Here are some of the shows you can see in our local theaters this month:

“Cleo, Theo & Wu” Lucy is a modern Angeleno gal just trying to be her best self. The Cool Girl, Lady Boss and all around getting sh*t done Boss Bitch. But, suddenly, the fate of the universe is in her hands and she’s gonna need to do better than self-help books and inspirational Insta-quotes. Never fear, space creatures from the future and the forgotten women of ancient history are teaming up to get Lucy on the right track. Careening through time and place, it takes Lucy on a heroine’s journey with the remarkable women who were so much more than the power hungry, sex-obsessed obstacles that history books would have you believe. Written by Kirsten Vangsness, and directed by Lisa Dring, it runs November 1 through December 8 at the Theatre of NOTE in Hollywood. For tickets call 323-856-8611 or www.theatreofnote.com.

“SIGNing the Song” Through American Sign Language paired with singing, William Martinez shares the true story of a boy who grew up in a deaf household with little exposure to TV, radio, or movies. Because of his incredible 8th grade music teacher and the love and support of his parents, he came out of his silent world and discovered his voice through music. ASL (American Sign Language) and song lyrics meld together into a beautiful unique art form. This immersive one-man show celebrates the extraordinary impact educators and parents have on each child’s life … regardless of their struggles. Written and directed by William Martinez, with music by David Bawiec, it runs November 1 through November 4 at the Colony Theatre in Burbank. For tickets call 866-811-4111 or visit www.colonytheatre.org.

“Parfumerie” feuding employees George Horvath and Amalia Balash have each fallen in love with their secret pen pal. What will happen on Christmas Eve when they discover their true lover’s identity? Written by E. P. Dowdall, and directed by Brandon Ferruccio, it runs November 2 through December 9 at the Theatre Palisades in Pacific Palisades. For tickets call 310-454-1970 or visit www.theatrepalisades.com.

“She Loves Me” tells the beloved story of two feuding shop clerks who are unaware that they are the recipients of each other’s love letters. Written by Joe Masteroff, with music by Jerry Bock, lyrics by Sheldon Harnick, and directed by Cate Caplin, it runs November 2 through December 16 at the Actors Co-op David Schall Theatre in Hollywood. For tickets call 323-462-8460 or visit www.ActorsCo-op.org.

“Bliss (or Emily Post is Dead)” It’s 1960 and America is in the midst of a civil upheaval. But in North Orange, NJ, an immaculate suburb with all the trappings of a prosperous, modern society: afternoon tea parties, electronic appliances, and JELL-O! “Progress and Science” are the buzzwords of the day. In this farcical, domestic tragicomedy, the classical Greek heroines, Clytemnestra and Medea, have been recast as pill-popping housewives, and Antigone is the lovelorn, teenage girl next door. Their “blissful” lives are upended when Cassandra, a colored girl new to town and cursed with the gift of prophecy, arrives with a mind to free them from their dark destinies. Written by Jami Brandli, and directed by Darin Anthony, it runs November 3 through December 2 at the Atwater Village Theatre in Atwater. For tickets call 323-472-5646 or visit www.movingarts.org.

“A Mile in My Shoes” we meet Ester, an omniscient “shoe whisperer,” as she walks us through a day in her life on Skid Row. We meet a variety of characters: a transgender teen, a young mom, a mentally ill substance abuser, a high school valedictorian, a police officer, concerned citizens at a city council meeting and others as they put a face on the homeless epidemic. Written by Kathryn Taylor Smith, and directed by Zadia Ife, it runs November 4 through December 9 at the Hudson Backstage Theatre in Los Angeles. For tickets visit www.plays411.com/mileinmyshoes.

“Charles Dickens’ A Christmas Carol” Tony Award winner Jefferson Mays breathes new life into the greatest ghost story ever told. While the heart of A Christmas Carol is evergreen, Mays brings fresh perspective to Scrooge, Bob Cratchit, Tiny Tim and the rest, playing every role in this whirlwind one-man show. Written by Charles Dickens, adapted by Jefferson Mays, Susan Lyons and Michael Arden, and directed by Michael Arden, it runs November 7 through December 2 at the Gil Cates Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

“Anatomy of a Hug” Amelia has a job selling memberships to a charity that rescues kids in countries overseas. She’s invested the rest of her life in her beloved television shows, which provide her an emotional haven. Sonia is Amelia’s mother. She’s been given Compassionate Release from prison as she is terminally ill. She was convicted of murdering Amelia’s father. She’s moved into Amelia’s apartment with the aid of a social worker, Iris. Amelia has attracted the attention of a decent, sincere co-worker named Ben, who introduces her to a wonderful human invention called a hug. Can Amelia possibly bridge the emotional chasm with her mother while there’s still time? Will the wounds of the past prevent Amelia from returning Ben’s affection? Written by Kat Ramsburg, and directed by Steve Jarrard, it runs November 9 through December 2 at the Sherry Theatre in North Hollywood. For tickets call 323-860-6569 or visit www.anatomyofahug.bpt.me.

“Blacktop Highway” Renowned performer John Fleck reinvents the gothic horror genre in this horrifyingly hysterical tale of taxidermy, transformation and caged creatures. Fleck continues to break new ground playing all the parts (both human and animal) in this brilliantly staged screenplay. Written by John Fleck, and directed by Randee Trabitz, it runs November 9 through December 15 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

 

“The Color Purple” is an inspiring family saga that tells the unforgettable story of a woman who, through love, finds the strength to triumph over adversity and discover her unique voice in the world. The story spotlights Celie, a downtrodden young woman whose personal awakening over the course of 40 years forms the arc of this epic story. With a joyous score featuring jazz, ragtime, gospel, African music and blues, it is a story of hope, a testament to the healing power of love and a celebration of life. Written by Alice Walker, book by Marsha Norman, with music by Brenda Russell, Allee Willis and Stephen Bray, and directed by Jeffrey Polk, it runs November 9 through December 9 at the Greenway Court Theatre in Los Angeles. For tickets call 323-673-0544 or visit www.GreenwayCourtTheatre.org/THECOLORPURPLE.

“Confederates” is an often funny, often devastating look at today’s high stakes political media landscape. When two journalists embedded with the campaign of a newly declared presidential campaign — one seasoned, the other young and ambitious — uncover a compromising photo of the candidate’s daughter, they must decide whether to publish or bury it. Written by Suzanne Bradbeer, and directed by Christopher Hart, it runs November 9 through December 16 at the Grove Theater Center in Burbank. For tickets call 800-838-3006 or visit www.hartnpi.org/tickets.

“Curtains” It’s the brassy, bright, and promising year of 1959. Boston’s Colonial Theatre is hosting the opening-night performance of a new musical. When the leading lady mysteriously dies on stage, the entire cast and crew are suspects. Enter a local detective, who just happens to be a musical-theatre fan! Curtains is the final musical from the American musical theatre composing giants Kander and Ebb, who brought us such works as Cabaret, Chicago, and Kiss of the Spider Woman. Written by Rupert Holmes, with music by John Kander, lyrics by Fred Ebb, and directed by Tony Cason, it runs November 9 through November 17 at the Smothers Theatre Pepperdine University in Malibu. For tickets call 310-506-4522 or visit www.arts.pepperdine.edu.

 

“Death and Cockroaches” Meet Eric. He’s an aspiring playwright who’s trying to break into TV writing when his Dad interrupts his plans by suddenly getting sick with a terminal illness. Instead of stepping up to his familial duties, Eric runs away from his sadness straight into a ‘Wall of Dicks’. Fortunately, there’s a hot, imaginary Cockroach who’s there to help him to confront his grief and his family’s disappointment. Written by Eric Reyes Loo, and directed by Jennifer Chang, it runs November 9 through December 1 at the Atwater Village Theatre in Atwater. For tickets call 323-379-9583 or visit www.chalkrep.com.

“Disney’s the Little Mermaid” is a hauntingly beautiful love story for the ages. This fishy fable will capture your heart with its irresistible songs, including “Under the Sea”, “Kiss the Girl” and “Part of Your World”. Ariel, King Triton’s youngest daughter, wishes to pursue the human Prince Eric in the world above, bargaining with the evil sea witch, Ursula, to trade her tail for legs. But the bargain is not what it seems, and Ariel needs the help of her colorful friends, Flounder the fish, Scuttle the seagull and Sebastian the crab to restore order under the sea. Written by Doug Wright, based on the Hans Christian Andersen story, with music by Alan Menken, lyrics by Howard Ashman and Glenn Slater, and directed by Catherine Rahm, it runs November 9 through December 15 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit www.kentwoodplayers.org.

 

“In a Booth at Chasen’s” In November 1949, a nervous 29 year-old starlet – Nancy Davis – went to a dinner at Chasen’s restaurant with the President – of the Screen Actors Guild – movie star Ronald Reagan, while Reagan is still nursing a broken heart from his divorce from Jane Wyman. There is an attraction, and the two hit it off. Several weeks later, the two have become closer, but not yet exclusive. Nancy helps Ron paint the fences at his ranch in the San Fernando Valley, and starts to get to know his children. She even loves his dumb jokes. Over the next two years, the couple confide in one another, turn up the heat, bicker and rage against the gossipy tabloid press, and even battle the threat of Communism. The drama is in how Nancy plays hard to get, and how long it takes Ron to propose. The marriage of Ron and Nancy Reagan continues to be written about, talked about, analyzed and scrutinized. To some, Ron’s unyielding devotion to his wife is to be admired and Nancy’s fierce protection of her husband is applauded. To others, their relationship seemed odd, old-fashioned and even corny. Either way, it cannot be denied that few, if any, marriages had more of an impact on the 20th century. Written by Sam Bennett, with music by Al Kasha and Phil Swann, and directed by Kay Cole, it runs November 9 through November 25 at the El Portal Theatre Debbie Reynolds Mainstage in North Hollywood. For tickets call 818-508-4200 or visit www.elportal.com.

“Remembering Boyle Heights” Contemporary gentrification debates unlock the early history, stories and memories of Boyle Heights revealing the mythical and human dimensions of L.A.’s own Ellis Island of the West. Written by Josefina López and Corky Dominguez, and directed by Corky Dominguez, it runs November 9 through December 16 at the CASA 0101 Theater in Boyle Heights. For tickets call 323-263-7684 or visit www.casa0101.org.

“The Value of Moscow” Three grown “adult” sisters are thrust back into living together as a last resort after their various lives have fallen apart. This trio can’t even agree on how to unpack their stuff much less their relationships and pasts. And before they can finish the bottle of vodka they found in the kitchen, everything goes from bad to worse, to a lot, LOT worse. Can they set aside their grievances long enough to work together and save themselves? Probably not. But with acerbic wit and an encounter with the pizza man, these three sisters aim to find out. Written by Amy Dellagiarino, and directed by Carrie Keranen, it runs November 9 through December 8 at the Second Stage at The Broadwater Theater Complex in Los Angeles. For tickets visit www.sacredfools.org.

“My Date With Death – A Musical Romance” Link finds himself at the end of his rope, drinking the remainder of his life away at a bar when he is visited by a Spirit from the beyond. This Spirit reveals herself to be a Soul Collector sent to keep Link from ending his energy too soon. Strap in and take a Dickensian sprint across the universe with Link, an isolated soul, as he falls in love with Lady Death, and her never-ending knowledge of the cosmos. Written by Daniel Sugimoto, with music by Daniel Sugimoto, and directed by Julia Lisa, it runs November 10 through December 2 at the Miles Memorial Playhouse in Santa Monica. For tickets call 323-301-9002 or visit www.thezootheatreco.com.

“Hughie” and “Krapp’s Last Tape” Reprising roles that have garnered critical and popular acclaim, Dennehy brings searing humanity and his extraordinary dramatic skill to these powerful productions:

Hughie: When high-rolling gambler and small-time hustler Erie Smith loses his confidant Hughie, his life takes a turn for the worse. In his grief, Erie befriends a new hotel night clerk and sees a chance for a winning streak.

Krapp’s Last Tape: Preparing for his birthday ritual, Krapp stumbles upon a recording of a tender memory from a lifetime ago. As he immerses himself in his own personal history, Krapp questions whether his present lives up to his past.

Written by Eugene O’Neill (Hughie), Samuel Beckett (Krapp’s Last Tape), and directed by Steven Robman, it runs November 14 through December 16 at the Audrey Skirball Kenis Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit www.geffenplayhouse.org.

“Bus Stop” tells a story of a group of people thrown together by a blizzard to spend a long night snowbound at a diner/bus stop in rural Kansas. It is especially the story of Bo, a young cowboy who has grown up on an isolated ranch in Montana. The wild young man has fallen for a nightclub chanteuse named Cherie while competing in a rodeo in Kansas City. He will need to be taught a lesson in humility and lose a fight before he can win the heart of the love of his life in what has become a classic American romance. The other characters all have their own agendas, too, including the diner’s two waitresses, the bus driver, the local sheriff, an itinerant educator, and Virgil, Bo’s ranch foreman and mentor. Written by William Inge, and directed by Ann Hearn Tobolowsky, it runs November 15 through December 16 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-0535 or visit www.theatre40.org.

“Chico’s Angels Five-O: Waikiki Chicas” This is one hurricane of a case! Hula dancers have gone missing from Waikiki’s hottest night club The Hula Ho. This is job for the three sexiest detectives alive, but since Sabrina, Jill and Kelly are busy, Chico’s Angels will take it! Come to paradise with Kay Sedia, Frieda Laye and Chita Parol as they go undercover in grass skirts, coconut bikinis and cha-cha pumps to solve the case of the missing Hula Hos. Chico’s Angels are three beautiful and comedic Latina drag queens as the leads: Kay Sedia, Chita Parol & Frieda Laye – Who work for pennies for their unseen boss. Think of the 70s series, Charlie’s Angels starring a Latino Three Stooges in drag. Written by Oscar Quintero and Kurt Koehler, and directed by Kurt Koehler, it runs November 15 through November 18 at the Colony Theater in Burbank. For tickets call 818-558-7000 or visit www.web.ovationtix.com/trs/pr/993027.

“A Carol Christmas” Instead of a man named Scrooge we have a woman named Carol, the successful, demanding host of a home-shopping show who cares nothing for Christmas and wants her staff to work right through the holidays. 17 new songs and all of the characters you know and love. Written by Doug Haverty, with music by Bruce Kimmel, and directed by Bruce Kimmel, it runs November 16 through December 30 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-763-5990 or visit www.thegrouprep.com.

“Exit Wounds” explores the effects of a national tragedy on three generations of the perpetrator’s family. How do you find redemption when someone you love has committed a terrible crime? A story of healing, hope and compassion, Exit Wounds unravels slowly, as a mystery: what was the tragic event that caused hoarder Linda Sadowski to retreat from life, and her son, Matt to become estranged? How can Linda stem the ripple effect of the family’s painful past and save the 17-year-old grandson she’s never met? Written by Wendy Graf, and directed by Christopher Hart, it runs November 16 through December 15 at the Grove Theater Center in Burbank. For tickets call 800-838-3006 or visit www.hartnpi.org/tickets.

“Down to My Last Egg” When Remy’s window to become a mother started to close, she hit the road in search of a sperm daddy. Once she found him, getting pregnant proved to be even more slippery than his sperm. Her thoughts, ideas and actions around motherhood, and what it entails, left her with one question – Is she meant to be a mother? Did she conceive or did her last egg shrivel up and die? You’ll have to see the show to find out. Written by Remy O’Brien, and directed by Jonathan Medina, it runs November 18 through November 26 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-3606 or visit www.theatre40.org.

“A Christmas Story” The Parker family gets its Christmas tree. Ralphie’s dad, The Old Man, wins a very special prize in a contest. Ralphie is pursued by a girl in his class. Ralphie is pursued by the class bully. And, most famously, Ralphie sets off on a campaign to acquire his most-desired Christmas present, a Red Ryder BB air rifle, only to be warned repeatedly, “You’ll put your eye out, kid”. Written by Philip Grecian, based on the screenplay by Jean Shepherd, Leigh Brown and Bob Clark, and also on the book In God We Trust, All Others Pay Cash, and directed by Christian Lebano, it runs November 23 through December 30 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org.

“Bob Baker’s Nutcracker” features over 100 handcrafted puppets to take the entire family on an adventure through the wizardry of strings and into the enchanted world of the fantastic. Bob Baker’s adaptation of the ballet classic is one of Bob Baker Marionette Theater’s most beloved shows since it began in 1969. The Sugar Plum Fairy and her promenading cakes, waltzing flowers, and all of the wonders beyond the mysterious door are now to be found at the Carrie Hamilton Theatre — entirely outfitted for the holidays — at Pasadena Playhouse. This is the first time that the show is being performed outside of its original location. The show runs November 24 through December 31 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.pasadenaplayhouse.org.

“A Christmas Carol” Nineteenth-century London comes with this timeless Dickens classic and all your favorite characters—Tiny Tim and the Cratchit family, the Fezziwigs, the Ghosts of Christmas past, present and yet-to-come—and, as always, Hal Landon Jr. as everyone’s favorite curmudgeon, Ebenezer Scrooge. Written by Charles Dickens, and directed by John-David Keller, it runs November 24 through December 24 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“Vendetta Chrome” Vendetta, a late bloomer at a Victorian girls’ school, must save her friends and family from a legacy of trouble — and it’s all in the dance moves. In the West Coast premiere of Sylvan Oswald’s melodrama-farce, spirited movement sequences take a female and nonbinary cast through the lightness and the darkness of today’s feminist rage. Written by Sylvan Oswald, and directed by Sara Lyons, it runs November 24 through December 15 at the Lex Theatre in Hollywood. For tickets call 323-944-2165 or visit www.coeurage.org/buytickets.

“Dixie’s Tupperware Party” Dixie Longate is the fast-talking, gum chewing, ginger-haired Alabama gal who is bringing your grandma’s Tupperware party into the 21st century. Audiences howl with laughter as Dixie demonstrates the many alternative uses for the iconic plastic kitchen staple. Filled with outrageously funny tales, heartfelt accounts, audience participation and a little bit of empowerment and homespun wisdom, Dixie’s Tupperware Party leaves your heart a little bigger and your food a little fresher. Written by Kris Andersson, and directed by Dixie Longate, it runs November 28 through December 30 at the Kirk Douglas Theatre in Culver City. For tickets call 213-628-2772 or visit www.dixiestupperwareparty.com.

“Aphrodite’s Holiday Show” brings back Aphrodite, Dionysus and their 45-year old human daughter, Poinsettia, as they continue to work through their god/mortal issues. Aerialists, dancers, magicians, jugglers and other special guests join the fun in this winter solstice variety spectacle. Written by Lee Margaret Hanson and Adam J. Jefferis, co-Written by Rynn Vogel, and directed by Lee Margaret Hanson and Adam J. Jefferis, it runs November 29 through December 16 at the Actor’s Gang Theater in Culver City. For tickets call 310-838-4264 or visit www.TheActorsGang.com.

“1966 Holiday Variety Extravaganza” the audience travels back to the swingin’ Sixties for a night of holiday hilarity. Using audience suggestions, the award-winning Impro Theatre performs their unscripted, totally improvised LIVE variety show that delights in the comedy and music stylings of “Holiday Special” icons Andy Williams, Perry Como and Judy Garland. Written by Impro Theatre Company, it runs November 30 through December 9 at the Garry Marshall Theatre in Burbank. For tickets call 818-955-8101 or visit www.GarryMarshallTheatre.org.

“The SantaLand Diaries” Patrick Censoplano dons the candy-cane tights for a Santa Monica Playhouse holiday celebration in this outrageously funny one-man play from NPR’s well-loved humorist David Sedaris about the author’s experiences as an unemployed writer taking a job as an elf at Macy’s department store in New York City, taking a wry look at how the holiday season brings out the best – and the worst – in us all. Written by David Sedaris, adapted by Joe Mantello, and directed by Chris DeCarlo, it runs November 30 through December 16 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit www.SantaMonicaPlayhouse.com.

 

Enjoy life more – see a show tonight!

Here are some of the shows you can see in our local theaters this month:

“Villainy, or H.H. Holmes’ Own Story” the incredible true story of H.H. Holmes (1861-1896), America’s first serial killer. Born Herman Webster Mudgett, his favored alias was H.H. Holmes, reportedly assuming the name in tribute to the fictional master of mystery, Sherlock. A master seducer of women, Holmes was ultimately married to three women simultaneously. His many crimes included arson, insurance fraud, torture and murder. He confessed to 27 murders in a memoir, written in a response to a lucrative offer from newspaper publisher William Randolph Hearst. Having received training in the medical profession, Holmes sometimes dissected the bodies of his victims, selling their skeletons to medical schools. In the most brazen portion of his career, Holmes had a “murder castle” with a pharmacy, a torture chamber, apartments for young women who disappeared mysteriously… all just three miles east of the Columbian Exposition (the 1893 Chicago World’s Fair), giving rise to Holmes’ nickname, “the Devil in the White City”. Written by John Strysik, and directed by Jeff G. Rack, it runs October 3 through November 7 at the Whitefire Theatre in Sherman Oaks. For tickets call 800-838-3006 or visit www.villainy.brownpapertickets.com.

“The Bench, A Homeless Love Story” Based on true stories, this drama explores the emotional anguish of five homeless characters and the catastrophic hysteria surrounding the AIDS crisis in the 1980’s. Humor and heartbreak bring these stories to life, based on real people in the writer’s life. Written by Robert Galinsky, and directed by Jay O. Sanders, it runs October 4 through November 9 at the Hudson Theatre in Los Angeles. For tickets call 323-960-7822 or visit www.plays411.com.

“The Tempest” Free, but reservations are required. This great romantic comedy has it all: danger, intrigue, politics, revenge, a mighty sorcerer, her beautiful daughter falling deeply in love at first sight, for the very first time, with the handsome prince who is so conveniently shipwrecked near her beach home. The play still exerts an influence over popular culture nearly four centuries later, ranging from Forbidden Planet to Gilligan’s Island to Lost. Written by William Shakespeare, and directed by Rebecca Lynne, it runs October 4 through October 20 at the Brand Park in Glendale. For tickets visit www.deanproductionstheatre.com.

“Resa Fantastiskt Mystisk” tells the story of Philip, a struggling painter who goes on a fantastical journey to reclaim his right to be an artist (the title roughly translates to ‘Journey Extremely Mysterious’.). Written by Lars Mattsun, translated by Todd Merrill, and directed by Todd Merrill, it runs October 5 through November 3 at the Broadwater Main Stage at Sacred Fools in Los Angeles. For tickets visit www.sacredfools.org.

“Johnny Got His Gun” The narrator, twenty-year-old Joe Bonham, got his gun and went to war in 1918. An exploding shell in World War I reduced him to a silent life, silent on the outside but not on the inside. Far from home, in a hospital bed in Europe, Joe Bonham is without a voice but ready for battle, ready to explode with rage at what the war left behind. A story about survival and the unyielding and persistent need in all human beings to live with dignity and purpose, it reminds us that behind every casualty of war there is the story of a young person whose hopes, aspirations and dreams have been stolen from them. Written by Dalton Trumbo, adapted by Bradley Rand Smith, and directed by Tim Robbins, it runs October 6 through November 10 at the Actors’ Gang Theatre in Culver City. For tickets call 310-838-4264 or visit www.TheActorsGang.com.

“The Madwoman of Chaillot” with love and magic at a sidewalk café where artists, ragmen and madwomen become aware of a diabolical plan to drill for oil in the middle of Paris. The Madwoman develops a scheme with her eccentric circle of friends to stop the men and their insatiable lust for oil. Written by Jean Giraudoux, adapted by Maurice Valency, and directed by Tim Robbins, it runs October 6 through November 10 at the Actors’ Gang Theatre in Culver City. For tickets call 310-838-4264 or visit www.TheActorsGang.com.

“Oppenheimer” Fascism is spreading across Europe. Two German chemists discover the processes of atomic fission. In Berkeley, California, theoretical physicists recognize the horrendous potential of this new science: a weapon that draws its power from the very building blocks of the universe. Ambitious and charismatic, J. Robert Oppenheimer finds himself uniquely placed to spearhead the largest scientific undertaking in all of human history, the Manhattan Project and the creation of the Atomic bomb. Could it bring about an end of World War II, and all wars? Written by Tom Morton-Smith, and directed by John Perrin Flynn, it runs October 6 through December 30 at the Electric Lodge in Venice. For tickets call 855-585-5185 or visit www.roguemachinetheatre.com.

“Vanya and Sonia and Masha and Spike” In Bucks County, Penn., Vanya and Sonia share a country house and fret endlessly—and amusingly—about their hapless lives. When Masha, their self-absorbed movie-star sister, and her much, much younger boy toy, Spike, visit for the weekend, the entire household gets hilariously upended. Rivalries are rekindled, resentments rage, the housekeeper blurts out strange prophecies and Masha announces she’s selling the house. Written by Christopher Durang, and directed by Bart DeLorenzo, it runs October 6 through October 21 at the South Coast Repertory Julianne Argyros Stage in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“Rosencrantz and Guildenstern Are Dead” Hamlet is turned topsy-turvy in this brilliant comedy that thrusts Shakespeare’s two minor characters to the frontlines with no rules except one: they are destined to die. Trapped in a universe where the flip of a coin always comes up heads and pirates can pop-up anytime, Rosencrantz and Guildenstern engage in a battle of wits to try to escape their fate and make sense of a senseless world. Written by Tom Stoppard, and directed by Geoff Elliott, it runs October 7 through November 18 at the A Noise Within in Pasadena. For tickets call 626-356-3121 or visit www.anoisewithin.org.

“Silence! The Musical” follows rookie FBI agent Clarice Starling as she matches wits with the brilliant but insane cannibal, Dr. Hannibal Lecter, in order to catch the serial killer known as Buffalo Bill. Clarice faces her own demons while racing the clock to unlock Lecter’s clues before another innocent girl is killed and skinned by Buffalo Bill. This laugh-out-loud naughty satire features a singing and dancing chorus of lambs narrating the action as Buffalo Bill gleefully dances a hoedown while kidnapping hapless Catherine Martin. Even Dr. Lecter, scary as ever, sings about the life he’d like to lead someday outside the prison walls. Along the way, the entertaining lambs keep the story moving from scene-by-scene with musical commentary and tons of laughter! Written by Hunter Bell, with music by Jon Kaplan & Al Kaplan, and directed by Amanda Conlon, it runs October 11 through November 3 at the Let Live Theatre at The Actors Company in Hollywood. For tickets visit www.bucketlisttheatre.com/tickets.

 

“42nd Street” Starring Phantom of the Opera’s Davis Gaines as Julian Marsh! Grab your tap shoes and come meet those dancing feet in the American dream fable of Broadway. Young Peggy Sawyer is looking to make it on the great white way. When the leading lady of a new Broadway musical gets injured, Peggy might have the shot at stardom she has always been dreaming of. This mother of all musicals features the beloved and iconic “Lullaby of Broadway,” “42nd Street,” “We’re in the Money,” “I Only Have Eyes for You,” and much more. Written by Michael Stewart & Mark Bramble, with music by Harry Warren, lyrics by Al Dubin and Johnny Mercer, and directed by David F.M. Vaughn, it runs October 12 through October 28 at the Cerritos Center for the Performing Arts in Cerritos. For tickets call 800-300-4345 or visit www.3dtheatricals.org.

“The Boys Next Door” Mingled with scenes from the daily lives of these four, where “little things” sometimes become momentous (and often very funny), are moments of great poignancy when, with touching effectiveness, we are reminded that the handicapped, like the rest of us, want only to love and laugh and find some meaning and purpose in the brief time that they are allotted on this earth. As such, this play explores friendship, love and loss in ways universal to all of us. We all fight with filters and obstacles in our lives, but the actors and characters in this production face challenges steeper than most. It is the experience and living truth of the actors that will fill these characters’ stories with physical and emotional authenticity. Written by Tom Griffin, and directed by Jeremy Aldridge, it runs October 12 through November 10 at the Blue Door in Culver City. For tickets call 310-425-8215 or visit www.creoutreach.org.

“Double Play” It sounds like a play about baseball, but it is really about two loners who meet at the crack of dawn in front of Yankee Stadium. Thirty-eight years later, Act Two, Home Plate, completes this romantic comedy, which follows two lonely people who meet in front of Yankee Stadium through the course of their courtship and a 28-year marriage. Written by Dennis Danziger, and directed by Matthew Leavitt, it runs October 12 through November 4 at the Stephanie Feury Theatre in Los Angeles. For tickets call 323-463-7378 or visit www.doubleplay.brownpapertickets.com.

“Real Women Have Curves” In a tiny, family-run factory, fabric flies and tempers flare when Ana, fresh out of high school, rebels against the status quo with dreams of becoming a writer. But deportation and the pressure to not abandon her heritage become a heated debate. These incredibly strong women gossip about food and sex and love… and size, while rewriting Corporate America’s definition of beauty. It’s a coming of age comedy, set in East LA. Written by Josefina López, and directed by Mary Jo DuPrey, it runs October 12 through November 18 at the Garry Marshall Theatre in Burbank. For tickets call 818-955-8101 or visit www.garrymarshalltheatre.org.

“Talking Trees” is a therapeutic tale centered around a mixed race couple and their refusal to effectively communicate, giving race permission to be the silent killer of their relationship. This absurd dark comedy compares the couple’s relationship to the irony of nature and the balance of its four seasons. Nature has no problem navigating the changes and messages sent within those seasons, but what is it with humans? Written by Lonnie Hughes, and directed by Marjorie LeWit, it runs October 12 through November 11 at the Secret Rose Theatre in North Hollywood. For tickets visit www.TalkingTreesPlay.com.

“To Dad with Love: A Tribute to Buddy Ebsen” represents the culmination of Kiki Ebsen’s vision of a full-scale entertainment tribute to the life and career of her father, Buddy Ebsen. Early in her career, Kiki established herself as a dynamic singer/songwriter, musician and artist whose vast musical range combines elements of jazz, pop, classical and rock. Written by Kiki Ebsen, and directed by Steve E. Feinberg, it runs October 12 through October 14 at the Theatre West in Studio City. For tickets call 323-851-7977 or visit www.theatrewest.org.

“Cal in Camo” Do wounds from the past irrevocably impact our capacity to connect? Heartfelt and mysterious, this play probes the nature of bonding in family relationships, and beyond. With an unexpected sense of humor towards humanity, it mines those sometimes excruciating revelations that are necessary before healing can begin. Written by William Francis Hoffman, and directed by Amy K. Harmon, it runs October 13 through November 9 at the VS Theatre in Los Angeles. For tickets call 323-739-4411 or visit www.reddogsquadron.com.

“Kings” The story follows Sydney Millsap, who wins a seat in Congress and is determined to drain the swamp. Then she meets Kate, a whip-smart lobbyist who gets her clients whatever they want. When Kate helps Sydney try to unseat a powerful senator steeped in cronyism, the result, is a sleek, fast-paced, absorbing and very funny look at the corrosive effect of money on politics. It’s a play that lets audiences laugh, think and hope. Written by Sarah Burgess, and directed by Dámaso Rodríguez, it runs October 13 through November 10 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit www.scr.org.

“18 Minutes of Fame: A Musical Journey with Barbara Minkus” You’ve seen her —a lot: On stage, on screen and especially on television. Other than the fact that she never became actually famous, she’s had what most performers would consider an enviable career. Because she started out as, and remains, an accomplished singer, her show business memoir is a musical one. Her road hasn’t always been an easy one. She faced physical challenges. She had to conceal her stage mother’s ongoing infidelities. Aspiring early on to sing opera, Barbara found her audiences steering her in the direction of musical comedy. Gaining a foothold in national media, she worked with the show business greats. She appeared 25 times as a raconteur and singer on The Merv Griffin Show; Appeared on TV with Danny Kaye and Jerry Lewis; 27 episodes of Love, American Style as a variety of characters; stints on Tosh O; Getting On; The Tonight Show. Her stage career has included the touring company of Funny Girl (as Fanny Brice); a starring role on Broadway in The Education of Hyman Kaplan; Off-Broadway roles in Picon Pie (as Molly Picon); Don’t Leave It All to Your Children; Rondelay. She starred locally as Jennie Grossinger in Saturday Night at Grossinger’s. She also had roles in nine feature films. Along the way, she found true love. A trip to Israel with her husband brought her closer to her Jewish roots. Written by Susan Morgenstern and Barbara Minkus, and directed by Susan Morgenstern, it runs October 14 through October 21 at the Pico in Los Angeles. For tickets call 800-838-3006 or visit www.18MinutesOfFame.brownpapertickets.com.

“Sell/Buy/Date” is an exuberant show inspired by the real-life experiences of people affected by the sex industry. Brimming with Jones’ dazzling medley of masterful, multicultural characterizations, the play presents an honest, moving, and even humorous look at a complex and fascinating subject, all while preserving the full humanity of voices seldom heard in the theatre. Written by Sarah Jones, and directed by Carolyn Cantor, it runs October 14 through November 18 at the Renberg Theatre in Los Angeles. For tickets call 323-860-7300 or visit www.lalgbtcenter.org/theatre.

“Return to the Forbidden Planet” follows the adventures of the dashing spaceship captain Tempest and his crew, who hit a meteor shower and are then mysteriously drawn off course to the planet D’Illyria. There they discover the mad scientist Dr. Prospero and his beautiful daughter Miranda, along with the robot Ariel. As a romance develops between Captain Tempest and Miranda, a monster threatens the spaceship, and a sacrifice is made to ensure everyone’s safety. Written by Bob Carlton, and directed by Kirby Ward, it runs October 17 through November 4 at the Rubicon Theatre in Ventura. For tickets call 805-667-2900 or visit www.rubicontheatre.org.

“The Woman in Black” A man obsessed, believing his family has been cursed by a ghostly woman in black, tells his terrifying story to exorcise the fear that grips his soul. It all begins innocently enough, but as he reaches further into his darkest memories, he quickly finds that there is no turning back. Written by Susan Hill, adapted by Stephen Mallatratt, and directed by Robin Herford, it runs October 17 through November 11 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.PasadenaPlayhouse.org.

“Bride of Blood” King Solomon, the son of King David, was famed as the wisest King in all the world. With 700 wives and 300 concubines, his truest love may be the Queen of Sheba, and a ruler of power in her own right. The King attempts to plumb occult Hebrew mysteries, but his understanding is challenged by Exodus 4:24. A perplexing passage in which Moses, his wife Zipporah and their child are endangered by the wrath of God. In his quest and mastery of occult secrets, Solomon is overtaken by his own pride and commits a serious infraction against the will of the Almighty. This opens a path for Solomon’s arch-enemy, Asmodeus, The Demon of Wrath, to enter the land of the living. Seeing into the future, Solomon embarks on a desperate attempt to avert the sacking of Jerusalem and the destruction of the Temple. Written and directed by Amit Itelman, it runs October 18 through November 8 at the Skylight Theater in Hollywood. For tickets visit www.trepanyhouse.org.

 

“Vietgone” spins a modern twist on the classic boy-meets-girl story: Quang and Tong are refugees fleeing the Vietnam War, who hook up and fall in love in a relocation camp in Arkansas. Bold, and fearless, this production takes audiences on a hilariously rip-roaring ride across 1970s America with a hot soundtrack that serves up hip-hop, sass, and revolution. Written by Qui Nguyen, with music by Shammy Dee, and directed by Jennifer Chang, it runs October 18 through November 11 at the David Henry Hwang Theater in Los Angeles. For tickets call 213-625-7000 or visit www.eastwestplayers.org.

“Radiant Vermin” A wickedly funny satire flecked with horror. In this outrageous comedy with a killer heart, Ollie and Jill want to tell you about their dream home — but some of the things they did to get it… well, you might find them kind of shocking. Written by Philip Ridley, and directed by Tim True, it runs October 19 through November 18 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.dn3theatre.org.

“Señor Plummer’s Final Fiesta” It’s 1942 and you receive an invitation to the book launch of Señor Plummer: The Life and Laughter of an Old Californian, Eugenio Plummer’s (mostly) true account of his life in early Los Angeles. You arrive in the newly dedicated Plummer Park, only steps away from where Plummer himself has lived since 1877. From Señor Plummer’s darkest nightmares, to his most luminous joys, you will be armed with only a treasure map of Señor Plummer’s mind. The adventures you encounter are not always friendly, not always logical, but always exist in the vibrant, mysteriously shifting ground at the very heart of Eugene Plummer, the original resident of West Hollywood. Written by Diana Burbano, Tom Jacobson, and Chelsea Sutton with Rogue Artists Ensemble, and directed by Sean T. Cawelti, it runs October 19 through November 18 at the Plummer Park in West Hollywood. For tickets visit www.RogueArtists.org.

“Shrek the Musical” Set in a mythical “once upon a time” sort of land, this is the story of a hulking green ogre who, after being mocked and feared his entire life by anything that crosses his path, retreats to an ugly green swamp to exist in happy isolation. Written by David Linsday-Abaire, with music by Jeanine Tesori, lyrics by David Linsday-Abaire, and directed by Kirsten Chandler, it runs October 19 through October 28 at the Thousand Oaks Civic Arts Plaza in Thousand Oaks. For tickets call 800-745-3000 or visit www.5startheatricals.com.

“A Splintered Soul” A gripping drama about war refugees haunted by the death of their loved ones — and by memories of the things they had to do to survive. It’s 1947 in San Francisco, home to a group of resettled Holocaust survivors from Poland whose very existence depended on blurring the lines between right and wrong. It is there we meet Rabbi Kroeller and a group of morally starved refugees as they seek to define their existence in this new, tidy post-war America. How can these splintered souls adapt to a new life in a new land, where all the rules have changed? Written by Alan L. Brooks, and directed by Marya Mazor, it runs October 19 through November 4 at the International City Theatre Long Beach Performing Arts Center in Long Beach. For tickets call 562-436-4610 or visit www.InternationalCityTheatre.org.

“Sunny Afternoon” November 22nd, 1963. The kickoff of a 46-hour interrogation of Lee Harvey Oswald in the custody of Dallas Homicide Captain Will Fritz, where they discuss Baynes Barron, Russia, Coca-Cola, Jim Brown, a mysterious package, backyard photographs and Friday afternoon in Dealy Plaza. Written and directed by Christian Levatino, it runs October 19 through November 18 at the Complex Hollywood The Flight Theatre in Hollywood. For tickets visit www.thebigeventlive.com.

“…meantime at HoJo’s” Friday night June 16th, 1972. Across the street from the Watergate Complex, eight men sit inside a Howard Johnson’s motel room and wait. What happens over the next five hours will set in action a series of events that will end the Presidency of Richard Nixon. Written and directed by Christian Levatino, it runs October 20 through November 18 at the Complex Hollywood The Flight Theatre in Hollywood. For tickets visit www.thebigeventlive.com.

 

“Cost of Living” John is a rich, quick-witted grad student who has cerebral palsy. Ani is a hilariously foul-mouthed quadriplegic. The people who help them, Jess and Eddie, have their own struggles to contend with. This is a haunting, rigorously unsentimental play about the forces that bring people together and the realities of facing the world with physical disabilities. Written by Martyna Majok, and directed by John Vreeke, it runs October 20 through December 16 at the Fountain Theatre in Los Angeles. For tickets call 323-663-1525 or visit www.FountainTheatre.com.

“King Dick” Christmastime, 1970. The King just spent 100G’s on gifts, and he’s on the run from Graceland. High on Demerol and liquid Ritalin, and with the help of his dead twin brother Jesse, Elvis concocts a scheme to offer the leader of the free world his influential voice in exchange for a new symbol of power. This was the last time anyone would be allowed to cold call the President of the United States. Written and directed by Christian Levatino, it runs October 20 through November 18 at the Complex Hollywood The Flight Theatre in Hollywood. For tickets visit www.thebigeventlive.com.

“Mark Twain and Friends: A River Journey” is a wonderful, family-friendly piece that goes deep into very topical subjects such as prejudice, religion, and education, with Twain’s signature humor and pathos. Mark Twain returns from The Beyond to introduce some of the characters he met in his travels. Written by Greg White, and directed by Gary Lamb, it runs October 20 through November 18 at the Parson’s Nose Theater in Pasadena. For tickets call 626-403-7667 or visit www.parsonsnose.com.

“Murder on the Orient Express” All aboard! The exotic Orient Express is hurtling down the tracks…to a murder! With a train full of suspects and an alibi for each one, it’s the perfect mystery for the dapper detective Hercule Poirot. Romantic, dramatic and sumptuous, this first-ever stage adaptation of Agatha Christie’s suspenseful masterpiece comes to life in this stylish production. Book your passage today for the thrill-ride of the season! Written by Agatha Christie, adapted by Ken Ludwig, and directed by Sheldon Epps, it runs October 20 through November 11 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit www.lamiradatheatre.com.

“Steambath” What if God turned out to be a Puerto Rican steam bath attendant, assisted by a butler named Gottlieb? Renowned standup comedian and actor Paul Rodriguez stars in a revival of the hilarious, razor sharp, 1970 off Broadway hit comedy. Written by Bruce Jay Friedman, and directed by Ron Sossi, it runs October 20 through December 16 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

“The Tragedie of Macbeth” nine actors perform all the roles. They guide audience members from the Witches Heath, down the haunted hallways of Macbeth’s castle, and to the unsuspecting Macduff family’s peaceful home. Audiences pay a visit to the lair of the “double trouble” witches brewing around their cauldron and finally witness a fateful battle where a confrontation between rival adversaries pitches good against evil. The 360-degree performance ranges through five separate locations staged throughout SCLA’s Downtown LA facility, located on the corner of 1st Street and Bixel. To maximize suspense and intimacy, the number of audience members per performance is limited. Written by William Shakespeare, and directed by Kenn Sabberton, it runs October 20 through November 3 at the Shakespeare Center of Los Angeles in Los Angeles. For tickets call 866-710-8942 or visit www.shakespearecenter.org/macbeth.

“The Seafarer” It’s Christmas Eve in a small coastal village north of Dublin, and Sharky has returned to look after his irascible, aging brother who’s recently gone blind. As Sharky attempts to stay off the bottle during the holidays, he contends with old drinking buddies Ivan and Nicky, who are holed up at the house too, hoping to play some cards. With the arrival of a stranger from the distant past, the stakes are raised ever higher and Sharky may be playing for his very soul. Written by Conor McPherson, and directed by Michael Matthews, it runs October 21 through November 4 at the Laguna Playhouse in Laguna Beach. For tickets call 949-497-2787 or visit www.lagunaplayhouse.com.

“The Animal Monologues” Fast-moving, entertaining, and full of heart, the piece features the hopeful perspective of a young descendent of last living 9/11 Search and Rescue dog, Bretagne, who worked twelve-hour shifts at Ground Zero and became an international symbol of 9/11 heroism. When researching the story, Raasch learned that over 300 dogs from all over the world had worked the World Trade Center site, many entering spaces too tight for firefighters. As the mission turned from rescue to recovery, firefighters hid in the rubble to give the dogs a reason to keep looking. Written by Amy Raasch, with music by David Poe, and directed by Matthew McCray, it runs October 25 through November 18 at the Bootleg Theater in Los Angeles. For tickets visit www.TheAnimalMonologues.com.

“The Little Foxes” another epic drama about a Southern family in crisis. Set in the Deep South of 1900, where women have scant options and men seem to hold all the power, Regina Giddens will stop at nothing — even blackmail — to wrest the family business away from her scheming brothers. Written by Lillian Hellman, and directed by Cameron Watson, it runs October 25 through December 10 at the Kiki & David Gindler Performing Arts Center in Glendale. For tickets call 818-506-1983 or visit www.Antaeus.org.

 

“Desert Rats” Brothers Frank and Jesse reunite to plan a kidnapping in a squalid motel room on a hellish day in Barstow. When day turns into night and their hostage is brought out of the trunk, the siblings find their troubles have just begun. Written by Nate Rufus Edelman, and directed by Angie Scott, it runs October 27 through November 18 at the Los Angeles Theatre Center in Los Angeles. For tickets call 866-811-4111 or visit www.thelatc.org.

“Letters from Home” Kalean Ung’s multimedia solo show weaves together her Cambodian family’s refugee story; her own story as a bi-racial, first-generation American; and Shakespeare’s iconic female characters into a unique theatrical experience. In 2016, Kalean learned of a drawer in her father’s study, filled with letters from family and friends living in desperate circumstances in refugee camps and detailing their lives during the genocide with the rise of the Khmer Rouge. This story examines her own life through the stories her father (acclaimed composer Chinary Ung) told her of arriving in America in the 1960s as a young music student, and his subsequent quest to rescue his family members. Written by Kalean Ung, with music by Chinary Ung, and directed by Marina McClure, it runs October 27 through November 18 at the Independent Studio in Atwater. For tickets call 818-710-6306 or visit www.iscla.org.

“Members Only” The year is 1982: the golden age of boxing, the dying gasp of disco, the flowering of identity politics — a time before AIDS had a name. Two decades have taken their toll on Pedro Quinn, a gay Latino prizefighter still fighting well into his 40s, ducking his living-legend status and mourning a man he killed in the ring years ago. Meanwhile, a new generation continues to push the cultural and sexual envelope in and out of the ring. Written by Oliver Mayer, and directed by José Luis Valenzuela, it runs October 27 through November 18 at the Los Angeles Theatre Center in Los Angeles. For tickets call 866-811-4111 or visit www.thelatc.org.

 

“The Woman Who Went to Space as a Man” Part fact, part fever dream, and part musical, this captivating new work opens with Alice B. Sheldon – better known to sci-fi aficionados as author James Tiptree, Jr. – contemplating suicide. Dodging in and out of reality, the play, with a bold musical score, investigates gender, longing and creativity as self-exploration through one of the Science Fiction world’s greatest literary tricksters. Sheldon was most notable for breaking down the barriers between writing perceived as inherently ‘male’ or ‘female’ and it was not publicly known until 1977 that Tiptree was, in fact, a woman. Written and directed by Maureen Huskey, with music by Yuval Ron, it runs October 27 through November 18 at the Son of Semele Theater in Los Angeles. For tickets call 818-841-5422 or visit www.sonofsemele.org.

“Dr. Jekyll & Mr. Hyde” this new adaptation takes place on the dismal streets of London in the 1860s, where societal pressures silence a gentle doctor’s questions about the nature of morality. As the pressure intensifies, Dr. Jekyll takes matters into his own hands. Will his efforts save the world, or will they destroy all that he holds dear? After all, the road to hell is paved with good intentions. Written by Burt Grinstead and Anna Stromberg, and directed by Anna Stromberg, it runs October 29 through October 31 at the LGBT Center’s Davidson/Valentini Theatre in Los Angeles. For tickets call 323-860-7300 or visit www.lalgbtcenter.org/theatre.

 

Enjoy life more – see a show tonight!