visit www.44ObamaMusical.com.
“Fear of Heights” a hilarious and heartwarming story about an Irish American kid’s phobias, family life and the meaning of success. Kevin Flynn’s grandfather, a tough, Irish steelworker, may have been unafraid to perch precariously on a steel beam high above the New York skyline — but young Kevin finds himself dreaming of the bright lights of Hollywood instead. In this funny, moving autobiographical solo show, the former professional soccer player and current award-winning stand-up comedian, actor, writer, producer and television host examines the American experience through the lens of his Irish immigrant family. Written by Kevin Flynn, and directed by Tim Byron Owen, it runs October 12 through October 29 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.
“Circus Caballero” A traveling, family-run circus that started in Guadalajara, Mexico, is coming to Panorama City soon! Circo Hermanos Caballero will set up its tents in the Panorama Mall parking lot. The circus is celebrating 20 years of shows in the United States with three generations of family members participating. The show features acrobats, dancers, trampolines, trapeze artists, a clown, and an act called the Globe of Death which involves five motorcycles circling in a large round metal cage. The show runs October 13 through October 23 at the Panorama Mall Parking Lot in Panorama City. For tickets call 844-372-9276 or visit www.circocaballero.com.
“Oliver!” Join young, orphaned Oliver Twist as he navigates London’s underworld of theft and violence, searching for a home, a family, and – most importantly – for love. When Oliver is picked up on the street by a boy named the Artful Dodger, he is welcomed into a gang of child pickpockets led by the conniving, but charismatic, Fagin. When Oliver is falsely accused of a theft he didn’t commit, he is rescued by a kind and wealthy gentleman, to the dismay of Fagin’s violent sidekick, Bill Sikes. Caught in the middle is the warm-hearted Nancy, who is trapped under Bill’s thumb, but desperate to help Oliver, with tragic results. With spirited, timeless songs like “As Long as He Needs Me,” “Food, Glorious Food,” and “Where Is Love,” Oliver! is a musical classic. Written by Lionel Bart, with music by Lionel Bart, and directed by Kari Hayter, it runs October 13 through October 22 at the Kavli Theatre at the Bank of America Performing Arts Center in Thousand Oaks. For tickets call 800-745-3000 or visit www.5startheatricals.com.
“Methusalem or The Eternal Bourgeois” In the play, the oldest man in the world, Methusalem, is a ruthless businessman with a troubled wife and robotic son who finds his daughter seduced by a revolutionary that would overturn his empire. Part dialogue, part dream, the play includes bizarre and surrealistic imagery, including anthropomorphic paintings, silent films, talking ids and superegos, and a bear rug coming to life to lead an animal revolution. Written by Ivan Goll, and directed by Brent Hinkley, it runs October 14 through December 16 at the Actors’ Gang Theater in Culver City. For tickets call 310-838-4264 or visit www.theactorsgang.com.
“A Midsummer Night’s Dream” When two pairs of mixed-up lovers and a troupe of amateur players stumble into the forest of feuding fairies, reality is upended as chaos and mischief abound. Anything can and does happen in this tumultuous, dreamlike world. Written by William Shakespeare, and directed by Julia Rodriguez-Elliott and Geoff Elliott, it runs October 14 through November 12 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.
“Romeo and Juliet – Love is a Fire” A young, lovesick boy falls instantly in love with a young girl, and she passionately and momentarily loves him back. Their love is bigger than life. Alas, their influential, rich families are locked in a decades-old vendetta. This leads to tragedy. We all know this basic plot of Romeo and Juliet. We know how and where it starts and how it ends. We all recognize it as one of the great love stories. Yet, we do not know – why? Why do these young lovers have to die? Why do their respective families hate each other so much? Shakespeare did not tell us. We will try to find out. We respect the Bard’s timeless verse, but we are creating our own Verona. Our Romeo and Juliet, and their Love, are on Fire. Written by William Shakespeare, adapted by Neno Pervan, and directed by Nenad “Neno” Pervan, it runs October 14 through November 18 at the Santa Monica Playhouse Main Stage in Santa Monica. For tickets visit www.santamonicaplayhouse.com/love-is-a-fire.
“BEFOK (or the Desperate Attempt to Impress Iñárritu)” Lola swore she’d be a world-renowned actress by the age of forty, but that’s in seven days and she’s no closer to her goal than when she moved to Hollywood. She still walks dogs and cleans up their monster shits. After catching a glimpse of Iñárritu at the Alta Dena Whole Foods, Lola’s convinced it’s a sign she’s destined to play the lead in his new TV show The One Percent. What follows is a manic ride of determination, desperation, ketamine and chickens, where the only thing at stake… is her life. The show is truly “befok,” an Afrikaans word that can mean a number of things: crazy, awesome, angry, cool, or simply “not right in the head.” For anyone who’s pursued a career in Hollywood, it’s a word with which they can identify — and it certainly applies to Lola. Written by Asta Leigh, and directed by Matt Ritchey, it runs October 19 through November 5 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.
“My Son the Waiter: A Jewish Tragedy & Still Not Famous!” This hilarious and poignant story is still universal in its message: if you embark upon the journey to follow your dream and demonstrate the grit and passion required to make it as an artist, the rewards that come from never giving up are very much worth the blood, sweat, and tears. Written by Brad Zimmerman, it runs October 19 through November 12 at the Colony Theatre in Burbank. For tickets call 855-448-7469 or visit www.mysonthewaiter.com.
“Slow Thunder” Welcome to Vieux Carre where, on a soft autumn evening, time stands still, and everything that’s risen — or fallen — converges when her not-quite-ex, Peter, appears uninvited at Jewel’s door. She’s not pleased to see him and, with the arrival of her friends Rob and Bird, the quartet’s chemistry — a volatile cocktail of loss and longing, vulnerability, and desire — jars the precarious balance and counterbalance of love and friendship. Written and directed by Suse Sternkopf, it runs October 19 through November 12 at the Theatre 68 Arts Complex in North Hollywood. For tickets visit www.SlowThunderPlay.com.
“Deathtrap” Sidney Bruhl is a playwright desperately in need of a hit. Just in time, a former student sends him the manuscript of his first play, a murder mystery called Deathtrap. Sidney smells a hit… but he’s never been that fond of sharing credit. Written by Ira Levin, and directed by Jamie Torcellini, it runs October 20 through November 5 at the International City Theatre Long Beach Convention & Entertainment Center in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.
“Sally Spectre: The Musical” tells the story of the ghost of five-year-old Sally. She’s been stuck – alone in the purgatorial bedroom of the New Orleans Victorian mansion in which she was gruesomely murdered nearly fifty years ago! Naturally, the netherworld has had an interesting effect on little Sally- and her increasingly dark imagination has taken over almost everything that surrounds her. But the one thing Sally cannot do is find a way out of the room-for every time she tries to open the door- horrible and frightening things start to happen. The sudden arrival of a soul-collecting Wraith may change everything. Is Sally’s time up for good? Will she ever get to move on to the afterlife that was intended for her? If she can stop eating spiders and pay attention for a moment, she just might make it! Written and directed by David P. Johnson, with music by David P. Johnson, it runs October 20 through October 29 at the Theatre West in Los Angeles. For tickets call 323-851-7977 or visit www.theatrewest.org.
“She” Camille Ariana Spirlin (Runaway Home at the Fountain) stars as 13-year-old SHE Sojourner Freeman. Resilient and ever optimistic, SHE overcomes her stifling small-town existence by re-imagining her reality through poetry. Her dreams take flight when she’s presented with the opportunity to attend the prestigious Vanguard Academy. Written by Marlow Wyatt, and directed by Andi Chapman, it runs October 20 through November 20 at the Kiki & David Gindler Performing Arts Center in Glendale. For tickets call 818-506-1983 or visit www.Antaeus.org.
“The Angel Next Door” It is 1948 and an unlikely group of characters has assembled in a Newport mansion. An unexpected development threatens to doom a budding romance and one woman is destined to make things right – no matter what madcap antics she must pursue! Brace yourself for a perfect storm of comedic chaos and get swept away by irresistible charm and rapid-fire banter. This delightful escape promises a non-stop rollercoaster of mirth, leaving you breathless with laughter. Written by Paul Slade Smith, adapted from Play at the Castle by Ferenc Molnár, and directed by David Ellenstein, it runs October 22 through November 5 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“Reset” a Sci-Fi morality play about a man who thinks he’s at a self-help retreat that turns instead into a mind-bending experiment set to reveal the truths of what the future may hold for him. Could his “best self” be the key to mankind’s salvation? 2020 Chernobyl. Jim arrives at the contaminated site of the infamously dilapidated nuclear reactor to take part in a new top-secret life-changing treatment that promises he will attain his “best self.” But what he imagines is a self-help retreat turns out to be less of a day at the spa and more of a mind-bending quantum physics experiment, one that will reveal the devastating truths of what the future holds for him. Could his “best self” actually be the key to mankind’s salvation or to its destruction?” Written by Howard Ho, and directed by Darin Anthony, it runs October 28 through November 20 at the Moving Arts Theatre in Los Angeles. For tickets visit www.movingarts.org/project/reset-23.
“Spring Awakening” is the revolutionary Tony Award winning best musical that took the world by storm. In 1891 Germany, repressed, adolescent students stumble into adulthood as clumsily as they do into each other’s arms. With obstinate parents unwilling to guide them, young Melchior and Wendla explore their desires for each other, while Melchior’s dear friend Moritz fumbles dangerously through his own coming-of-age. This generation-defining musical is a rock anthem to all the “guilty ones,” poignantly exploring the dark, passionate, and twisting journey from adolescence to adulthood. Written by Steven Sater, with music by Duncan Sheik, lyrics by Steven Sater, and directed by Tim Dang, it runs October 29 through November 19 at the David Henry Hwang Theater in Los Angeles. For tickets call 213-625-7000 or visit www.eastwestplayers.org.
CONTINUING
“Quixote Nuevo” a contemporary take on Don Quixote—considered the world’s first modern novel—bursting with imagination and Tejano music. The valiant knight—a.k.a. Jose Quijano—sets out to find his long-lost love. But nothing is as it seems, he gets lost in his fantasies and the community wrestles with his dangerous reality. This fast-paced, bilingual fable about the joys and perils of being the hero of your own story makes its Southern California debut. Written by Octavio Solis, and directed by Lisa Portes, it runs through October 28 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.
“The Human Comedy” tells the story of a 14-year-old boy who delivers telegrams to make money for his family. During the course of two days, he grows from an idealistic boy to a mature young man as he struggles with the unfairness of the world around him and the pain of families to whom he delivers the War Department’s death notices. Written by Thom Babbes, based on the novel by William Saroyan, and directed by Thom Babbes, it runs through November 5 at the Actors Co-op David Schall Theatre in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall, and the co-publisher & editor Sid Fish, we want to send our heartfelt thanks to the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all, to our readers who enjoy our columns. We wish everyone good health, prosperity, and happy times throughout the year.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
It’s still pretty hot, so why not beat the heat by seeing one of these great live shows playing in our local theaters where they have air conditioning!
Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:
OPENING
“The Andrews Brothers” features a small cast of great singers performing the big band numbers from the 40’s. Backstage hands with the USO suddenly get their chance at greatness when the famous Andrew Sisters can’t perform at the US military base in the Pacific because they have the chicken pox! Three men step forward in their best Patty, Maxene and LaVerne form. The play offers plenty of fun for everyone! Written by Roger Bean, with music by Roger Bean, and directed by Jennifer Novak Chun, it runs September 1 through October 8 at the Theatre Palisades in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.org.
“Lewis and Tolkien” Set in Oxford, England in the autumn of 1963 at the famous “Rabbit Room” of the Eagle and Child Pub, this play is something of a return to the familiar for C.S. Lewis (author of The Chronicles of Narnia) and J.R.R. Tolkien (who wrote The Lord of the Rings). Filled with humor, rousing debate, and reconciliation, the two men learn the true value of their friendship with a little help from a few pints of beer and the energetically curious barmaid, Veronica. Written and directed by Dean Batali, it runs September 2 through October 29 at the Actors Co-op Crossley Theater in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.
“The Sound Inside” Not everything is as it seems behind the ivy-covered walls of Yale, where an unlikely bond leads to an unthinkable favor. Writing professor Bella Baird is looking for answers, but a fateful encounter with a mysterious student could lead to life-changing consequences for both of them. Written by Adam Rapp, and directed by Cameron Watson, it runs September 6 through October 1 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.pasadenaplayhouse.org.
“Measure Still for Measure” Boston Court’s first-ever immersive play, utilizing the entire building, will take audiences on a journey behind the curtain to experience the layered and intimate complexities of creating theatre. In this play-within-a-play, a renowned director rehearses a spectacular new production of Shakespeare’s Measure for Measure, “the original #metoo story.” But backstage, there’s an even bigger drama playing out as the power dynamics of the play and the rehearsal blow up in the course of the night. At a time where American theatre as a collective is still struggling to find its new normal post-pandemic, Kubzanky’s Measure STILL for Measure is both a love letter to the art form, as well as an examination of the challenging gray areas that theatre-making demands. Measure STILL for Measure lovingly skewers the delicious behind-the-scenes oddities of the rehearsal behaviors that actors, directors, and stage managers find routine, and the code switching that happens as they oscillate between being fully immersed in the imaginary world of the play to being pulled back to the mundane stressors of the real world. It simultaneously examines the insidious and problematic power dynamics that are inherent in the world of theatre. Written and directed by Jessica Kubzansky, it runs September 7 through October 15 at the Boston Court Pasadena in Pasadena. For tickets call 626-683-6801 or visit www.BostonCourtPasadena.org.
“Freud on Cocaine” Trust me, I’m a doctor.” Jonathan Slavin (Santa Clarita Diet, Dr. Ken, Better Off Ted) stars in Freud on Cocaine, an outrageous new comedy based on the documented letters, notes, dreams, and recollections of neurologist and founder of psychoanalysis Sigmund Freud that attest to his decade-long use of cocaine, both in his practice and personal life. Written and directed by Howard Skora, it runs September 8 through November 4 at the Whitefire Theatre in Sherman Oaks. For tickets call 818-687-8559 or visit www.whitefiretheatre.com.
“An Infinite Ache” A fresh and heartfelt play about love, time and the infinite directions in which two lives can travel. Hope and Charles are a pair of lonely twenty-somethings about to end a supremely uninteresting first date. But just as they say good night, the myriad possibilities of their futures and a life shared together come rushing to meet them. From their first kiss to their first child, from a horrible tragedy to a second chance, each moment moves with breath-taking speed. A love story told with theatrical flair, An Infinite Ache is as dazzling as it is insightful. Written by David Schulner, and directed by Mia Christou, it runs September 8 through October 1 at the Beverly Hills Playhouse in Beverly Hills. For tickets visit www.crimsonsquare.org/buy-tickets.
“Room Service” A perpetually penniless theatrical producer and his pals are rehearsing a play they think will be a huge hit, but their mounting hotel bills threaten to overwhelm the enterprise before opening night. They must rehearse and secure a backer while trying to outwit the hotel efficiency expert who is trying to evict them. The astounding sum these dreamers must attain to get their 22-member cast onto Broadway is $15,000! Written by John Murray and Allen Boretz, and directed by Mareli Mitchel-Shields, it runs September 8 through October 15 at the Lonny Chapman Theatre Main Stage in North Hollywood. For tickets call 818-763-5990 or visit www.theGROUPrep.com.
“A Streetcar Named Desire” After losing her Mississippi home to creditors, Blanche du Bois relocates to the New Orleans home of her younger sister and brother-in-law, Stella and Stanley Kowalski. Undermined by romantic illusions, Blanche is unable to cope with life’s harsh realities. Though she finds a glimmer of hope while connecting with Stanley’s gentlemanly friend, Mitch, Blanche cannot face the truth of her own troubled past. She also finds herself simultaneously repulsed by and attracted to Stella’s husband, the brutish and sensual Stanley, only adding to the stress of her current situation. Written by Tennessee Williams, and directed by Steve Jarrard, it runs September 8 through October 1 at the Sherry Theatre in North Hollywood. For tickets visit www.eventbrite.com/e/a-streetcar-named-desire-tickets-681862437907?aff=oddtdtcreator.
“The Value” While hiding out in a motel room, a trio of thieves learn the real worth of the art they stole. They must face the truth within themselves, their place in society, and what they really value. Written by Nicholas Dunn, and directed by Calvin Picou, it runs September 8 through October 1 at the Sawyer’s Playhouse at Loft Ensemble in North Hollywood. For tickets call 818-452-3153 or visit www.loftensemble.org.
“Walking in Space” In 1972, there was no Betty Ford Clinic. When the prescription drug-addicted, single mother of an upper-middle class Jewish family in suburban Baltimore finally hits rock-bottom, it falls on her children to take control. Inspired by true events, this fictionalized, autobiographical tragicomedy by multiple award-winning playwright Garry Michael Kluger is an affectionate portrait of four siblings who arm themselves with fierce tenacity, good humor, and their love for one another to save their mother — and themselves. Written by Garry Michael Kluger, and directed by Arden Teresa Lewis, it runs September 8 through October 8 at the Theatre West in Los Angeles. For tickets call 323-851-7977 or visit www.TheatreWest.org.
“Blood at the Root” a “choreopoem” infused with hip-hop and movement, written by Dominique Morisseau and inspired by the true case of the “Jena Six.” Written by Dominique Morisseau, and directed by Michael A. Shepperd, it runs September 9 through October 28 at the Atwater Village Theatre in Atwater Village. For tickets call 323-882-6912 or visit www.openfist.org.
“The Real Black Swann: Confessions of America’s First Black Drag Queen” While under anesthetic euphoria, a Black gay artist named Les is visited by the effervescent spirit of William Dorsey Swann, aka “The Queen.” Surviving antebellum enslavement, Swann rises from the ashes of racial oppression to become the first “Queen of Drag” and queer activist on record. During their journey, Swann guides a complacent Les through time, popping his Glinda-esque pink bubble of self-preservation, and provokes him to challenge all too familiar modern-day monsters. Written by Les Kurkendaal-Barrett, and directed by Tom Trudgeon, it runs September 9 through September 24 at the Davidson/Valentini Theatre at the Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts in Los Angeles. For tickets visit www.celebrationtheatre.org.
“Man of La Mancha” The musical takes audiences on an unforgettable adventure into the mind of an aging, eccentric knight-errant. Imprisoned during the Spanish Inquisition, Cervantes captivates his fellow prisoners by transforming into the chivalrous Don Quixote. Embarking on a daring quest to right all wrongs and become a true “Man of La Mancha,” Quixote’s journey becomes a tapestry of hope, honor, and the pursuit of dreams. Written by Dale Wasserman, based on a story by Miguel de Cervantes, with music by Mitch Leigh, lyrics by Joe Darion, and directed by Tim Nelson, it runs September 10 through September 23 at the Rose Center Theater in Westminster. For tickets call 714-793-1150 Ext. 1 or visit www.rosecentertheater.com.
“Every Brilliant Thing” A boy’s handwritten list to cheer up his despondent mom becomes a surprisingly funny and poignant ode to humanity. Daniel K. Isaac takes audiences on a transcendent and tender coming-of-age journey that reminds us to pay attention to life’s smallest joys—and to each other. Written by Duncan Macmillan and Jonny Donahoe, and directed by Colm Summers, it runs September 14 through October 15 at the Audrey Skirball Kenis Theater at Geffen Playhouse in Los Angeles. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.
“An Inspector Calls” centers on the Birling Family – Arthur, Sylvia, Sheila, and Eric – who live in a comfortable home in the fictional town of Brumley, “an industrial city in the north Midlands.” The family is visited by Inspector Goole, who interrogates the family about the suicide of a young working-class woman in her mid-twenties, Eva Smith. During questioning, all members of the family are lightly or deeply implicated in the girl’s undoing, including Sheila’s fiancé Gerald Croft. What begins as a parlor drama with polite banter quickly becomes acid and hateful. Everyone is not who they seem to be, including the inspector, thanks to a Twilight Zone-inspired plot twist. Written by J.B. Priestley, and directed by James Rice, it runs September 15 through October 7 at the Westchester Playhouse in Los Angeles. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.
“How It’s Gon’ Be” a poetic exploration of missed connections and feelings too great to speak aloud. With adulthood looming in the distance, Jahaan and his friends enjoy the last precious moments of summer vacation. When Jahaan’s father returns after a year away, the world stops spinning for a moment — and lines are drawn in the sand. Written by JuCoby Johnson, and directed by Ahmed Best, it runs September 16 through October 23 at the Echo Theater Company at the Atwater Village Theatre in Atwater Village. For tickets call 310-307-3753 or visit www.EchoTheaterCompany.com.
“This Is Not a True Story” an exhilarating new comedy that tackles, head-on, the fetishization and anti-Asian racism of Orientalist works. Tired racist tropes are upended as the fictional worlds of Madame Butterfly, Miss Saigon and Kumiko the Treasure Hunter collide with modern reality. Three Asian “tragic heroines” find themselves trapped in a loop they can’t control — until they claim agency over their lives, determined to break the cycle. Written by Preston Choi, and directed by Reena Dutt, it runs September 16 through October 15 at the Los Angeles Theatre Center in Los Angeles. For tickets call 213-489-0994 or visit www.latinotheaterco.org.
“Almost Made” Mister L’s is a popular restaurant and Mob hangout in Yonkers. It’s operated by Charles Liberti. Charles lives the life of a “Made Man” without being officially made. In Mob lingo, a “Made Man” is a man who is a full member of the Mob. “Buttons” and all. The Mob will never let Charles be a made man because his mother was Jewish. His status will peak as almost made. Like all young boys who worship their father’s, Louie Liberti sees his dad, Charles, as a larger-than-life character. Charles had the charm of a Sinatra, the class of a Di Maggio and the toughness of a Marciano. He is the most important man in Louie’s life. Admired as a hard worker, Charles gives in to certain excesses that will earn him the disapproval of the Mob, the law and ultimately his family! To earn his father’s approval, Louie gets involved with certain financial improprieties, ensuring his own trouble with the law. Louie eventually finds a better path for himself to travel. The memory of his father still casts a long shadow. Written by Louie Liberti, and directed by Richard Israel, it runs September 21 through October 26 at the Whitefire Theatre in Sherman Oaks. For tickets visit www.tickettailor.com/events/almostmadeinc.
“Towards Zero” When a house party gathers at Gull’s Point, the seaside home of Lady Tressilian, Neville Strange finds himself caught between his old wife Audrey and his new flame Kay. A nail-biting thriller, the play probes the psychology of jealousy in the shadow of a savage and brutal murder. Superintendent Battle and his nephew are called in. A carefully unpeeled investigation before our eyes brings the story to a pointed ending. Written by Agatha Christie, adapted for the stage by Agatha Christie and Gerald Verner, and directed by Craig Hissong, it runs September 21 through October 22 at the Theatre Forty n the Mary Levin Cutler Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.
“The Travelers” Humorous and poignant, The Travelers takes place in a monastery alongside Highway 99 in Grangeville, California, population 496 and home to migrant workers. When a stranger stumbles in with a gunshot wound, he is nursed by the brothers of the 936-year-old Carthusian Order — even as the Archdiocese is cutting financial support, casting a shadow. Funny and heartfelt, filled with ritual and absurd touches, The Travelers explores the brothers’ struggles against poverty and the complexities of human connection. Written by Luis Alfaro, and directed by Sean San José, it runs September 23 through October 15 at the Los Angeles Theatre Center in Los Angeles. For tickets call 213-489-0994 or visit www.latinotheaterco.org.
“The Rainmaker” A classic tale of Americana, set against the backdrop of a western drought, THE RAINMAKER brings lonely souls together as they traverse the struggles of finding who they truly are and how they fit into the world. Laced with humor and charm, THE RAINMAKER still resonates today with poignancy, hope and courage. A firm part of the canon of twentieth century dramatic literature, revisiting this story will prove to be a satisfying and uplifting theatre experience encouraging audiences to believe in the unbelievable. Written by N. Richard Nash, and directed by Andrew Barnicle, it runs September 24 through October 8 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“Bisexual Sadness” is about just that. Faye used to be with Genevieve. Now she’s getting married to Alex, and though she really truly loves him, she’s starting to have questions about what it means for the rest of her life. How will she be viewed by the queer communities that have always been her home. BISEXUAL SADNESS is about that specific loneliness of being a bisexual woman in love with a man, staring down the barrel of a lifetime of feeling that way. BISEXUAL SADNESS explores love, commitment, the security blanket of identity, and the inconvenience of fluidity. Is it BS? Written by India Kotis, and directed by Carlyle King, it runs September 28 through November 5 at the Road Theatre in North Hollywood. For tickets call 818-761-8838 or visit www.roadtheatre.org.
“Sea of Terror” Life is a relentless sea of terror and peril. And nothing is scarier than impending social plans. When a couple is faced with an evening hosting friends for a casual get-together, their anxious unraveling around this routine socialization takes us on a gut-busting ride we can all identify with. Written and directed by Sam Catlin, it runs September 29 through October 29 at the Hudson Mainstage Theatre in Hollywood. For tickets call 323-856-4249 or visit www.Onstage411.com/SeaOfTerror.
“Life Sucks” In LIFE SUCKS., a bold and inventive reimagining of Anton Chekhov’s classic play, Uncle Vanya, Aaron Posner plumbs the quiet chaos of seven people locked together in the bonds of friendship and family as they wrestle with the ridiculous, humiliating vagaries life imposes: unrequited love, the indignities of aging, the insult of mortality, and the eternally flummoxing quest for a meaningful, satisfying existence. Amidst their irrepressible desires and lingering dissatisfactions, this troupe of hapless yet hopeful souls embark on a comedic, heartfelt, and sometimes tumultuous quest, stumbling upon new perspectives that challenge their core beliefs. Written by Aaron Posner, and directed by Barry Heins, it runs September 30 through October 29 at the Broadwater Main Stage in Los Angeles. For tickets visit www.interactla.org.
“Tacos La Brooklyn” Chino, a young and ambitious Korean American who grew up in a foster family on Los Angeles’ Eastside, hopes to grow his successful taco stand, “Chino’s Underground Tacos,” into a brick-and-mortar restaurant. When Yesenia Tapia, a Mexican American social media influencer, accuses Chino of cultural appropriation and pandering to a gentrifying neighborhood, he must convince the community of his cultural authenticity in a multi-faceted and complicated city. Written by Joel Ulloa, and directed by Fidel Gomez, it runs September 30 through October 29 at the Los Angeles Theatre Center in Los Angeles. For tickets call 213-489-0994 or visit www.latinotheaterco.org.
CONTINUING
“The Winter’s Tale” Love, betrayal, and the power of redemption collide in Shakespeare’s enchanting tale of family, loss, renewal, and reunion in The Winter’s Tale. Written by William Shakespeare, it runs through September 16 at the Helen Borgers Theatre in Long Beach. For tickets visit www.LBShakespeare.org.
“Our Dear Dead Drug Lord” In this fierce and feverish comedy, a gang of teenage girls gather in an abandoned treehouse to summon the ghost of Pablo Escobar. Are they messing with the actual spirit of the infamous cartel kingpin? Or are they really just messing with each other? Intimate in nature yet universal in its ability to explore the need to connect, the play is an unflinching and powerful reminder of what it means to be human. As it races to its startling conclusion, audiences will be left catching their breath. A rollercoaster ride through the danger and damage of girlhood — the teenage wasteland has never been so much twisted fun. This group ends up being a pivotal way for these young women to cope with the grief and lack of control in their lives. Written by Alexis Scheer, and directed by Lindsay Allbaugh, it runs through September 17 at the Kirk Douglas Theatre in Culver City. For tickets call 213-628-2772 or visit www.CenterTheatreGroup.org.
SPECIAL ANNOUNCEMENT: COMING IN OCTOBER
“La Cage” A high-energy, immersive live theatrical experience, will launch at Hollywood Roosevelt’s iconic Cinegrill Theatre on October 5. Inspired by the legendary La Cage Aux Folles nightclub in LA, the variety show promises to bring back the golden age of Hollywood supper clubs to a new generation while paying homage to its rich history. Secretly hidden behind a bookcase at the Hollywood Roosevelt Hotel, audiences will be transported to a world of glitz and glamor, where performers will dazzle with their live vocals, incredible dancing, all accompanied by the electrifying rhythms of a live band.
As a tribute to the original La Cage, the show will celebrate the groundbreaking performers who blazed a trail for drag culture. Original La Cage cast member and international entertainer, Tommi Rose, will serve as the emcee. Additionally, guests will be treated to a surprise celebrity performer at each show. Cheyenne Jackson and Ada Vox are among the special guests with additional performers and cast to be announced. To round out the one-of-a-kind extravaganza, audiences can dine at the opulent Cinegrill Theatre offering modern takes on classic cocktails, and a delicious supper club-inspired menu.
Adam Sanders, better known as his drag persona, Ada Vox, is an accomplished vocalist, songwriter, and drag queen who found success and pushed boundaries as a contestant on the hit singing competition series “American Idol”. Vox also finished as runner-up on “Queen of the Universe”’ streaming on Paramount+. With a powerful voice influenced by the likes of Selena Quintanilla, Whitney Houston, and Aretha Franklin, Vox has continued stunning crowds in her live performances and on tour.
Cheyenne Jackson is a GRAMMY & Emmy nominated actor and producer who most recently starred in three seasons of Fox’s “Call Me Kat” opposite Mayim Bialik, in addition to HBO’s “The Watchen,” and “The Morning Show.” Other notable credits include 4 seasons of “American Horror Story, “GLEE,” “30 ROCK,” ”American Woman,” “Saved by The Bell,” “Curb your Enthusiasm,” “CSI,” “Willl & Grace,” & “Descendants 3.” Cheyenne also appeared in Steven Soderbergh’s critically acclaimed “Behind the Candelabra” opposite Michael Douglas and Matt Damon & was nominated for best supporting actor for his role as Caleb in “Julie and the Phantoms” for NETFLIX. Films include OSCAR- nominated “United 93,” “The Green,” “Lola Versus,” with Greta Gerwig, “Love is Strange” opposite Alfred Molina and John Lithgow, “Six Dance Lessons in Six Weeks” opposite Gena Rowlands, & the 2021 horror hit “Werewolves Within.” He’ll next be seen in the indie “CTRL ALT DEL” with Jason Priestley and Mena Suvari, and then with Cate Blanchett, Jamie Lee Curtis, Kevin Hart & Jack Black in Lionsgate’s BORDERLANDS out in 2024. On/Off-Broadway, Jackson recently played the WOLF/PRINCE in the Tony-Winning revival of INTO THE WOODS opposite Sarah Bareillies, other credits include “The Performers,” “The Most Happy Fella,” “8,” “Finian’s Rainbow,” Thoroughly Modern Millie,” “Damn Yankees,” “AIDA,” “Xanadu,” “The Agony and the Agony” and “All Shook Up.” He was nominated for a GRAMMY for his performance as TONY in the acclaimed recording of WESTSIDE STORY with the San Francisco Symphony and has sold out Carnegie Hall twice. A devoted husband and father of twins, he is grateful always, for any opportunity to create art.
Tommi Rose began his career performing in the bars and cabarets of San Francisco, gaining inspiration and learning his craft from great impersonators and comedians including Divine, Phillys Diller and Charles Pierce. This is where he was discovered by Eve Finocchio, the legendary impresario of “Finocchio’s,” the famous North Beach nightclub home to the world’s longest running and most celebrated drag review. Known for its live band and elaborate production numbers, Tommi served as the show’s star and emcee for over 12 years. Rose has performed all over the world from Europe to Asia and beyond. He has shared the stage with notable figures like Carol Channing, Tommy Tune and more.
The original La Cage Aux Folles nightclub launched in 1981, and its allure skyrocketed instantly as it showcased exceptional female impersonators, captivating audiences with their impeccable performances, and featuring opulent production numbers, adorned with bedazzled singers and dancers donning magnificent costumes. Over the years, some of its famous patrons have included Lucille Ball, Warren Beatty, Johnny Carson, Sammy Davis Jr., Joan Collins, Tony Danza, Sean Penn, Frank Sinatra, Arnold Schwarzenegger, Elizabeth Taylor, Robin Williams, and Milton Berle.
Directed by T.J. Dawson, the show opens October 5 and runs Friday nights at 7p.m. and 10p.m. every week. For tickets or more information visit www.welcometolacage.com.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall, and the co-publisher & editor Sid Fish, we want to send our heartfelt thanks to the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all, to our readers who enjoy our columns. We wish everyone good health, prosperity, and happy times throughout the year.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
It’s been really hot lately, so a good way to beat the heat is to go see one of these great live shows playing in our local theaters where they have air conditioning!
Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:
OPENING
“Pipeline” Nya is an inner-city high school teacher desperate to give her son opportunities that her students will never see. When a controversial incident at his upstate private school threatens to get him expelled, Nya must confront his rage and her own choices as a parent. Written by Dominique Morisseau, and directed by Bryan Keith, it runs August 2 through August 19 at the Harold Clurman Laboratory Theater in the Art of Acting Studio in Hollywood. For tickets call 323-601-5310 or visit www.web.ovationtix.com/trs/pr/1166054.
“Mr. Yunioshi” The title Mr. Yunioshi refers to the name of the character portrayed by Mickey Rooney in the 1961 film Breakfast at Tiffany’s, directed by Blake Edwards (Rooney’s former roommate). Rooney portrays Audrey Hepburn’s neighbor. It is a cringe-inducing characterization, in which Rooney dons yellowface and wears appliances to “play Asian.” Our play Mr. Yunioshi reverses the real-life event by casting Asian American actor J. Elijah Cho to play Mickey Rooney. Rooney is depicted here as something of a narcissist, at first believing he is being cast as the romantic lead opposite Ms. Hepburn. When it becomes apparent that he is being tapped to play the role of Mr. Yunioshi, Rooney has to deal with the question: Should he play the Asian character? We know from the cinematic record what he ultimately did, but our play shows how he arrived there. Written and directed by J. Elijah Cho, it runs August 4 through August 13 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.
“Venus in Fur” Set in modern New York City, Thomas Novachek, a beleaguered director/playwright, has suffered through a long day of abysmal auditions for his adaptation of the German sadomasochistic novel Venus in Fur, until Vanda, a crass and pushy actress, stumbles into his audition room. While Vanda shares the lead character’s name, she lacks her sophistication. However, when Thomas agrees to let Vanda read for the role, she displays a surprising understanding of the material. Working through the script with Thomas playing the masochistic male lead, the roleplay becomes intense, erotic, and less like acting. Written by David Ives, and directed by Mark Blanchard, it runs August 4 through September 3 at the McCadden Place Theatre in Los Angeles. For tickets visit www.onstage411.com/venusinfur.
“Much Ado About Pooh” NOTE: This show is free, but you must have advance reservations to attend! A prince, Christopher Robin (Don Pedro), his two friends, Pooh and Tigger (Claudio and Benedick), and his disgruntled brother, Eeyore (Don John), decide to visit a lord and his family in the Hundred Acre wood. This lord, Owl (Leonato), has a daughter named Piglet (Hero) and a niece named Rabbit (Beatrice) who forge friendships with these visitors. Their adventures are rife with mistaken conversations – some innocently misinterpreted, some wrongly intended. There is jealousy, trickery and deceit, but just as in both classic tales, the truth comes out in the end, and everyone is better friends for it. Written by Rynn Vogel, and directed by Adam J. Jefferis, it runs August 5 through August 27 at the Media Park in Culver City. For tickets call 310-838-4264 or visit www.theactorsgang.com.
“Contractions” Emma’s been seeing Darren. She thinks she’s in love. Her boss thinks she’s in breach of contract. The situation needs to be resolved. In a series of cordial but increasingly tense conversations, the two dissect the differences between “sexual” and “romantic,” negotiate the nature of Emma’s interoffice relationship, and face the consequences of shrinking privacy and binding contracts. Written by Mike Bartlett, and directed by Brooke Williams, it runs August 9 through August 13 at the Broadwater (Black Box) in Hollywood. For tickets visit www.contractionstheplay.eventbrite.com.
“The Red Suitcase” follows the life of Pogue from his unusual birth to the death of his father. The play explores the sometimes difficult relationship between fathers and sons and the many moments, stories, and characters that build a person and a life. Pogue is led on a journey to unpack his memories that takes him from, “we are the sins of our ancestors” to “we are the hope of our ancestors.” A play of family, survival, and finding ourselves in the stories that made us. Written by Jiggs Burgess, and directed by Del Shores, it runs August 12 through September 3 at the Broadwater Theatre Main Stage in Los Angeles. For tickets visit www.p3theatre.biz/theredsuitcase.
“I’m Not a Comedian… I’m Lenny Bruce” chronicles the life and death of the most controversial comedian and undisputed legend of all time…Lenny Bruce. His personal pain, sharply funny social commentary and completely original, freestyle comedy left a lasting impact on today’s poetry, politics, music, film – and of course – comedy. His unwavering commitment to, and passion for, free speech led to numerous obscenity charges and arrests. Bruce fought for freedom of speech all the way to the Supreme Court, and died of an accidental overdose in 1966 while out on appeal. Lauded by fans and former friends of Bruce, Marmo’s crowd-shocking portrayal brings the notorious funnyman to life with all the electrifying, insightful and comedic brilliance as the one and only Lenny Bruce himself. Written by Kitty Bruce, and directed by Joe Mantegna, it runs August 17 through August 19 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“Elephant Shavings” The stage is set for drama, humor and absurdity when one member of a theater’s acting ensemble finds herself challenged to confront the common dreams we have about the nature of reality. An engaging and fun introduction to both Eastern philosophies, including Buddhism, Hinduism and Sufism, and to modern Western teachers like Rupert Spira and Mooji, Elephant Shavings evolved out of Sossi’s enduring interest in the realm of metaphysics and his lifelong quest to understand the core essence of human consciousness, awareness, and “the meaning of life.” Written and directed by Ron Sossi, it runs August 18 through October 1 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.
“Kill Shelter” Colleen manages an open-admissions, government-funded animal shelter. This means her shelter accepts all animals. When animals prove unadoptable because of advanced age, illness, injury, or aggressiveness, they may be subject to euthanasia. Overcrowding at the shelter may also put animals in line for euthanasia. Colleen is a compassionate animal lover whose duties put her at odds with her instincts. Colleen is also the single mom to a teenager who disapproves of her mom’s job. When young Ellie finds herself pregnant by a boyfriend who withdraws his affection, her understanding of her mother’s work is suddenly brought into sharp focus. Complicating things further is Colleen’s burgeoning romance with a much-younger subordinate. Written by Ashley Rose Wellman, and directed by Shaina Rosenthal, it runs August 24 through October 1 at the Theatre of Note in Hollywood. For tickets visit www.theatreofnote.ludus.com.
“Exit Wounds” What was the tragic event that caused Linda Sadowski (Suanne Spoke) to become a hoarder? Why has she retreated from life and not seen her son (Michael Polak) for over 25 years? How can Linda stem the ripple effect of the family’s past and save the 17-year-old grandson (Hayden Kharrazi) she’s never met? Written by Wendy Graf, and directed by Caryn Desai, it runs August 25 through September 10 at the International City Theatre in the Long Beach Convention & Entertainment Center in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.
“A Slight Ache” tragicomedy of manners is a funny, ominous and unsettling journey into the human psyche. As married couple Flora and Edward breakfast in their garden, a wasp circles menacingly overhead while Edward feels “a slight ache” in his eyes. And who is that derelict match seller hovering just beyond the garden gate? Written by Harold Pinter, and directed by Jack Heller, it runs August 26 through October 1 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.
CONTINUING
“A Black and White Cookie” A black and white cookie is a classic New York deli treat, a large cookie with half-chocolate and half-vanilla frosting. It’s also a metaphor for the unlikely friendship between the two fellows who are the main characters of this new comedy. Harold Wilson is a 71–year-old Black veteran of the Vietnam conflict. A Republican, he voted for Nixon, Reagan and Dubya. He’s had a newsstand for thirty years but faces imminent eviction. He reopened his business after the pandemic lockdown only to find his rent has skyrocketed. Albie Sands, a burnt-out 60s radical, is nominally Jewish (he’s an atheist whose favorite sandwich is ham and Swiss). He wants Harold to fight his landlord to save his business. Carol, Harold’s antisemitic niece, distrusts Albie and wants Harold to take a buyout from his landlord. Will Harold and Albie stand up to the person that Albie calls a “corporate parasite?” Or will they stand down and be swept aside? Written by Gary Morgenstein, and directed by Tudi Roche, it runs through August 20 at the 905 Cole Theatre in Hollywood. For tickets visit www.cookie.bpt.me.
“Group Therapy” is a serious comedy about three people trapped in a therapist’s waiting room, where they learn things about one another they would rather not know. Running time is 85 minutes with no intermission. Written by Peter Lefcourt, and directed by Terri Hanauer, it runs through August 20 at the Theatre 68 Arts Complex in North Hollywood. For tickets visit www.OnStage411.com/therapy.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
Please help keep our theaters open by supporting live theater whenever you can. On behalf of the publisher Steve Zall, and the co-publisher & editor Sid Fish, we want to send our heartfelt thanks to the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all, to our readers who enjoy our columns. We wish everyone good health, prosperity, and happy times throughout the year.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
It’s time again to celebrate the start of summer as well as our nation’s Independence, with backyard barbeques, gatherings with family and friends, and of course, to take in a firework show – but don’t forget to also spend time catching a couple of these great live shows playing in our local theaters!
Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend a show to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running:
OPENING
“The Pitch” Tom Allen is a widower, raising his 15-year-old daughter as a single dad. Desperate for money, he grabs at a job in a boiler-room set-up, selling machine parts over the phone. He soon discovers that his job requires him to make ethical compromises, occasionally misrepresenting the products he sells. He finds himself in competition with his co-workers. His tension builds as he discerns that his boss may be under investigation by the authorities, endangering the job that Tom needs so much. Life at home is getting complicated as well, as Tom becomes aware that boys notice that his daughter Michelle is becoming a woman. He faces disappointment as he discovers that his dreams for Michelle’s future do not match the aspirations that Michelle has for herself. How many compromises can Tom make if he wishes to remain a moral man and a good dad? Written by Tom Alper, and directed by Louie Liberti, it runs July 1 through July 23 at the Madnani Theatre in Hollywood. For tickets visit www.events.thestagecrafts.com/projects/10014.
“2 Pianos 4 Hands” Get ready for an interlude of laughter and music as 2 men, or “4 hands,” take us on a journey about their would-be careers as concert pianists. The talented duo trade stories about piano lessons, pushy parents and eccentric teachers while playing everything from Bach to Billy Joel. Both hilarious and touching, the musical comedy captures the humor that comes with the path to becoming a pianist, as well as the sense of loss attached with eventually learning to let go of your wildest dreams. Written by Ted Dykstra and Richard Greenblatt, and directed by Tom Frey, it runs July 5 through July 23 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“Festival of Arts Pageant of the Masters” Watch art come to life right before your eyes in a star-lit amphitheater. There’s nothing else like it. The Pageant of the Masters is a 90-minute theatrical performance where famous works of art are brought to life onstage. A live narrator guides the audience through the story of each piece, complete with music by a full orchestra. In 2023 the Pageant of the Masters celebrates the 90th anniversary of the first presentation of “living pictures” at the Festival of Arts with “Art Colony: In the Company of Artists” which acknowledges the deep connections of the Festival and Pageant to the early artists who settled in Laguna Beach. It will also feature other memorable stories of artists assisting one another through cooperation and fellowship in vastly different eras and circumstances around the world. Each night under the stars in the Pageant of the Masters’ outdoor amphitheater, famous works of art are re-created with real people posing in elaborate sets. Be amazed by the Pageant’s intoxicating blend of original music, storytelling and stage illusions. Don’t miss this one-of-a-kind, must-see summer tradition! Directed by Diane Challis Davy, it runs July 7 through September 1 at the Festival of Arts in Laguna Beach. For tickets call 800-487-3378 or visit www.foapom.com.
“Garden of Alla” The 1920s was the time of flappers, flamboyance, and the face of Alla Nazimova. This summer Nazimova — Jewish immigrant from Tsarist Russia, Broadway and silent film superstar, visionary Hollywood director and producer, and LGBTQIA trailblazer — makes her triumphant return to Hollywood when Theatre West presents playwright and performer Romy Nordlinger in the West Coast premiere of Garden of Alla: The Alla Nazimova Story. Using immersive video and original music to invoke the Roaring Twenties and create a panoramic, live silent film, Nordlinger brings the life and times of this groundbreaking iconoclast to vivid life. Written by Romy Nordlinger, and directed by Lorca Peress, it runs July 7 through July 23 at the Theatre West in Los Angeles. For tickets call 323-851-7977 or visit www.TheatreWest.org.
“The Wizard of Oz” Full of brains, heart, courage, and special effects- including monkeys that really fly, MTW’s The Wizard of Oz is sure to be an instant fan favorite. Step into the world of Oz as MTW brings to life the beloved characters of Dorothy, Scarecrow, Tin Man, and the Cowardly Lion in a visually stunning production filled with captivating music, stunning choreography, and mesmerizing set designs. Ticket holders will be transported along the yellow brick road, encountering enchanting landscapes, meeting unforgettable characters, and rediscovering the power of courage, friendship, and the pursuit of dreams. Written by L. Frank Baum, with music by Harold Arlen and E.Y. Harburg, and directed by Paige Price, it runs July 7 through July 23 at Musical Theatre West at the Carpenter Performing Arts Center in Long Beach. For tickets call 562-856-1999 or visit www.musical.org.
“In The Heights” For Vanessa, home is something to run away from. For Usnavi, a first generation Dominican-American corner bodega owner, home is this idealized Dominican Republic that he’s barely been to as a baby. Then there’s Nina, who was always going to get out, and sort of comes home with her tail between her legs. In the Heights tells the universal story of a vibrant community in New York’s Washington Heights neighborhood – a place where the coffee from the corner bodega is light and sweet, the windows are always open, and the breeze carries the rhythm of three generations of music. Much like today, Usnavi, and his friends and family are dealing with the pressures of rising rents and closing neighborhood businesses. In Washington Heights, community is everything, and we see how each of these individuals struggles to survive and how these same individuals come together as a community to mourn their losses and rejoice in their triumphs. It’s a community on the brink of change, full of hopes, dreams and pressures, where the biggest struggles can be deciding which traditions you take with you, and which ones you leave behind. Written by Quiara Alegria Hude, with music by Lin-Manuel Miranda, and directed by Ariella Salinas Fiore, it runs July 8 through July 30 at the Morgan-Wixson Theatre in Santa Monica. For tickets call 310-828-7519 or visit www.morgan-wixson.org.
“Stew” Mama’s in the kitchen early preparing her famous stew for a big event, but even as her daughters and granddaughter help, she still feels like time is running out. Soon these three generations of Black women begin to feel their past and present closing in. A finalist for the 2021 Pulitzer Prize for Drama, Zora Howard’s hilarious, haunting, and taut 90-minute drama has a lot more cooking underneath the surface. Written by Zora Howard, and directed by Tyler Thomas, it runs July 12 through August 6 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.pasadenaplayhouse.org.
“Final Interview” The stress of a job interview is cranked up to 10 when a gun is thrown in the mix. If the interview goes poorly, someone dies. In a claustrophobic game of cat and mouse, both interviewer and interviewee desperately try to escape a high-rise office with their lives. Final Interview exposes the corruption behind corporate greed and the ability to right the wrongs of one’s past. Written by Gabriel Oliva, and directed by Katierose Donahue-Enriquez, it runs July 14 through July 23 at the Pico Playhouse in Los Angeles. For tickets visit www.goldstar.com/events/los-angeles-ca/final-interview-tickets.
“Ironbound” At a bus stop in a run-down New Jersey town, Darja, a Polish immigrant cleaning lady, is done talking about feelings; it’s time to talk money. Over the course of 20 years, three relationships, and three presidencies, Darja negotiates for her future with men who can offer her love or security, but never both. A darkly funny, heartbreaking portrait of a woman for whom love is a luxury — and a liability — as she fights to survive in America. Written by Martyna Majok, and directed by Susan Leslie, it runs July 14 through July 16 at the Broadwater Second Stage in Hollywood. For tickets visit www.ironboundla.com.
“Penthesilea” For the hearth — for the horde! Penthesilea is the story of the Amazon warriors who went to the Trojan War to protect their way of life and left a legend in their wake. Written by Danielle Ozymandias, and directed by Bree Pavey and Danielle Ozymandias, it runs July 14 through August 6 at the Loft Ensemble in North Hollywood. For tickets call 818-452-3153 or visit www.loftensemble.org.
“Rogers and Hammerstein’s Cinderella” The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein’s Cinderella was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. Written by Carter Beane, original book by Oscar Hammerstein, II, with music by Richard Rodgers, lyrics by Oscar Hammerstein, II, and directed by Yvette Lawrence, it runs July 14 through July 23 at the Kavli Theatre at the Bank of America Performing Arts Center in Thousand Oaks. For tickets call 800-745-3000 or visit www.5startheatricals.com.
“The Turn of the Screw” Based on the provocative tale of suspense, horror and repressed sexuality, this adaptation gives the famous story yet another turn of its own. A young governess journeys to a lonely English manor house to care for two recently orphaned children. But she is not their first governess. Her predecessor, Miss Jessel, drowned herself when she became pregnant by the sadistic valet, Peter Quint, who was himself found dead soon after under mysterious circumstances. Now the new governess has begun to see the specters of Quint and Jessel haunting the children, and she must find a way to stop the fiends before it is too late. But one frightening question tortures the would-be heroine: Are the ghosts real, or are they the product of her own fevered imagination? Written by Jeffrey Hatcher, based on the novella by Henry James, and directed by Jeramiah Peay, it runs July 14 through July 30 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.
“Crabs in a Bucket” an outrageous, smart and very funny satire about the impact of “crab mentality” on oppressed communities whose members work against one another instead of together. Amargo and Pootz are two bitter crabs living in a shucking bucket. They spend their days talking chit about the crabs that got out, the ones who couldn’t take it, and the losers who still live among them. When a new crab arrives filled with optimism and hope for change, can it help them achieve their life-long dream of getting the shuck out? Written by Bernardo Cubría, and directed by Alana Dietze, it runs July 15 through August 21 at the Echo Theater Company in the Atwater Village Theatre in Atwater Village. For tickets call 310-307-3753 or visit www.EchoTheaterCompany.com.
“La Havana Madrid” tells the story of Chicago’s legendary nightclub that served as the social hub for the city’s Cuban, Colombian and Puerto Rican communities of the 1960s. What began as a chapter of the Cuban American Society in the middle 1950s became a must-stop for all the popular Latin musicians of that era. Step back to the 1960s as the Mission transforms into La Havana Madrid, Chicago’s legendary nightclub where newly arrived Latino immigrants dine, dance and find community. As the glorious rhythms of mambo and salsa form the heartbeat of an ever-changing city, we learn the stories of Cuban, Puerto Rican and Colombian settlers seeking refuge in a strange new place, discovering their destinies and falling madly in love. At La Havana Madrid, it doesn’t matter where you come from—music means home, and everyone is welcome! Written by Sandra Delgado, and directed by Cheryl Lynn Bruce, it runs July 15 through August 4 at the Mission San Juan Capistrano in San Juan Capistrano. For tickets call 714-708-5555 or visit www.scr.org.
“A Perfect Ganesh” Theatricum’s wooded stage takes us from teeming Mumbai to the Chittaurgahr Pass, Jodhpur, the Ganges, the burning ghats of Varanasi and the Taj Mahal, as two upper-middle class friends from Connecticut travel to India with heavy baggage in tow, reeling from loss and personal demons. Manifest in their fellow travelers, the benevolent, elephant-headed Hindu god Ganesha is everyone and everywhere. Fluid in his power to assume any guise, at peace with all things, Ganesha — God of wisdom, prudence, acceptance, love and “remover of obstacles” — is the spiritual center around which the play spins, drawing upon the tragic and the comic, the beautiful and the deplorable, until a breathtaking release arrives for both women at his hands. Written by Terrence McNally, and directed by Mary Jo DuPrey, it runs July 15 through October 7 at the Will Geer Theatricum Botanicum in Topanga. For tickets call 310-455-3723 or visit www.theatricum.com.
“Dorothy’s Adventures in Oz” In this joyous, vibrant musical comedy we follow a grown-up Dorothy on a quest to return to OZ to save her family farm, a perfect theatre outing for anyone between the age of 2 and 102, with plenty of reflection on our current social climate to keep things engaging (and humorous) for adults. This magical, engaging musical allows young people of all ages to discover some valuable lessons about the importance of truth, honor, and self-esteem, with some tips on how to be good citizens of the world, as they follow the escapades of Dorothy and her companions along the windy road to that mystical place where dreams really do come true, and nothing is as it seems. Along the way, they will do battle with the vain but glorious Queen Coo-ee-oh, join forces with a vagabond princess who is revolting (although she doesn’t look it), meet a Patchwork Girl, a Rainbow Maiden, face such looming monsters as war, drought and mortgages, learn a great deal about the world around them, and even a little bit about themselves. Written by L. Frank Baum, and directed by Chris DeCarlo, it runs July 16 through August 27 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 or visit www.santamonicaplayhouse.com/dorothy-in-oz.
“Doris and Ivy in the Home” Retired prison guard Doris Mooney has just moved to Paradise Village, a retirement home in Canmore, Alberta. She quickly befriends Ivy Hoffbauer, a former world champion skier who’s taken aback by Doris’ brash cheerfulness. Rounding out the trio is dapper Arthur Beech, who has designs on Ivy. Love, gossip, and sex behind the compost heap, this is Norm Foster at his hilarious best. Written by Norm Foster, and directed by Warren Davis, it runs July 20 through August 23 at the Theatre Forty in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.
“Moon Over Buffalo” This uproarious backstage comedy centers on George and Charlotte Hay, fading stars of the 1950s. At the moment, they are playing “Cyrano de Bergerac” and “Private Lives” in rep in Buffalo, New York with five actors. On the brink of their break-up caused by George’s dalliance with the young ingenue, they receive news that Frank Capra, the famous Hollywood director, is coming to town to see their matinee; and if he likes what he sees, he might cast them in his movie remake of “The Scarlet Pimpernel.” Unfortunately for George and Charlotte, everything that could go wrong does go wrong, including a visit from their daughter’s clueless fiancé and hilarious uncertainty about which show they are actually performing, caused by Charlotte’s deaf, old stage manager mother who hates every bone in George’s body. Hilarity ensues with numerous mistaken identities, much slapstick humor, and sexual innuendo filling their back-and-forth backstage banter! Written by Ken Ludwig, and directed by Gail Bernardi, it runs July 21 through August 12 at the Westchester Playhouse in Los Angeles. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.
“One Moment of Freedom” is the little-known story of Bet, a courageous enslaved woman who sued her enslaver in court in 1780 for the basic human right to be free, ultimately leading to the abolition of slavery in Massachusetts. Written by Marion J. Zola, and directed by Linda Alznauer, it runs July 27 through August 27 at the Theatre Forty in the Mary Levin Cutler Theatre at Beverly Hills High School in Beverly Hills. For tickets call 310-364-3606 or visit www.theatre40.org.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
Remember, it is an honor to have the freedom to enjoy the arts as you wish to, so please help to protect that choice by supporting live theater whenever you can. On behalf of the publisher Steve Zall, and the co-publisher & editor Sid Fish, we want to send our heartfelt thanks to the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all, to our readers who enjoy our columns. We wish everyone good health, prosperity, and happy times throughout the year.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
It’s great to see that more of the theaters we feared had been lost during the pandemic closure are opening their doors again with new shows. Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend an event to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running at this time:
OPENING
Photos by Evan Zimmerman for MurphyMade
Photos by Evan Zimmerman for MurphyMade
“Tootsie – the Comedy Musical” This laugh-out-loud love letter to the theatre tells the story of Michael Dorsey, a talented but difficult actor who struggles to find work until one show-stopping act of desperation lands him the role of a lifetime. Written by Robert Horn, with music by David Yazbek, and directed by Dave Solomon, it runs May 30 through June 3 at the Plaza Theatre in the Bank of America Performing Arts Center in Thousand Oaks. For tickets call 805-449-2787 or visit www.ticketmaster.com/tootsie-touring-tickets/artist/2728443?venueId=90196&global=true.
Photos by Evan Zimmerman for MurphyMade
Photos by Evan Zimmerman for MurphyMade
“Back Porch” Life imitates art when Hollywood descends upon a small Kansas town in 1955 to shoot scenes for the classic film, Picnic. Sparks fly in more ways than one in Anderson’s delightful homage to both moviemaking and the play that inspired the Columbia film. Written by Eric Anderson, and directed by Kelie McIver, it runs June 2 through July 9 at the Victory Theatre Center in Burbank. For tickets call 818-533-1611 or visit www.onstage411.com/BackPorch.
“Behind the Six” It’s 1947 in Hollywood. Nick has arrived on a bus to chase his dream — infiltrating the crime gang that murdered his brother. But he falls in love with a grifter partway through the con. Can Nick trust him or his heart? Written by Dan Perry, and directed by April Littlejohn, it runs June 2 through June 25 at the Loft Ensemble in North Hollywood. For tickets call 818-452-3153 or visit www.loftensemble.org.
“Bell, Book & Candle” Gillian Holroyd is a witch! One of the few modern people who can actually cast spells and performs feats of magic. She casts a spell over an unattached publisher, partly to keep him away from a rival and partly because she is attracted to him. He falls head over heels in love with her at once and wants to marry her. But witches, unfortunately, cannot fall in love, and this minute imperfection leads to a number of difficulties. Ultimately, Gillian breaks with her companions in witchery, preferring the normal human love offered to her by the attractive publisher. But before the happy conclusion of the romance Gillian comes very close to losing him – but doesn’t. She realizes that one has to stop living in terms of “self” if love is ever to be realized. Written by John Van Druten, and directed by Brandon Polanco, it runs June 2 through July 8 at the Theatre Palisades in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.org.
“Kiki Ebsen’s MY BUDDY: The Other Side of Oz” is an exciting new cabaret-style jazz show featuring singer, pianist and storyteller Kiki Ebsen. Buddy is Kiki’s iconic father, Buddy Ebsen, of The Beverly Hillbillies and Barnaby Jones fame. But before TV, Buddy had a great career on stage and even had a brush with death as the original Tin Man in The Wizard of Oz! Kiki shares this and other stories of growing up in a Hollywood household. Backed by a seasoned jazz trio, the show will feature standards from the Great American Songbook. Recorded originally on her critically acclaimed, “Scarecrow Sessions” released on Father’s Day 2014, each song sparks a different part of her father’s life and career. Augmented by family pictures and nostalgic video clips, this lighthearted show is a look back at an American icon that brought so many smiles to people’s faces. Family friendly. No age limit. Written and directed by Kiki Ebsen, it runs June 2 through June 30 at the El Portal – Monroe Forum in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.
“Starmites” A sci-fi fantasy musical adventure that’s a comic book come-to-life. Shy teenager Eleanor dreams her way into a comic book quest to save the galaxy, where teams up with Space Punk, The Starmites and a lizard man named Trinkulus to fight the evil Shak Graa and The Banshees — weird women with dangerous hair-dos — led by Diva. Written by Stuart Ross and Barry Keating, with music by Barry Keating, and directed by Scott Peterman, it runs June 2 through July 8 at the Atwater Village Theatre in Atwater. For tickets call 323-882-6912 or visit www.openfist.org.
“Joseph and the Amazing Technicolor Dreamcoat” is a tuneful reimagining of the biblical story of Joseph, his father Jacob, 11 brothers, and his coat of many colors. This sensational musical features Andrew Lloyd Webber songs that have gone on to become pop and musical theatre classics, including “Any Dream Will Do,” “Close Every Door to Me,” “There’s One More Angel in Heaven,” and “Go, Go, Go Joseph.” The multi-award-winning show has been performed in over 80 countries worldwide and has become one of the world’s most beloved family musicals. Written by Tim Rice, with music by Andrew Lloyd Webber, lyrics by Tim Rice, and directed by Gerry McIntyre, it runs June 3 through June 25 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.LaMiradaTheatre.com.
“Murder on the Links” Something’s afoul on the private golf course at Merlinville-Sur-Mer, namely the body of Hercule Poirot’s newest client! Acclaimed playwright Steven Dietz brings the famed Belgian detective to life to solve one of Agatha Christie’s most intricate whodunits. Of course, there are the host of usual – and – unusual suspects. A cast of six versatile actors embody myriad characters as they navigate the twists and turns of this lively and fun new adaptation. You won’t want to miss a thrilling moment of this brand-new comic mystery. Written by Agatha Christie, adapted by Steven Dietz, and directed by Steven Dietz, it runs June 4 through June 18 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.
“Into the Breeches!” It’s 1942, and the leading men of Long Beach’s Oberon Playhouse are off fighting overseas. With “The Show Must Go On!” as their battle cry, a band of passionate, yet inexperienced, performers rally together to produce the theater’s season opener — an all-female version of Shakespeare’s ambitious Henry IV and Henry V. Will their production be a victory on the home front, or a target for rotten tomatoes? A hilarious and moving story about what happens when we’re all in it together. Written by George Brant, and directed by Brian Shnipper, it runs June 9 through June 25 at the International City Theatre in the Long Beach Convention & Entertainment Center in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.
“Love, Dolly” For the first time ever, Sierra Madre Playhouse presents Love, Dolly, the #1 Dolly Parton tribute act on the West Coast, on its stage! Kim Eberhardt talks and sings like country legend Dolly Parton, and performs her beloved hits like “9 to 5,” “Jolene,” “Islands in the Stream,” and “I Will Always Love You” with her live band of musicians. This is a country party you’ve just got to see! Written and directed by Kim Eberhardt, it runs June 9 through June 18 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.
“Morning’s at Seven” focuses on four aging sisters living in a small Midwestern town in 1928, and it deals with ramifications within the family when two of them begin to question their lives and decide to make some changes before it’s too late. Written by Paul Osborn and directed by Doug Engalla, it runs June 9 through July 16 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-763-5990 or visit www.theGROUPrep.com.
“Forever Brooklyn! A Kosher Comedy with Music” Forever Brooklyn is a one-man kosher comedy about a Jewish American comic growing up in Brooklyn, New York during the 1950’s and 1960’s. Telling his story through song, dialogue and comedy, a successful comic recounts the challenges of his rise to stardom and the challenges of assimilation in an ethnic neighborhood full of quirky and funny characters. It’s the heartwarming and hilarious story of a kid who dreams of becoming a star… and how he makes his dreams come true. Starring Yisrael Dubov, an ordained rabbi, son of a rabbi, and accomplished actor. Written and directed by Mark Wesley Curran, it runs June 10 through June 25 at the El Portal Monroe Forum in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.
“Macbeth” Full of murder, treason, ambition and greed, Macbeth is a brilliant political thriller about the rise and fall of a brave warrior who would be king at any price. Haunted by prophecies and goaded by his ambitious wife, Macbeth sets in motion an evil and bloody rise to the throne. A grand and gripping tale of murder, treason, ambition and greed that follows Macbeth’s transformation from battlefield hero to bloody tyrant, Shakespeare’s supernatural thriller remains startlingly relevant in today’s political climate. Written by William Shakespeare, and directed by Ellen Geer, it runs June 10 through September 23 at the Will Geer Theatricum Botanicum in Topanga. For tickets call 310-455-3723 or visit www.theatricum.com.
“A Midsummer Night’s Dream” Shakespeare’s most entertaining and beguiling comedy, Dream has been an annual staple at Theatricum going back decades. Each summer, Theatricum’s wooded stage morphs into the enchanted woods of Athens, where mortal lovers chase and are chased, players prepare, and fairies make magical mischief. Written by William Shakespeare, and directed by Melora Marshall, it runs June 11 through September 21 at the Will Geer Theatricum Botanicum in Topanga. For tickets call 310-455-3723 or visit www.theatricum.com.
“The Mountaintop” It’s April 3, 1968, and Martin Luther King, Jr. returns to the Lorraine Motel after delivering his history-altering “I’ve Been to the Mountaintop” speech. When he orders room service, a young maid arrives with a revelation that calls Dr. King to confront unwelcome truths. As a lightning storm rages outside, the legacy of America’s most revered civil rights leader is laid bare to reveal his profound humanity. A single night’s reckoning with racism, righteousness, and the rocky path toward justice, The Mountaintop imagines what Dr. King’s last night on Earth could have been. Written by Katori Hall, and directed by Patricia McGregor, it runs June 15 through July 9 at the Gil Cates Theater at Geffen Playhouse in Los Angeles. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.
“The Tempest” Antaeus Theatre Company brings out the musicality in Shakespeare’s The Tempest, presenting the Bard’s most poetic and magical comedy with original music, live musicians and on-stage Foley effects. An enchanted storm strands a banished Duke’s enemies on his isle of exile. Through magic, misadventure and forgiveness, the Duke, his daughter, his foes and the island spirits are all liberated from the prisons of their pasts to the glorious promise of their futures. Written by William Shakespeare, and directed by Nike Doukas, it runs June 16 through July 17 at the Kiki & David Gindler Performing Arts Center in Glendale. For tickets call 818-506-1983 or visit www.Antaeus.org.
“Last Summer at Bluefish Cove” Set in 1974, a group of queer women spend their summers together in a remote oceanfront town on Long Island. Their lesbian enclave is disrupted when Eva, a naïve straight woman recently separated from her husband, stumbles unaware into their circle and falls for the charming, tough-talking Lil. This heartfelt play, a landmark in lesbian history, is bursting with friendship, laughter, love and hope, bringing well-rounded, three-dimensional characters that transcend stereotypes and preconceptions to the stage. Written by Jane Chambers, and directed by Hannah Wolf, it runs June 17 through August 27 at the Fountain Theatre Outdoor Stage in Los Angeles. For tickets call 323-663-1525 or visit www.FountainTheatre.com.
“Accommodation” A concerned parent, whose son is in danger of failing one of his classes, schedules a conference with Celeste Dawkins, her son’s high school science teacher. When accused of not honoring the state and federal-mandated modifications required for her son’s different learning style, Dawkins loses her cool in an explosive tirade, provoking a high-stakes lawsuit against the school district. With her job on the line, Dawkins raises questions about the inherent risks of making special considerations for students claiming to have unique needs in her classroom, when the real world outside its walls doesn’t seem to care. Written by Greg Burdick, and directed by Brandon Baer & Garrett Baer, it runs June 18 through July 9 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.odysseytheatre.com/tickets?eid=96813.
“Queen Margaret’s Version of Shakespeare’s War of the Roses” follows 30 years of bitter infighting between the rival Lancaster and Plantagenet dynasties as they battle for power and the crown of England. Geer puts the focus on the women in court as they watch the bloody wars take the lives of their fathers, husbands and sons. Written by William Shakespeare, and directed by Ellen Geer, it runs June 24 through October 1 at the Will Geer Theatricum Botanicum in Topanga. For tickets call 310-455-3723 or visit www.theatricum.com.
“The Ants” A breathtaking house on a hill—complete with the most state-of-the-art security that excessive wealth can buy—should feel like a refuge for Nami, whose recent firing and eviction have forced him to crash at his brother and sister-in-law’s luxury home. But on this dark and fateful night, a violent uprising outside leaves the three trapped in what they think is an impenetrable fortress. A horror play infused with darkly humorous social commentary, The Ants asks why we spend so much money protecting ourselves instead of investing in our shared humanity. Written by Ramiz Monsef, and directed by Pirronne Yousefzadeh, it runs June 29 through July 30 at the Audrey Skirball Kenis Theater at Geffen Playhouse in Los Angeles. For tickets call 310-208-2028 or visit www.geffenplayhouse.org.
“Mary Poppins” The story follows the Banks family as they receive a visit from the magical nanny Mary Poppins, who takes them on a series of unforgettable adventures. Along the way, they learn the importance of family and the power of imagination. As audiences join the Banks family on their adventure, they’ll be swept away by classic songs such as “A Spoonful of Sugar,” “Supercalifragilisticexpialidocious,” and “Chim Chim Cher-ee.” Written by Julian Fellowes, with music by Richard M. Sherman and Robert B. Sherman, additional music and lyrics are by Anthony Drewe and George Stiles, and directed by Tim Nelson, it runs June 30 through July 16 at the Rose Center Theater in Westminster. For tickets call 714-793-1150 Ext. 1 or visit www.RoseCenterTheater.com/Disneys-MaryPoppins.
CONTINUING
“The Darkness: Goddess Revealed” is told through the perspective of three vastly different characters, all played by Gillie: Glory Banks was a surgeon, Patrick Bartholomey was an outlaw, and Darrick Taylor was a Black Slave in the Mississippi cotton fields. As these characters enter the afterlife, their understanding of their own lives is utterly transformed in the presence of The Darkness, the infinite beauty of life and creation. Written and directed by Nick Gillie, it runs through June 17 at the Actors’ Gang Theater in Culver City. For tickets call 310-838-4264 or visit www.TheActorsGang.com.
“Twelfth Night” In this romantic comedy, Viola and her twin brother are shipwrecked and lose each other. Viola then pretends to be a man who goes by the name of Cesario and gets a job from Duke Orsino. Orsino then tells Cesario to win Olivia for him, but Olivia falls in love with Cesario. When Sebastian comes into town, it takes the confusion to new heights. Written by William Shakespeare, it runs through June 17 at the Helen Borgers Theatre in Long Beach. For tickets visit www.LBShakespeare.org.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
On behalf of the publisher, Steve Zall, and the co-publisher & editor, Sid Fish, we want to thank the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all, our readers who rely on this information. We wish everyone continued good health, prosperity, and joyful times throughout the year.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
It’s great to see that more of the theaters we feared had been lost during the pandemic closure are opening their doors again with new shows. Covid protocols continue to be dictated by each individual venue, so bring a face mask to wear during the show in case the venue requires it. It’s a good idea to check with the theater before you attend an event to find out what their current policy is.
The information presented in this column is the latest available at the time of printing, however you should verify it with the theater to confirm it before making definite plans. Here are the shows that have announced opening dates for this month, or are already running at this time:
OPENING
“A Little Night Music” Set in 1900 Sweden, A Little Night Music explores the tangled web of affairs centered around actress Desirée Armfeldt, and the men who love her: a lawyer by the name of Fredrik Egerman and the Count Carl-Magnus Malcom. When the traveling actress performs in Fredrik’s town, the estranged lovers’ passion rekindles. This strikes a flurry of jealousy and suspicion between Desirée; Fredrik; Fredrick’s wife, Anne; Desirée’s current lover, the Count; and the Count’s wife, Charlotte. Both men – as well as their jealous wives – agree to join Desirée and her family for a weekend in the country at Desirée’s mother’s estate. With everyone in one place, infinite possibilities of new romances and second chances bring endless surprises. Written by Hugh Wheeler, with music by Stephen Sondheim, and directed by David Lee, it runs through May 28 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.pasadenaplayhouse.org.
“Ain’t Misbehavin’” is a musical tribute to Fats Waller, the international jazz pianist whose passion for pleasure and play helped create and define American swing. The revue features a five-person cast performing hit songs like “Honeysuckle Rose,” “Your Feet’s Too Big,” “Black and Blue,” “I’m Gonna Sit Right Down and Right Myself a Letter,” “The Jitterbug Waltz,” and the title song, Ain’t Misbehavin’. Written by Richard Maltby, Jr. and Murray Horowitz, and directed by Wren T. Brown, it runs May 4 through May 28 at the Nate Holden Performing Arts Center in Los Angeles. For tickets call 323-964-9766 or visit www.ebonyrep.org.
“Can I Touch It?” Shay Solomon is many things – but there’s one thing she’s definitely not: a pawn in the bank’s efforts to buy up foreclosed real estate. The story examines Black hair politics, the racial inequities faced by Black-owned businesses and the fantastical place women of color have to recede into when they get asked stupid ass questions. Written by Francisca Da Silveira, and directed by Gregg T. Daniel, it runs May 5 through June 11 at the Rogue Machine at the Matrix Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.org.
“The Humours of Bandon” Annie is a 16-year-old Irish Dancer from Dublin, and we meet her on the eve of the biggest competition of her life, the Irish Open Championships 1999. She charts us through the various successes and disappointments of her Irish Dancing life. We share her mind-numbing commitment and burning desire to win the coveted Irish Open title. Will she win and, if so, in what way? Written by Margaret McAuliffe, and directed by Stefanie Preissner, it runs May 6 through May 8 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 or visit www.OdysseyTheatre.com.
“A New Brain” brings us into the world of this queer musical with an intimate experience of pathos, humor, and just a little bit of magic—to bring us back to life. Composer Gordon Schwinn collapses into their lunch and awakens in the hospital, surrounded by their lover, mother, co-worker, doctor, and nurses. Coming face to face with their own mortality, Gordon sees their greatest fear: will they die with their greatest songs still unwritten? A NEW BRAIN reminds us that the power of music, love, and the creation of art can never be lost. Written by William Finn & James Lapine, with music by William Finn, and directed by Khanisha Foster, it runs May 6 through June 24 at the Davidson/Valentini Theatre in Los Angeles. For tickets visit www.lalgbtcenter.org/tickets.
“Vanya and Sonia and Masha and Spike” Set in idyllic Bucks County, Pennsylvania, it presents the problems, aspirations, and dreams of three aging siblings who hope for a better tomorrow in this rib-tickling and poignant play. Written by Christopher Durang, and directed by Victoria Pearlman, it runs May 7 through June 11 at the Pacific Resident Theatre in Venice. For tickets call 310-822-8392 or visit www.pacificresidenttheatre.org.
“On This Side of the World” A woman flies from the Philippines to America with a one-way ticket and a suitcase full of stories. Each story is collected from immigrants who came before her—tales of overseas workers, young lovers, and gossipy church ladies, snapshots of undocumented immigrants, millennial princesses and first-generation Americans. Suspended above the ocean, she replays these stories in her mind as she searches for the courage to embrace her future. This world premiere musical gives voices to Filipino immigrants navigating old lives and new beginnings, eight-thousand miles from home. Written and directed by Noam Shapiro, with music by Paulo K Tiról, it runs May 11 through June 4 at the David Henry Hwang Theater in Little Tokyo. For tickets call 213-625-7000 or visit www.eastwestplayers.org.
“Jack Craddock is Having a Party” It’s a comedy of contemporary manners set over the course of one turbulent evening. In an Austin, Texas apartment haunted by recent calamity, the unheralded homecoming of a mythic frat star heartthrob brings simmering tensions among a tangled group of friends and ex-lovers to a rolling boil. Written by Harrison Harvey, and directed by Rachel McBath, it runs May 12 through June 4 at the Moving Arts Theatre in Los Angeles. For tickets visit www.eventbrite.com/e/jack-craddock-is-having-a-party-tickets-594979719357.
“RENT, A Rock Opera” set in New York’s Lower East Side under the shadow of HIV/AIDS in the late 1980’s and early 90’s. The story follows; Roger Davis, a songwriter-musician who is newly HIV positive, Mimi Márquez, an exotic dancer with HIV and Roger’s girlfriend, Mark Cohen, a Jewish filmmaker who is Roger’s roommate, Maureen Johnson, a bisexual performance artist, Joanne Jefferson, a lawyer who is Maureen’s girlfriend, Tom Collins, a professor of technology at NYU who is living with AIDS; Angel Dumott Schunard, a transgender street musician who falls for Tom and who is also living with AIDS; and Benjamin Coffin III, Mark and Roger’s landlord and former roommate. Written by Jonathan Larson, with music by Jonathan Larson, and directed by Marcus S. Daniel, it runs May 12 through June 17 at the Westchester Playhouse in Los Angeles. For tickets call www.kentwoodplayers.org.
“Tape” Jon, an aspiring filmmaker on the verge of hitting it big, hooks up for the weekend with his best friend from high school, Vince, a volunteer fireman who makes his money selling dope. Jon’s new film is being shown at a festival in Lansing, Michigan, and Vince has come from Oakland to see it. Over the course of the evening, Vince finally gets Jon to admit that ten years ago he date-raped Amy Randall, a girl whom they both dated in high school-only then to reveal that he’s taped their entire conversation. In addition, he has invited Amy to have dinner with them that night. Beneath its suspenseful, high-stakes surface, Tape examines questions of motive, memory, truth and perception. Written by Stephen Belber, and directed by J.C. Gafford, it runs May 12 through May 14 at the Thymele Arts in Hollywood. For tickets visit www.eventbrite.com/e/tape-by-stephen-belber-play-tickets-605438251107.
“The Book of Will” re-imagining of the desperate search to find, preserve and print Shakespeare’s words that otherwise might have disappeared forever. Three years after the Bard’s death, John Heminges and Henry Condell, former friends and colleagues from Shakespeare’s acting troupe, the King’s Men, contend with egotistical actors, bootleg knockoffs and a ticking clock to ensure that the First Folio gets published, and that the works of William Shakespeare don’t end up on the trash heap of history. Backstage comedy meets detective adventure as this group of aging actors race against time to reassemble their repertoire — including Lear, Macbeth and Hamlet — some of which may only exist only in the lines they have memorized. Written by Lauren Gunderson, and directed by Geoff Eliott and Julia Rodriguez-Elliott, it runs May 13 through June 7 at the A Noise Within in Pasadena. For tickets call 626-356-3100 or visit www.anoisewithin.org.
“The Bottoming Process” a dark comedy about two writers who meet at a shared co-working space and fall in love — or something like it. One is a famed novelist, and the other is a fledgling writer who’s mostly funny on Twitter. One is nearing middle age, and the other is flailing through their twenties. One is white, and the other is not. As they mate, date and cohabitate, they grapple with issues of race, sex, power and the model minority myth, all to find out who’s really on top. Written by Nicholas Pilapil, and directed by Rodney To, it runs May 18 through June 12 at the LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center Renberg Theatre in Los Angeles. For tickets call 323-380-8843 or visit www.iamatheatre.com.
“The Revolutionists” Four beautiful, badass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. This grand and dream-tweaked comedy is about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world. It’s a true story. Or total fiction. Or a play about a play. Or a raucous resurrection…that ends in a song and a scaffold. Written by Lauren Gunderson, and directed by Melanie MacQueen, it runs May 18 through June 18 at the Theatre Forty in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.
“A Heated Discussion- Revisited” Living in these turbulent times of political, social and racial unrest, imagine what would happen if historical icons of the past were summoned by three Yoruba African Orishas, to offer their commentary on what is going on in today’s world. What would that encounter yield? The icons are Malcolm X, Zora Neale Hurston, Lorraine Hansberry, Dr. Martin Luther King, Maya Angelou, Tupac Shakur, Ida B. Wells, Dr. Francis Cress Welsing, James Baldwin, Bob Marley, Nina Simone, Richard Pryor and lastly a mysteriously powerful figure who may offer the solution. Given that they are all very passionate, vocal and controversial their encounter can only be heated when they discuss the status of Black America today. What will they say? What choices remain, for what many feel are the most troubled times for Black people in America since the 60s? It will be a provocative, smoldering urgent discussion that is desperately needed. What solutions will arise to resolve police killings, systemic racism, historical bias and the violent enmity that fuels these acts? Some of the solutions will shock you or maybe not. Written by Levy Lee Simon, and directed by Ben Guillory, it runs May 20 through June 18 at the Los Angeles Theatre Center Theatre Four in Los Angeles. For tickets visit www.therobeytheatrecompany.org.
“No Place Like Gandersheim” Roz is everybody’s most passionate theater friend, constantly promoting her next play. What makes her special? She’s in medieval Germany and might just be the first ever woman playwright. After presenting her new brazen sex comedy to the most important critic of all—the Holy Roman Emperor—and getting panned, Roz is catapulted into a time-warping journey through contemporary, though still medieval, Hollywood. From “me too” to “times up” to the metaverse and beyond, Roz begins to understand that home is where the art is. Written by Elizabeth Dement, and directed by Randee Trabitz, it runs May 20 through June 25 at the Skylight Theatre in Los Angeles. For tickets call 213-761-7061 or visit www.SkylightTix.org.
Photos by Evan Zimmerman for MurphyMade
Photos by Evan Zimmerman for MurphyMade
“Tootsie – the Comedy Musical” This laugh-out-loud love letter to the theatre tells the story of Michael Dorsey, a talented but difficult actor who struggles to find work until one show-stopping act of desperation lands him the role of a lifetime. Written by Robert Horn, with music by David Yazbek, and directed by Dave Solomon, it runs May 30 through June 3 at the Plaza Theatre in the Bank of America Performing Arts Center in Thousand Oaks. For tickets call 805-449-2787 or visit www.ticketmaster.com/tootsie-touring-tickets/artist/2728443?venueId=90196&global=true.
Photos by Evan Zimmerman for MurphyMade
Photos by Evan Zimmerman for MurphyMade
CONTINUING
“Missed Opportunities” In a hilariously modern twist on the traditional rom-com, friends, roommates, and lovers blur lines as a young woman concocts a misguide plan to get closer to her BFF’s roommate but ends up getting closer to herself. Written by Jillian Leff, and directed by Ignacio Navarro and Madylin Sweeten, it runs through May 14 at Sawyer’s Playhouse in North Hollywood. For tickets call 818-452-3153 or visit www.loftensemble.org.
“Avaaz” introduces you to Roya, our fabulous hostess who welcomes you into her home to celebrate Nowruz, the Iranian New Year. She’s preparing a feast, but the main attraction is Roya’s great American journey from Tehran to “Tehran-geles,” California. This hilarious and deeply personal tribute to Shayan’s mother is deliciously portrayed by the person who knows her best—her son. Traditions, humor and passionate storytelling transform this tale of family bonds into an unforgettable theatre event. Written by Michael Shayan, and directed by Moritz von Stuelpnagel, it runs through May 27 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.
“Tornado” Set in the aftermath of the devastating 2012 Oklahoma tornado, Jade, a college student at Oklahoma Baptist University, and Becca, a corporate lawyer from New York City, have come to volunteer in the clean-up efforts. When a Chick-fil-A lunch truck arrives to offer free lunch to the volunteers, their vastly different cultural perspectives clash head-on, and they must struggle to set aside their differences for the good of the tornado victim they hope to serve. Written by Chris Cragin-Day, and directed by Linda Kerns, it runs through May 28 at the Crossley Theater in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.
Our local theme parks are operating at full capacity. Most require advance reservations online, as well as advance ticket, and possibly food, purchases. You will need an app in some to be able to take full advantage of all attractions and restaurants. Please check their websites for details, restrictions, and availability before planning a visit:
Some theaters still provide online offerings in addition to or in lieu of live performances, with many events you can experience on a virtual basis. A few of these online events are only available on a one-time basis, while others are ongoing and can be viewed on-demand anytime. Visit each of the web sites below to see what they are currently offering. You will find free content as well as pay-per-view to choose from. Here are the links to web sites with online offerings:
On behalf of the publisher, Steve Zall, and the co-publisher & editor, Sid Fish, we want to thank the publicists who supply us with this content, the editors and publishers who deliver it to you, and most of all, our readers who rely on this information. We wish everyone continued good health, prosperity, and joyful times throughout the year.
Sincerely,
Steve Zall, Publisher Sid Fish, Co-Publisher and Editor
